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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #327B36 it is the complementary color #CD84C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #327B36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #327B36 shade: #377B31, #488D44, #599F57, #6AB16A and #7BC37D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #327B36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #327B36 shade: #327B36, #216923, #105710, #004500 and #003300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #327B36 shade: #327B36, #427B32, #567B32, #697B32 and #7B7932

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #327B36 shade: #327B36, #327B4A, #327B5E, #327B71 and #32717B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #327B36 shade matches the following richer shades: #327B36, #24892A, #16971D and #08A511

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #327B36 shade: #327B36, #406D43, #4E5F4F, #5C515C and #6A4368

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #327B36 shade: #557B32, #427B32, #327B36, #327B49 and #327B5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #327B36 shade: #1A411C, #265E29, #327B36, #3E9843 and #4BB550

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #327B36 shade: #327B36, #32697B and #7B324C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #327B36 shade: #327B36, #36327B and #7B3632

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #327B36 shade: #327B36, #32697B, #7B3277 and #7B4432

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #327B36 shade: #327B36, #32537B, #7B3277 and #7B5A32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

Complementary color

CMYK 0 / 36 / 2 / 20

HEX #CD84C9

RGB 205 132 201

HSL 303.29, 0.42%, 0.66%

LAB 64.72, 38.76, -24.28

 

CMYK 55 / 0 / 60 / 52

HEX #377B31

RGB 55 123 49

HSL 115.14, 0.43%, 0.34%

LAB 45.91, -37.16, 33.46

 

CMYK 49 / 0 / 52 / 45

HEX #488D44

RGB 72 141 68

HSL 116.71, 0.35%, 0.41%

LAB 52.78, -37.27, 32.13

 

CMYK 44 / 0 / 45 / 38

HEX #599F57

RGB 89 159 87

HSL 118.33, 0.29%, 0.48%

LAB 59.53, -37.18, 30.79

 

CMYK 40 / 0 / 40 / 31

HEX #6AB16A

RGB 106 177 106

HSL 120, 0.31%, 0.55%

LAB 66.17, -37, 29.49

 

CMYK 37 / 0 / 36 / 24

HEX #7BC37D

RGB 123 195 125

HSL 121.67, 0.38%, 0.62%

LAB 72.71, -36.77, 28.26

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 69 / 0 / 67 / 59

HEX #216923

RGB 33 105 35

HSL 121.67, 0.52%, 0.27%

LAB 38.81, -37.35, 32.07

 

CMYK 82 / 0 / 82 / 66

HEX #105710

RGB 16 87 16

HSL 120, 0.69%, 0.2%

LAB 31.72, -36.02, 32.91

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 46 / 0 / 59 / 52

HEX #427B32

RGB 66 123 50

HSL 106.85, 0.42%, 0.34%

LAB 46.38, -33.6, 33.64

 

CMYK 30 / 0 / 59 / 52

HEX #567B32

RGB 86 123 50

HSL 90.41, 0.42%, 0.34%

LAB 47.46, -26.27, 35.16

 

CMYK 15 / 0 / 59 / 52

HEX #697B32

RGB 105 123 50

HSL 74.79, 0.42%, 0.34%

LAB 48.76, -18.36, 36.99

 

CMYK 0 / 2 / 59 / 52

HEX #7B7932

RGB 123 121 50

HSL 58.36, 0.42%, 0.34%

LAB 49.64, -9.27, 38.38

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 59 / 0 / 40 / 52

HEX #327B4A

RGB 50 123 74

HSL 139.73, 0.42%, 0.34%

LAB 46.09, -34.52, 20.16

 

CMYK 59 / 0 / 24 / 52

HEX #327B5E

RGB 50 123 94

HSL 156.16, 0.42%, 0.34%

LAB 46.51, -30.17, 9.15

 

CMYK 59 / 0 / 8 / 52

HEX #327B71

RGB 50 123 113

HSL 171.78, 0.42%, 0.34%

LAB 47.02, -25.22, -1.35

 

CMYK 59 / 8 / 0 / 52

HEX #32717B

RGB 50 113 123

HSL 188.22, 0.42%, 0.34%

LAB 44.12, -16.98, -11.64

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 74 / 0 / 69 / 46

HEX #24892A

RGB 36 137 42

HSL 123.56, 0.58%, 0.34%

LAB 50.02, -47.8, 41.18

 

CMYK 85 / 0 / 81 / 41

HEX #16971D

RGB 22 151 29

HSL 123.26, 0.75%, 0.34%

LAB 54.44, -55.47, 50.45

 

CMYK 95 / 0 / 90 / 35

HEX #08A511

RGB 8 165 17

HSL 123.44, 0.91%, 0.34%

LAB 58.98, -61.29, 57.54

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 41 / 0 / 39 / 57

HEX #406D43

RGB 64 109 67

HSL 124, 0.26%, 0.34%

LAB 41.9, -25.11, 18.73

 

CMYK 18 / 0 / 17 / 63

HEX #4E5F4F

RGB 78 95 79

HSL 123.53, 0.1%, 0.34%

LAB 38.5, -10.03, 7.02

 

CMYK 0 / 12 / 0 / 64

HEX #5C515C

RGB 92 81 92

HSL 300, 0.06%, 0.34%

LAB 35.85, 6.79, -4.75

 

CMYK 0 / 37 / 2 / 58

HEX #6A4368

RGB 106 67 104

HSL 303.08, 0.23%, 0.34%

LAB 34.14, 23.39, -14.74

 

CMYK 31 / 0 / 59 / 52

HEX #557B32

RGB 85 123 50

HSL 91.23, 0.42%, 0.34%

LAB 47.4, -26.66, 35.08

 

CMYK 46 / 0 / 59 / 52

HEX #427B32

RGB 66 123 50

HSL 106.85, 0.42%, 0.34%

LAB 46.38, -33.6, 33.64

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 59 / 0 / 41 / 52

HEX #327B49

RGB 50 123 73

HSL 138.9, 0.42%, 0.34%

LAB 46.08, -34.71, 20.7

 

CMYK 59 / 0 / 24 / 52

HEX #327B5D

RGB 50 123 93

HSL 155.34, 0.42%, 0.34%

LAB 46.49, -30.41, 9.7

 

CMYK 60 / 0 / 57 / 75

HEX #1A411C

RGB 26 65 28

HSL 123.08, 0.43%, 0.18%

LAB 23.95, -22.98, 18.37

 

CMYK 60 / 0 / 56 / 63

HEX #265E29

RGB 38 94 41

HSL 123.21, 0.42%, 0.26%

LAB 35.16, -30.67, 24.74

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 59 / 0 / 56 / 40

HEX #3E9843

RGB 62 152 67

HSL 123.33, 0.42%, 0.42%

LAB 55.97, -44.75, 36.42

 

CMYK 59 / 0 / 56 / 29

HEX #4BB550

RGB 75 181 80

HSL 122.83, 0.42%, 0.5%

LAB 65.84, -51.11, 41.95

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 59 / 15 / 0 / 52

HEX #32697B

RGB 50 105 123

HSL 194.79, 0.42%, 0.34%

LAB 41.55, -12.47, -15.54

 

CMYK 0 / 59 / 38 / 52

HEX #7B324C

RGB 123 50 76

HSL 338.63, 0.42%, 0.34%

LAB 31.84, 34.57, 0.02

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 56 / 59 / 0 / 52

HEX #36327B

RGB 54 50 123

HSL 243.29, 0.42%, 0.34%

LAB 25.25, 23.89, -41.19

 

CMYK 0 / 56 / 59 / 52

HEX #7B3632

RGB 123 54 50

HSL 3.29, 0.42%, 0.34%

LAB 31.99, 29.7, 17.07

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 59 / 15 / 0 / 52

HEX #32697B

RGB 50 105 123

HSL 194.79, 0.42%, 0.34%

LAB 41.55, -12.47, -15.54

 

CMYK 0 / 59 / 3 / 52

HEX #7B3277

RGB 123 50 119

HSL 303.29, 0.42%, 0.34%

LAB 33.61, 41.35, -24.82

 

CMYK 0 / 45 / 59 / 52

HEX #7B4432

RGB 123 68 50

HSL 14.79, 0.42%, 0.34%

LAB 35.15, 21.77, 21.14

 

CMYK 59 / 0 / 56 / 52

HEX #327B36

RGB 50 123 54

HSL 123.29, 0.42%, 0.34%

LAB 45.78, -37.88, 30.72

 

CMYK 59 / 33 / 0 / 52

HEX #32537B

RGB 50 83 123

HSL 212.88, 0.42%, 0.34%

LAB 34.59, 0.92, -26.31

 

CMYK 0 / 59 / 3 / 52

HEX #7B3277

RGB 123 50 119

HSL 303.29, 0.42%, 0.34%

LAB 33.61, 41.35, -24.82

 

CMYK 0 / 27 / 59 / 52

HEX #7B5A32

RGB 123 90 50

HSL 32.88, 0.42%, 0.34%

LAB 40.82, 8.67, 28.15

 

Description

Color code: HEX #327B36 | qconv.com Color code: HEX #327B36 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 123 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 123 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 56 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 56% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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