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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #328737 it is the complementary color #CD78C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #328737. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #328737 shade: #378732, #489945, #59AB58, #6ABD6B and #7BCF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #328737. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #328737 shade: #328737, #217524, #106311, #005100 and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #328737 shade: #328637, #438632, #5A8632, #718632 and #868432

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #328737 shade: #328637, #32864D, #328664, #32867B and #327A86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #328737 shade matches the following richer shades: #328637, #239529, #14A41C and #05B30F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #328737 shade: #328637, #407744, #4F6851, #5E595E and #6D4B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #328737 shade: #5A8632, #448632, #328636, #32864C and #328663

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #328737 shade: #1B4A1E, #26682A, #328637, #3DA443 and #4DBD54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #328737 shade: #328737, #327186 and #86324F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #328737 shade: #328737, #363286 and #863632

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #328737 shade: #328737, #327186, #863282 and #864732

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #328737 shade: #328737, #325886, #863282 and #866032

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 59 / 47

HEX #328737

RGB 50 135 55

HSL 123.53, 0.46%, 0.36%

LAB 49.84, -42.58, 35.02

 

Complementary color

CMYK 0 / 41 / 2 / 20

HEX #CD78C8

RGB 205 120 200

HSL 303.53, 0.46%, 0.64%

LAB 62.15, 44.93, -27.67

 

CMYK 59 / 0 / 63 / 47

HEX #378732

RGB 55 135 50

HSL 116.47, 0.46%, 0.36%

LAB 49.94, -41.94, 37.61

 

CMYK 53 / 0 / 55 / 40

HEX #489945

RGB 72 153 69

HSL 117.86, 0.38%, 0.44%

LAB 56.67, -42.22, 36.35

 

CMYK 48 / 0 / 49 / 33

HEX #59AB58

RGB 89 171 88

HSL 119.28, 0.33%, 0.51%

LAB 63.31, -42.25, 35.02

 

CMYK 44 / 0 / 43 / 26

HEX #6ABD6B

RGB 106 189 107

HSL 120.72, 0.39%, 0.58%

LAB 69.84, -42.14, 33.71

 

CMYK 41 / 0 / 39 / 19

HEX #7BCF7E

RGB 123 207 126

HSL 122.14, 0.47%, 0.65%

LAB 76.28, -41.96, 32.45

 

CMYK 63 / 0 / 59 / 47

HEX #328737

RGB 50 135 55

HSL 123.53, 0.46%, 0.36%

LAB 49.84, -42.58, 35.02

 

CMYK 72 / 0 / 69 / 54

HEX #217524

RGB 33 117 36

HSL 122.14, 0.56%, 0.29%

LAB 43.02, -41.81, 36.25

 

CMYK 84 / 0 / 83 / 61

HEX #106311

RGB 16 99 17

HSL 120.72, 0.72%, 0.23%

LAB 36.13, -40.17, 36.84

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 63 / 0 / 59 / 47

HEX #328637

RGB 50 134 55

HSL 123.57, 0.46%, 0.36%

LAB 49.5, -42.19, 34.63

 

CMYK 50 / 0 / 63 / 47

HEX #438632

RGB 67 134 50

HSL 107.86, 0.46%, 0.36%

LAB 50.07, -38.07, 37.88

 

CMYK 33 / 0 / 63 / 47

HEX #5A8632

RGB 90 134 50

HSL 91.43, 0.46%, 0.36%

LAB 51.21, -30.02, 39.48

 

CMYK 16 / 0 / 63 / 47

HEX #718632

RGB 113 134 50

HSL 75, 0.46%, 0.36%

LAB 52.72, -20.64, 41.57

 

CMYK 0 / 1 / 63 / 47

HEX #868432

RGB 134 132 50

HSL 58.57, 0.46%, 0.36%

LAB 53.82, -10.34, 43.25

 

CMYK 63 / 0 / 59 / 47

HEX #328637

RGB 50 134 55

HSL 123.57, 0.46%, 0.36%

LAB 49.5, -42.19, 34.63

 

CMYK 63 / 0 / 43 / 47

HEX #32864D

RGB 50 134 77

HSL 139.29, 0.46%, 0.36%

LAB 49.81, -38.7, 23.37

 

CMYK 63 / 0 / 25 / 47

HEX #328664

RGB 50 134 100

HSL 155.71, 0.46%, 0.36%

LAB 50.27, -33.85, 10.93

 

CMYK 63 / 0 / 8 / 47

HEX #32867B

RGB 50 134 123

HSL 172.14, 0.46%, 0.36%

LAB 50.87, -27.91, -1.58

 

CMYK 63 / 9 / 0 / 47

HEX #327A86

RGB 50 122 134

HSL 188.57, 0.46%, 0.36%

LAB 47.39, -18.43, -13.24

 

CMYK 63 / 0 / 59 / 47

HEX #328637

RGB 50 134 55

HSL 123.57, 0.46%, 0.36%

LAB 49.5, -42.19, 34.63

 

CMYK 77 / 0 / 72 / 42

HEX #239529

RGB 35 149 41

HSL 123.16, 0.62%, 0.36%

LAB 54.04, -52.18, 45.84

 

CMYK 88 / 0 / 83 / 36

HEX #14A41C

RGB 20 164 28

HSL 123.33, 0.78%, 0.36%

LAB 58.77, -59.67, 54.8

 

CMYK 97 / 0 / 92 / 30

HEX #05B30F

RGB 5 179 15

HSL 123.45, 0.95%, 0.36%

LAB 63.6, -65.47, 61.85

 

CMYK 63 / 0 / 59 / 47

HEX #328637

RGB 50 134 55

HSL 123.57, 0.46%, 0.36%

LAB 49.5, -42.19, 34.63

 

CMYK 46 / 0 / 43 / 53

HEX #407744

RGB 64 119 68

HSL 124.36, 0.3%, 0.36%

LAB 45.22, -29.79, 22.52

 

CMYK 24 / 0 / 22 / 59

HEX #4F6851

RGB 79 104 81

HSL 124.8, 0.14%, 0.36%

LAB 41.46, -14.36, 9.99

 

CMYK 0 / 5 / 0 / 63

HEX #5E595E

RGB 94 89 94

HSL 300, 0.03%, 0.36%

LAB 38.43, 3.05, -2.16

 

CMYK 0 / 31 / 2 / 57

HEX #6D4B6B

RGB 109 75 107

HSL 303.53, 0.18%, 0.36%

LAB 36.64, 20.23, -12.78

 

CMYK 33 / 0 / 63 / 47

HEX #5A8632

RGB 90 134 50

HSL 91.43, 0.46%, 0.36%

LAB 51.21, -30.02, 39.48

 

CMYK 49 / 0 / 63 / 47

HEX #448632

RGB 68 134 50

HSL 107.14, 0.46%, 0.36%

LAB 50.11, -37.76, 37.94

 

CMYK 63 / 0 / 60 / 47

HEX #328636

RGB 50 134 54

HSL 122.86, 0.46%, 0.36%

LAB 49.49, -42.32, 35.11

 

CMYK 63 / 0 / 43 / 47

HEX #32864C

RGB 50 134 76

HSL 138.57, 0.46%, 0.36%

LAB 49.8, -38.88, 23.9

 

CMYK 63 / 0 / 26 / 47

HEX #328663

RGB 50 134 99

HSL 155, 0.46%, 0.36%

LAB 50.25, -34.09, 11.48

 

CMYK 64 / 0 / 59 / 71

HEX #1B4A1E

RGB 27 74 30

HSL 123.83, 0.47%, 0.2%

LAB 27.36, -26.56, 21.38

 

CMYK 63 / 0 / 60 / 59

HEX #26682A

RGB 38 104 42

HSL 123.64, 0.46%, 0.28%

LAB 38.69, -34.81, 28.43

 

CMYK 63 / 0 / 59 / 47

HEX #328637

RGB 50 134 55

HSL 123.57, 0.46%, 0.36%

LAB 49.5, -42.19, 34.63

 

CMYK 63 / 0 / 59 / 36

HEX #3DA443

RGB 61 164 67

HSL 123.5, 0.46%, 0.44%

LAB 59.84, -49.61, 40.98

 

CMYK 59 / 0 / 56 / 26

HEX #4DBD54

RGB 77 189 84

HSL 123.75, 0.46%, 0.52%

LAB 68.47, -53.16, 43.19

 

CMYK 63 / 0 / 59 / 47

HEX #328737

RGB 50 135 55

HSL 123.53, 0.46%, 0.36%

LAB 49.84, -42.58, 35.02

 

CMYK 63 / 16 / 0 / 47

HEX #327186

RGB 50 113 134

HSL 195, 0.46%, 0.36%

LAB 44.53, -13.45, -17.59

 

CMYK 0 / 63 / 41 / 47

HEX #86324F

RGB 134 50 79

HSL 339.29, 0.46%, 0.36%

LAB 33.8, 38.81, 1.16

 

CMYK 63 / 0 / 59 / 47

HEX #328737

RGB 50 135 55

HSL 123.53, 0.46%, 0.36%

LAB 49.84, -42.58, 35.02

 

CMYK 60 / 63 / 0 / 47

HEX #363286

RGB 54 50 134

HSL 242.86, 0.46%, 0.36%

LAB 26.12, 27.69, -46.68

 

CMYK 0 / 60 / 63 / 47

HEX #863632

RGB 134 54 50

HSL 2.86, 0.46%, 0.36%

LAB 33.85, 34.04, 19.85

 

CMYK 63 / 0 / 59 / 47

HEX #328737

RGB 50 135 55

HSL 123.53, 0.46%, 0.36%

LAB 49.84, -42.58, 35.02

 

CMYK 63 / 16 / 0 / 47

HEX #327186

RGB 50 113 134

HSL 195, 0.46%, 0.36%

LAB 44.53, -13.45, -17.59

 

CMYK 0 / 63 / 3 / 47

HEX #863282

RGB 134 50 130

HSL 302.86, 0.46%, 0.36%

LAB 35.91, 46.46, -27.96

 

CMYK 0 / 47 / 63 / 47

HEX #864732

RGB 134 71 50

HSL 15, 0.46%, 0.36%

LAB 37.49, 24.79, 24.42

 

CMYK 63 / 0 / 59 / 47

HEX #328737

RGB 50 135 55

HSL 123.53, 0.46%, 0.36%

LAB 49.84, -42.58, 35.02

 

CMYK 63 / 34 / 0 / 47

HEX #325886

RGB 50 88 134

HSL 212.86, 0.46%, 0.36%

LAB 36.7, 1.64, -29.75

 

CMYK 0 / 63 / 3 / 47

HEX #863282

RGB 134 50 130

HSL 302.86, 0.46%, 0.36%

LAB 35.91, 46.46, -27.96

 

CMYK 0 / 28 / 63 / 47

HEX #866032

RGB 134 96 50

HSL 32.86, 0.46%, 0.36%

LAB 43.75, 10.18, 31.94

 

Description

Color code: HEX #328737 | qconv.com Color code: HEX #328737 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 135 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 135 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 59 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 59% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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