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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #324338 it is the complementary color #CDBCC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #324338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #324338 shade: #374333, #485546, #596759, #6A796C and #7B8B7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #324338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #324338 shade: #324338, #213125, #101F12, #000D00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #324338 shade: #324338, #324333, #354332, #3A4332 and #3F4332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #324338 shade: #324338, #32433D, #324342, #324143 and #323C43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #324338 shade matches the following richer shades: #324338, #284D35, #1F5632, #156030 and #0C692D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #324338 shade: #324338, #3B3A3B, #45303E, #4E2740 and #581D43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #324338 shade: #354332, #324333, #324338, #32433D and #324341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #324338 shade: #0F1411, #202C24, #324338, #435B4C and #557360

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #324338 shade: #324338, #323A43 and #433233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #324338 shade: #324338, #383243 and #433832

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #324338 shade: #324338, #323A43, #43323D and #433C32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #324338 shade: #324338, #323443, #43323D and #434132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

Complementary color

CMYK 0 / 8 / 3 / 20

HEX #CDBCC7

RGB 205 188 199

HSL 321.18, 0.15%, 0.77%

LAB 77.92, 7.94, -3.36

 

CMYK 18 / 0 / 24 / 74

HEX #374333

RGB 55 67 51

HSL 105, 0.14%, 0.23%

LAB 26.92, -8.51, 8.13

 

CMYK 15 / 0 / 18 / 67

HEX #485546

RGB 72 85 70

HSL 112, 0.1%, 0.3%

LAB 34.63, -8.4, 7.07

 

CMYK 14 / 0 / 14 / 60

HEX #596759

RGB 89 103 89

HSL 120, 0.07%, 0.38%

LAB 42.07, -8.33, 6.12

 

CMYK 12 / 0 / 11 / 53

HEX #6A796C

RGB 106 121 108

HSL 128, 0.07%, 0.45%

LAB 49.28, -8.27, 5.26

 

CMYK 12 / 0 / 9 / 45

HEX #7B8B7F

RGB 123 139 127

HSL 135, 0.06%, 0.51%

LAB 56.3, -8.24, 4.46

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 33 / 0 / 24 / 81

HEX #213125

RGB 33 49 37

HSL 135, 0.2%, 0.16%

LAB 18.6, -9.74, 5.56

 

CMYK 48 / 0 / 42 / 88

HEX #101F12

RGB 16 31 18

HSL 128, 0.32%, 0.09%

LAB 10.06, -10.06, 6.64

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 25 / 0 / 24 / 74

HEX #324333

RGB 50 67 51

HSL 123.53, 0.15%, 0.23%

LAB 26.54, -10.6, 7.54

 

CMYK 21 / 0 / 25 / 74

HEX #354332

RGB 53 67 50

HSL 109.41, 0.15%, 0.23%

LAB 26.74, -9.56, 8.5

 

CMYK 13 / 0 / 25 / 74

HEX #3A4332

RGB 58 67 50

HSL 91.76, 0.15%, 0.23%

LAB 27.14, -7.41, 9.12

 

CMYK 6 / 0 / 25 / 74

HEX #3F4332

RGB 63 67 50

HSL 74.12, 0.15%, 0.23%

LAB 27.58, -5.19, 9.79

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 25 / 0 / 9 / 74

HEX #32433D

RGB 50 67 61

HSL 158.82, 0.15%, 0.23%

LAB 26.82, -8.29, 1.42

 

CMYK 25 / 0 / 1 / 74

HEX #324342

RGB 50 67 66

HSL 176.47, 0.15%, 0.23%

LAB 26.98, -7.01, -1.62

 

CMYK 25 / 3 / 0 / 74

HEX #324143

RGB 50 65 67

HSL 187.06, 0.15%, 0.23%

LAB 26.34, -5.48, -3.21

 

CMYK 25 / 10 / 0 / 74

HEX #323C43

RGB 50 60 67

HSL 204.71, 0.15%, 0.23%

LAB 24.69, -2.27, -5.68

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 48 / 0 / 31 / 70

HEX #284D35

RGB 40 77 53

HSL 141.08, 0.32%, 0.23%

LAB 29.45, -19.55, 10.21

 

CMYK 64 / 0 / 42 / 66

HEX #1F5632

RGB 31 86 50

HSL 140.73, 0.47%, 0.23%

LAB 32.21, -27.33, 15.71

 

CMYK 78 / 0 / 50 / 62

HEX #156030

RGB 21 96 48

HSL 141.6, 0.64%, 0.23%

LAB 35.48, -34.21, 21.08

 

CMYK 89 / 0 / 57 / 59

HEX #0C692D

RGB 12 105 45

HSL 141.29, 0.79%, 0.23%

LAB 38.5, -39.47, 26.47

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 0 / 2 / 0 / 77

HEX #3B3A3B

RGB 59 58 59

HSL 300, 0.01%, 0.23%

LAB 24.55, 0.66, -0.47

 

CMYK 0 / 30 / 10 / 73

HEX #45303E

RGB 69 48 62

HSL 320, 0.18%, 0.23%

LAB 22.75, 12.25, -5.03

 

CMYK 0 / 50 / 18 / 69

HEX #4E2740

RGB 78 39 64

HSL 321.54, 0.33%, 0.23%

LAB 21.73, 22.1, -7.8

 

CMYK 0 / 67 / 24 / 65

HEX #581D43

RGB 88 29 67

HSL 321.36, 0.5%, 0.23%

LAB 21.43, 31.8, -10.16

 

CMYK 21 / 0 / 25 / 74

HEX #354332

RGB 53 67 50

HSL 109.41, 0.15%, 0.23%

LAB 26.74, -9.56, 8.5

 

CMYK 25 / 0 / 24 / 74

HEX #324333

RGB 50 67 51

HSL 123.53, 0.15%, 0.23%

LAB 26.54, -10.6, 7.54

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 25 / 0 / 9 / 74

HEX #32433D

RGB 50 67 61

HSL 158.82, 0.15%, 0.23%

LAB 26.82, -8.29, 1.42

 

CMYK 25 / 0 / 3 / 74

HEX #324341

RGB 50 67 65

HSL 172.94, 0.15%, 0.23%

LAB 26.94, -7.27, -1.01

 

CMYK 25 / 0 / 15 / 92

HEX #0F1411

RGB 15 20 17

HSL 144, 0.14%, 0.07%

LAB 5.8, -2.55, 1.06

 

CMYK 27 / 0 / 18 / 83

HEX #202C24

RGB 32 44 36

HSL 140, 0.16%, 0.15%

LAB 16.68, -7.22, 3.53

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 26 / 0 / 16 / 64

HEX #435B4C

RGB 67 91 76

HSL 142.5, 0.15%, 0.31%

LAB 36.36, -12.58, 5.73

 

CMYK 26 / 0 / 17 / 55

HEX #557360

RGB 85 115 96

HSL 142, 0.15%, 0.39%

LAB 45.69, -15.13, 7.03

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 25 / 13 / 0 / 74

HEX #323A43

RGB 50 58 67

HSL 211.76, 0.15%, 0.23%

LAB 24.03, -0.95, -6.67

 

CMYK 0 / 25 / 24 / 74

HEX #433233

RGB 67 50 51

HSL 356.47, 0.15%, 0.23%

LAB 22.7, 7.87, 2.33

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 16 / 25 / 0 / 74

HEX #383243

RGB 56 50 67

HSL 261.18, 0.15%, 0.23%

LAB 22.04, 6.76, -9.63

 

CMYK 0 / 16 / 25 / 74

HEX #433832

RGB 67 56 50

HSL 21.18, 0.15%, 0.23%

LAB 24.49, 3.71, 5.55

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 25 / 13 / 0 / 74

HEX #323A43

RGB 50 58 67

HSL 211.76, 0.15%, 0.23%

LAB 24.03, -0.95, -6.67

 

CMYK 0 / 25 / 9 / 74

HEX #43323D

RGB 67 50 61

HSL 321.18, 0.15%, 0.23%

LAB 23.04, 9.86, -3.95

 

CMYK 0 / 10 / 25 / 74

HEX #433C32

RGB 67 60 50

HSL 35.29, 0.15%, 0.23%

LAB 25.73, 1.1, 7.29

 

CMYK 25 / 0 / 16 / 74

HEX #324338

RGB 50 67 56

HSL 141.18, 0.15%, 0.23%

LAB 26.67, -9.49, 4.48

 

CMYK 25 / 22 / 0 / 74

HEX #323443

RGB 50 52 67

HSL 232.94, 0.15%, 0.23%

LAB 22.09, 3.07, -9.61

 

CMYK 0 / 25 / 9 / 74

HEX #43323D

RGB 67 50 61

HSL 321.18, 0.15%, 0.23%

LAB 23.04, 9.86, -3.95

 

CMYK 0 / 3 / 25 / 74

HEX #434132

RGB 67 65 50

HSL 52.94, 0.15%, 0.23%

LAB 27.31, -2.11, 9.48

 

Description

Color code: HEX #324338 | qconv.com Color code: HEX #324338 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 67 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 67 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 16 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 16% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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