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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #323998CE it is the complementary color #CDC667CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #323998CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #323998CE shade: #373993CE, #484BA6CE, #595DB9CE, #6A6FCCCE and #7B81DFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #323998CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #323998CE shade: #323998CE, #212785CE, #101572CE, #00035FCE and #00004CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #323998CE shade: #333A99, #483399, #633399, #7F3399 and #993398

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #323998CE shade: #333A99 and #333399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #323998CE shade matches the following richer shades: #333A99, #222CAA, #121EBA and #010FCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #323998CE shade: #333A99, #444888, #545678, #656567 and #757357

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #323998CE shade: #337299, #335799, #333C99, #463399 and #613399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #323998CE shade: #1E235B, #292E7A, #333A99, #3D46B8 and #575FC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #323998CE shade: #323998, #99338D and #649933

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #323998CE shade: #323998, #99333C and #3C9933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #323998CE shade: #323998, #99338D, #999133 and #33993F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #323998CE shade: #323998, #99336F, #999133 and #33995E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 51 / 0 / 33

HEX #323998CE

RGBA 50 57 152 0.81

HSLA 235.88, 0.5%, 0.4%, 0.81

LABA 29.09, 28.79, -52.98, 0.81

 

Complementary color

CMYK 0 / 3 / 40 / 16

HEX #CDC667CE

RGBA 205 198 103 0.81

HSLA 55.88, 0.5%, 0.6%, 0.81

LABA 78.66, -10.36, 48.02, 0.81

 

CMYK 51 / 50 / 0 / 34

HEX #373993CE

RGBA 55 57 147 0.81

HSLA 238.7, 0.46%, 0.4%, 0.81

LABA 29.02, 27.83, -50.01, 0.81

 

CMYK 46 / 44 / 0 / 28

HEX #484BA6CE

RGBA 72 75 166 0.81

HSLA 238.09, 0.39%, 0.47%, 0.81

LABA 36.3, 25.91, -49.66, 0.81

 

CMYK 42 / 40 / 0 / 22

HEX #595DB9CE

RGBA 89 93 185 0.81

HSLA 237.5, 0.41%, 0.54%, 0.81

LABA 43.44, 24.34, -49.32, 0.81

 

CMYK 39 / 37 / 0 / 16

HEX #6A6FCCCE

RGBA 106 111 204 0.81

HSLA 236.94, 0.49%, 0.61%, 0.81

LABA 50.44, 23.03, -49.01, 0.81

 

CMYK 36 / 34 / 0 / 10

HEX #7B81DFCE

RGBA 123 129 223 0.81

HSLA 236.4, 0.61%, 0.68%, 0.81

LABA 57.31, 21.93, -48.76, 0.81

 

CMYK 54 / 51 / 0 / 33

HEX #323998CE

RGBA 50 57 152 0.81

HSLA 235.88, 0.5%, 0.4%, 0.81

LABA 29.09, 28.79, -52.98, 0.81

 

CMYK 61 / 57 / 0 / 39

HEX #212785CE

RGBA 33 39 133 0.81

HSLA 236.4, 0.6%, 0.33%, 0.81

LABA 21.83, 31.35, -53.14, 0.81

 

CMYK 70 / 66 / 0 / 45

HEX #101572CE

RGBA 16 21 114 0.81

HSLA 236.94, 0.75%, 0.25%, 0.81

LABA 14.74, 34.14, -52.74, 0.81

 

CMYK 81 / 78 / 0 / 51

HEX #00035FCE

RGBA 0 3 95 0.81

HSLA 238.11, 1%, 0.19%, 0.81

LABA 8.05, 36.59, -51.36, 0.81

 

CMYK 81 / 81 / 0 / 57

HEX #00004CCE

RGBA 0 0 76 0.81

HSLA 240, 1%, 0.15%, 0.81

LABA 4.71, 30.43, -43.91, 0.81

 

CMYK 67 / 62 / 0 / 40

HEX #333A99

RGB 51 58 153

HSL 235.88, 0.5%, 0.4%

LAB 29.49, 28.65, -52.93

 

CMYK 53 / 67 / 0 / 40

HEX #483399

RGB 72 51 153

HSL 252.35, 0.5%, 0.4%

LAB 29.53, 36.67, -52.79

 

CMYK 35 / 67 / 0 / 40

HEX #633399

RGB 99 51 153

HSL 268.24, 0.5%, 0.4%

LAB 32.53, 42.22, -47.79

 

CMYK 17 / 67 / 0 / 40

HEX #7F3399

RGB 127 51 153

HSL 284.71, 0.5%, 0.4%

LAB 36.33, 48.71, -41.47

 

CMYK 0 / 67 / 1 / 40

HEX #993398

RGB 153 51 152

HSL 300.59, 0.5%, 0.4%

LAB 40.26, 54.85, -34.37

 

CMYK 67 / 62 / 0 / 40

HEX #333A99

RGB 51 58 153

HSL 235.88, 0.5%, 0.4%

LAB 29.49, 28.65, -52.93

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 67 / 62 / 0 / 40

HEX #333A99

RGB 51 58 153

HSL 235.88, 0.5%, 0.4%

LAB 29.49, 28.65, -52.93

 

CMYK 80 / 74 / 0 / 33

HEX #222CAA

RGB 34 44 170

HSL 235.59, 0.67%, 0.4%

LAB 26.86, 41.6, -67.58

 

CMYK 90 / 84 / 0 / 27

HEX #121EBA

RGB 18 30 186

HSL 235.71, 0.82%, 0.4%

LAB 25.57, 53.48, -79.3

 

CMYK 100 / 93 / 0 / 20

HEX #010FCB

RGB 1 15 203

HSL 235.84, 0.99%, 0.4%

LAB 25.74, 63.46, -89.05

 

CMYK 67 / 62 / 0 / 40

HEX #333A99

RGB 51 58 153

HSL 235.88, 0.5%, 0.4%

LAB 29.49, 28.65, -52.93

 

CMYK 50 / 47 / 0 / 47

HEX #444888

RGB 68 72 136

HSL 236.47, 0.33%, 0.4%

LAB 33.22, 16.94, -36.42

 

CMYK 30 / 28 / 0 / 53

HEX #545678

RGB 84 86 120

HSL 236.67, 0.18%, 0.4%

LAB 37.66, 7.67, -19.51

 

CMYK 2 / 2 / 0 / 60

HEX #656567

RGB 101 101 103

HSL 240, 0.01%, 0.4%

LAB 42.84, 0.42, -1.13

 

CMYK 0 / 2 / 26 / 54

HEX #757357

RGB 117 115 87

HSL 56, 0.15%, 0.4%

LAB 47.92, -4.2, 15.82

 

CMYK 67 / 25 / 0 / 40

HEX #337299

RGB 51 114 153

HSL 202.94, 0.5%, 0.4%

LAB 45.69, -7.4, -27.1

 

CMYK 67 / 43 / 0 / 40

HEX #335799

RGB 51 87 153

HSL 218.82, 0.5%, 0.4%

LAB 37.52, 9.41, -39.97

 

CMYK 67 / 61 / 0 / 40

HEX #333C99

RGB 51 60 153

HSL 234.71, 0.5%, 0.4%

LAB 30, 27.33, -52.09

 

CMYK 54 / 67 / 0 / 40

HEX #463399

RGB 70 51 153

HSL 251.18, 0.5%, 0.4%

LAB 29.34, 36.3, -53.11

 

CMYK 37 / 67 / 0 / 40

HEX #613399

RGB 97 51 153

HSL 267.06, 0.5%, 0.4%

LAB 32.28, 41.78, -48.2

 

CMYK 67 / 62 / 0 / 64

HEX #1E235B

RGB 30 35 91

HSL 235.08, 0.5%, 0.24%

LAB 16.67, 17.64, -34.42

 

CMYK 66 / 62 / 0 / 52

HEX #292E7A

RGB 41 46 122

HSL 236.3, 0.5%, 0.32%

LAB 23.1, 23.72, -44.08

 

CMYK 67 / 62 / 0 / 40

HEX #333A99

RGB 51 58 153

HSL 235.88, 0.5%, 0.4%

LAB 29.49, 28.65, -52.93

 

CMYK 67 / 62 / 0 / 28

HEX #3D46B8

RGB 61 70 184

HSL 235.61, 0.5%, 0.48%

LAB 35.66, 33.39, -61.41

 

CMYK 56 / 52 / 0 / 22

HEX #575FC7

RGB 87 95 199

HSL 235.71, 0.5%, 0.56%

LAB 44.71, 27.21, -55.41

 

CMYK 67 / 63 / 0 / 40

HEX #323998

RGB 50 57 152

HSL 235.88, 0.5%, 0.4%

LAB 29.09, 28.79, -52.98

 

CMYK 0 / 67 / 8 / 40

HEX #99338D

RGB 153 51 141

HSL 307.06, 0.5%, 0.4%

LAB 39.69, 52.98, -28.59

 

CMYK 35 / 0 / 67 / 40

HEX #649933

RGB 100 153 51

HSL 91.18, 0.5%, 0.4%

LAB 57.78, -34.96, 46.37

 

CMYK 67 / 63 / 0 / 40

HEX #323998

RGB 50 57 152

HSL 235.88, 0.5%, 0.4%

LAB 29.09, 28.79, -52.98

 

CMYK 0 / 67 / 61 / 40

HEX #99333C

RGB 153 51 60

HSL 354.71, 0.5%, 0.4%

LAB 36.87, 43.14, 18.11

 

CMYK 61 / 0 / 67 / 40

HEX #3C9933

RGB 60 153 51

HSL 114.71, 0.5%, 0.4%

LAB 56.07, -47.52, 44.02

 

CMYK 67 / 63 / 0 / 40

HEX #323998

RGB 50 57 152

HSL 235.88, 0.5%, 0.4%

LAB 29.09, 28.79, -52.98

 

CMYK 0 / 67 / 8 / 40

HEX #99338D

RGB 153 51 141

HSL 307.06, 0.5%, 0.4%

LAB 39.69, 52.98, -28.59

 

CMYK 0 / 5 / 67 / 40

HEX #999133

RGB 153 145 51

HSL 55.29, 0.5%, 0.4%

LAB 59.22, -8.79, 49.05

 

CMYK 67 / 0 / 59 / 40

HEX #33993F

RGB 51 153 63

HSL 127.06, 0.5%, 0.4%

LAB 55.93, -48.19, 38.26

 

CMYK 67 / 63 / 0 / 40

HEX #323998

RGB 50 57 152

HSL 235.88, 0.5%, 0.4%

LAB 29.09, 28.79, -52.98

 

CMYK 0 / 67 / 27 / 40

HEX #99336F

RGB 153 51 111

HSL 324.71, 0.5%, 0.4%

LAB 38.35, 48.47, -12.09

 

CMYK 0 / 5 / 67 / 40

HEX #999133

RGB 153 145 51

HSL 55.29, 0.5%, 0.4%

LAB 59.22, -8.79, 49.05

 

CMYK 67 / 0 / 39 / 40

HEX #33995E

RGB 51 153 94

HSL 145.29, 0.5%, 0.4%

LAB 56.38, -43.13, 22.66

 

Description

Color code: HEX #323998CE | qconv.com Color code: HEX #323998CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 57 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 57 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 51 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 51% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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