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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3271FE it is the complementary color #CD8E01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3271FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3271FE shade: #3771F9, #4883FF, #5995FF, #6AA7FF and #7BB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3271FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3271FE shade: #3271FE, #215FEB, #104DD8, #003BC5 and #0029B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3271FE shade: #3472FE, #343CFE, #6334FE, #9934FE and #CF34FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3271FE shade: #3472FE, #343CFE and #3434FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3271FE shade matches the following richer shades: #3472FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3271FE shade: #3472FE, #4579ED, #557FDD, #6685CC and #768CBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3271FE shade: #34E0FE, #34AAFE, #3474FE, #343EFE and #6034FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3271FE shade: #0145DE, #0B56FE, #3472FE, #5D8FFE and #86ABFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3271FE shade: #3271FE, #E634FE and #C5FE34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3271FE shade: #3271FE, #FE3474 and #74FE34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3271FE shade: #3271FE, #E634FE, #FEBE34 and #4CFE34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3271FE shade: #3271FE, #FE34D9, #FEBE34 and #34FE59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 56 / 0 / 0

HEX #3271FE

RGB 50 113 254

HSL 221.47, 0.99%, 0.6%

LAB 51.43, 30.17, -75.67

 

Complementary color

CMYK 0 / 31 / 100 / 20

HEX #CD8E01

RGB 205 142 1

HSL 41.47, 0.99%, 0.4%

LAB 63.61, 14.73, 68.47

 

CMYK 78 / 55 / 0 / 2

HEX #3771F9

RGB 55 113 249

HSL 222.06, 0.94%, 0.6%

LAB 51.22, 28.8, -73.23

 

CMYK 72 / 49 / 0 / 0

HEX #4883FF

RGB 72 131 255

HSL 220.66, 1%, 0.64%

LAB 56.91, 21.72, -67.32

 

CMYK 65 / 42 / 0 / 0

HEX #5995FF

RGB 89 149 255

HSL 218.31, 1%, 0.67%

LAB 62.37, 13.32, -58.52

 

CMYK 58 / 35 / 0 / 0

HEX #6AA7FF

RGB 106 167 255

HSL 215.44, 1%, 0.71%

LAB 67.96, 5.83, -49.6

 

CMYK 52 / 27 / 0 / 0

HEX #7BB9FF

RGB 123 185 255

HSL 211.82, 1%, 0.74%

LAB 73.63, -0.81, -40.66

 

CMYK 80 / 56 / 0 / 0

HEX #3271FE

RGB 50 113 254

HSL 221.47, 0.99%, 0.6%

LAB 51.43, 30.17, -75.67

 

CMYK 86 / 60 / 0 / 8

HEX #215FEB

RGB 33 95 235

HSL 221.58, 0.83%, 0.53%

LAB 44.95, 33.26, -75.65

 

CMYK 93 / 64 / 0 / 15

HEX #104DD8

RGB 16 77 216

HSL 221.7, 0.86%, 0.45%

LAB 38.51, 36.82, -75.42

 

CMYK 100 / 70 / 0 / 23

HEX #003BC5

RGB 0 59 197

HSL 222.03, 1%, 0.39%

LAB 32.17, 40.7, -74.86

 

CMYK 100 / 77 / 0 / 30

HEX #0029B2

RGB 0 41 178

HSL 226.18, 1%, 0.35%

LAB 26.16, 44.73, -73.57

 

CMYK 80 / 55 / 0 / 0

HEX #3472FE

RGB 52 114 254

HSL 221.58, 0.99%, 0.6%

LAB 51.75, 29.72, -75.16

 

CMYK 80 / 76 / 0 / 0

HEX #343CFE

RGB 52 60 254

HSL 237.62, 0.99%, 0.6%

LAB 39.78, 61.47, -94.81

 

CMYK 61 / 80 / 0 / 0

HEX #6334FE

RGB 99 52 254

HSL 253.96, 0.99%, 0.6%

LAB 41.63, 68.76, -91.65

 

CMYK 40 / 80 / 0 / 0

HEX #9934FE

RGB 153 52 254

HSL 270, 0.99%, 0.6%

LAB 47.47, 75.16, -81.82

 

CMYK 19 / 80 / 0 / 0

HEX #CF34FE

RGB 207 52 254

HSL 286.04, 0.99%, 0.6%

LAB 54.95, 83.46, -69.34

 

CMYK 80 / 55 / 0 / 0

HEX #3472FE

RGB 52 114 254

HSL 221.58, 0.99%, 0.6%

LAB 51.75, 29.72, -75.16

 

CMYK 80 / 76 / 0 / 0

HEX #343CFE

RGB 52 60 254

HSL 237.62, 0.99%, 0.6%

LAB 39.78, 61.47, -94.81

 

CMYK 80 / 80 / 0 / 0

HEX #3434FE

RGB 52 52 254

HSL 240, 0.99%, 0.6%

LAB 38.45, 65.32, -97.02

 

CMYK 80 / 55 / 0 / 0

HEX #3472FE

RGB 52 114 254

HSL 221.58, 0.99%, 0.6%

LAB 51.75, 29.72, -75.16

 

CMYK 80 / 55 / 0 / 0

HEX #3472FE

RGB 52 114 254

HSL 221.58, 0.99%, 0.6%

LAB 51.75, 29.72, -75.16

 

CMYK 71 / 49 / 0 / 7

HEX #4579ED

RGB 69 121 237

HSL 221.43, 0.82%, 0.6%

LAB 53.01, 21.09, -63.64

 

CMYK 62 / 43 / 0 / 13

HEX #557FDD

RGB 85 127 221

HSL 221.47, 0.67%, 0.6%

LAB 54.38, 14.37, -52.44

 

CMYK 50 / 35 / 0 / 20

HEX #6685CC

RGB 102 133 204

HSL 221.76, 0.5%, 0.6%

LAB 56.05, 8.81, -40.15

 

CMYK 37 / 26 / 0 / 26

HEX #768CBC

RGB 118 140 188

HSL 221.14, 0.34%, 0.6%

LAB 58.26, 4.17, -27.56

 

CMYK 80 / 12 / 0 / 0

HEX #34E0FE

RGB 52 224 254

HSL 188.91, 0.99%, 0.6%

LAB 82.48, -32.05, -26.63

 

CMYK 80 / 33 / 0 / 0

HEX #34AAFE

RGB 52 170 254

HSL 204.95, 0.99%, 0.6%

LAB 67, -3.95, -50.69

 

CMYK 80 / 54 / 0 / 0

HEX #3474FE

RGB 52 116 254

HSL 220.99, 0.99%, 0.6%

LAB 52.26, 28.47, -74.32

 

CMYK 80 / 76 / 0 / 0

HEX #343EFE

RGB 52 62 254

HSL 237.03, 0.99%, 0.6%

LAB 40.13, 60.46, -94.23

 

CMYK 62 / 80 / 0 / 0

HEX #6034FE

RGB 96 52 254

HSL 253.07, 0.99%, 0.6%

LAB 41.37, 68.48, -92.08

 

CMYK 100 / 69 / 0 / 13

HEX #0145DE

RGB 1 69 222

HSL 221.54, 0.99%, 0.44%

LAB 37, 43.7, -81.35

 

CMYK 96 / 66 / 0 / 0

HEX #0B56FE

RGB 11 86 254

HSL 221.48, 0.99%, 0.52%

LAB 44.06, 45.07, -87.77

 

CMYK 80 / 55 / 0 / 0

HEX #3472FE

RGB 52 114 254

HSL 221.58, 0.99%, 0.6%

LAB 51.75, 29.72, -75.16

 

CMYK 63 / 44 / 0 / 0

HEX #5D8FFE

RGB 93 143 254

HSL 221.37, 0.99%, 0.68%

LAB 60.89, 17.21, -60.32

 

CMYK 47 / 33 / 0 / 0

HEX #86ABFE

RGB 134 171 254

HSL 221.5, 0.98%, 0.76%

LAB 70.42, 9.19, -45.09

 

CMYK 80 / 56 / 0 / 0

HEX #3271FE

RGB 50 113 254

HSL 221.47, 0.99%, 0.6%

LAB 51.43, 30.17, -75.67

 

CMYK 9 / 80 / 0 / 0

HEX #E634FE

RGB 230 52 254

HSL 292.87, 0.99%, 0.6%

LAB 58.45, 87.39, -63.51

 

CMYK 22 / 0 / 80 / 0

HEX #C5FE34

RGB 197 254 52

HSL 76.93, 0.99%, 0.6%

LAB 93.02, -43.16, 82.08

 

CMYK 80 / 56 / 0 / 0

HEX #3271FE

RGB 50 113 254

HSL 221.47, 0.99%, 0.6%

LAB 51.43, 30.17, -75.67

 

CMYK 0 / 80 / 54 / 0

HEX #FE3474

RGB 254 52 116

HSL 340.99, 0.99%, 0.6%

LAB 56.87, 76.34, 14.02

 

CMYK 54 / 0 / 80 / 0

HEX #74FE34

RGB 116 254 52

HSL 100.99, 0.99%, 0.6%

LAB 89.32, -69.34, 77.35

 

CMYK 80 / 56 / 0 / 0

HEX #3271FE

RGB 50 113 254

HSL 221.47, 0.99%, 0.6%

LAB 51.43, 30.17, -75.67

 

CMYK 9 / 80 / 0 / 0

HEX #E634FE

RGB 230 52 254

HSL 292.87, 0.99%, 0.6%

LAB 58.45, 87.39, -63.51

 

CMYK 0 / 25 / 80 / 0

HEX #FEBE34

RGB 254 190 52

HSL 40.99, 0.99%, 0.6%

LAB 80.82, 11.37, 72.9

 

CMYK 70 / 0 / 80 / 0

HEX #4CFE34

RGB 76 254 52

HSL 112.87, 0.99%, 0.6%

LAB 88.29, -77.84, 76.02

 

CMYK 80 / 56 / 0 / 0

HEX #3271FE

RGB 50 113 254

HSL 221.47, 0.99%, 0.6%

LAB 51.43, 30.17, -75.67

 

CMYK 0 / 80 / 15 / 0

HEX #FE34D9

RGB 254 52 217

HSL 310.99, 0.99%, 0.6%

LAB 60.37, 86.53, -39.51

 

CMYK 0 / 25 / 80 / 0

HEX #FEBE34

RGB 254 190 52

HSL 40.99, 0.99%, 0.6%

LAB 80.82, 11.37, 72.9

 

CMYK 80 / 0 / 65 / 0

HEX #34FE59

RGB 52 254 89

HSL 130.99, 0.99%, 0.6%

LAB 88.13, -78.37, 63.3

 

Description

Color code: HEX #3271FE | qconv.com Color code: HEX #3271FE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 113 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 113 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 56 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 56% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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