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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #327992 it is the complementary color #CD866D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #327992. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #327992 shade: #37798D, #488BA0, #599DB3, #6AAFC6 and #7BC1D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #327992. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #327992 shade: #327992, #21677F, #10556C, #004359 and #003146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #327992 shade: #317890, #315E90, #314490, #383190 and #523190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #327992 shade: #317890, #315E90, #314490 and #313190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #327992 shade matches the following richer shades: #317890, #227FA0, #1287B0 and #028EBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #327992 shade: #317890, #417081, #516971, #606161 and #705A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #327992 shade: #319075, #31908F, #317990, #315F90 and #314690

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #327992 shade: #1C4553, #275E72, #317890, #3C91AF and #51A6C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #327992 shade: #327992, #5C3190 and #908231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #327992 shade: #327992, #903179 and #799031

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #327992 shade: #327992, #5C3190, #904931 and #669031

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #327992 shade: #327992, #793190, #904931 and #499031

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 17 / 0 / 43

HEX #327992

RGB 50 121 146

HSL 195.63, 0.49%, 0.38%

LAB 47.53, -13.99, -20.11

 

Complementary color

CMYK 0 / 35 / 47 / 20

HEX #CD866D

RGB 205 134 109

HSL 15.63, 0.49%, 0.62%

LAB 62.62, 24.43, 24.67

 

CMYK 61 / 14 / 0 / 45

HEX #37798D

RGB 55 121 141

HSL 193.95, 0.44%, 0.38%

LAB 47.51, -14.68, -17.18

 

CMYK 55 / 13 / 0 / 37

HEX #488BA0

RGB 72 139 160

HSL 194.32, 0.38%, 0.45%

LAB 54.43, -15.12, -17.65

 

CMYK 50 / 12 / 0 / 30

HEX #599DB3

RGB 89 157 179

HSL 194.67, 0.37%, 0.53%

LAB 61.21, -15.42, -18.09

 

CMYK 46 / 12 / 0 / 22

HEX #6AAFC6

RGB 106 175 198

HSL 195, 0.45%, 0.6%

LAB 67.87, -15.63, -18.5

 

CMYK 43 / 11 / 0 / 15

HEX #7BC1D9

RGB 123 193 217

HSL 195.32, 0.55%, 0.67%

LAB 74.42, -15.79, -18.9

 

CMYK 66 / 17 / 0 / 43

HEX #327992

RGB 50 121 146

HSL 195.63, 0.49%, 0.38%

LAB 47.53, -13.99, -20.11

 

CMYK 74 / 19 / 0 / 50

HEX #21677F

RGB 33 103 127

HSL 195.32, 0.59%, 0.31%

LAB 40.5, -13.07, -19.62

 

CMYK 85 / 21 / 0 / 58

HEX #10556C

RGB 16 85 108

HSL 195, 0.74%, 0.24%

LAB 33.33, -11.69, -19.03

 

CMYK 100 / 25 / 0 / 65

HEX #004359

RGB 0 67 89

HSL 194.83, 1%, 0.17%

LAB 25.97, -9.77, -18.37

 

CMYK 100 / 30 / 0 / 73

HEX #003146

RGB 0 49 70

HSL 198, 1%, 0.14%

LAB 18.54, -6.28, -17.35

 

CMYK 66 / 17 / 0 / 44

HEX #317890

RGB 49 120 144

HSL 195.16, 0.49%, 0.38%

LAB 47.1, -14.27, -19.59

 

CMYK 66 / 35 / 0 / 44

HEX #315E90

RGB 49 94 144

HSL 211.58, 0.49%, 0.38%

LAB 39.02, 1.24, -32.17

 

CMYK 66 / 53 / 0 / 44

HEX #314490

RGB 49 68 144

HSL 228, 0.49%, 0.38%

LAB 31.35, 18.34, -44.41

 

CMYK 61 / 66 / 0 / 44

HEX #383190

RGB 56 49 144

HSL 244.42, 0.49%, 0.38%

LAB 26.88, 32.11, -51.64

 

CMYK 43 / 66 / 0 / 44

HEX #523190

RGB 82 49 144

HSL 260.84, 0.49%, 0.38%

LAB 29.42, 37.16, -47.39

 

CMYK 66 / 17 / 0 / 44

HEX #317890

RGB 49 120 144

HSL 195.16, 0.49%, 0.38%

LAB 47.1, -14.27, -19.59

 

CMYK 66 / 35 / 0 / 44

HEX #315E90

RGB 49 94 144

HSL 211.58, 0.49%, 0.38%

LAB 39.02, 1.24, -32.17

 

CMYK 66 / 53 / 0 / 44

HEX #314490

RGB 49 68 144

HSL 228, 0.49%, 0.38%

LAB 31.35, 18.34, -44.41

 

CMYK 66 / 66 / 0 / 44

HEX #313190

RGB 49 49 144

HSL 240, 0.49%, 0.38%

LAB 26.34, 30.99, -52.55

 

CMYK 66 / 17 / 0 / 44

HEX #317890

RGB 49 120 144

HSL 195.16, 0.49%, 0.38%

LAB 47.1, -14.27, -19.59

 

CMYK 79 / 21 / 0 / 37

HEX #227FA0

RGB 34 127 160

HSL 195.71, 0.65%, 0.38%

LAB 49.57, -14.87, -25.22

 

CMYK 90 / 23 / 0 / 31

HEX #1287B0

RGB 18 135 176

HSL 195.57, 0.81%, 0.38%

LAB 52.5, -14.93, -29.95

 

CMYK 99 / 26 / 0 / 25

HEX #028EBF

RGB 2 142 191

HSL 195.56, 0.98%, 0.38%

LAB 55.2, -14, -34.32

 

CMYK 66 / 17 / 0 / 44

HEX #317890

RGB 49 120 144

HSL 195.16, 0.49%, 0.38%

LAB 47.1, -14.27, -19.59

 

CMYK 50 / 13 / 0 / 49

HEX #417081

RGB 65 112 129

HSL 195.94, 0.33%, 0.38%

LAB 44.66, -11.06, -14.36

 

CMYK 28 / 7 / 0 / 56

HEX #516971

RGB 81 105 113

HSL 195, 0.16%, 0.38%

LAB 42.83, -6.82, -7.39

 

CMYK 1 / 0 / 0 / 62

HEX #606161

RGB 96 97 97

HSL 180, 0.01%, 0.38%

LAB 41.06, -0.39, -0.14

 

CMYK 0 / 20 / 27 / 56

HEX #705A52

RGB 112 90 82

HSL 16, 0.15%, 0.38%

LAB 40.19, 7.66, 8.02

 

CMYK 66 / 0 / 19 / 44

HEX #319075

RGB 49 144 117

HSL 162.95, 0.49%, 0.38%

LAB 53.9, -34.45, 6.28

 

CMYK 66 / 0 / 1 / 44

HEX #31908F

RGB 49 144 143

HSL 179.37, 0.49%, 0.38%

LAB 54.64, -27.27, -7.61

 

CMYK 66 / 16 / 0 / 44

HEX #317990

RGB 49 121 144

HSL 194.53, 0.49%, 0.38%

LAB 47.42, -14.83, -19.11

 

CMYK 66 / 34 / 0 / 44

HEX #315F90

RGB 49 95 144

HSL 210.95, 0.49%, 0.38%

LAB 39.33, 0.61, -31.69

 

CMYK 66 / 51 / 0 / 44

HEX #314690

RGB 49 70 144

HSL 226.74, 0.49%, 0.38%

LAB 31.91, 16.99, -43.5

 

CMYK 66 / 17 / 0 / 67

HEX #1C4553

RGB 28 69 83

HSL 195.27, 0.5%, 0.22%

LAB 27.1, -9.43, -12.67

 

CMYK 66 / 18 / 0 / 55

HEX #275E72

RGB 39 94 114

HSL 196, 0.49%, 0.3%

LAB 37.21, -11.36, -16.72

 

CMYK 66 / 17 / 0 / 44

HEX #317890

RGB 49 120 144

HSL 195.16, 0.49%, 0.38%

LAB 47.1, -14.27, -19.59

 

CMYK 66 / 17 / 0 / 31

HEX #3C91AF

RGB 60 145 175

HSL 195.65, 0.49%, 0.46%

LAB 56.39, -16.01, -23.28

 

CMYK 58 / 15 / 0 / 24

HEX #51A6C3

RGB 81 166 195

HSL 195.26, 0.49%, 0.54%

LAB 64.13, -17.19, -22.63

 

CMYK 66 / 17 / 0 / 43

HEX #327992

RGB 50 121 146

HSL 195.63, 0.49%, 0.38%

LAB 47.53, -13.99, -20.11

 

CMYK 36 / 66 / 0 / 44

HEX #5C3190

RGB 92 49 144

HSL 267.16, 0.49%, 0.38%

LAB 30.61, 39.38, -45.42

 

CMYK 0 / 10 / 66 / 44

HEX #908231

RGB 144 130 49

HSL 51.16, 0.49%, 0.38%

LAB 54.15, -4.79, 44.34

 

CMYK 66 / 17 / 0 / 43

HEX #327992

RGB 50 121 146

HSL 195.63, 0.49%, 0.38%

LAB 47.53, -13.99, -20.11

 

CMYK 0 / 66 / 16 / 44

HEX #903179

RGB 144 49 121

HSL 314.53, 0.49%, 0.38%

LAB 36.94, 48.17, -20.64

 

CMYK 16 / 0 / 66 / 44

HEX #799031

RGB 121 144 49

HSL 74.53, 0.49%, 0.38%

LAB 56.32, -22.42, 46.08

 

CMYK 66 / 17 / 0 / 43

HEX #327992

RGB 50 121 146

HSL 195.63, 0.49%, 0.38%

LAB 47.53, -13.99, -20.11

 

CMYK 36 / 66 / 0 / 44

HEX #5C3190

RGB 92 49 144

HSL 267.16, 0.49%, 0.38%

LAB 30.61, 39.38, -45.42

 

CMYK 0 / 49 / 66 / 44

HEX #904931

RGB 144 73 49

HSL 15.16, 0.49%, 0.38%

LAB 39.44, 27.83, 27.73

 

CMYK 29 / 0 / 66 / 44

HEX #669031

RGB 102 144 49

HSL 86.53, 0.49%, 0.38%

LAB 55.07, -30.2, 44.36

 

CMYK 66 / 17 / 0 / 43

HEX #327992

RGB 50 121 146

HSL 195.63, 0.49%, 0.38%

LAB 47.53, -13.99, -20.11

 

CMYK 16 / 66 / 0 / 44

HEX #793190

RGB 121 49 144

HSL 285.47, 0.49%, 0.38%

LAB 34.55, 46.28, -38.87

 

CMYK 0 / 49 / 66 / 44

HEX #904931

RGB 144 73 49

HSL 15.16, 0.49%, 0.38%

LAB 39.44, 27.83, 27.73

 

CMYK 49 / 0 / 66 / 44

HEX #499031

RGB 73 144 49

HSL 104.84, 0.49%, 0.38%

LAB 53.58, -40.51, 42.32

 

Description

Color code: HEX #327992 | qconv.com Color code: HEX #327992 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 121 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 121 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 17 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 17% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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