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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #327E5E it is the complementary color #CD81A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #327E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #327E5E shade: #377E59, #48906C, #59A27F, #6AB492 and #7BC6A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #327E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #327E5E shade: #327E5E, #216C4B, #105A38, #004825 and #003612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #327E5E shade: #33805F, #33804B, #338036, #458033 and #598033

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #327E5E shade: #33805F, #338074, #337780, #336280 and #334D80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #327E5E shade matches the following richer shades: #33805F, #248E62, #169D64 and #08AB66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #327E5E shade: #33805F, #41715D, #50635B, #5E5458 and #6D4656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #327E5E shade: #338035, #33804A, #33805E, #338073 and #337880

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #327E5E shade: #1B4533, #276249, #33805F, #3F9D75 and #4DB88B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #327E5E shade: #327E5E, #334580 and #804033

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #327E5E shade: #327E5E, #5E3380 and #805E33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #327E5E shade: #327E5E, #334580, #803354 and #806E33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #327E5E shade: #327E5E, #383380, #803354 and #7B8033

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 25 / 51

HEX #327E5E

RGB 50 126 94

HSL 154.74, 0.43%, 0.35%

LAB 47.51, -31.58, 10.54

 

Complementary color

CMYK 0 / 37 / 21 / 20

HEX #CD81A1

RGB 205 129 161

HSL 334.74, 0.43%, 0.65%

LAB 62.72, 33.69, -4.68

 

CMYK 56 / 0 / 29 / 51

HEX #377E59

RGB 55 126 89

HSL 148.73, 0.39%, 0.35%

LAB 47.57, -31.52, 13.56

 

CMYK 50 / 0 / 25 / 44

HEX #48906C

RGB 72 144 108

HSL 150, 0.33%, 0.42%

LAB 54.46, -31.39, 12.32

 

CMYK 45 / 0 / 22 / 36

HEX #59A27F

RGB 89 162 127

HSL 151.23, 0.29%, 0.49%

LAB 61.22, -31.18, 11.2

 

CMYK 41 / 0 / 19 / 29

HEX #6AB492

RGB 106 180 146

HSL 152.43, 0.33%, 0.56%

LAB 67.86, -30.95, 10.19

 

CMYK 38 / 0 / 17 / 22

HEX #7BC6A5

RGB 123 198 165

HSL 153.6, 0.4%, 0.63%

LAB 74.39, -30.71, 9.25

 

CMYK 60 / 0 / 25 / 51

HEX #327E5E

RGB 50 126 94

HSL 154.74, 0.43%, 0.35%

LAB 47.51, -31.58, 10.54

 

CMYK 69 / 0 / 31 / 58

HEX #216C4B

RGB 33 108 75

HSL 153.6, 0.53%, 0.28%

LAB 40.5, -31.4, 11.93

 

CMYK 82 / 0 / 38 / 65

HEX #105A38

RGB 16 90 56

HSL 152.43, 0.7%, 0.21%

LAB 33.37, -30.79, 13.56

 

CMYK 100 / 0 / 49 / 72

HEX #004825

RGB 0 72 37

HSL 150.83, 1%, 0.14%

LAB 26.06, -29.67, 15.45

 

CMYK 100 / 0 / 67 / 79

HEX #003612

RGB 0 54 18

HSL 140, 1%, 0.11%

LAB 18.72, -26.28, 17.78

 

CMYK 60 / 0 / 26 / 50

HEX #33805F

RGB 51 128 95

HSL 154.29, 0.43%, 0.35%

LAB 48.22, -32.05, 10.96

 

CMYK 60 / 0 / 41 / 50

HEX #33804B

RGB 51 128 75

HSL 138.7, 0.43%, 0.35%

LAB 47.82, -36.27, 21.87

 

CMYK 60 / 0 / 58 / 50

HEX #338036

RGB 51 128 54

HSL 122.34, 0.43%, 0.35%

LAB 47.51, -39.67, 32.78

 

CMYK 46 / 0 / 60 / 50

HEX #458033

RGB 69 128 51

HSL 105.97, 0.43%, 0.35%

LAB 48.19, -34.71, 35.27

 

CMYK 30 / 0 / 60 / 50

HEX #598033

RGB 89 128 51

HSL 90.39, 0.43%, 0.35%

LAB 49.25, -27.43, 36.77

 

CMYK 60 / 0 / 26 / 50

HEX #33805F

RGB 51 128 95

HSL 154.29, 0.43%, 0.35%

LAB 48.22, -32.05, 10.96

 

CMYK 60 / 0 / 9 / 50

HEX #338074

RGB 51 128 116

HSL 170.65, 0.43%, 0.35%

LAB 48.76, -26.68, -0.56

 

CMYK 60 / 7 / 0 / 50

HEX #337780

RGB 51 119 128

HSL 187.01, 0.43%, 0.35%

LAB 46.25, -18.49, -11.4

 

CMYK 60 / 23 / 0 / 50

HEX #336280

RGB 51 98 128

HSL 203.38, 0.43%, 0.35%

LAB 39.58, -6.47, -21.6

 

CMYK 60 / 40 / 0 / 50

HEX #334D80

RGB 51 77 128

HSL 219.74, 0.43%, 0.35%

LAB 33.07, 6.83, -31.8

 

CMYK 60 / 0 / 26 / 50

HEX #33805F

RGB 51 128 95

HSL 154.29, 0.43%, 0.35%

LAB 48.22, -32.05, 10.96

 

CMYK 75 / 0 / 31 / 44

HEX #248E62

RGB 36 142 98

HSL 155.09, 0.6%, 0.35%

LAB 52.51, -40.33, 15.14

 

CMYK 86 / 0 / 36 / 38

HEX #169D64

RGB 22 157 100

HSL 154.67, 0.75%, 0.35%

LAB 57.27, -47.52, 20.47

 

CMYK 95 / 0 / 40 / 33

HEX #08AB66

RGB 8 171 102

HSL 154.6, 0.91%, 0.35%

LAB 61.77, -53.17, 25.37

 

CMYK 60 / 0 / 26 / 50

HEX #33805F

RGB 51 128 95

HSL 154.29, 0.43%, 0.35%

LAB 48.22, -32.05, 10.96

 

CMYK 42 / 0 / 18 / 56

HEX #41715D

RGB 65 113 93

HSL 155, 0.27%, 0.35%

LAB 43.84, -21.39, 6.03

 

CMYK 19 / 0 / 8 / 61

HEX #50635B

RGB 80 99 91

HSL 154.74, 0.11%, 0.35%

LAB 40.22, -9.01, 2.16

 

CMYK 0 / 11 / 6 / 63

HEX #5E5458

RGB 94 84 88

HSL 336, 0.06%, 0.35%

LAB 36.79, 4.89, -0.84

 

CMYK 0 / 36 / 21 / 57

HEX #6D4656

RGB 109 70 86

HSL 335.38, 0.22%, 0.35%

LAB 34.61, 19.29, -2.59

 

CMYK 60 / 0 / 59 / 50

HEX #338035

RGB 51 128 53

HSL 121.56, 0.43%, 0.35%

LAB 47.49, -39.81, 33.28

 

CMYK 60 / 0 / 42 / 50

HEX #33804A

RGB 51 128 74

HSL 137.92, 0.43%, 0.35%

LAB 47.8, -36.46, 22.41

 

CMYK 60 / 0 / 27 / 50

HEX #33805E

RGB 51 128 94

HSL 153.51, 0.43%, 0.35%

LAB 48.2, -32.28, 11.51

 

CMYK 60 / 0 / 10 / 50

HEX #338073

RGB 51 128 115

HSL 169.87, 0.43%, 0.35%

LAB 48.74, -26.96, -0.02

 

CMYK 60 / 6 / 0 / 50

HEX #337880

RGB 51 120 128

HSL 186.23, 0.43%, 0.35%

LAB 46.57, -19.03, -10.92

 

CMYK 61 / 0 / 26 / 73

HEX #1B4533

RGB 27 69 51

HSL 154.29, 0.44%, 0.19%

LAB 25.95, -19.73, 6.52

 

CMYK 60 / 0 / 26 / 62

HEX #276249

RGB 39 98 73

HSL 154.58, 0.43%, 0.27%

LAB 37.2, -25.83, 8.57

 

CMYK 60 / 0 / 26 / 50

HEX #33805F

RGB 51 128 95

HSL 154.29, 0.43%, 0.35%

LAB 48.22, -32.05, 10.96

 

CMYK 60 / 0 / 25 / 38

HEX #3F9D75

RGB 63 157 117

HSL 154.47, 0.43%, 0.43%

LAB 58.47, -37.52, 12.79

 

CMYK 58 / 0 / 24 / 28

HEX #4DB88B

RGB 77 184 139

HSL 154.77, 0.43%, 0.51%

LAB 67.82, -41.51, 13.8

 

CMYK 60 / 0 / 25 / 51

HEX #327E5E

RGB 50 126 94

HSL 154.74, 0.43%, 0.35%

LAB 47.51, -31.58, 10.54

 

CMYK 60 / 46 / 0 / 50

HEX #334580

RGB 51 69 128

HSL 225.97, 0.43%, 0.35%

LAB 30.68, 12.17, -35.59

 

CMYK 0 / 50 / 60 / 50

HEX #804033

RGB 128 64 51

HSL 10.13, 0.43%, 0.35%

LAB 34.99, 26.3, 20.48

 

CMYK 60 / 0 / 25 / 51

HEX #327E5E

RGB 50 126 94

HSL 154.74, 0.43%, 0.35%

LAB 47.51, -31.58, 10.54

 

CMYK 27 / 60 / 0 / 50

HEX #5E3380

RGB 94 51 128

HSL 273.51, 0.43%, 0.35%

LAB 30.17, 34.61, -36.18

 

CMYK 0 / 27 / 60 / 50

HEX #805E33

RGB 128 94 51

HSL 33.51, 0.43%, 0.35%

LAB 42.51, 8.69, 29.76

 

CMYK 60 / 0 / 25 / 51

HEX #327E5E

RGB 50 126 94

HSL 154.74, 0.43%, 0.35%

LAB 47.51, -31.58, 10.54

 

CMYK 60 / 46 / 0 / 50

HEX #334580

RGB 51 69 128

HSL 225.97, 0.43%, 0.35%

LAB 30.68, 12.17, -35.59

 

CMYK 0 / 60 / 34 / 50

HEX #803354

RGB 128 51 84

HSL 334.29, 0.43%, 0.35%

LAB 33.13, 36.86, -3.18

 

CMYK 0 / 14 / 60 / 50

HEX #806E33

RGB 128 110 51

HSL 45.97, 0.43%, 0.35%

LAB 46.95, -0.67, 34.95

 

CMYK 60 / 0 / 25 / 51

HEX #327E5E

RGB 50 126 94

HSL 154.74, 0.43%, 0.35%

LAB 47.51, -31.58, 10.54

 

CMYK 56 / 60 / 0 / 50

HEX #383380

RGB 56 51 128

HSL 243.9, 0.43%, 0.35%

LAB 26.06, 25.36, -43.01

 

CMYK 0 / 60 / 34 / 50

HEX #803354

RGB 128 51 84

HSL 334.29, 0.43%, 0.35%

LAB 33.13, 36.86, -3.18

 

CMYK 4 / 0 / 60 / 50

HEX #7B8033

RGB 123 128 51

HSL 63.9, 0.43%, 0.35%

LAB 51.71, -13.02, 40.21

 

Description

Color code: HEX #327E5E | qconv.com Color code: HEX #327E5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 126 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 126 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 25 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 25% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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