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Color name
HEX #3289EB

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3289EB it is the complementary color #CD7614. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3289EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3289EB shade: #3789E6, #489BF9, #59ADFF, #6ABFFF and #7BD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3289EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3289EB shade: #3289EB, #2177D8, #1065C5, #0053B2 and #00419F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3289EB shade: #3389EB, #3358EB, #3F33EB, #7133EB and #A333EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3289EB shade: #3389EB, #3358EB and #3333EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3289EB shade matches the following richer shades: #3389EB and #2188FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3289EB shade: #3389EB, #458AD9, #578BC6, #698DB4 and #7B8EA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3289EB shade: #33EBE8, #33BDEB, #338CEB, #335BEB and #3C33EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3289EB shade: #1261B9, #1674DE, #3389EB, #589FEF and #7EB5F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3289EB shade: #3289EB, #B733EB and #D5EB33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3289EB shade: #3289EB, #EB338C and #8CEB33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3289EB shade: #3289EB, #B733EB, #EB9233 and #67EB33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3289EB shade: #3289EB, #EB33E8, #EB9233 and #33EB36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 42 / 0 / 8

HEX #3289EB

RGB 50 137 235

HSL 211.78, 0.82%, 0.56%

LAB 56.65, 8.3, -56.71

 

Complementary color

CMYK 0 / 42 / 90 / 20

HEX #CD7614

RGB 205 118 20

HSL 31.78, 0.82%, 0.44%

LAB 58.02, 27.97, 61.13

 

CMYK 76 / 40 / 0 / 10

HEX #3789E6

RGB 55 137 230

HSL 211.89, 0.78%, 0.56%

LAB 56.5, 7.01, -54.15

 

CMYK 71 / 38 / 0 / 2

HEX #489BF9

RGB 72 155 249

HSL 211.86, 0.94%, 0.63%

LAB 63.06, 5.21, -54.18

 

CMYK 65 / 32 / 0 / 0

HEX #59ADFF

RGB 89 173 255

HSL 209.64, 1%, 0.67%

LAB 68.92, -0.57, -48.14

 

CMYK 58 / 25 / 0 / 0

HEX #6ABFFF

RGB 106 191 255

HSL 205.77, 1%, 0.71%

LAB 74.54, -7.53, -39.3

 

CMYK 52 / 18 / 0 / 0

HEX #7BD1FF

RGB 123 209 255

HSL 200.91, 1%, 0.74%

LAB 80.2, -13.67, -30.49

 

CMYK 79 / 42 / 0 / 8

HEX #3289EB

RGB 50 137 235

HSL 211.78, 0.82%, 0.56%

LAB 56.65, 8.3, -56.71

 

CMYK 85 / 45 / 0 / 15

HEX #2177D8

RGB 33 119 216

HSL 211.8, 0.73%, 0.49%

LAB 50.07, 10.72, -56.62

 

CMYK 92 / 49 / 0 / 23

HEX #1065C5

RGB 16 101 197

HSL 211.82, 0.85%, 0.42%

LAB 43.43, 13.7, -56.46

 

CMYK 100 / 53 / 0 / 30

HEX #0053B2

RGB 0 83 178

HSL 212.02, 1%, 0.35%

LAB 36.74, 17.26, -56.19

 

CMYK 100 / 59 / 0 / 38

HEX #00419F

RGB 0 65 159

HSL 215.47, 1%, 0.31%

LAB 30.12, 21.69, -55.62

 

CMYK 78 / 42 / 0 / 8

HEX #3389EB

RGB 51 137 235

HSL 211.96, 0.82%, 0.56%

LAB 56.68, 8.4, -56.66

 

CMYK 78 / 63 / 0 / 8

HEX #3358EB

RGB 51 88 235

HSL 227.93, 0.82%, 0.56%

LAB 43.77, 39.01, -77.56

 

CMYK 73 / 78 / 0 / 8

HEX #3F33EB

RGB 63 51 235

HSL 243.91, 0.82%, 0.56%

LAB 36.79, 60.82, -89.05

 

CMYK 52 / 78 / 0 / 8

HEX #7133EB

RGB 113 51 235

HSL 260.22, 0.82%, 0.56%

LAB 41.02, 65.76, -81.92

 

CMYK 31 / 78 / 0 / 8

HEX #A333EB

RGB 163 51 235

HSL 276.52, 0.82%, 0.56%

LAB 47.17, 72.92, -71.6

 

CMYK 78 / 42 / 0 / 8

HEX #3389EB

RGB 51 137 235

HSL 211.96, 0.82%, 0.56%

LAB 56.68, 8.4, -56.66

 

CMYK 78 / 63 / 0 / 8

HEX #3358EB

RGB 51 88 235

HSL 227.93, 0.82%, 0.56%

LAB 43.77, 39.01, -77.56

 

CMYK 78 / 78 / 0 / 8

HEX #3333EB

RGB 51 51 235

HSL 240, 0.82%, 0.56%

LAB 36.12, 60.04, -90.18

 

CMYK 78 / 42 / 0 / 8

HEX #3389EB

RGB 51 137 235

HSL 211.96, 0.82%, 0.56%

LAB 56.68, 8.4, -56.66

 

CMYK 87 / 46 / 0 / 1

HEX #2188FD

RGB 33 136 253

HSL 211.91, 0.98%, 0.56%

LAB 57.1, 14.26, -65.96

 

CMYK 78 / 42 / 0 / 8

HEX #3389EB

RGB 51 137 235

HSL 211.96, 0.82%, 0.56%

LAB 56.68, 8.4, -56.66

 

CMYK 68 / 36 / 0 / 15

HEX #458AD9

RGB 69 138 217

HSL 212.03, 0.66%, 0.56%

LAB 56.54, 3.66, -46.8

 

CMYK 56 / 30 / 0 / 22

HEX #578BC6

RGB 87 139 198

HSL 211.89, 0.49%, 0.56%

LAB 56.65, 0.02, -35.87

 

CMYK 42 / 22 / 0 / 29

HEX #698DB4

RGB 105 141 180

HSL 211.2, 0.33%, 0.56%

LAB 57.41, -2.22, -24.39

 

CMYK 24 / 12 / 0 / 36

HEX #7B8EA2

RGB 123 142 162

HSL 210.77, 0.17%, 0.56%

LAB 58.19, -2.19, -12.83

 

CMYK 78 / 0 / 1 / 8

HEX #33EBE8

RGB 51 235 232

HSL 179.02, 0.82%, 0.56%

LAB 84.97, -43.68, -11.27

 

CMYK 78 / 20 / 0 / 8

HEX #33BDEB

RGB 51 189 235

HSL 195, 0.82%, 0.56%

LAB 71.62, -20.81, -33.15

 

CMYK 78 / 40 / 0 / 8

HEX #338CEB

RGB 51 140 235

HSL 210.98, 0.82%, 0.56%

LAB 57.52, 6.59, -55.32

 

CMYK 78 / 61 / 0 / 8

HEX #335BEB

RGB 51 91 235

HSL 226.96, 0.82%, 0.56%

LAB 44.5, 37.14, -76.37

 

CMYK 74 / 78 / 0 / 8

HEX #3C33EB

RGB 60 51 235

HSL 242.93, 0.82%, 0.56%

LAB 36.61, 60.61, -89.35

 

CMYK 90 / 48 / 0 / 27

HEX #1261B9

RGB 18 97 185

HSL 211.62, 0.82%, 0.4%

LAB 41.5, 11.61, -52.6

 

CMYK 90 / 48 / 0 / 13

HEX #1674DE

RGB 22 116 222

HSL 211.8, 0.82%, 0.48%

LAB 49.42, 14.23, -61.07

 

CMYK 78 / 42 / 0 / 8

HEX #3389EB

RGB 51 137 235

HSL 211.96, 0.82%, 0.56%

LAB 56.68, 8.4, -56.66

 

CMYK 63 / 33 / 0 / 6

HEX #589FEF

RGB 88 159 239

HSL 211.79, 0.83%, 0.64%

LAB 64.24, 1.96, -46.78

 

CMYK 48 / 25 / 0 / 5

HEX #7EB5F2

RGB 126 181 242

HSL 211.55, 0.82%, 0.72%

LAB 72.16, -1.72, -35.91

 

CMYK 79 / 42 / 0 / 8

HEX #3289EB

RGB 50 137 235

HSL 211.78, 0.82%, 0.56%

LAB 56.65, 8.3, -56.71

 

CMYK 22 / 78 / 0 / 8

HEX #B733EB

RGB 183 51 235

HSL 283.04, 0.82%, 0.56%

LAB 50.02, 76.22, -66.85

 

CMYK 9 / 0 / 78 / 8

HEX #D5EB33

RGB 213 235 51

HSL 67.17, 0.82%, 0.56%

LAB 88.83, -28.37, 79

 

CMYK 79 / 42 / 0 / 8

HEX #3289EB

RGB 50 137 235

HSL 211.78, 0.82%, 0.56%

LAB 56.65, 8.3, -56.71

 

CMYK 0 / 78 / 40 / 8

HEX #EB338C

RGB 235 51 140

HSL 330.98, 0.82%, 0.56%

LAB 53.95, 73.76, -4.94

 

CMYK 40 / 0 / 78 / 8

HEX #8CEB33

RGB 140 235 51

HSL 90.98, 0.82%, 0.56%

LAB 84.6, -55.47, 73.59

 

CMYK 79 / 42 / 0 / 8

HEX #3289EB

RGB 50 137 235

HSL 211.78, 0.82%, 0.56%

LAB 56.65, 8.3, -56.71

 

CMYK 22 / 78 / 0 / 8

HEX #B733EB

RGB 183 51 235

HSL 283.04, 0.82%, 0.56%

LAB 50.02, 76.22, -66.85

 

CMYK 0 / 38 / 78 / 8

HEX #EB9233

RGB 235 146 51

HSL 30.98, 0.82%, 0.56%

LAB 68.36, 26.48, 61.07

 

CMYK 56 / 0 / 78 / 8

HEX #67EB33

RGB 103 235 51

HSL 103.04, 0.82%, 0.56%

LAB 83.2, -66.16, 71.77

 

CMYK 79 / 42 / 0 / 8

HEX #3289EB

RGB 50 137 235

HSL 211.78, 0.82%, 0.56%

LAB 56.65, 8.3, -56.71

 

CMYK 0 / 78 / 1 / 8

HEX #EB33E8

RGB 235 51 232

HSL 300.98, 0.82%, 0.56%

LAB 57.9, 85.12, -52.07

 

CMYK 0 / 38 / 78 / 8

HEX #EB9233

RGB 235 146 51

HSL 30.98, 0.82%, 0.56%

LAB 68.36, 26.48, 61.07

 

CMYK 78 / 0 / 77 / 8

HEX #33EB36

RGB 51 235 54

HSL 120.98, 0.82%, 0.56%

LAB 82.05, -75.73, 69.39

 

Description

Color code: HEX #3289EB | qconv.com Color code: HEX #3289EB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 137 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 137 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 42 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 42% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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