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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #323FD9 it is the complementary color #CDC026. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #323FD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #323FD9 shade: #373FD4, #4851E7, #5963FA, #6A75FF and #7B87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #323FD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #323FD9 shade: #323FD9, #212DC6, #101BB3, #0009A0 and #00008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #323FD9 shade: #303DD9, #5130D9, #7E30D9, #AC30D9 and #D930D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #323FD9 shade: #303DD9 and #3030D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #323FD9 shade matches the following richer shades: #303DD9 and #1C2DED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #323FD9 shade: #303DD9, #444EC5, #585FB1, #6C6F9E and #7F808A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #323FD9 shade: #3098D9, #306BD9, #303ED9, #4F30D9 and #7C30D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #323FD9 shade: #1C269A, #232FBD, #303DD9, #535EDF and #767FE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #323FD9 shade: #323FD9, #D930C5 and #82D930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #323FD9 shade: #323FD9, #D9303E and #3ED930

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #323FD9 shade: #323FD9, #D930C5, #D9CB30 and #30D944

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #323FD9 shade: #323FD9, #D93093, #D9CB30 and #30D977

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 71 / 0 / 15

HEX #323FD9

RGB 50 63 217

HSL 235.33, 0.69%, 0.52%

LAB 36.45, 47.79, -79.35

 

Complementary color

CMYK 0 / 6 / 81 / 20

HEX #CDC026

RGB 205 192 38

HSL 55.33, 0.69%, 0.48%

LAB 76.57, -11.11, 71.51

 

CMYK 74 / 70 / 0 / 17

HEX #373FD4

RGB 55 63 212

HSL 236.94, 0.65%, 0.52%

LAB 36.22, 46.55, -76.85

 

CMYK 69 / 65 / 0 / 9

HEX #4851E7

RGB 72 81 231

HSL 236.6, 0.77%, 0.59%

LAB 42.81, 44.09, -76.83

 

CMYK 64 / 60 / 0 / 2

HEX #5963FA

RGB 89 99 250

HSL 236.27, 0.94%, 0.66%

LAB 49.43, 41.85, -76.63

 

CMYK 58 / 54 / 0 / 0

HEX #6A75FF

RGB 106 117 255

HSL 235.57, 1%, 0.71%

LAB 55.08, 35.39, -70.19

 

CMYK 52 / 47 / 0 / 0

HEX #7B87FF

RGB 123 135 255

HSL 234.55, 1%, 0.74%

LAB 60.57, 27.94, -61.3

 

CMYK 77 / 71 / 0 / 15

HEX #323FD9

RGB 50 63 217

HSL 235.33, 0.69%, 0.52%

LAB 36.45, 47.79, -79.35

 

CMYK 83 / 77 / 0 / 22

HEX #212DC6

RGB 33 45 198

HSL 235.64, 0.71%, 0.45%

LAB 30.1, 50.43, -78.84

 

CMYK 91 / 85 / 0 / 30

HEX #101BB3

RGB 16 27 179

HSL 235.95, 0.84%, 0.38%

LAB 24.16, 52.61, -77.48

 

CMYK 100 / 94 / 0 / 37

HEX #0009A0

RGB 0 9 160

HSL 236.63, 1%, 0.31%

LAB 18.94, 53.25, -74.7

 

CMYK 100 / 100 / 0 / 45

HEX #00008D

RGB 0 0 141

HSL 240, 1%, 0.28%

LAB 15.08, 50.96, -69.4

 

CMYK 78 / 72 / 0 / 15

HEX #303DD9

RGB 48 61 217

HSL 235.38, 0.69%, 0.52%

LAB 35.94, 48.79, -80.2

 

CMYK 63 / 78 / 0 / 15

HEX #5130D9

RGB 81 48 217

HSL 251.72, 0.69%, 0.52%

LAB 35.74, 58.56, -80.45

 

CMYK 42 / 78 / 0 / 15

HEX #7E30D9

RGB 126 48 217

HSL 267.69, 0.69%, 0.52%

LAB 40.51, 64.29, -72.44

 

CMYK 21 / 78 / 0 / 15

HEX #AC30D9

RGB 172 48 217

HSL 284.02, 0.69%, 0.52%

LAB 46.84, 71.82, -61.86

 

CMYK 0 / 78 / 0 / 15

HEX #D930D9

RGB 217 48 217

HSL 300, 0.69%, 0.52%

LAB 53.89, 80.16, -50.15

 

CMYK 78 / 72 / 0 / 15

HEX #303DD9

RGB 48 61 217

HSL 235.38, 0.69%, 0.52%

LAB 35.94, 48.79, -80.2

 

CMYK 78 / 78 / 0 / 15

HEX #3030D9

RGB 48 48 217

HSL 240, 0.69%, 0.52%

LAB 33.46, 55.8, -84.29

 

CMYK 78 / 72 / 0 / 15

HEX #303DD9

RGB 48 61 217

HSL 235.38, 0.69%, 0.52%

LAB 35.94, 48.79, -80.2

 

CMYK 88 / 81 / 0 / 7

HEX #1C2DED

RGB 28 45 237

HSL 235.12, 0.85%, 0.52%

LAB 34.47, 62.5, -94.07

 

CMYK 78 / 72 / 0 / 15

HEX #303DD9

RGB 48 61 217

HSL 235.38, 0.69%, 0.52%

LAB 35.94, 48.79, -80.2

 

CMYK 65 / 60 / 0 / 23

HEX #444EC5

RGB 68 78 197

HSL 235.35, 0.53%, 0.52%

LAB 39.09, 33.88, -63.42

 

CMYK 50 / 46 / 0 / 31

HEX #585FB1

RGB 88 95 177

HSL 235.28, 0.36%, 0.52%

LAB 43.41, 20.3, -44.69

 

CMYK 32 / 30 / 0 / 38

HEX #6C6F9E

RGB 108 111 158

HSL 236.4, 0.2%, 0.52%

LAB 48.29, 10.22, -25.74

 

CMYK 8 / 7 / 0 / 46

HEX #7F808A

RGB 127 128 138

HSL 234.55, 0.04%, 0.52%

LAB 53.8, 1.7, -5.52

 

CMYK 78 / 30 / 0 / 15

HEX #3098D9

RGB 48 152 217

HSL 203.08, 0.69%, 0.52%

LAB 59.97, -7.24, -41.42

 

CMYK 78 / 51 / 0 / 15

HEX #306BD9

RGB 48 107 217

HSL 219.05, 0.69%, 0.52%

LAB 47.18, 20.05, -61.83

 

CMYK 78 / 71 / 0 / 15

HEX #303ED9

RGB 48 62 217

HSL 235.03, 0.69%, 0.52%

LAB 36.14, 48.21, -79.85

 

CMYK 64 / 78 / 0 / 15

HEX #4F30D9

RGB 79 48 217

HSL 251.01, 0.69%, 0.52%

LAB 35.57, 58.36, -80.74

 

CMYK 43 / 78 / 0 / 15

HEX #7C30D9

RGB 124 48 217

HSL 266.98, 0.69%, 0.52%

LAB 40.26, 64, -72.85

 

CMYK 82 / 75 / 0 / 40

HEX #1C269A

RGB 28 38 154

HSL 235.24, 0.69%, 0.36%

LAB 23.56, 39.12, -63.32

 

CMYK 81 / 75 / 0 / 26

HEX #232FBD

RGB 35 47 189

HSL 235.32, 0.69%, 0.44%

LAB 29.57, 46.44, -74.42

 

CMYK 78 / 72 / 0 / 15

HEX #303DD9

RGB 48 61 217

HSL 235.38, 0.69%, 0.52%

LAB 35.94, 48.79, -80.2

 

CMYK 63 / 58 / 0 / 13

HEX #535EDF

RGB 83 94 223

HSL 235.29, 0.69%, 0.6%

LAB 45.87, 35.06, -67.28

 

CMYK 49 / 45 / 0 / 10

HEX #767FE6

RGB 118 127 230

HSL 235.18, 0.69%, 0.68%

LAB 56.82, 24.03, -53.46

 

CMYK 77 / 71 / 0 / 15

HEX #323FD9

RGB 50 63 217

HSL 235.33, 0.69%, 0.52%

LAB 36.45, 47.79, -79.35

 

CMYK 0 / 78 / 9 / 15

HEX #D930C5

RGB 217 48 197

HSL 307.1, 0.69%, 0.52%

LAB 52.84, 77.2, -40.37

 

CMYK 40 / 0 / 78 / 15

HEX #82D930

RGB 130 217 48

HSL 90.89, 0.69%, 0.52%

LAB 78.8, -51.78, 68.88

 

CMYK 77 / 71 / 0 / 15

HEX #323FD9

RGB 50 63 217

HSL 235.33, 0.69%, 0.52%

LAB 36.45, 47.79, -79.35

 

CMYK 0 / 78 / 71 / 15

HEX #D9303E

RGB 217 48 62

HSL 355.03, 0.69%, 0.52%

LAB 48.53, 64.33, 34.02

 

CMYK 71 / 0 / 78 / 15

HEX #3ED930

RGB 62 217 48

HSL 115.03, 0.69%, 0.52%

LAB 76.6, -69.09, 66.01

 

CMYK 77 / 71 / 0 / 15

HEX #323FD9

RGB 50 63 217

HSL 235.33, 0.69%, 0.52%

LAB 36.45, 47.79, -79.35

 

CMYK 0 / 78 / 9 / 15

HEX #D930C5

RGB 217 48 197

HSL 307.1, 0.69%, 0.52%

LAB 52.84, 77.2, -40.37

 

CMYK 0 / 6 / 78 / 15

HEX #D9CB30

RGB 217 203 48

HSL 55.03, 0.69%, 0.52%

LAB 80.56, -11.22, 72.58

 

CMYK 78 / 0 / 69 / 15

HEX #30D944

RGB 48 217 68

HSL 127.1, 0.69%, 0.52%

LAB 76.48, -69.63, 58.93

 

CMYK 77 / 71 / 0 / 15

HEX #323FD9

RGB 50 63 217

HSL 235.33, 0.69%, 0.52%

LAB 36.45, 47.79, -79.35

 

CMYK 0 / 78 / 32 / 15

HEX #D93093

RGB 217 48 147

HSL 324.85, 0.69%, 0.52%

LAB 50.65, 70.87, -14.38

 

CMYK 0 / 6 / 78 / 15

HEX #D9CB30

RGB 217 203 48

HSL 55.03, 0.69%, 0.52%

LAB 80.56, -11.22, 72.58

 

CMYK 78 / 0 / 45 / 15

HEX #30D977

RGB 48 217 119

HSL 145.21, 0.69%, 0.52%

LAB 77.03, -63, 36.54

 

Description

Color code: HEX #323FD9 | qconv.com Color code: HEX #323FD9 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 63 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 63 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 71 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 71% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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