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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #326C34 it is the complementary color #CD93CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #326C34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #326C34 shade: #376C2F, #487E42, #599055, #6AA268 and #7BB47B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #326C34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #326C34 shade: #326C34, #215A21, #10480E, #003600 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #326C34 shade: #326C34, #406C32, #4F6C32, #5F6C32 and #6C6A32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #326C34 shade: #326C34, #326C44, #326C53, #326C63 and #32666C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #326C34 shade matches the following richer shades: #326C34, #257928, #18861C and #0B9310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #326C34 shade: #326C34, #3F6040, #4B534C, #584658 and #653963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #326C34 shade: #4F6C32, #3F6C32, #326C34, #326C43 and #326C53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #326C34 shade: #183419, #255026, #326C34, #3F8941 and #4CA54F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #326C34 shade: #326C34, #325F6C and #6C3247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #326C34 shade: #326C34, #34326C and #6C3432

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #326C34 shade: #326C34, #325F6C, #6C326A and #6C3F32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #326C34 shade: #326C34, #324D6C, #6C326A and #6C5132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

Complementary color

CMYK 0 / 28 / 1 / 20

HEX #CD93CB

RGB 205 147 203

HSL 302.07, 0.37%, 0.69%

LAB 68.14, 31.01, -20.19

 

CMYK 49 / 0 / 56 / 58

HEX #376C2F

RGB 55 108 47

HSL 112.13, 0.39%, 0.3%

LAB 40.8, -30.85, 28.47

 

CMYK 43 / 0 / 48 / 51

HEX #487E42

RGB 72 126 66

HSL 114, 0.31%, 0.38%

LAB 47.87, -30.78, 27.09

 

CMYK 38 / 0 / 41 / 44

HEX #599055

RGB 89 144 85

HSL 115.93, 0.26%, 0.45%

LAB 54.79, -30.59, 25.76

 

CMYK 35 / 0 / 36 / 36

HEX #6AA268

RGB 106 162 104

HSL 117.93, 0.24%, 0.52%

LAB 61.57, -30.36, 24.5

 

CMYK 32 / 0 / 32 / 29

HEX #7BB47B

RGB 123 180 123

HSL 120, 0.28%, 0.59%

LAB 68.23, -30.11, 23.33

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 63 / 0 / 63 / 65

HEX #215A21

RGB 33 90 33

HSL 120, 0.46%, 0.24%

LAB 33.45, -31.48, 26.98

 

CMYK 78 / 0 / 81 / 72

HEX #10480E

RGB 16 72 14

HSL 117.93, 0.67%, 0.17%

LAB 26.09, -30.56, 28.06

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 41 / 0 / 54 / 58

HEX #406C32

RGB 64 108 50

HSL 105.52, 0.37%, 0.31%

LAB 41.29, -27.33, 27.55

 

CMYK 27 / 0 / 54 / 58

HEX #4F6C32

RGB 79 108 50

HSL 90, 0.37%, 0.31%

LAB 42.18, -21.52, 28.84

 

CMYK 12 / 0 / 54 / 58

HEX #5F6C32

RGB 95 108 50

HSL 73.45, 0.37%, 0.31%

LAB 43.34, -14.68, 30.5

 

CMYK 0 / 2 / 54 / 58

HEX #6C6A32

RGB 108 106 50

HSL 57.93, 0.37%, 0.31%

LAB 43.84, -7.69, 31.36

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 54 / 0 / 37 / 58

HEX #326C44

RGB 50 108 68

HSL 138.62, 0.37%, 0.31%

LAB 40.93, -28.84, 16.74

 

CMYK 54 / 0 / 23 / 58

HEX #326C53

RGB 50 108 83

HSL 154.14, 0.37%, 0.31%

LAB 41.26, -25.53, 8.28

 

CMYK 54 / 0 / 8 / 58

HEX #326C63

RGB 50 108 99

HSL 170.69, 0.37%, 0.31%

LAB 41.7, -21.38, -0.77

 

CMYK 54 / 6 / 0 / 58

HEX #32666C

RGB 50 102 108

HSL 186.21, 0.37%, 0.31%

LAB 40.02, -15.5, -8.73

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 69 / 0 / 67 / 53

HEX #257928

RGB 37 121 40

HSL 122.14, 0.53%, 0.31%

LAB 44.55, -42.02, 36.12

 

CMYK 82 / 0 / 79 / 47

HEX #18861C

RGB 24 134 28

HSL 122.18, 0.7%, 0.31%

LAB 48.67, -49.92, 45.22

 

CMYK 93 / 0 / 89 / 42

HEX #0B9310

RGB 11 147 16

HSL 122.21, 0.86%, 0.31%

LAB 52.92, -55.92, 52.48

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 34 / 0 / 33 / 62

HEX #3F6040

RGB 63 96 64

HSL 121.82, 0.21%, 0.31%

LAB 37.47, -19.31, 14.57

 

CMYK 10 / 0 / 8 / 67

HEX #4B534C

RGB 75 83 76

HSL 127.5, 0.05%, 0.31%

LAB 34.4, -4.73, 3.01

 

CMYK 0 / 20 / 0 / 65

HEX #584658

RGB 88 70 88

HSL 300, 0.11%, 0.31%

LAB 32.17, 11.29, -7.77

 

CMYK 0 / 44 / 2 / 60

HEX #653963

RGB 101 57 99

HSL 302.73, 0.28%, 0.31%

LAB 30.86, 26.59, -16.66

 

CMYK 27 / 0 / 54 / 58

HEX #4F6C32

RGB 79 108 50

HSL 90, 0.37%, 0.31%

LAB 42.18, -21.52, 28.84

 

CMYK 42 / 0 / 54 / 58

HEX #3F6C32

RGB 63 108 50

HSL 106.55, 0.37%, 0.31%

LAB 41.24, -27.69, 27.47

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 54 / 0 / 38 / 58

HEX #326C43

RGB 50 108 67

HSL 137.59, 0.37%, 0.31%

LAB 40.91, -29.04, 17.3

 

CMYK 54 / 0 / 23 / 58

HEX #326C53

RGB 50 108 83

HSL 154.14, 0.37%, 0.31%

LAB 41.26, -25.53, 8.28

 

CMYK 54 / 0 / 52 / 80

HEX #183419

RGB 24 52 25

HSL 122.14, 0.37%, 0.15%

LAB 18.89, -17.59, 13.85

 

CMYK 54 / 0 / 53 / 69

HEX #255026

RGB 37 80 38

HSL 121.4, 0.37%, 0.23%

LAB 30.09, -24.99, 20.18

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 54 / 0 / 53 / 46

HEX #3F8941

RGB 63 137 65

HSL 121.62, 0.37%, 0.39%

LAB 51.07, -38.62, 31.52

 

CMYK 54 / 0 / 52 / 35

HEX #4CA54F

RGB 76 165 79

HSL 122.02, 0.37%, 0.47%

LAB 60.79, -44.68, 36.36

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 54 / 12 / 0 / 58

HEX #325F6C

RGB 50 95 108

HSL 193.45, 0.37%, 0.31%

LAB 37.74, -11.49, -12.17

 

CMYK 0 / 54 / 34 / 58

HEX #6C3247

RGB 108 50 71

HSL 338.28, 0.37%, 0.31%

LAB 29.22, 28.35, -0.83

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 52 / 54 / 0 / 58

HEX #34326C

RGB 52 50 108

HSL 242.07, 0.37%, 0.31%

LAB 23.98, 18.26, -33.67

 

CMYK 0 / 52 / 54 / 58

HEX #6C3432

RGB 108 52 50

HSL 2.07, 0.37%, 0.31%

LAB 29.09, 24.65, 12.79

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 54 / 12 / 0 / 58

HEX #325F6C

RGB 50 95 108

HSL 193.45, 0.37%, 0.31%

LAB 37.74, -11.49, -12.17

 

CMYK 0 / 54 / 2 / 58

HEX #6C326A

RGB 108 50 106

HSL 302.07, 0.37%, 0.31%

LAB 30.66, 34.32, -21.37

 

CMYK 0 / 42 / 54 / 58

HEX #6C3F32

RGB 108 63 50

HSL 13.45, 0.37%, 0.31%

LAB 31.75, 18.12, 16.32

 

CMYK 54 / 0 / 52 / 58

HEX #326C34

RGB 50 108 52

HSL 122.07, 0.37%, 0.31%

LAB 40.66, -31.69, 25.53

 

CMYK 54 / 29 / 0 / 58

HEX #324D6C

RGB 50 77 108

HSL 212.07, 0.37%, 0.31%

LAB 31.96, -0.44, -21.06

 

CMYK 0 / 54 / 2 / 58

HEX #6C326A

RGB 108 50 106

HSL 302.07, 0.37%, 0.31%

LAB 30.66, 34.32, -21.37

 

CMYK 0 / 25 / 54 / 58

HEX #6C5132

RGB 108 81 50

HSL 32.07, 0.37%, 0.31%

LAB 36.56, 7.12, 22.51

 

Description

Color code: HEX #326C34 | qconv.com Color code: HEX #326C34 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 108 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 108 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 52 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 52% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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