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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #324253 it is the complementary color #CDBDAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #324253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #324253 shade: #37424E, #485461, #596674, #6A7887 and #7B8A9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #324253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #324253 shade: #324253, #213040, #101E2D, #000C1A and #000007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #324253 shade: #324253, #323953, #343253, #3C3253 and #453253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #324253 shade: #324253, #323953 and #323253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #324253 shade matches the following richer shades: #324253, #27415E, #1C4168, #124173 and #07407E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #324253 shade: #324253, #3C4248, #47423D, #524333 and #5D4328

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #324253 shade: #325352, #324B53, #324253, #323953 and #333253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #324253 shade: #13191F, #222D39, #324253, #41566D and #516B86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #324253 shade: #324253, #493253 and #505332

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #324253 shade: #324253, #533242 and #425332

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #324253 shade: #324253, #493253, #534232 and #3C5332

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #324253 shade: #324253, #533253, #534232 and #325332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

Complementary color

CMYK 0 / 8 / 16 / 20

HEX #CDBDAC

RGB 205 189 172

HSL 30.91, 0.25%, 0.74%

LAB 77.49, 2.84, 10.63

 

CMYK 29 / 15 / 0 / 69

HEX #37424E

RGB 55 66 78

HSL 211.3, 0.17%, 0.26%

LAB 27.46, -1.25, -8.71

 

CMYK 26 / 13 / 0 / 62

HEX #485461

RGB 72 84 97

HSL 211.2, 0.15%, 0.33%

LAB 35.17, -1.41, -9.1

 

CMYK 23 / 12 / 0 / 55

HEX #596674

RGB 89 102 116

HSL 211.11, 0.13%, 0.4%

LAB 42.59, -1.56, -9.5

 

CMYK 21 / 11 / 0 / 47

HEX #6A7887

RGB 106 120 135

HSL 211.03, 0.12%, 0.47%

LAB 49.79, -1.7, -9.92

 

CMYK 20 / 10 / 0 / 40

HEX #7B8A9A

RGB 123 138 154

HSL 210.97, 0.13%, 0.54%

LAB 56.8, -1.82, -10.33

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 48 / 25 / 0 / 75

HEX #213040

RGB 33 48 64

HSL 210.97, 0.32%, 0.19%

LAB 19.26, -1.12, -12.03

 

CMYK 64 / 33 / 0 / 82

HEX #101E2D

RGB 16 30 45

HSL 211.03, 0.48%, 0.12%

LAB 10.76, -0.52, -11.88

 

CMYK 100 / 54 / 0 / 90

HEX #000C1A

RGB 0 12 26

HSL 212.31, 1%, 0.05%

LAB 3.05, -0.12, -9.4

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 40 / 31 / 0 / 67

HEX #323953

RGB 50 57 83

HSL 227.27, 0.25%, 0.26%

LAB 24.41, 4.51, -16.7

 

CMYK 37 / 40 / 0 / 67

HEX #343253

RGB 52 50 83

HSL 243.64, 0.25%, 0.26%

LAB 22.43, 9.97, -19.78

 

CMYK 28 / 40 / 0 / 67

HEX #3C3253

RGB 60 50 83

HSL 258.18, 0.25%, 0.26%

LAB 23.22, 12.68, -18.48

 

CMYK 17 / 40 / 0 / 67

HEX #453253

RGB 69 50 83

HSL 274.55, 0.25%, 0.26%

LAB 24.23, 15.88, -16.84

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 40 / 31 / 0 / 67

HEX #323953

RGB 50 57 83

HSL 227.27, 0.25%, 0.26%

LAB 24.41, 4.51, -16.7

 

CMYK 40 / 40 / 0 / 67

HEX #323253

RGB 50 50 83

HSL 240, 0.25%, 0.26%

LAB 22.24, 9.32, -20.08

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 59 / 31 / 0 / 63

HEX #27415E

RGB 39 65 94

HSL 211.64, 0.41%, 0.26%

LAB 26.79, -0.31, -20.23

 

CMYK 73 / 38 / 0 / 59

HEX #1C4168

RGB 28 65 104

HSL 210.79, 0.58%, 0.26%

LAB 26.81, 1.15, -26.67

 

CMYK 84 / 43 / 0 / 55

HEX #124173

RGB 18 65 115

HSL 210.93, 0.73%, 0.26%

LAB 27.15, 4.24, -33.17

 

CMYK 94 / 49 / 0 / 51

HEX #07407E

RGB 7 64 126

HSL 211.26, 0.89%, 0.26%

LAB 27.35, 8.72, -39.79

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 17 / 8 / 0 / 72

HEX #3C4248

RGB 60 66 72

HSL 210, 0.09%, 0.26%

LAB 27.64, -0.99, -4.48

 

CMYK 0 / 7 / 14 / 72

HEX #47423D

RGB 71 66 61

HSL 30, 0.08%, 0.26%

LAB 28.31, 1.1, 3.8

 

CMYK 0 / 18 / 38 / 68

HEX #524333

RGB 82 67 51

HSL 30.97, 0.23%, 0.26%

LAB 29.53, 3.76, 12.14

 

CMYK 0 / 28 / 57 / 64

HEX #5D4328

RGB 93 67 40

HSL 30.57, 0.4%, 0.26%

LAB 30.63, 7.64, 20.68

 

CMYK 40 / 0 / 1 / 67

HEX #325352

RGB 50 83 82

HSL 178.18, 0.25%, 0.26%

LAB 32.86, -12.29, -3.24

 

CMYK 40 / 10 / 0 / 67

HEX #324B53

RGB 50 75 83

HSL 194.55, 0.25%, 0.26%

LAB 30.24, -7.19, -7.79

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 40 / 31 / 0 / 67

HEX #323953

RGB 50 57 83

HSL 227.27, 0.25%, 0.26%

LAB 24.41, 4.51, -16.7

 

CMYK 39 / 40 / 0 / 67

HEX #333253

RGB 51 50 83

HSL 241.82, 0.25%, 0.26%

LAB 22.34, 9.64, -19.93

 

CMYK 39 / 19 / 0 / 88

HEX #13191F

RGB 19 25 31

HSL 210, 0.24%, 0.1%

LAB 8.42, -0.92, -5.1

 

CMYK 40 / 21 / 0 / 78

HEX #222D39

RGB 34 45 57

HSL 211.3, 0.25%, 0.18%

LAB 17.97, -1.05, -9.17

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 40 / 21 / 0 / 57

HEX #41566D

RGB 65 86 109

HSL 211.36, 0.25%, 0.34%

LAB 35.76, -1.56, -15.74

 

CMYK 40 / 20 / 0 / 47

HEX #516B86

RGB 81 107 134

HSL 210.57, 0.25%, 0.42%

LAB 44.21, -2.23, -17.95

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 12 / 40 / 0 / 67

HEX #493253

RGB 73 50 83

HSL 281.82, 0.25%, 0.26%

LAB 24.71, 17.33, -16.05

 

CMYK 4 / 0 / 40 / 67

HEX #505332

RGB 80 83 50

HSL 65.45, 0.25%, 0.26%

LAB 34.24, -7.18, 18.94

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 0 / 40 / 20 / 67

HEX #533242

RGB 83 50 66

HSL 330.91, 0.25%, 0.26%

LAB 25.3, 17.59, -3.72

 

CMYK 20 / 0 / 40 / 67

HEX #425332

RGB 66 83 50

HSL 90.91, 0.25%, 0.26%

LAB 33.08, -13.41, 17.22

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 12 / 40 / 0 / 67

HEX #493253

RGB 73 50 83

HSL 281.82, 0.25%, 0.26%

LAB 24.71, 17.33, -16.05

 

CMYK 0 / 20 / 40 / 67

HEX #534232

RGB 83 66 50

HSL 29.09, 0.25%, 0.26%

LAB 29.33, 4.72, 12.51

 

CMYK 28 / 0 / 40 / 67

HEX #3C5332

RGB 60 83 50

HSL 101.82, 0.25%, 0.26%

LAB 32.65, -15.93, 16.57

 

CMYK 40 / 20 / 0 / 67

HEX #324253

RGB 50 66 83

HSL 210.91, 0.25%, 0.26%

LAB 27.29, -1.48, -12.26

 

CMYK 0 / 40 / 0 / 67

HEX #533253

RGB 83 50 83

HSL 300, 0.25%, 0.26%

LAB 25.99, 21.01, -13.96

 

CMYK 0 / 20 / 40 / 67

HEX #534232

RGB 83 66 50

HSL 29.09, 0.25%, 0.26%

LAB 29.33, 4.72, 12.51

 

CMYK 40 / 0 / 40 / 67

HEX #325332

RGB 50 83 50

HSL 120, 0.25%, 0.26%

LAB 32.02, -19.84, 15.63

 

Description

Color code: HEX #324253 | qconv.com Color code: HEX #324253 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 66 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 66 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 20 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 20% 0% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

52% - Timeform Horse Racin...
Link: https://www.timeform.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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