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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3279B7 it is the complementary color #CD8648. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3279B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3279B7 shade: #3779B2, #488BC5, #599DD8, #6AAFEB and #7BC1FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3279B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3279B7 shade: #3279B7, #2167A4, #105591, #00437E and #00316B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3279B7 shade: #3279B8, #3255B8, #3332B8, #5732B8 and #7B32B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3279B7 shade: #3279B8, #3255B8 and #3232B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3279B7 shade matches the following richer shades: #3279B8, #1F7BCB and #0C7CDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3279B7 shade: #3279B8, #4578A5, #587792, #6B757F and #7E746C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3279B7 shade: #32B8AD, #329FB8, #327BB8, #3258B8 and #3234B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3279B7 shade: #204E77, #296497, #3279B8, #478ECC and #67A2D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3279B7 shade: #3279B7, #8932B8 and #B1B832

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3279B7 shade: #3279B7, #B8327B and #7BB832

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3279B7 shade: #3279B7, #8932B8, #B86E32 and #61B832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3279B7 shade: #3279B7, #B132B8, #B86E32 and #39B832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 34 / 0 / 28

HEX #3279B7

RGB 50 121 183

HSL 207.97, 0.57%, 0.46%

LAB 49.22, -1.07, -39.08

 

Complementary color

CMYK 0 / 35 / 65 / 20

HEX #CD8648

RGB 205 134 72

HSL 27.97, 0.57%, 0.54%

LAB 62.08, 21.39, 43.85

 

CMYK 69 / 32 / 0 / 30

HEX #3779B2

RGB 55 121 178

HSL 207.8, 0.53%, 0.46%

LAB 49.13, -2.11, -36.31

 

CMYK 63 / 29 / 0 / 23

HEX #488BC5

RGB 72 139 197

HSL 207.84, 0.52%, 0.53%

LAB 55.96, -3.26, -36.43

 

CMYK 59 / 27 / 0 / 15

HEX #599DD8

RGB 89 157 216

HSL 207.87, 0.62%, 0.6%

LAB 62.67, -4.16, -36.54

 

CMYK 55 / 26 / 0 / 8

HEX #6AAFEB

RGB 106 175 235

HSL 207.91, 0.76%, 0.67%

LAB 69.27, -4.89, -36.67

 

CMYK 52 / 24 / 0 / 0

HEX #7BC1FE

RGB 123 193 254

HSL 207.94, 0.98%, 0.74%

LAB 75.77, -5.47, -36.8

 

CMYK 73 / 34 / 0 / 28

HEX #3279B7

RGB 50 121 183

HSL 207.97, 0.57%, 0.46%

LAB 49.22, -1.07, -39.08

 

CMYK 80 / 37 / 0 / 36

HEX #2167A4

RGB 33 103 164

HSL 207.94, 0.66%, 0.39%

LAB 42.31, 0.72, -38.94

 

CMYK 89 / 41 / 0 / 43

HEX #105591

RGB 16 85 145

HSL 207.91, 0.8%, 0.32%

LAB 35.3, 3.09, -38.74

 

CMYK 100 / 47 / 0 / 51

HEX #00437E

RGB 0 67 126

HSL 208.1, 1%, 0.25%

LAB 28.17, 6.16, -38.47

 

CMYK 100 / 54 / 0 / 58

HEX #00316B

RGB 0 49 107

HSL 212.52, 1%, 0.21%

LAB 21.05, 10.55, -37.88

 

CMYK 73 / 34 / 0 / 28

HEX #3279B8

RGB 50 121 184

HSL 208.21, 0.57%, 0.46%

LAB 49.27, -0.7, -39.58

 

CMYK 73 / 54 / 0 / 28

HEX #3255B8

RGB 50 85 184

HSL 224.33, 0.57%, 0.46%

LAB 38.96, 22.13, -56.07

 

CMYK 72 / 73 / 0 / 28

HEX #3332B8

RGB 51 50 184

HSL 240.45, 0.57%, 0.46%

LAB 30.51, 44.35, -69.88

 

CMYK 53 / 73 / 0 / 28

HEX #5732B8

RGB 87 50 184

HSL 256.57, 0.57%, 0.46%

LAB 33.5, 48.96, -64.87

 

CMYK 33 / 73 / 0 / 28

HEX #7B32B8

RGB 123 50 184

HSL 272.69, 0.57%, 0.46%

LAB 37.76, 55.21, -57.73

 

CMYK 73 / 34 / 0 / 28

HEX #3279B8

RGB 50 121 184

HSL 208.21, 0.57%, 0.46%

LAB 49.27, -0.7, -39.58

 

CMYK 73 / 54 / 0 / 28

HEX #3255B8

RGB 50 85 184

HSL 224.33, 0.57%, 0.46%

LAB 38.96, 22.13, -56.07

 

CMYK 73 / 73 / 0 / 28

HEX #3232B8

RGB 50 50 184

HSL 240, 0.57%, 0.46%

LAB 30.45, 44.25, -69.99

 

CMYK 73 / 34 / 0 / 28

HEX #3279B8

RGB 50 121 184

HSL 208.21, 0.57%, 0.46%

LAB 49.27, -0.7, -39.58

 

CMYK 85 / 39 / 0 / 20

HEX #1F7BCB

RGB 31 123 203

HSL 207.91, 0.74%, 0.46%

LAB 50.42, 3.11, -48.68

 

CMYK 95 / 44 / 0 / 13

HEX #0C7CDE

RGB 12 124 222

HSL 208, 0.9%, 0.46%

LAB 51.57, 8.8, -57.61

 

CMYK 73 / 34 / 0 / 28

HEX #3279B8

RGB 50 121 184

HSL 208.21, 0.57%, 0.46%

LAB 49.27, -0.7, -39.58

 

CMYK 58 / 27 / 0 / 35

HEX #4578A5

RGB 69 120 165

HSL 208.13, 0.41%, 0.46%

LAB 48.78, -3.36, -29.27

 

CMYK 40 / 18 / 0 / 43

HEX #587792

RGB 88 119 146

HSL 207.93, 0.25%, 0.46%

LAB 48.69, -3.86, -18.18

 

CMYK 16 / 8 / 0 / 50

HEX #6B757F

RGB 107 117 127

HSL 210, 0.09%, 0.46%

LAB 48.74, -1.5, -6.76

 

CMYK 0 / 8 / 14 / 51

HEX #7E746C

RGB 126 116 108

HSL 26.67, 0.08%, 0.46%

LAB 49.51, 2.39, 5.8

 

CMYK 73 / 0 / 6 / 28

HEX #32B8AD

RGB 50 184 173

HSL 175.07, 0.57%, 0.46%

LAB 68, -37.51, -4.69

 

CMYK 73 / 14 / 0 / 28

HEX #329FB8

RGB 50 159 184

HSL 191.19, 0.57%, 0.46%

LAB 60.72, -22.02, -21.76

 

CMYK 73 / 33 / 0 / 28

HEX #327BB8

RGB 50 123 184

HSL 207.31, 0.57%, 0.46%

LAB 49.86, -1.91, -38.64

 

CMYK 73 / 52 / 0 / 28

HEX #3258B8

RGB 50 88 184

HSL 222.99, 0.57%, 0.46%

LAB 39.78, 20.17, -54.75

 

CMYK 73 / 72 / 0 / 28

HEX #3234B8

RGB 50 52 184

HSL 239.1, 0.57%, 0.46%

LAB 30.87, 43.09, -69.3

 

CMYK 73 / 34 / 0 / 53

HEX #204E77

RGB 32 78 119

HSL 208.28, 0.58%, 0.3%

LAB 32.01, -0.89, -27.95

 

CMYK 73 / 34 / 0 / 41

HEX #296497

RGB 41 100 151

HSL 207.82, 0.57%, 0.38%

LAB 40.93, -1.3, -33.39

 

CMYK 73 / 34 / 0 / 28

HEX #3279B8

RGB 50 121 184

HSL 208.21, 0.57%, 0.46%

LAB 49.27, -0.7, -39.58

 

CMYK 65 / 30 / 0 / 20

HEX #478ECC

RGB 71 142 204

HSL 207.97, 0.57%, 0.54%

LAB 57.12, -2.82, -38.57

 

CMYK 52 / 24 / 0 / 16

HEX #67A2D5

RGB 103 162 213

HSL 207.82, 0.57%, 0.62%

LAB 64.59, -4.95, -31.86

 

CMYK 73 / 34 / 0 / 28

HEX #3279B7

RGB 50 121 183

HSL 207.97, 0.57%, 0.46%

LAB 49.22, -1.07, -39.08

 

CMYK 26 / 73 / 0 / 28

HEX #8932B8

RGB 137 50 184

HSL 278.96, 0.57%, 0.46%

LAB 39.68, 57.93, -54.53

 

CMYK 4 / 0 / 73 / 28

HEX #B1B832

RGB 177 184 50

HSL 63.13, 0.57%, 0.46%

LAB 72.13, -18.63, 62.96

 

CMYK 73 / 34 / 0 / 28

HEX #3279B7

RGB 50 121 183

HSL 207.97, 0.57%, 0.46%

LAB 49.22, -1.07, -39.08

 

CMYK 0 / 73 / 33 / 28

HEX #B8327B

RGB 184 50 123

HSL 327.31, 0.57%, 0.46%

LAB 44.09, 59.12, -10.33

 

CMYK 33 / 0 / 73 / 28

HEX #7BB832

RGB 123 184 50

HSL 87.31, 0.57%, 0.46%

LAB 68.55, -40.34, 58.24

 

CMYK 73 / 34 / 0 / 28

HEX #3279B7

RGB 50 121 183

HSL 207.97, 0.57%, 0.46%

LAB 49.22, -1.07, -39.08

 

CMYK 26 / 73 / 0 / 28

HEX #8932B8

RGB 137 50 184

HSL 278.96, 0.57%, 0.46%

LAB 39.68, 57.93, -54.53

 

CMYK 0 / 40 / 73 / 28

HEX #B86E32

RGB 184 110 50

HSL 26.87, 0.57%, 0.46%

LAB 53.57, 24.36, 44.63

 

CMYK 47 / 0 / 73 / 28

HEX #61B832

RGB 97 184 50

HSL 98.96, 0.57%, 0.46%

LAB 67.32, -49.15, 56.61

 

CMYK 73 / 34 / 0 / 28

HEX #3279B7

RGB 50 121 183

HSL 207.97, 0.57%, 0.46%

LAB 49.22, -1.07, -39.08

 

CMYK 4 / 73 / 0 / 28

HEX #B132B8

RGB 177 50 184

HSL 296.87, 0.57%, 0.46%

LAB 45.76, 66.2, -44.45

 

CMYK 0 / 40 / 73 / 28

HEX #B86E32

RGB 184 110 50

HSL 26.87, 0.57%, 0.46%

LAB 53.57, 24.36, 44.63

 

CMYK 69 / 0 / 73 / 28

HEX #39B832

RGB 57 184 50

HSL 116.87, 0.57%, 0.46%

LAB 66.04, -59.23, 54.91

 

Description

Color code: HEX #3279B7 | qconv.com Color code: HEX #3279B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 121 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 121 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 34 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 34% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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