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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #326ED1 it is the complementary color #CD912E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #326ED1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #326ED1 shade: #376ECC, #4880DF, #5992F2, #6AA4FF and #7BB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #326ED1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #326ED1 shade: #326ED1, #215CBE, #104AAB, #003898 and #002685

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #326ED1 shade: #336FD1, #3344D1, #4D33D1, #7733D1 and #A233D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #326ED1 shade: #336FD1, #3344D1 and #3333D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #326ED1 shade matches the following richer shades: #336FD1, #1F6AE5 and #0B65F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #326ED1 shade: #336FD1, #4874BD, #5C79A8, #707E94 and #848380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #326ED1 shade: #33C4D1, #339AD1, #3370D1, #3346D1 and #4B33D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #326ED1 shade: #214B91, #285DB2, #336FD1, #5587D8 and #779EE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #326ED1 shade: #326ED1, #B433D1 and #AFD133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #326ED1 shade: #326ED1, #D13370 and #70D133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #326ED1 shade: #326ED1, #B433D1, #D19433 and #50D133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #326ED1 shade: #326ED1, #D133BE, #D19433 and #33D146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 47 / 0 / 18

HEX #326ED1

RGB 50 110 209

HSL 217.36, 0.63%, 0.51%

LAB 47.54, 15.37, -56.69

 

Complementary color

CMYK 0 / 29 / 78 / 20

HEX #CD912E

RGB 205 145 46

HSL 37.36, 0.63%, 0.49%

LAB 64.51, 14.07, 58.11

 

CMYK 73 / 46 / 0 / 20

HEX #376ECC

RGB 55 110 204

HSL 217.85, 0.59%, 0.51%

LAB 47.4, 14.14, -54.05

 

CMYK 68 / 43 / 0 / 13

HEX #4880DF

RGB 72 128 223

HSL 217.75, 0.7%, 0.58%

LAB 54.18, 12.26, -53.92

 

CMYK 63 / 40 / 0 / 5

HEX #5992F2

RGB 89 146 242

HSL 217.65, 0.85%, 0.65%

LAB 60.86, 10.73, -53.79

 

CMYK 58 / 36 / 0 / 0

HEX #6AA4FF

RGB 106 164 255

HSL 216.64, 1%, 0.71%

LAB 67.15, 7.55, -50.88

 

CMYK 52 / 29 / 0 / 0

HEX #7BB6FF

RGB 123 182 255

HSL 213.18, 1%, 0.74%

LAB 72.82, 0.84, -41.92

 

CMYK 76 / 47 / 0 / 18

HEX #326ED1

RGB 50 110 209

HSL 217.36, 0.63%, 0.51%

LAB 47.54, 15.37, -56.69

 

CMYK 83 / 52 / 0 / 25

HEX #215CBE

RGB 33 92 190

HSL 217.45, 0.7%, 0.44%

LAB 40.73, 17.95, -56.75

 

CMYK 91 / 57 / 0 / 33

HEX #104AAB

RGB 16 74 171

HSL 217.55, 0.83%, 0.37%

LAB 33.87, 21.17, -56.69

 

CMYK 100 / 63 / 0 / 40

HEX #003898

RGB 0 56 152

HSL 217.89, 1%, 0.3%

LAB 27, 25.03, -56.45

 

CMYK 100 / 71 / 0 / 48

HEX #002685

RGB 0 38 133

HSL 222.86, 1%, 0.26%

LAB 20.36, 29.7, -55.6

 

CMYK 76 / 47 / 0 / 18

HEX #336FD1

RGB 51 111 209

HSL 217.22, 0.63%, 0.51%

LAB 47.85, 14.86, -56.19

 

CMYK 76 / 67 / 0 / 18

HEX #3344D1

RGB 51 68 209

HSL 233.54, 0.63%, 0.51%

LAB 36.82, 42.17, -74.12

 

CMYK 63 / 76 / 0 / 18

HEX #4D33D1

RGB 77 51 209

HSL 249.87, 0.63%, 0.51%

LAB 35.1, 54.39, -76.9

 

CMYK 43 / 76 / 0 / 18

HEX #7733D1

RGB 119 51 209

HSL 265.82, 0.63%, 0.51%

LAB 39.4, 60.08, -69.68

 

CMYK 22 / 76 / 0 / 18

HEX #A233D1

RGB 162 51 209

HSL 282.15, 0.63%, 0.51%

LAB 45.15, 67.47, -60.06

 

CMYK 76 / 47 / 0 / 18

HEX #336FD1

RGB 51 111 209

HSL 217.22, 0.63%, 0.51%

LAB 47.85, 14.86, -56.19

 

CMYK 76 / 67 / 0 / 18

HEX #3344D1

RGB 51 68 209

HSL 233.54, 0.63%, 0.51%

LAB 36.82, 42.17, -74.12

 

CMYK 76 / 76 / 0 / 18

HEX #3333D1

RGB 51 51 209

HSL 240, 0.63%, 0.51%

LAB 33.3, 51.94, -79.94

 

CMYK 76 / 47 / 0 / 18

HEX #336FD1

RGB 51 111 209

HSL 217.22, 0.63%, 0.51%

LAB 47.85, 14.86, -56.19

 

CMYK 86 / 54 / 0 / 10

HEX #1F6AE5

RGB 31 106 229

HSL 217.27, 0.79%, 0.51%

LAB 47.31, 23.82, -68.43

 

CMYK 96 / 59 / 0 / 2

HEX #0B65F9

RGB 11 101 249

HSL 217.31, 0.95%, 0.51%

LAB 47.26, 33.82, -79.73

 

CMYK 76 / 47 / 0 / 18

HEX #336FD1

RGB 51 111 209

HSL 217.22, 0.63%, 0.51%

LAB 47.85, 14.86, -56.19

 

CMYK 62 / 39 / 0 / 26

HEX #4874BD

RGB 72 116 189

HSL 217.44, 0.47%, 0.51%

LAB 48.94, 7.78, -42.93

 

CMYK 45 / 28 / 0 / 34

HEX #5C79A8

RGB 92 121 168

HSL 217.11, 0.3%, 0.51%

LAB 50.43, 2.5, -28.36

 

CMYK 24 / 15 / 0 / 42

HEX #707E94

RGB 112 126 148

HSL 216.67, 0.14%, 0.51%

LAB 52.4, -0, -13.56

 

CMYK 0 / 1 / 3 / 48

HEX #848380

RGB 132 131 128

HSL 45, 0.02%, 0.51%

LAB 54.76, -0.21, 1.74

 

CMYK 76 / 6 / 0 / 18

HEX #33C4D1

RGB 51 196 209

HSL 184.94, 0.63%, 0.51%

LAB 72.75, -32.5, -17.3

 

CMYK 76 / 26 / 0 / 18

HEX #339AD1

RGB 51 154 209

HSL 200.89, 0.63%, 0.51%

LAB 60.26, -10.82, -36.49

 

CMYK 76 / 46 / 0 / 18

HEX #3370D1

RGB 51 112 209

HSL 216.84, 0.63%, 0.51%

LAB 48.13, 14.23, -55.74

 

CMYK 76 / 67 / 0 / 18

HEX #3346D1

RGB 51 70 209

HSL 232.78, 0.63%, 0.51%

LAB 37.28, 40.95, -73.38

 

CMYK 64 / 76 / 0 / 18

HEX #4B33D1

RGB 75 51 209

HSL 249.11, 0.63%, 0.51%

LAB 34.94, 54.17, -77.17

 

CMYK 77 / 48 / 0 / 43

HEX #214B91

RGB 33 75 145

HSL 217.5, 0.63%, 0.35%

LAB 32.7, 11.5, -42.89

 

CMYK 78 / 48 / 0 / 30

HEX #285DB2

RGB 40 93 178

HSL 216.96, 0.63%, 0.43%

LAB 40.4, 13.35, -50.24

 

CMYK 76 / 47 / 0 / 18

HEX #336FD1

RGB 51 111 209

HSL 217.22, 0.63%, 0.51%

LAB 47.85, 14.86, -56.19

 

CMYK 61 / 38 / 0 / 15

HEX #5587D8

RGB 85 135 216

HSL 217.1, 0.63%, 0.59%

LAB 56.3, 7.87, -46.57

 

CMYK 47 / 29 / 0 / 12

HEX #779EE0

RGB 119 158 224

HSL 217.71, 0.63%, 0.67%

LAB 64.77, 4.3, -37.59

 

CMYK 76 / 47 / 0 / 18

HEX #326ED1

RGB 50 110 209

HSL 217.36, 0.63%, 0.51%

LAB 47.54, 15.37, -56.69

 

CMYK 14 / 76 / 0 / 18

HEX #B433D1

RGB 180 51 209

HSL 288.99, 0.63%, 0.51%

LAB 47.85, 70.87, -55.58

 

CMYK 16 / 0 / 76 / 18

HEX #AFD133

RGB 175 209 51

HSL 72.91, 0.63%, 0.51%

LAB 79.01, -31.52, 69.08

 

CMYK 76 / 47 / 0 / 18

HEX #326ED1

RGB 50 110 209

HSL 217.36, 0.63%, 0.51%

LAB 47.54, 15.37, -56.69

 

CMYK 0 / 76 / 46 / 18

HEX #D13370

RGB 209 51 112

HSL 336.84, 0.63%, 0.51%

LAB 48.38, 64.46, 3.25

 

CMYK 46 / 0 / 76 / 18

HEX #70D133

RGB 112 209 51

HSL 96.84, 0.63%, 0.51%

LAB 75.63, -54.21, 64.66

 

CMYK 76 / 47 / 0 / 18

HEX #326ED1

RGB 50 110 209

HSL 217.36, 0.63%, 0.51%

LAB 47.54, 15.37, -56.69

 

CMYK 14 / 76 / 0 / 18

HEX #B433D1

RGB 180 51 209

HSL 288.99, 0.63%, 0.51%

LAB 47.85, 70.87, -55.58

 

CMYK 0 / 29 / 76 / 18

HEX #D19433

RGB 209 148 51

HSL 36.84, 0.63%, 0.51%

LAB 65.73, 14.38, 57.47

 

CMYK 62 / 0 / 76 / 18

HEX #50D133

RGB 80 209 51

HSL 108.99, 0.63%, 0.51%

LAB 74.54, -62.76, 63.23

 

CMYK 76 / 47 / 0 / 18

HEX #326ED1

RGB 50 110 209

HSL 217.36, 0.63%, 0.51%

LAB 47.54, 15.37, -56.69

 

CMYK 0 / 76 / 9 / 18

HEX #D133BE

RGB 209 51 190

HSL 307.22, 0.63%, 0.51%

LAB 51.43, 73.69, -38.63

 

CMYK 0 / 29 / 76 / 18

HEX #D19433

RGB 209 148 51

HSL 36.84, 0.63%, 0.51%

LAB 65.73, 14.38, 57.47

 

CMYK 76 / 0 / 67 / 18

HEX #33D146

RGB 51 209 70

HSL 127.22, 0.63%, 0.51%

LAB 74.03, -66.54, 55.53

 

Description

Color code: HEX #326ED1 | qconv.com Color code: HEX #326ED1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 110 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 110 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 47 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 47% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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