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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #326C57 it is the complementary color #CD93A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #326C57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #326C57 shade: #376C52, #487E65, #599078, #6AA28B and #7BB49E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #326C57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #326C57 shade: #326C57, #215A44, #104831, #00361E and #00240B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #326C57 shade: #326C57, #326C47, #326C38, #3C6C32 and #4C6C32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #326C57 shade: #326C57, #326C67, #32626C, #32526C and #32426C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #326C57 shade matches the following richer shades: #326C57, #25795B, #18865E and #0B9362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #326C57 shade: #326C57, #3F6054, #4B5350, #58464D and #653949

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #326C57 shade: #326C38, #326C47, #326C57, #326C66 and #32636C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #326C57 shade: #18342A, #255040, #326C57, #3F896E and #4CA585

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #326C57 shade: #326C57, #323C6C and #6C3F32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #326C57 shade: #326C57, #57326C and #6C5732

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #326C57 shade: #326C57, #323C6C, #6C3247 and #6C6332

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #326C57 shade: #326C57, #3A326C, #6C3247 and #646C32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

Complementary color

CMYK 0 / 28 / 18 / 20

HEX #CD93A8

RGB 205 147 168

HSL 338.28, 0.37%, 0.69%

LAB 67.03, 24.98, -2.29

 

CMYK 49 / 0 / 24 / 58

HEX #376C52

RGB 55 108 82

HSL 150.57, 0.33%, 0.32%

LAB 41.45, -24.37, 9.17

 

CMYK 43 / 0 / 20 / 51

HEX #487E65

RGB 72 126 101

HSL 152.22, 0.27%, 0.39%

LAB 48.56, -24.13, 8.06

 

CMYK 38 / 0 / 17 / 44

HEX #599078

RGB 89 144 120

HSL 153.82, 0.24%, 0.46%

LAB 55.51, -23.87, 7.06

 

CMYK 35 / 0 / 14 / 36

HEX #6AA28B

RGB 106 162 139

HSL 155.36, 0.23%, 0.53%

LAB 62.31, -23.62, 6.16

 

CMYK 32 / 0 / 12 / 29

HEX #7BB49E

RGB 123 180 158

HSL 156.84, 0.28%, 0.59%

LAB 68.98, -23.39, 5.32

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 63 / 0 / 24 / 65

HEX #215A44

RGB 33 90 68

HSL 156.84, 0.46%, 0.24%

LAB 34.09, -24.58, 7.24

 

CMYK 78 / 0 / 32 / 72

HEX #104831

RGB 16 72 49

HSL 155.36, 0.64%, 0.17%

LAB 26.64, -24.29, 8.73

 

CMYK 100 / 0 / 44 / 79

HEX #00361E

RGB 0 54 30

HSL 153.33, 1%, 0.11%

LAB 18.94, -23.7, 10.51

 

CMYK 100 / 0 / 69 / 86

HEX #00240B

RGB 0 36 11

HSL 138.33, 1%, 0.07%

LAB 11.18, -19.86, 11.71

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 54 / 0 / 34 / 58

HEX #326C47

RGB 50 108 71

HSL 141.72, 0.37%, 0.31%

LAB 40.99, -28.22, 15.06

 

CMYK 54 / 0 / 48 / 58

HEX #326C38

RGB 50 108 56

HSL 126.21, 0.37%, 0.31%

LAB 40.72, -31.05, 23.38

 

CMYK 44 / 0 / 54 / 58

HEX #3C6C32

RGB 60 108 50

HSL 109.66, 0.37%, 0.31%

LAB 41.08, -28.75, 27.25

 

CMYK 30 / 0 / 54 / 58

HEX #4C6C32

RGB 76 108 50

HSL 93.1, 0.37%, 0.31%

LAB 41.99, -22.74, 28.56

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 54 / 0 / 5 / 58

HEX #326C67

RGB 50 108 103

HSL 174.83, 0.37%, 0.31%

LAB 41.82, -20.26, -3.01

 

CMYK 54 / 9 / 0 / 58

HEX #32626C

RGB 50 98 108

HSL 190.34, 0.37%, 0.31%

LAB 38.72, -13.23, -10.69

 

CMYK 54 / 24 / 0 / 58

HEX #32526C

RGB 50 82 108

HSL 206.9, 0.37%, 0.31%

LAB 33.55, -3.61, -18.59

 

CMYK 54 / 39 / 0 / 58

HEX #32426C

RGB 50 66 108

HSL 223.45, 0.37%, 0.31%

LAB 28.53, 6.82, -26.44

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 69 / 0 / 25 / 53

HEX #25795B

RGB 37 121 91

HSL 158.57, 0.53%, 0.31%

LAB 45.39, -32.67, 9.27

 

CMYK 82 / 0 / 30 / 47

HEX #18865E

RGB 24 134 94

HSL 158.18, 0.7%, 0.31%

LAB 49.56, -39.5, 13.31

 

CMYK 93 / 0 / 33 / 42

HEX #0B9362

RGB 11 147 98

HSL 158.38, 0.86%, 0.31%

LAB 53.84, -44.89, 16.9

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 34 / 0 / 13 / 62

HEX #3F6054

RGB 63 96 84

HSL 158.18, 0.21%, 0.31%

LAB 37.95, -14.98, 3.04

 

CMYK 10 / 0 / 4 / 67

HEX #4B5350

RGB 75 83 80

HSL 157.5, 0.05%, 0.31%

LAB 34.52, -3.85, 0.66

 

CMYK 0 / 20 / 13 / 65

HEX #58464D

RGB 88 70 77

HSL 336.67, 0.11%, 0.31%

LAB 31.79, 9, -1.28

 

CMYK 0 / 44 / 28 / 60

HEX #653949

RGB 101 57 73

HSL 338.18, 0.28%, 0.31%

LAB 29.85, 21.8, -1.35

 

CMYK 54 / 0 / 48 / 58

HEX #326C38

RGB 50 108 56

HSL 126.21, 0.37%, 0.31%

LAB 40.72, -31.05, 23.38

 

CMYK 54 / 0 / 34 / 58

HEX #326C47

RGB 50 108 71

HSL 141.72, 0.37%, 0.31%

LAB 40.99, -28.22, 15.06

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 54 / 0 / 6 / 58

HEX #326C66

RGB 50 108 102

HSL 173.79, 0.37%, 0.31%

LAB 41.79, -20.54, -2.45

 

CMYK 54 / 8 / 0 / 58

HEX #32636C

RGB 50 99 108

HSL 189.31, 0.37%, 0.31%

LAB 39.04, -13.8, -10.2

 

CMYK 54 / 0 / 19 / 80

HEX #18342A

RGB 24 52 42

HSL 158.57, 0.37%, 0.15%

LAB 19.3, -13.59, 3.06

 

CMYK 54 / 0 / 20 / 69

HEX #255040

RGB 37 80 64

HSL 157.67, 0.37%, 0.23%

LAB 30.64, -19.4, 4.89

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 54 / 0 / 20 / 46

HEX #3F896E

RGB 63 137 110

HSL 158.11, 0.37%, 0.39%

LAB 51.92, -29.9, 7.55

 

CMYK 54 / 0 / 19 / 35

HEX #4CA585

RGB 76 165 133

HSL 158.43, 0.37%, 0.47%

LAB 61.78, -34.56, 8.57

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 54 / 44 / 0 / 58

HEX #323C6C

RGB 50 60 108

HSL 229.66, 0.37%, 0.31%

LAB 26.71, 10.89, -29.31

 

CMYK 0 / 42 / 54 / 58

HEX #6C3F32

RGB 108 63 50

HSL 13.45, 0.37%, 0.31%

LAB 31.75, 18.12, 16.32

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 19 / 54 / 0 / 58

HEX #57326C

RGB 87 50 108

HSL 278.28, 0.37%, 0.31%

LAB 27.82, 28.2, -27.32

 

CMYK 0 / 19 / 54 / 58

HEX #6C5732

RGB 108 87 50

HSL 38.28, 0.37%, 0.31%

LAB 38.26, 3.48, 24.62

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 54 / 44 / 0 / 58

HEX #323C6C

RGB 50 60 108

HSL 229.66, 0.37%, 0.31%

LAB 26.71, 10.89, -29.31

 

CMYK 0 / 54 / 34 / 58

HEX #6C3247

RGB 108 50 71

HSL 338.28, 0.37%, 0.31%

LAB 29.22, 28.35, -0.83

 

CMYK 0 / 8 / 54 / 58

HEX #6C6332

RGB 108 99 50

HSL 50.69, 0.37%, 0.31%

LAB 41.75, -3.65, 28.88

 

CMYK 54 / 0 / 19 / 58

HEX #326C57

RGB 50 108 87

HSL 158.28, 0.37%, 0.31%

LAB 41.36, -24.55, 6.01

 

CMYK 46 / 54 / 0 / 58

HEX #3A326C

RGB 58 50 108

HSL 248.28, 0.37%, 0.31%

LAB 24.52, 19.8, -32.77

 

CMYK 0 / 54 / 34 / 58

HEX #6C3247

RGB 108 50 71

HSL 338.28, 0.37%, 0.31%

LAB 29.22, 28.35, -0.83

 

CMYK 7 / 0 / 54 / 58

HEX #646C32

RGB 100 108 50

HSL 68.28, 0.37%, 0.31%

LAB 43.75, -12.45, 31.08

 

Description

Color code: HEX #326C57 | qconv.com Color code: HEX #326C57 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 108 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 108 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 19 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 19% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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