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Color name
HEX #32850D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32850D it is the complementary color #CD7AF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32850D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32850D shade: #378508, #48971B, #59A92E, #6ABB41 and #7BCD54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32850D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32850D shade: #32850D, #217300, #106100, #004F00 and #003D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32850D shade: #33870D, #53870D, #74870D, #87780D and #87580D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32850D shade: #33870D, #12870D, #0D8729, #0D874A and #0D876B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32850D shade matches the following richer shades: #33870D and #2E9301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32850D shade: #33870D, #377B19, #3C6F25, #406331 and #45573D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32850D shade: #74870D, #54870D, #34870D, #13870D and #0D8728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32850D shade: #163B06, #25610A, #33870D, #41AC11 and #4FD215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32850D shade: #32850D, #0D8778 and #870D64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32850D shade: #32850D, #0D3487 and #870D34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32850D shade: #32850D, #0D8778, #600D87 and #870D1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32850D shade: #32850D, #0D7087, #600D87 and #87240D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 90 / 48

HEX #32850D

RGB 50 133 13

HSL 101.5, 0.82%, 0.29%

LAB 48.86, -45.31, 49.86

 

Complementary color

CMYK 15 / 50 / 0 / 5

HEX #CD7AF2

RGB 205 122 242

HSL 281.5, 0.82%, 0.71%

LAB 64.41, 52.03, -47.58

 

CMYK 59 / 0 / 94 / 48

HEX #378508

RGB 55 133 8

HSL 97.44, 0.89%, 0.28%

LAB 49.01, -44.13, 51.02

 

CMYK 52 / 0 / 82 / 41

HEX #48971B

RGB 72 151 27

HSL 98.23, 0.7%, 0.35%

LAB 55.68, -45.28, 52.65

 

CMYK 47 / 0 / 73 / 34

HEX #59A92E

RGB 89 169 46

HSL 99.02, 0.57%, 0.42%

LAB 62.25, -45.96, 52.86

 

CMYK 43 / 0 / 65 / 27

HEX #6ABB41

RGB 106 187 65

HSL 99.84, 0.48%, 0.49%

LAB 68.74, -46.33, 52.32

 

CMYK 40 / 0 / 59 / 20

HEX #7BCD54

RGB 123 205 84

HSL 100.66, 0.55%, 0.57%

LAB 75.15, -46.5, 51.42

 

CMYK 62 / 0 / 90 / 48

HEX #32850D

RGB 50 133 13

HSL 101.5, 0.82%, 0.29%

LAB 48.86, -45.31, 49.86

 

CMYK 71 / 0 / 100 / 55

HEX #217300

RGB 33 115 0

HSL 102.78, 1%, 0.23%

LAB 42.13, -43.43, 46.82

 

CMYK 84 / 0 / 100 / 62

HEX #106100

RGB 16 97 0

HSL 110.1, 1%, 0.19%

LAB 35.32, -40.48, 41.24

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 62 / 0 / 90 / 47

HEX #33870D

RGB 51 135 13

HSL 101.31, 0.82%, 0.29%

LAB 49.57, -45.79, 50.48

 

CMYK 39 / 0 / 90 / 47

HEX #53870D

RGB 83 135 13

HSL 85.57, 0.82%, 0.29%

LAB 50.92, -35.5, 52.16

 

CMYK 14 / 0 / 90 / 47

HEX #74870D

RGB 116 135 13

HSL 69.34, 0.82%, 0.29%

LAB 53.03, -21.8, 54.77

 

CMYK 0 / 11 / 90 / 47

HEX #87780D

RGB 135 120 13

HSL 52.62, 0.82%, 0.29%

LAB 50.23, -4.98, 53.19

 

CMYK 0 / 35 / 90 / 47

HEX #87580D

RGB 135 88 13

HSL 36.89, 0.82%, 0.29%

LAB 41.47, 13.52, 46.2

 

CMYK 62 / 0 / 90 / 47

HEX #33870D

RGB 51 135 13

HSL 101.31, 0.82%, 0.29%

LAB 49.57, -45.79, 50.48

 

CMYK 87 / 0 / 90 / 47

HEX #12870D

RGB 18 135 13

HSL 117.54, 0.82%, 0.29%

LAB 48.87, -51.82, 49.59

 

CMYK 90 / 0 / 70 / 47

HEX #0D8729

RGB 13 135 41

HSL 133.77, 0.82%, 0.29%

LAB 48.97, -50.24, 40.39

 

CMYK 90 / 0 / 45 / 47

HEX #0D874A

RGB 13 135 74

HSL 150, 0.82%, 0.29%

LAB 49.38, -45.27, 24.32

 

CMYK 90 / 0 / 21 / 47

HEX #0D876B

RGB 13 135 107

HSL 166.23, 0.82%, 0.29%

LAB 50.07, -37.59, 6.49

 

CMYK 62 / 0 / 90 / 47

HEX #33870D

RGB 51 135 13

HSL 101.31, 0.82%, 0.29%

LAB 49.57, -45.79, 50.48

 

CMYK 69 / 0 / 99 / 42

HEX #2E9301

RGB 46 147 1

HSL 101.51, 0.99%, 0.29%

LAB 53.44, -51.54, 55.77

 

CMYK 62 / 0 / 90 / 47

HEX #33870D

RGB 51 135 13

HSL 101.31, 0.82%, 0.29%

LAB 49.57, -45.79, 50.48

 

CMYK 55 / 0 / 80 / 52

HEX #377B19

RGB 55 123 25

HSL 101.63, 0.66%, 0.29%

LAB 45.7, -39.46, 43.66

 

CMYK 46 / 0 / 67 / 56

HEX #3C6F25

RGB 60 111 37

HSL 101.35, 0.5%, 0.29%

LAB 41.94, -31.72, 34.89

 

CMYK 35 / 0 / 51 / 61

HEX #406331

RGB 64 99 49

HSL 102, 0.34%, 0.29%

LAB 38.26, -23.01, 24.38

 

CMYK 21 / 0 / 30 / 66

HEX #45573D

RGB 69 87 61

HSL 101.54, 0.18%, 0.29%

LAB 34.84, -12.54, 12.9

 

CMYK 14 / 0 / 90 / 47

HEX #74870D

RGB 116 135 13

HSL 69.34, 0.82%, 0.29%

LAB 53.03, -21.8, 54.77

 

CMYK 38 / 0 / 90 / 47

HEX #54870D

RGB 84 135 13

HSL 85.08, 0.82%, 0.29%

LAB 50.97, -35.12, 52.23

 

CMYK 61 / 0 / 90 / 47

HEX #34870D

RGB 52 135 13

HSL 100.82, 0.82%, 0.29%

LAB 49.6, -45.53, 50.52

 

CMYK 86 / 0 / 90 / 47

HEX #13870D

RGB 19 135 13

HSL 117.05, 0.82%, 0.29%

LAB 48.88, -51.71, 49.61

 

CMYK 90 / 0 / 70 / 47

HEX #0D8728

RGB 13 135 40

HSL 133.28, 0.82%, 0.29%

LAB 48.97, -50.35, 40.81

 

CMYK 63 / 0 / 90 / 77

HEX #163B06

RGB 22 59 6

HSL 101.89, 0.82%, 0.13%

LAB 21.25, -24.21, 26.49

 

CMYK 62 / 0 / 90 / 62

HEX #25610A

RGB 37 97 10

HSL 101.38, 0.81%, 0.21%

LAB 35.92, -35.28, 39.05

 

CMYK 62 / 0 / 90 / 47

HEX #33870D

RGB 51 135 13

HSL 101.31, 0.82%, 0.29%

LAB 49.57, -45.79, 50.48

 

CMYK 62 / 0 / 90 / 33

HEX #41AC11

RGB 65 172 17

HSL 101.42, 0.82%, 0.37%

LAB 62.23, -55.29, 60.71

 

CMYK 62 / 0 / 90 / 18

HEX #4FD215

RGB 79 210 21

HSL 101.59, 0.82%, 0.45%

LAB 74.7, -64.71, 70.76

 

CMYK 62 / 0 / 90 / 48

HEX #32850D

RGB 50 133 13

HSL 101.5, 0.82%, 0.29%

LAB 48.86, -45.31, 49.86

 

CMYK 90 / 0 / 11 / 47

HEX #0D8778

RGB 13 135 120

HSL 172.62, 0.82%, 0.29%

LAB 50.42, -33.92, -0.58

 

CMYK 0 / 90 / 26 / 47

HEX #870D64

RGB 135 13 100

HSL 317.21, 0.82%, 0.29%

LAB 30.3, 54.26, -17.71

 

CMYK 62 / 0 / 90 / 48

HEX #32850D

RGB 50 133 13

HSL 101.5, 0.82%, 0.29%

LAB 48.86, -45.31, 49.86

 

CMYK 90 / 61 / 0 / 47

HEX #0D3487

RGB 13 52 135

HSL 220.82, 0.82%, 0.29%

LAB 24.61, 21.43, -49.86

 

CMYK 0 / 90 / 61 / 47

HEX #870D34

RGB 135 13 52

HSL 340.82, 0.82%, 0.29%

LAB 28.61, 49.57, 11.67

 

CMYK 62 / 0 / 90 / 48

HEX #32850D

RGB 50 133 13

HSL 101.5, 0.82%, 0.29%

LAB 48.86, -45.31, 49.86

 

CMYK 90 / 0 / 11 / 47

HEX #0D8778

RGB 13 135 120

HSL 172.62, 0.82%, 0.29%

LAB 50.42, -33.92, -0.58

 

CMYK 29 / 90 / 0 / 47

HEX #600D87

RGB 96 13 135

HSL 280.82, 0.82%, 0.29%

LAB 25.33, 52.58, -48.37

 

CMYK 0 / 90 / 80 / 47

HEX #870D1B

RGB 135 13 27

HSL 353.11, 0.82%, 0.29%

LAB 28.16, 48.28, 27.59

 

CMYK 62 / 0 / 90 / 48

HEX #32850D

RGB 50 133 13

HSL 101.5, 0.82%, 0.29%

LAB 48.86, -45.31, 49.86

 

CMYK 90 / 17 / 0 / 47

HEX #0D7087

RGB 13 112 135

HSL 191.31, 0.82%, 0.29%

LAB 43.39, -17.37, -20.01

 

CMYK 29 / 90 / 0 / 47

HEX #600D87

RGB 96 13 135

HSL 280.82, 0.82%, 0.29%

LAB 25.33, 52.58, -48.37

 

CMYK 0 / 73 / 90 / 47

HEX #87240D

RGB 135 36 13

HSL 11.31, 0.82%, 0.29%

LAB 30.5, 40.96, 37.46

 

Description

Color code: HEX #32850D | qconv.com Color code: HEX #32850D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 133 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 133 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 90 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 90% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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