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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #326DCF it is the complementary color #CD9230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #326DCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #326DCF shade: #376DCA, #487FDD, #5991F0, #6AA3FF and #7BB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #326DCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #326DCF shade: #326DCF, #215BBC, #1049A9, #003796 and #002583

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #326DCF shade: #306CCF, #3041CF, #4A30CF, #7530CF and #A030CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #326DCF shade: #306CCF, #3041CF and #3030CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #326DCF shade matches the following richer shades: #306CCF, #1C67E3 and #0762F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #326DCF shade: #306CCF, #4571BA, #5A76A5, #6E7B91 and #83807C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #326DCF shade: #30C1CF, #3097CF, #306DCF, #3043CF and #4830CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #326DCF shade: #21498C, #295AAD, #306CCF, #5284D6 and #739BDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #326DCF shade: #326DCF, #B230CF and #ACCF30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #326DCF shade: #326DCF, #CF306D and #6DCF30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #326DCF shade: #326DCF, #B230CF, #CF9230 and #4DCF30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #326DCF shade: #326DCF, #CF30BC, #CF9230 and #30CF43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 47 / 0 / 19

HEX #326DCF

RGB 50 109 207

HSL 217.45, 0.62%, 0.5%

LAB 47.13, 15.26, -56.2

 

Complementary color

CMYK 0 / 29 / 77 / 20

HEX #CD9230

RGB 205 146 48

HSL 37.45, 0.62%, 0.5%

LAB 64.76, 13.61, 57.58

 

CMYK 73 / 46 / 0 / 21

HEX #376DCA

RGB 55 109 202

HSL 217.96, 0.58%, 0.5%

LAB 46.99, 14.03, -53.55

 

CMYK 67 / 43 / 0 / 13

HEX #487FDD

RGB 72 127 221

HSL 217.85, 0.69%, 0.57%

LAB 53.79, 12.17, -53.42

 

CMYK 63 / 40 / 0 / 6

HEX #5991F0

RGB 89 145 240

HSL 217.75, 0.83%, 0.65%

LAB 60.49, 10.65, -53.28

 

CMYK 58 / 36 / 0 / 0

HEX #6AA3FF

RGB 106 163 255

HSL 217.05, 1%, 0.71%

LAB 66.88, 8.12, -51.3

 

CMYK 52 / 29 / 0 / 0

HEX #7BB5FF

RGB 123 181 255

HSL 213.64, 1%, 0.74%

LAB 72.55, 1.4, -42.35

 

CMYK 76 / 47 / 0 / 19

HEX #326DCF

RGB 50 109 207

HSL 217.45, 0.62%, 0.5%

LAB 47.13, 15.26, -56.2

 

CMYK 82 / 52 / 0 / 26

HEX #215BBC

RGB 33 91 188

HSL 217.55, 0.7%, 0.43%

LAB 40.31, 17.83, -56.26

 

CMYK 91 / 57 / 0 / 34

HEX #1049A9

RGB 16 73 169

HSL 217.65, 0.83%, 0.36%

LAB 33.44, 21.04, -56.21

 

CMYK 100 / 63 / 0 / 41

HEX #003796

RGB 0 55 150

HSL 218, 1%, 0.29%

LAB 26.55, 24.9, -55.98

 

CMYK 100 / 72 / 0 / 49

HEX #002583

RGB 0 37 131

HSL 223.05, 1%, 0.26%

LAB 19.89, 29.58, -55.11

 

CMYK 77 / 48 / 0 / 19

HEX #306CCF

RGB 48 108 207

HSL 217.36, 0.62%, 0.5%

LAB 46.79, 15.66, -56.76

 

CMYK 77 / 69 / 0 / 19

HEX #3041CF

RGB 48 65 207

HSL 233.58, 0.62%, 0.5%

LAB 35.82, 43.02, -74.62

 

CMYK 64 / 77 / 0 / 19

HEX #4A30CF

RGB 74 48 207

HSL 249.81, 0.62%, 0.5%

LAB 34.14, 54.95, -77.33

 

CMYK 43 / 77 / 0 / 19

HEX #7530CF

RGB 117 48 207

HSL 266.04, 0.62%, 0.5%

LAB 38.55, 60.54, -69.92

 

CMYK 23 / 77 / 0 / 19

HEX #A030CF

RGB 160 48 207

HSL 282.26, 0.62%, 0.5%

LAB 44.37, 67.74, -60.2

 

CMYK 77 / 48 / 0 / 19

HEX #306CCF

RGB 48 108 207

HSL 217.36, 0.62%, 0.5%

LAB 46.79, 15.66, -56.76

 

CMYK 77 / 69 / 0 / 19

HEX #3041CF

RGB 48 65 207

HSL 233.58, 0.62%, 0.5%

LAB 35.82, 43.02, -74.62

 

CMYK 77 / 77 / 0 / 19

HEX #3030CF

RGB 48 48 207

HSL 240, 0.62%, 0.5%

LAB 32.36, 52.66, -80.33

 

CMYK 77 / 48 / 0 / 19

HEX #306CCF

RGB 48 108 207

HSL 217.36, 0.62%, 0.5%

LAB 46.79, 15.66, -56.76

 

CMYK 88 / 55 / 0 / 11

HEX #1C67E3

RGB 28 103 227

HSL 217.39, 0.78%, 0.5%

LAB 46.3, 24.8, -68.94

 

CMYK 97 / 60 / 0 / 3

HEX #0762F8

RGB 7 98 248

HSL 217.34, 0.95%, 0.5%

LAB 46.39, 35.25, -80.6

 

CMYK 77 / 48 / 0 / 19

HEX #306CCF

RGB 48 108 207

HSL 217.36, 0.62%, 0.5%

LAB 46.79, 15.66, -56.76

 

CMYK 63 / 39 / 0 / 27

HEX #4571BA

RGB 69 113 186

HSL 217.44, 0.46%, 0.5%

LAB 47.78, 8.03, -43.05

 

CMYK 45 / 28 / 0 / 35

HEX #5A76A5

RGB 90 118 165

HSL 217.6, 0.29%, 0.5%

LAB 49.31, 2.87, -28.36

 

CMYK 24 / 15 / 0 / 43

HEX #6E7B91

RGB 110 123 145

HSL 217.71, 0.14%, 0.5%

LAB 51.3, 0.34, -13.5

 

CMYK 0 / 2 / 5 / 49

HEX #83807C

RGB 131 128 124

HSL 34.29, 0.03%, 0.5%

LAB 53.73, 0.36, 2.56

 

CMYK 77 / 7 / 0 / 19

HEX #30C1CF

RGB 48 193 207

HSL 185.28, 0.62%, 0.5%

LAB 71.74, -31.99, -17.75

 

CMYK 77 / 27 / 0 / 19

HEX #3097CF

RGB 48 151 207

HSL 201.13, 0.62%, 0.5%

LAB 59.22, -10.19, -37.01

 

CMYK 77 / 47 / 0 / 19

HEX #306DCF

RGB 48 109 207

HSL 216.98, 0.62%, 0.5%

LAB 47.07, 15.03, -56.31

 

CMYK 77 / 68 / 0 / 19

HEX #3043CF

RGB 48 67 207

HSL 232.83, 0.62%, 0.5%

LAB 36.27, 41.81, -73.88

 

CMYK 65 / 77 / 0 / 19

HEX #4830CF

RGB 72 48 207

HSL 249.06, 0.62%, 0.5%

LAB 33.98, 54.74, -77.61

 

CMYK 76 / 48 / 0 / 45

HEX #21498C

RGB 33 73 140

HSL 217.57, 0.62%, 0.34%

LAB 31.77, 10.87, -41.33

 

CMYK 76 / 48 / 0 / 32

HEX #295AAD

RGB 41 90 173

HSL 217.73, 0.62%, 0.42%

LAB 39.24, 13.5, -49.16

 

CMYK 77 / 48 / 0 / 19

HEX #306CCF

RGB 48 108 207

HSL 217.36, 0.62%, 0.5%

LAB 46.79, 15.66, -56.76

 

CMYK 62 / 38 / 0 / 16

HEX #5284D6

RGB 82 132 214

HSL 217.27, 0.62%, 0.58%

LAB 55.23, 8.43, -47.16

 

CMYK 48 / 30 / 0 / 13

HEX #739BDE

RGB 115 155 222

HSL 217.57, 0.62%, 0.66%

LAB 63.64, 4.47, -38.27

 

CMYK 76 / 47 / 0 / 19

HEX #326DCF

RGB 50 109 207

HSL 217.45, 0.62%, 0.5%

LAB 47.13, 15.26, -56.2

 

CMYK 14 / 77 / 0 / 19

HEX #B230CF

RGB 178 48 207

HSL 289.06, 0.62%, 0.5%

LAB 47.08, 71.07, -55.67

 

CMYK 17 / 0 / 77 / 19

HEX #ACCF30

RGB 172 207 48

HSL 73.21, 0.62%, 0.5%

LAB 78.23, -31.92, 69.2

 

CMYK 76 / 47 / 0 / 19

HEX #326DCF

RGB 50 109 207

HSL 217.45, 0.62%, 0.5%

LAB 47.13, 15.26, -56.2

 

CMYK 0 / 77 / 47 / 19

HEX #CF306D

RGB 207 48 109

HSL 336.98, 0.62%, 0.5%

LAB 47.6, 64.57, 3.92

 

CMYK 47 / 0 / 77 / 19

HEX #6DCF30

RGB 109 207 48

HSL 96.98, 0.62%, 0.5%

LAB 74.88, -54.53, 64.86

 

CMYK 76 / 47 / 0 / 19

HEX #326DCF

RGB 50 109 207

HSL 217.45, 0.62%, 0.5%

LAB 47.13, 15.26, -56.2

 

CMYK 14 / 77 / 0 / 19

HEX #B230CF

RGB 178 48 207

HSL 289.06, 0.62%, 0.5%

LAB 47.08, 71.07, -55.67

 

CMYK 0 / 29 / 77 / 19

HEX #CF9230

RGB 207 146 48

HSL 36.98, 0.62%, 0.5%

LAB 64.99, 14.48, 57.88

 

CMYK 63 / 0 / 77 / 19

HEX #4DCF30

RGB 77 207 48

HSL 109.06, 0.62%, 0.5%

LAB 73.82, -62.95, 63.46

 

CMYK 76 / 47 / 0 / 19

HEX #326DCF

RGB 50 109 207

HSL 217.45, 0.62%, 0.5%

LAB 47.13, 15.26, -56.2

 

CMYK 0 / 77 / 9 / 19

HEX #CF30BC

RGB 207 48 188

HSL 307.17, 0.62%, 0.5%

LAB 50.7, 73.82, -38.64

 

CMYK 0 / 29 / 77 / 19

HEX #CF9230

RGB 207 146 48

HSL 36.98, 0.62%, 0.5%

LAB 64.99, 14.48, 57.88

 

CMYK 77 / 0 / 68 / 19

HEX #30CF43

RGB 48 207 67

HSL 127.17, 0.62%, 0.5%

LAB 73.32, -66.61, 55.96

 

Description

Color code: HEX #326DCF | qconv.com Color code: HEX #326DCF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 109 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 109 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 47 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 47% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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