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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #323CD3 it is the complementary color #CDC32C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #323CD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #323CD3 shade: #373CCE, #484EE1, #5960F4, #6A72FF and #7B84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #323CD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #323CD3 shade: #323CD3, #212AC0, #1018AD, #00069A and #000087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #323CD3 shade: #313BD3, #5331D3, #7E31D3, #AA31D3 and #D331D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #323CD3 shade: #313BD3 and #3131D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #323CD3 shade matches the following richer shades: #313BD3, #1D29E7 and #0818FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #323CD3 shade: #313BD3, #454DBF, #595EAB, #6D7097 and #828282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #323CD3 shade: #3192D3, #3167D3, #313CD3, #5131D3 and #7D31D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #323CD3 shade: #1F2693, #262FB5, #313BD3, #535BDA and #757CE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #323CD3 shade: #323CD3, #D331BE and #7DD331

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #323CD3 shade: #323CD3, #D3313C and #3CD331

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #323CD3 shade: #323CD3, #D331BE, #D3C831 and #31D346

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #323CD3 shade: #323CD3, #D3318D, #D3C831 and #31D377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 72 / 0 / 17

HEX #323CD3

RGB 50 60 211

HSL 236.27, 0.65%, 0.51%

LAB 35.23, 47.51, -77.9

 

Complementary color

CMYK 0 / 5 / 79 / 20

HEX #CDC32C

RGB 205 195 44

HSL 56.27, 0.65%, 0.49%

LAB 77.4, -12.44, 70.56

 

CMYK 73 / 71 / 0 / 19

HEX #373CCE

RGB 55 60 206

HSL 238.01, 0.61%, 0.51%

LAB 35, 46.29, -75.37

 

CMYK 68 / 65 / 0 / 12

HEX #484EE1

RGB 72 78 225

HSL 237.65, 0.72%, 0.58%

LAB 41.63, 43.88, -75.36

 

CMYK 64 / 61 / 0 / 4

HEX #5960F4

RGB 89 96 244

HSL 237.29, 0.88%, 0.65%

LAB 48.29, 41.68, -75.16

 

CMYK 58 / 55 / 0 / 0

HEX #6A72FF

RGB 106 114 255

HSL 236.78, 1%, 0.71%

LAB 54.36, 37.18, -71.35

 

CMYK 52 / 48 / 0 / 0

HEX #7B84FF

RGB 123 132 255

HSL 235.91, 1%, 0.74%

LAB 59.83, 29.72, -62.48

 

CMYK 76 / 72 / 0 / 17

HEX #323CD3

RGB 50 60 211

HSL 236.27, 0.65%, 0.51%

LAB 35.23, 47.51, -77.9

 

CMYK 83 / 78 / 0 / 25

HEX #212AC0

RGB 33 42 192

HSL 236.6, 0.71%, 0.44%

LAB 28.86, 50.06, -77.37

 

CMYK 91 / 86 / 0 / 32

HEX #1018AD

RGB 16 24 173

HSL 236.94, 0.83%, 0.37%

LAB 22.93, 52.07, -75.92

 

CMYK 100 / 96 / 0 / 40

HEX #00069A

RGB 0 6 154

HSL 237.66, 1%, 0.3%

LAB 17.75, 52.47, -73.01

 

CMYK 100 / 100 / 0 / 47

HEX #000087

RGB 0 0 135

HSL 240, 1%, 0.26%

LAB 14.11, 49.37, -67.24

 

CMYK 77 / 72 / 0 / 17

HEX #313BD3

RGB 49 59 211

HSL 236.3, 0.65%, 0.51%

LAB 34.97, 48, -78.33

 

CMYK 61 / 77 / 0 / 17

HEX #5331D3

RGB 83 49 211

HSL 252.59, 0.65%, 0.51%

LAB 35.48, 56.61, -77.42

 

CMYK 40 / 77 / 0 / 17

HEX #7E31D3

RGB 126 49 211

HSL 268.52, 0.65%, 0.51%

LAB 40.14, 62.48, -69.59

 

CMYK 19 / 77 / 0 / 17

HEX #AA31D3

RGB 170 49 211

HSL 284.81, 0.65%, 0.51%

LAB 46.24, 70.01, -59.4

 

CMYK 0 / 77 / 1 / 17

HEX #D331D1

RGB 211 49 209

HSL 300.74, 0.65%, 0.51%

LAB 52.56, 77.5, -47.76

 

CMYK 77 / 72 / 0 / 17

HEX #313BD3

RGB 49 59 211

HSL 236.3, 0.65%, 0.51%

LAB 34.97, 48, -78.33

 

CMYK 77 / 77 / 0 / 17

HEX #3131D3

RGB 49 49 211

HSL 240, 0.65%, 0.51%

LAB 33.03, 53.48, -81.53

 

CMYK 77 / 72 / 0 / 17

HEX #313BD3

RGB 49 59 211

HSL 236.3, 0.65%, 0.51%

LAB 34.97, 48, -78.33

 

CMYK 87 / 82 / 0 / 9

HEX #1D29E7

RGB 29 41 231

HSL 236.44, 0.81%, 0.51%

LAB 33.17, 62.53, -92.82

 

CMYK 97 / 90 / 0 / 1

HEX #0818FC

RGB 8 24 252

HSL 236.07, 0.98%, 0.51%

LAB 33.42, 74.1, -104.31

 

CMYK 77 / 72 / 0 / 17

HEX #313BD3

RGB 49 59 211

HSL 236.3, 0.65%, 0.51%

LAB 34.97, 48, -78.33

 

CMYK 64 / 60 / 0 / 25

HEX #454DBF

RGB 69 77 191

HSL 236.07, 0.49%, 0.51%

LAB 38.44, 32.6, -60.98

 

CMYK 48 / 45 / 0 / 33

HEX #595EAB

RGB 89 94 171

HSL 236.34, 0.33%, 0.51%

LAB 42.87, 19.27, -42.02

 

CMYK 28 / 26 / 0 / 41

HEX #6D7097

RGB 109 112 151

HSL 235.71, 0.17%, 0.51%

LAB 48.35, 8.07, -21.52

 

CMYK 0 / 0 / 0 / 49

HEX #828282

RGB 130 130 130

HSL 0, 0%, 0.51%

LAB 54.37, 0, -0.01

 

CMYK 77 / 31 / 0 / 17

HEX #3192D3

RGB 49 146 211

HSL 204.07, 0.65%, 0.51%

LAB 57.96, -5.83, -41.24

 

CMYK 77 / 51 / 0 / 17

HEX #3167D3

RGB 49 103 211

HSL 220, 0.65%, 0.51%

LAB 45.71, 20.47, -60.78

 

CMYK 77 / 72 / 0 / 17

HEX #313CD3

RGB 49 60 211

HSL 235.93, 0.65%, 0.51%

LAB 35.18, 47.43, -77.99

 

CMYK 62 / 77 / 0 / 17

HEX #5131D3

RGB 81 49 211

HSL 251.85, 0.65%, 0.51%

LAB 35.3, 56.39, -77.71

 

CMYK 41 / 77 / 0 / 17

HEX #7D31D3

RGB 125 49 211

HSL 268.15, 0.65%, 0.51%

LAB 40.01, 62.33, -69.8

 

CMYK 79 / 74 / 0 / 42

HEX #1F2693

RGB 31 38 147

HSL 236.38, 0.65%, 0.35%

LAB 22.94, 36.86, -60.02

 

CMYK 79 / 74 / 0 / 29

HEX #262FB5

RGB 38 47 181

HSL 236.22, 0.65%, 0.43%

LAB 28.85, 43.93, -70.86

 

CMYK 77 / 72 / 0 / 17

HEX #313BD3

RGB 49 59 211

HSL 236.3, 0.65%, 0.51%

LAB 34.97, 48, -78.33

 

CMYK 62 / 58 / 0 / 15

HEX #535BDA

RGB 83 91 218

HSL 236.44, 0.65%, 0.59%

LAB 44.78, 35.24, -66.21

 

CMYK 48 / 45 / 0 / 11

HEX #757CE2

RGB 117 124 226

HSL 236.15, 0.65%, 0.67%

LAB 55.77, 24.39, -52.91

 

CMYK 76 / 72 / 0 / 17

HEX #323CD3

RGB 50 60 211

HSL 236.27, 0.65%, 0.51%

LAB 35.23, 47.51, -77.9

 

CMYK 0 / 77 / 10 / 17

HEX #D331BE

RGB 211 49 190

HSL 307.78, 0.65%, 0.51%

LAB 51.57, 74.68, -38.38

 

CMYK 41 / 0 / 77 / 17

HEX #7DD331

RGB 125 211 49

HSL 91.85, 0.65%, 0.51%

LAB 76.78, -50.98, 66.6

 

CMYK 76 / 72 / 0 / 17

HEX #323CD3

RGB 50 60 211

HSL 236.27, 0.65%, 0.51%

LAB 35.23, 47.51, -77.9

 

CMYK 0 / 77 / 72 / 17

HEX #D3313C

RGB 211 49 60

HSL 355.93, 0.65%, 0.51%

LAB 47.46, 62.22, 33.65

 

CMYK 72 / 0 / 77 / 17

HEX #3CD331

RGB 60 211 49

HSL 115.93, 0.65%, 0.51%

LAB 74.68, -67.49, 63.85

 

CMYK 76 / 72 / 0 / 17

HEX #323CD3

RGB 50 60 211

HSL 236.27, 0.65%, 0.51%

LAB 35.23, 47.51, -77.9

 

CMYK 0 / 77 / 10 / 17

HEX #D331BE

RGB 211 49 190

HSL 307.78, 0.65%, 0.51%

LAB 51.57, 74.68, -38.38

 

CMYK 0 / 5 / 77 / 17

HEX #D3C831

RGB 211 200 49

HSL 55.93, 0.65%, 0.51%

LAB 79.26, -12.23, 70.92

 

CMYK 77 / 0 / 67 / 17

HEX #31D346

RGB 49 211 70

HSL 127.78, 0.65%, 0.51%

LAB 74.62, -67.44, 56.16

 

CMYK 76 / 72 / 0 / 17

HEX #323CD3

RGB 50 60 211

HSL 236.27, 0.65%, 0.51%

LAB 35.23, 47.51, -77.9

 

CMYK 0 / 77 / 33 / 17

HEX #D3318D

RGB 211 49 141

HSL 325.93, 0.65%, 0.51%

LAB 49.46, 68.46, -12.7

 

CMYK 0 / 5 / 77 / 17

HEX #D3C831

RGB 211 200 49

HSL 55.93, 0.65%, 0.51%

LAB 79.26, -12.23, 70.92

 

CMYK 77 / 0 / 44 / 17

HEX #31D377

RGB 49 211 119

HSL 145.93, 0.65%, 0.51%

LAB 75.19, -60.78, 34.17

 

Description

Color code: HEX #323CD3 | qconv.com Color code: HEX #323CD3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 60 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 60 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 72 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 72% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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