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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #323C2E it is the complementary color #CDC3D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #323C2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #323C2E shade: #373C29, #484E3C, #59604F, #6A7262 and #7B8475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #323C2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #323C2E shade: #323C2E, #212A1B, #101808, #000600 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #323C2E shade: #333D2F, #363D2F, #3A3D2F, #3D3B2F and #3D372F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #323C2E shade: #333D2F, #2F3D2F, #2F3D32, #2F3D36 and #2F3D3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #323C2E shade matches the following richer shades: #333D2F, #2F4526, #2B4E1D, #275715 and #245F0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #323C2E shade: #333D2F, #363437, #3A2B40, #3E2349 and #411A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #323C2E shade: #3A3D2F, #363D2F, #333D2F, #2F3D2F and #2F3D32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #323C2E shade: #0C0E0B, #1F251D, #333D2F, #465441 and #5A6B52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #323C2E shade: #323C2E, #2F3D3B and #3D2F38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #323C2E shade: #323C2E, #2F333D and #3D2F33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #323C2E shade: #323C2E, #2F3D3B, #382F3D and #3D2F30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #323C2E shade: #323C2E, #2F3A3D, #382F3D and #3D312F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 23 / 76

HEX #323C2E

RGB 50 60 46

HSL 102.86, 0.13%, 0.21%

LAB 24.02, -7.37, 7.3

 

Complementary color

CMYK 2 / 7 / 0 / 18

HEX #CDC3D1

RGB 205 195 209

HSL 282.86, 0.13%, 0.79%

LAB 79.96, 6.04, -5.74

 

CMYK 8 / 0 / 32 / 76

HEX #373C29

RGB 55 60 41

HSL 75.79, 0.19%, 0.2%

LAB 24.33, -6.07, 11.08

 

CMYK 8 / 0 / 23 / 69

HEX #484E3C

RGB 72 78 60

HSL 80, 0.13%, 0.27%

LAB 32.15, -6.14, 9.87

 

CMYK 7 / 0 / 18 / 62

HEX #59604F

RGB 89 96 79

HSL 84.71, 0.1%, 0.34%

LAB 39.67, -6.19, 8.8

 

CMYK 7 / 0 / 14 / 55

HEX #6A7262

RGB 106 114 98

HSL 90, 0.08%, 0.42%

LAB 46.95, -6.24, 7.84

 

CMYK 7 / 0 / 11 / 48

HEX #7B8475

RGB 123 132 117

HSL 96, 0.06%, 0.49%

LAB 54.02, -6.28, 6.97

 

CMYK 17 / 0 / 23 / 76

HEX #323C2E

RGB 50 60 46

HSL 102.86, 0.13%, 0.21%

LAB 24.02, -7.37, 7.3

 

CMYK 21 / 0 / 36 / 84

HEX #212A1B

RGB 33 42 27

HSL 96, 0.22%, 0.14%

LAB 15.79, -7.49, 8.55

 

CMYK 33 / 0 / 67 / 91

HEX #101808

RGB 16 24 8

HSL 90, 0.5%, 0.06%

LAB 7.05, -6.48, 7.16

 

CMYK 100 / 0 / 100 / 98

HEX #000600

RGB 0 6 0

HSL 120, 1%, 0.01%

LAB 1.18, -2.4, 1.72

 

CMYK 16 / 0 / 23 / 76

HEX #333D2F

RGB 51 61 47

HSL 102.86, 0.13%, 0.21%

LAB 24.47, -7.35, 7.28

 

CMYK 11 / 0 / 23 / 76

HEX #363D2F

RGB 54 61 47

HSL 90, 0.13%, 0.21%

LAB 24.72, -6.03, 7.67

 

CMYK 5 / 0 / 23 / 76

HEX #3A3D2F

RGB 58 61 47

HSL 72.86, 0.13%, 0.21%

LAB 25.08, -4.23, 8.23

 

CMYK 0 / 3 / 23 / 76

HEX #3D3B2F

RGB 61 59 47

HSL 51.43, 0.13%, 0.21%

LAB 24.72, -1.57, 7.76

 

CMYK 0 / 10 / 23 / 76

HEX #3D372F

RGB 61 55 47

HSL 34.29, 0.13%, 0.21%

LAB 23.44, 1.04, 5.97

 

CMYK 16 / 0 / 23 / 76

HEX #333D2F

RGB 51 61 47

HSL 102.86, 0.13%, 0.21%

LAB 24.47, -7.35, 7.28

 

CMYK 23 / 0 / 23 / 76

HEX #2F3D2F

RGB 47 61 47

HSL 120, 0.13%, 0.21%

LAB 24.15, -9.07, 6.79

 

CMYK 23 / 0 / 18 / 76

HEX #2F3D32

RGB 47 61 50

HSL 132.86, 0.13%, 0.21%

LAB 24.23, -8.4, 4.92

 

CMYK 23 / 0 / 11 / 76

HEX #2F3D36

RGB 47 61 54

HSL 150, 0.13%, 0.21%

LAB 24.35, -7.46, 2.44

 

CMYK 23 / 0 / 5 / 76

HEX #2F3D3A

RGB 47 61 58

HSL 167.14, 0.13%, 0.21%

LAB 24.47, -6.46, -0.04

HEX #2F3D3A

CMYK 16 / 0 / 23 / 76

HEX #333D2F

RGB 51 61 47

HSL 102.86, 0.13%, 0.21%

LAB 24.47, -7.35, 7.28

 

CMYK 32 / 0 / 45 / 73

HEX #2F4526

RGB 47 69 38

HSL 102.58, 0.29%, 0.21%

LAB 26.74, -15.51, 16.04

 

CMYK 45 / 0 / 63 / 69

HEX #2B4E1D

RGB 43 78 29

HSL 102.86, 0.46%, 0.21%

LAB 29.54, -23.22, 24.69

 

CMYK 55 / 0 / 76 / 66

HEX #275715

RGB 39 87 21

HSL 103.64, 0.61%, 0.21%

LAB 32.48, -29.72, 31.83

 

CMYK 62 / 0 / 87 / 63

HEX #245F0C

RGB 36 95 12

HSL 102.65, 0.78%, 0.21%

LAB 35.17, -34.67, 37.78

 

CMYK 16 / 0 / 23 / 76

HEX #333D2F

RGB 51 61 47

HSL 102.86, 0.13%, 0.21%

LAB 24.47, -7.35, 7.28

 

CMYK 2 / 5 / 0 / 78

HEX #363437

RGB 54 52 55

HSL 280, 0.03%, 0.21%

LAB 22, 1.57, -1.58

 

CMYK 9 / 33 / 0 / 75

HEX #3A2B40

RGB 58 43 64

HSL 282.86, 0.2%, 0.21%

LAB 20.03, 11.57, -10.63

 

CMYK 15 / 52 / 0 / 71

HEX #3E2349

RGB 62 35 73

HSL 282.63, 0.35%, 0.21%

LAB 18.83, 20.69, -18.61

 

CMYK 20 / 68 / 0 / 68

HEX #411A51

RGB 65 26 81

HSL 282.55, 0.51%, 0.21%

LAB 17.72, 29.07, -25.79

 

CMYK 5 / 0 / 23 / 76

HEX #3A3D2F

RGB 58 61 47

HSL 72.86, 0.13%, 0.21%

LAB 25.08, -4.23, 8.23

 

CMYK 11 / 0 / 23 / 76

HEX #363D2F

RGB 54 61 47

HSL 90, 0.13%, 0.21%

LAB 24.72, -6.03, 7.67

 

CMYK 16 / 0 / 23 / 76

HEX #333D2F

RGB 51 61 47

HSL 102.86, 0.13%, 0.21%

LAB 24.47, -7.35, 7.28

 

CMYK 23 / 0 / 23 / 76

HEX #2F3D2F

RGB 47 61 47

HSL 120, 0.13%, 0.21%

LAB 24.15, -9.07, 6.79

 

CMYK 23 / 0 / 18 / 76

HEX #2F3D32

RGB 47 61 50

HSL 132.86, 0.13%, 0.21%

LAB 24.23, -8.4, 4.92

 

CMYK 14 / 0 / 21 / 95

HEX #0C0E0B

RGB 12 14 11

HSL 100, 0.12%, 0.05%

LAB 3.76, -1.09, 1.09

 

CMYK 16 / 0 / 22 / 85

HEX #1F251D

RGB 31 37 29

HSL 105, 0.12%, 0.13%

LAB 13.85, -4.68, 4.44

 

CMYK 16 / 0 / 23 / 76

HEX #333D2F

RGB 51 61 47

HSL 102.86, 0.13%, 0.21%

LAB 24.47, -7.35, 7.28

 

CMYK 17 / 0 / 23 / 67

HEX #465441

RGB 70 84 65

HSL 104.21, 0.13%, 0.29%

LAB 34.03, -9.63, 9.32

 

CMYK 16 / 0 / 23 / 58

HEX #5A6B52

RGB 90 107 82

HSL 100.8, 0.13%, 0.37%

LAB 43.21, -11.57, 11.94

 

CMYK 17 / 0 / 23 / 76

HEX #323C2E

RGB 50 60 46

HSL 102.86, 0.13%, 0.21%

LAB 24.02, -7.37, 7.3

 

CMYK 23 / 0 / 3 / 76

HEX #2F3D3B

RGB 47 61 59

HSL 171.43, 0.13%, 0.21%

LAB 24.51, -6.2, -0.66

 

CMYK 0 / 23 / 8 / 76

HEX #3D2F38

RGB 61 47 56

HSL 321.43, 0.13%, 0.21%

LAB 21.25, 8.21, -3.29

 

CMYK 17 / 0 / 23 / 76

HEX #323C2E

RGB 50 60 46

HSL 102.86, 0.13%, 0.21%

LAB 24.02, -7.37, 7.3

 

CMYK 23 / 16 / 0 / 76

HEX #2F333D

RGB 47 51 61

HSL 222.86, 0.13%, 0.21%

LAB 21.24, 0.9, -6.86

 

CMYK 0 / 23 / 16 / 76

HEX #3D2F33

RGB 61 47 51

HSL 342.86, 0.13%, 0.21%

LAB 21.07, 7.16, -0.13

 

CMYK 17 / 0 / 23 / 76

HEX #323C2E

RGB 50 60 46

HSL 102.86, 0.13%, 0.21%

LAB 24.02, -7.37, 7.3

 

CMYK 23 / 0 / 3 / 76

HEX #2F3D3B

RGB 47 61 59

HSL 171.43, 0.13%, 0.21%

LAB 24.51, -6.2, -0.66

 

CMYK 8 / 23 / 0 / 76

HEX #382F3D

RGB 56 47 61

HSL 278.57, 0.13%, 0.21%

LAB 20.87, 7.27, -7.33

 

CMYK 0 / 23 / 21 / 76

HEX #3D2F30

RGB 61 47 48

HSL 355.71, 0.13%, 0.21%

LAB 20.97, 6.57, 1.78

 

CMYK 17 / 0 / 23 / 76

HEX #323C2E

RGB 50 60 46

HSL 102.86, 0.13%, 0.21%

LAB 24.02, -7.37, 7.3

 

CMYK 23 / 5 / 0 / 76

HEX #2F3A3D

RGB 47 58 61

HSL 192.86, 0.13%, 0.21%

LAB 23.56, -3.75, -3.38

 

CMYK 8 / 23 / 0 / 76

HEX #382F3D

RGB 56 47 61

HSL 278.57, 0.13%, 0.21%

LAB 20.87, 7.27, -7.33

 

CMYK 0 / 20 / 23 / 76

HEX #3D312F

RGB 61 49 47

HSL 8.57, 0.13%, 0.21%

LAB 21.56, 5.03, 3.3

 

Description

Color code: HEX #323C2E | qconv.com Color code: HEX #323C2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 60 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 60 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 23 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 23% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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