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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #324AFE it is the complementary color #CDB501. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #324AFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #324AFE shade: #374AF9, #485CFF, #596EFF, #6A80FF and #7B92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #324AFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #324AFE shade: #324AFE, #2138EB, #1026D8, #0014C5 and #0002B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #324AFE shade: #344CFE, #5334FE, #8934FE, #C034FE and #F634FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #324AFE shade: #344CFE and #3434FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #324AFE shade matches the following richer shades: #344CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #324AFE shade: #344CFE, #4558ED, #5565DD, #6672CC and #767EBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #324AFE shade: #34BBFE, #3485FE, #344FFE, #4F34FE and #8534FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #324AFE shade: #011BDE, #0B28FE, #344CFE, #5D70FE and #8694FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #324AFE shade: #324AFE, #FE34F1 and #A0FE34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #324AFE shade: #324AFE, #FE344F and #4FFE34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #324AFE shade: #324AFE, #FE34F1, #FEE334 and #34FE41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #324AFE shade: #324AFE, #FE34B4, #FEE334 and #34FE7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 71 / 0 / 0

HEX #324AFE

RGB 50 74 254

HSL 232.94, 0.99%, 0.6%

LAB 42.36, 53.84, -90.55

 

Complementary color

CMYK 0 / 12 / 100 / 20

HEX #CDB501

RGB 205 181 1

HSL 52.94, 0.99%, 0.4%

LAB 73.56, -6.11, 75.4

 

CMYK 78 / 70 / 0 / 2

HEX #374AF9

RGB 55 74 249

HSL 234.12, 0.94%, 0.6%

LAB 42.08, 52.53, -88.21

 

CMYK 72 / 64 / 0 / 0

HEX #485CFF

RGB 72 92 255

HSL 233.44, 1%, 0.64%

LAB 47.3, 45.56, -82.93

 

CMYK 65 / 57 / 0 / 0

HEX #596EFF

RGB 89 110 255

HSL 232.41, 1%, 0.67%

LAB 52.39, 36.88, -74.59

 

CMYK 58 / 50 / 0 / 0

HEX #6A80FF

RGB 106 128 255

HSL 231.14, 1%, 0.71%

LAB 57.77, 28.81, -65.84

 

CMYK 52 / 43 / 0 / 0

HEX #7B92FF

RGB 123 146 255

HSL 229.55, 1%, 0.74%

LAB 63.33, 21.47, -56.88

 

CMYK 80 / 71 / 0 / 0

HEX #324AFE

RGB 50 74 254

HSL 232.94, 0.99%, 0.6%

LAB 42.36, 53.84, -90.55

 

CMYK 86 / 76 / 0 / 8

HEX #2138EB

RGB 33 56 235

HSL 233.17, 0.83%, 0.53%

LAB 36.27, 56.61, -89.95

 

CMYK 93 / 82 / 0 / 15

HEX #1026D8

RGB 16 38 216

HSL 233.4, 0.86%, 0.45%

LAB 30.53, 59.03, -88.62

 

CMYK 100 / 90 / 0 / 23

HEX #0014C5

RGB 0 20 197

HSL 233.91, 1%, 0.39%

LAB 25.36, 60.34, -86.17

 

CMYK 100 / 99 / 0 / 30

HEX #0002B2

RGB 0 2 178

HSL 239.33, 1%, 0.35%

LAB 21.05, 59.96, -82.09

 

CMYK 80 / 70 / 0 / 0

HEX #344CFE

RGB 52 76 254

HSL 232.87, 0.99%, 0.6%

LAB 42.85, 52.84, -89.74

 

CMYK 67 / 80 / 0 / 0

HEX #5334FE

RGB 83 52 254

HSL 249.21, 0.99%, 0.6%

LAB 40.33, 67.35, -93.84

 

CMYK 46 / 80 / 0 / 0

HEX #8934FE

RGB 137 52 254

HSL 265.25, 0.99%, 0.6%

LAB 45.54, 73.03, -85.07

 

CMYK 24 / 80 / 0 / 0

HEX #C034FE

RGB 192 52 254

HSL 281.58, 0.99%, 0.6%

LAB 52.75, 81.01, -73

 

CMYK 3 / 80 / 0 / 0

HEX #F634FE

RGB 246 52 254

HSL 297.62, 0.99%, 0.6%

LAB 60.96, 90.22, -59.35

 

CMYK 80 / 70 / 0 / 0

HEX #344CFE

RGB 52 76 254

HSL 232.87, 0.99%, 0.6%

LAB 42.85, 52.84, -89.74

 

CMYK 80 / 80 / 0 / 0

HEX #3434FE

RGB 52 52 254

HSL 240, 0.99%, 0.6%

LAB 38.45, 65.32, -97.02

 

CMYK 80 / 70 / 0 / 0

HEX #344CFE

RGB 52 76 254

HSL 232.87, 0.99%, 0.6%

LAB 42.85, 52.84, -89.74

 

CMYK 80 / 70 / 0 / 0

HEX #344CFE

RGB 52 76 254

HSL 232.87, 0.99%, 0.6%

LAB 42.85, 52.84, -89.74

 

CMYK 71 / 63 / 0 / 7

HEX #4558ED

RGB 69 88 237

HSL 233.21, 0.82%, 0.6%

LAB 44.74, 41.55, -77.06

 

CMYK 62 / 54 / 0 / 13

HEX #5565DD

RGB 85 101 221

HSL 232.94, 0.67%, 0.6%

LAB 47.57, 30.41, -63.38

 

CMYK 50 / 44 / 0 / 20

HEX #6672CC

RGB 102 114 204

HSL 232.94, 0.5%, 0.6%

LAB 50.94, 20.28, -48.24

 

CMYK 37 / 33 / 0 / 26

HEX #767EBC

RGB 118 126 188

HSL 233.14, 0.34%, 0.6%

LAB 54.45, 12.39, -33.48

 

CMYK 80 / 26 / 0 / 0

HEX #34BBFE

RGB 52 187 254

HSL 199.9, 0.99%, 0.6%

LAB 71.84, -13.3, -43.08

 

CMYK 80 / 48 / 0 / 0

HEX #3485FE

RGB 52 133 254

HSL 215.94, 0.99%, 0.6%

LAB 56.74, 17.92, -67.07

 

CMYK 80 / 69 / 0 / 0

HEX #344FFE

RGB 52 79 254

HSL 231.98, 0.99%, 0.6%

LAB 43.47, 51.11, -88.7

 

CMYK 69 / 80 / 0 / 0

HEX #4F34FE

RGB 79 52 254

HSL 248.02, 0.99%, 0.6%

LAB 40.04, 67.03, -94.33

 

CMYK 48 / 80 / 0 / 0

HEX #8534FE

RGB 133 52 254

HSL 264.06, 0.99%, 0.6%

LAB 45.08, 72.52, -85.85

 

CMYK 100 / 88 / 0 / 13

HEX #011BDE

RGB 1 27 222

HSL 232.94, 0.99%, 0.44%

LAB 29.57, 65.01, -93.68

 

CMYK 96 / 84 / 0 / 0

HEX #0B28FE

RGB 11 40 254

HSL 232.84, 0.99%, 0.52%

LAB 35.49, 69.32, -101.98

 

CMYK 80 / 70 / 0 / 0

HEX #344CFE

RGB 52 76 254

HSL 232.87, 0.99%, 0.6%

LAB 42.85, 52.84, -89.74

 

CMYK 63 / 56 / 0 / 0

HEX #5D70FE

RGB 93 112 254

HSL 232.92, 0.99%, 0.68%

LAB 53.03, 35.94, -73

 

CMYK 47 / 42 / 0 / 0

HEX #8694FE

RGB 134 148 254

HSL 233, 0.98%, 0.76%

LAB 64.49, 22.42, -54.46

 

CMYK 80 / 71 / 0 / 0

HEX #324AFE

RGB 50 74 254

HSL 232.94, 0.99%, 0.6%

LAB 42.36, 53.84, -90.55

 

CMYK 0 / 80 / 5 / 0

HEX #FE34F1

RGB 254 52 241

HSL 303.86, 0.99%, 0.6%

LAB 61.55, 89.78, -51.12

 

CMYK 37 / 0 / 80 / 0

HEX #A0FE34

RGB 160 254 52

HSL 87.92, 0.99%, 0.6%

LAB 91.06, -56.32, 79.58

 

CMYK 80 / 71 / 0 / 0

HEX #324AFE

RGB 50 74 254

HSL 232.94, 0.99%, 0.6%

LAB 42.36, 53.84, -90.55

 

CMYK 0 / 80 / 69 / 0

HEX #FE344F

RGB 254 52 79

HSL 351.98, 0.99%, 0.6%

LAB 56.18, 74.24, 34.96

 

CMYK 69 / 0 / 80 / 0

HEX #4FFE34

RGB 79 254 52

HSL 111.98, 0.99%, 0.6%

LAB 88.35, -77.33, 76.1

 

CMYK 80 / 71 / 0 / 0

HEX #324AFE

RGB 50 74 254

HSL 232.94, 0.99%, 0.6%

LAB 42.36, 53.84, -90.55

 

CMYK 0 / 80 / 5 / 0

HEX #FE34F1

RGB 254 52 241

HSL 303.86, 0.99%, 0.6%

LAB 61.55, 89.78, -51.12

 

CMYK 0 / 11 / 80 / 0

HEX #FEE334

RGB 254 227 52

HSL 51.98, 0.99%, 0.6%

LAB 89.98, -7.51, 80.98

 

CMYK 80 / 0 / 74 / 0

HEX #34FE41

RGB 52 254 65

HSL 123.86, 0.99%, 0.6%

LAB 87.97, -80.4, 71.76

 

CMYK 80 / 71 / 0 / 0

HEX #324AFE

RGB 50 74 254

HSL 232.94, 0.99%, 0.6%

LAB 42.36, 53.84, -90.55

 

CMYK 0 / 80 / 29 / 0

HEX #FE34B4

RGB 254 52 180

HSL 321.98, 0.99%, 0.6%

LAB 58.81, 82.08, -20.77

 

CMYK 0 / 11 / 80 / 0

HEX #FEE334

RGB 254 227 52

HSL 51.98, 0.99%, 0.6%

LAB 89.98, -7.51, 80.98

 

CMYK 80 / 0 / 50 / 0

HEX #34FE7E

RGB 52 254 126

HSL 141.98, 0.99%, 0.6%

LAB 88.5, -73.82, 47.61

 

Description

Color code: HEX #324AFE | qconv.com Color code: HEX #324AFE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 74 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 74 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 71 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 71% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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