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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3277CF it is the complementary color #CD8830. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3277CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3277CF shade: #3777CA, #4889DD, #599BF0, #6AADFF and #7BBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3277CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3277CF shade: #3277CF, #2165BC, #1053A9, #004196 and #002F83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3277CF shade: #3076CF, #304BCF, #4030CF, #6B30CF and #9630CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3277CF shade: #3076CF, #304BCF and #3030CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3277CF shade matches the following richer shades: #3076CF, #1C73E3 and #0771F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3277CF shade: #3076CF, #4578BA, #5A7BA5, #6E7D91 and #83807C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3277CF shade: #30CCCF, #30A2CF, #3078CF, #304DCF and #3E30CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3277CF shade: #21508C, #2963AD, #3076CF, #528CD6 and #73A2DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3277CF shade: #3277CF, #A730CF and #B7CF30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3277CF shade: #3277CF, #CF3078 and #78CF30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3277CF shade: #3277CF, #A730CF, #CF8730 and #58CF30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3277CF shade: #3277CF, #CF30C7, #CF8730 and #30CF38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 43 / 0 / 19

HEX #3277CF

RGB 50 119 207

HSL 213.63, 0.62%, 0.5%

LAB 49.95, 8.98, -51.68

 

Complementary color

CMYK 0 / 34 / 77 / 20

HEX #CD8830

RGB 205 136 48

HSL 33.63, 0.62%, 0.5%

LAB 62.34, 19.05, 55.24

 

CMYK 73 / 41 / 0 / 21

HEX #3777CA

RGB 55 119 202

HSL 213.88, 0.58%, 0.5%

LAB 49.82, 7.78, -49.02

 

CMYK 67 / 38 / 0 / 13

HEX #4889DD

RGB 72 137 221

HSL 213.83, 0.69%, 0.57%

LAB 56.57, 6.12, -48.98

 

CMYK 63 / 35 / 0 / 6

HEX #599BF0

RGB 89 155 240

HSL 213.77, 0.83%, 0.65%

LAB 63.23, 4.78, -48.94

 

CMYK 58 / 32 / 0 / 0

HEX #6AADFF

RGB 106 173 255

HSL 213.02, 1%, 0.71%

LAB 69.59, 2.42, -47.04

 

CMYK 52 / 25 / 0 / 0

HEX #7BBFFF

RGB 123 191 255

HSL 209.09, 1%, 0.74%

LAB 75.26, -4.1, -38.12

 

CMYK 76 / 43 / 0 / 19

HEX #3277CF

RGB 50 119 207

HSL 213.63, 0.62%, 0.5%

LAB 49.95, 8.98, -51.68

 

CMYK 82 / 46 / 0 / 26

HEX #2165BC

RGB 33 101 188

HSL 213.68, 0.7%, 0.43%

LAB 43.15, 11.31, -51.67

 

CMYK 91 / 51 / 0 / 34

HEX #1053A9

RGB 16 83 169

HSL 213.73, 0.83%, 0.36%

LAB 36.29, 14.27, -51.57

 

CMYK 100 / 57 / 0 / 41

HEX #004196

RGB 0 65 150

HSL 214, 1%, 0.29%

LAB 29.37, 17.9, -51.37

 

CMYK 100 / 64 / 0 / 49

HEX #002F83

RGB 0 47 131

HSL 218.47, 1%, 0.26%

LAB 22.56, 22.57, -50.73

 

CMYK 77 / 43 / 0 / 19

HEX #3076CF

RGB 48 118 207

HSL 213.58, 0.62%, 0.5%

LAB 49.61, 9.37, -52.23

 

CMYK 77 / 64 / 0 / 19

HEX #304BCF

RGB 48 75 207

HSL 229.81, 0.62%, 0.5%

LAB 38.14, 36.83, -70.81

 

CMYK 69 / 77 / 0 / 19

HEX #4030CF

RGB 64 48 207

HSL 246.04, 0.62%, 0.5%

LAB 33.37, 53.96, -78.63

 

CMYK 48 / 77 / 0 / 19

HEX #6B30CF

RGB 107 48 207

HSL 262.26, 0.62%, 0.5%

LAB 37.38, 59.07, -71.88

 

CMYK 28 / 77 / 0 / 19

HEX #9630CF

RGB 150 48 207

HSL 278.49, 0.62%, 0.5%

LAB 42.92, 65.96, -62.61

 

CMYK 77 / 43 / 0 / 19

HEX #3076CF

RGB 48 118 207

HSL 213.58, 0.62%, 0.5%

LAB 49.61, 9.37, -52.23

 

CMYK 77 / 64 / 0 / 19

HEX #304BCF

RGB 48 75 207

HSL 229.81, 0.62%, 0.5%

LAB 38.14, 36.83, -70.81

 

CMYK 77 / 77 / 0 / 19

HEX #3030CF

RGB 48 48 207

HSL 240, 0.62%, 0.5%

LAB 32.36, 52.66, -80.33

 

CMYK 77 / 43 / 0 / 19

HEX #3076CF

RGB 48 118 207

HSL 213.58, 0.62%, 0.5%

LAB 49.61, 9.37, -52.23

 

CMYK 88 / 49 / 0 / 11

HEX #1C73E3

RGB 28 115 227

HSL 213.77, 0.78%, 0.5%

LAB 49.56, 17.14, -63.65

 

CMYK 97 / 54 / 0 / 3

HEX #0771F8

RGB 7 113 248

HSL 213.61, 0.95%, 0.5%

LAB 50.25, 25.71, -74.29

 

CMYK 77 / 43 / 0 / 19

HEX #3076CF

RGB 48 118 207

HSL 213.58, 0.62%, 0.5%

LAB 49.61, 9.37, -52.23

 

CMYK 63 / 35 / 0 / 27

HEX #4578BA

RGB 69 120 186

HSL 213.85, 0.46%, 0.5%

LAB 49.79, 3.73, -39.86

 

CMYK 45 / 25 / 0 / 35

HEX #5A7BA5

RGB 90 123 165

HSL 213.6, 0.29%, 0.5%

LAB 50.75, -0.11, -26.12

 

CMYK 24 / 14 / 0 / 43

HEX #6E7D91

RGB 110 125 145

HSL 214.29, 0.14%, 0.5%

LAB 51.87, -0.82, -12.63

 

CMYK 0 / 2 / 5 / 49

HEX #83807C

RGB 131 128 124

HSL 34.29, 0.03%, 0.5%

LAB 53.73, 0.36, 2.56

 

CMYK 77 / 1 / 0 / 19

HEX #30CCCF

RGB 48 204 207

HSL 181.13, 0.62%, 0.5%

LAB 75.03, -37.16, -12.8

 

CMYK 77 / 22 / 0 / 19

HEX #30A2CF

RGB 48 162 207

HSL 196.98, 0.62%, 0.5%

LAB 62.49, -16.23, -31.93

 

CMYK 77 / 42 / 0 / 19

HEX #3078CF

RGB 48 120 207

HSL 212.83, 0.62%, 0.5%

LAB 50.18, 8.12, -51.32

 

CMYK 77 / 63 / 0 / 19

HEX #304DCF

RGB 48 77 207

HSL 229.06, 0.62%, 0.5%

LAB 38.62, 35.57, -70.02

 

CMYK 70 / 77 / 0 / 19

HEX #3E30CF

RGB 62 48 207

HSL 245.28, 0.62%, 0.5%

LAB 33.23, 53.78, -78.87

 

CMYK 76 / 43 / 0 / 45

HEX #21508C

RGB 33 80 140

HSL 213.64, 0.62%, 0.34%

LAB 33.89, 6.17, -37.93

 

CMYK 76 / 43 / 0 / 32

HEX #2963AD

RGB 41 99 173

HSL 213.64, 0.62%, 0.42%

LAB 41.86, 7.67, -44.95

 

CMYK 77 / 43 / 0 / 19

HEX #3076CF

RGB 48 118 207

HSL 213.58, 0.62%, 0.5%

LAB 49.61, 9.37, -52.23

 

CMYK 62 / 35 / 0 / 16

HEX #528CD6

RGB 82 140 214

HSL 213.64, 0.62%, 0.58%

LAB 57.47, 3.67, -43.62

 

CMYK 48 / 27 / 0 / 13

HEX #73A2DE

RGB 115 162 222

HSL 213.64, 0.62%, 0.66%

LAB 65.56, 0.49, -35.27

 

CMYK 76 / 43 / 0 / 19

HEX #3277CF

RGB 50 119 207

HSL 213.63, 0.62%, 0.5%

LAB 49.95, 8.98, -51.68

 

CMYK 19 / 77 / 0 / 19

HEX #A730CF

RGB 167 48 207

HSL 284.91, 0.62%, 0.5%

LAB 45.41, 69.02, -58.46

 

CMYK 12 / 0 / 77 / 19

HEX #B7CF30

RGB 183 207 48

HSL 69.06, 0.62%, 0.5%

LAB 78.99, -27.46, 70.17

 

CMYK 76 / 43 / 0 / 19

HEX #3277CF

RGB 50 119 207

HSL 213.63, 0.62%, 0.5%

LAB 49.95, 8.98, -51.68

 

CMYK 0 / 77 / 42 / 19

HEX #CF3078

RGB 207 48 120

HSL 332.83, 0.62%, 0.5%

LAB 47.92, 65.57, -2.34

 

CMYK 42 / 0 / 77 / 19

HEX #78CF30

RGB 120 207 48

HSL 92.83, 0.62%, 0.5%

LAB 75.35, -51.08, 65.46

 

CMYK 76 / 43 / 0 / 19

HEX #3277CF

RGB 50 119 207

HSL 213.63, 0.62%, 0.5%

LAB 49.95, 8.98, -51.68

 

CMYK 19 / 77 / 0 / 19

HEX #A730CF

RGB 167 48 207

HSL 284.91, 0.62%, 0.5%

LAB 45.41, 69.02, -58.46

 

CMYK 0 / 35 / 77 / 19

HEX #CF8730

RGB 207 135 48

HSL 32.83, 0.62%, 0.5%

LAB 62.34, 20.45, 55.33

 

CMYK 57 / 0 / 77 / 19

HEX #58CF30

RGB 88 207 48

HSL 104.91, 0.62%, 0.5%

LAB 74.13, -60.35, 63.88

 

CMYK 76 / 43 / 0 / 19

HEX #3277CF

RGB 50 119 207

HSL 213.63, 0.62%, 0.5%

LAB 49.95, 8.98, -51.68

 

CMYK 0 / 77 / 4 / 19

HEX #CF30C7

RGB 207 48 199

HSL 303.02, 0.62%, 0.5%

LAB 51.27, 75.45, -44.11

 

CMYK 0 / 35 / 77 / 19

HEX #CF8730

RGB 207 135 48

HSL 32.83, 0.62%, 0.5%

LAB 62.34, 20.45, 55.33

 

CMYK 77 / 0 / 73 / 19

HEX #30CF38

RGB 48 207 56

HSL 123.02, 0.62%, 0.5%

LAB 73.25, -67.58, 60.01

 

Description

Color code: HEX #3277CF | qconv.com Color code: HEX #3277CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 119 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 119 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 43 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 43% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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