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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #321CF0 it is the complementary color #CDE30F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #321CF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #321CF0 shade: #371CEB, #482EFE, #5940FF, #6A52FF and #7B64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #321CF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #321CF0 shade: #321CF0, #210ADD, #1000CA, #0000B7 and #0000A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #321CF0 shade: #341EF1, #6C1EF1, #A51EF1, #DE1EF1 and #F11ECA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #321CF0 shade: #341EF1 and #1E1EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #321CF0 shade matches the following richer shades: #341EF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #321CF0 shade: #341EF1, #4331DD, #5244CA, #6258B6 and #716BA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #321CF0 shade: #1E79F1, #1E41F1, #331EF1, #6B1EF1 and #A31EF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #321CF0 shade: #1C0BB1, #230ED7, #341EF1, #5744F3 and #7A6BF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #321CF0 shade: #321CF0, #F11EB1 and #5DF11E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #321CF0 shade: #321CF0, #F1331E and #1EF133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #321CF0 shade: #321CF0, #F11EB1, #DCF11E and #1EF15D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #321CF0 shade: #321CF0, #F11E72, #DCF11E and #1EF19C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 88 / 0 / 6

HEX #321CF0

RGB 50 28 240

HSL 246.23, 0.88%, 0.53%

LAB 33.56, 70.59, -97.26

 

Complementary color

CMYK 10 / 0 / 93 / 11

HEX #CDE30F

RGB 205 227 15

HSL 66.23, 0.88%, 0.47%

LAB 85.98, -28.73, 83.28

 

CMYK 77 / 88 / 0 / 8

HEX #371CEB

RGB 55 28 235

HSL 247.83, 0.84%, 0.52%

LAB 33.22, 69.47, -94.98

 

CMYK 72 / 82 / 0 / 0

HEX #482EFE

RGB 72 46 254

HSL 247.5, 0.99%, 0.59%

LAB 38.7, 69.04, -96.56

 

CMYK 65 / 75 / 0 / 0

HEX #5940FF

RGB 89 64 255

HSL 247.85, 1%, 0.63%

LAB 42.78, 62.68, -90.34

 

CMYK 58 / 68 / 0 / 0

HEX #6A52FF

RGB 106 82 255

HSL 248.32, 1%, 0.66%

LAB 47.39, 55.5, -82.71

 

CMYK 52 / 61 / 0 / 0

HEX #7B64FF

RGB 123 100 255

HSL 248.9, 1%, 0.7%

LAB 52.45, 48.31, -74.4

 

CMYK 79 / 88 / 0 / 6

HEX #321CF0

RGB 50 28 240

HSL 246.23, 0.88%, 0.53%

LAB 33.56, 70.59, -97.26

 

CMYK 85 / 95 / 0 / 13

HEX #210ADD

RGB 33 10 221

HSL 246.54, 0.91%, 0.45%

LAB 28.8, 69.6, -94.37

 

CMYK 92 / 100 / 0 / 21

HEX #1000CA

RGB 16 0 202

HSL 244.75, 1%, 0.4%

LAB 24.87, 66.56, -89.91

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 100 / 100 / 0 / 36

HEX #0000A4

RGB 0 0 164

HSL 240, 1%, 0.32%

LAB 18.72, 56.92, -77.52

 

CMYK 78 / 88 / 0 / 5

HEX #341EF1

RGB 52 30 241

HSL 246.26, 0.88%, 0.53%

LAB 34, 70.31, -97.09

 

CMYK 55 / 88 / 0 / 5

HEX #6C1EF1

RGB 108 30 241

HSL 262.18, 0.88%, 0.53%

LAB 38.67, 73.78, -89.21

 

CMYK 32 / 88 / 0 / 5

HEX #A51EF1

RGB 165 30 241

HSL 278.39, 0.88%, 0.53%

LAB 46.01, 80.02, -76.86

 

CMYK 8 / 88 / 0 / 5

HEX #DE1EF1

RGB 222 30 241

HSL 294.6, 0.88%, 0.53%

LAB 54.88, 88.39, -62.08

 

CMYK 0 / 88 / 16 / 5

HEX #F11ECA

RGB 241 30 202

HSL 311.09, 0.88%, 0.53%

LAB 55.98, 86.24, -38.01

 

CMYK 78 / 88 / 0 / 5

HEX #341EF1

RGB 52 30 241

HSL 246.26, 0.88%, 0.53%

LAB 34, 70.31, -97.09

 

CMYK 88 / 88 / 0 / 5

HEX #1E1EF1

RGB 30 30 241

HSL 240, 0.88%, 0.53%

LAB 33.04, 69.65, -98.72

 

CMYK 78 / 88 / 0 / 5

HEX #341EF1

RGB 52 30 241

HSL 246.26, 0.88%, 0.53%

LAB 34, 70.31, -97.09

 

CMYK 78 / 88 / 0 / 5

HEX #341EF1

RGB 52 30 241

HSL 246.26, 0.88%, 0.53%

LAB 34, 70.31, -97.09

 

CMYK 70 / 78 / 0 / 13

HEX #4331DD

RGB 67 49 221

HSL 246.28, 0.72%, 0.53%

LAB 35.22, 57.93, -83.64

 

CMYK 59 / 66 / 0 / 21

HEX #5244CA

RGB 82 68 202

HSL 246.27, 0.56%, 0.53%

LAB 38.19, 43.71, -67.76

 

CMYK 46 / 52 / 0 / 29

HEX #6258B6

RGB 98 88 182

HSL 246.38, 0.39%, 0.53%

LAB 42.69, 28.56, -48.73

 

CMYK 31 / 34 / 0 / 36

HEX #716BA3

RGB 113 107 163

HSL 246.43, 0.23%, 0.53%

LAB 47.84, 15.51, -29.35

 

CMYK 88 / 50 / 0 / 5

HEX #1E79F1

RGB 30 121 241

HSL 214.12, 0.88%, 0.53%

LAB 52.18, 18.84, -67.27

 

CMYK 88 / 73 / 0 / 5

HEX #1E41F1

RGB 30 65 241

HSL 230.05, 0.88%, 0.53%

LAB 38.56, 53.54, -89.55

 

CMYK 79 / 88 / 0 / 5

HEX #331EF1

RGB 51 30 241

HSL 245.97, 0.88%, 0.53%

LAB 33.95, 70.27, -97.19

 

CMYK 56 / 88 / 0 / 5

HEX #6B1EF1

RGB 107 30 241

HSL 261.9, 0.88%, 0.53%

LAB 38.56, 73.69, -89.39

 

CMYK 32 / 88 / 0 / 5

HEX #A31EF1

RGB 163 30 241

HSL 277.82, 0.88%, 0.53%

LAB 45.72, 79.76, -77.35

 

CMYK 84 / 94 / 0 / 31

HEX #1C0BB1

RGB 28 11 177

HSL 246.14, 0.88%, 0.37%

LAB 22.52, 57.88, -79.01

 

CMYK 84 / 93 / 0 / 16

HEX #230ED7

RGB 35 14 215

HSL 246.27, 0.88%, 0.45%

LAB 28.32, 67.34, -91.71

 

CMYK 78 / 88 / 0 / 5

HEX #341EF1

RGB 52 30 241

HSL 246.26, 0.88%, 0.53%

LAB 34, 70.31, -97.09

 

CMYK 64 / 72 / 0 / 5

HEX #5744F3

RGB 87 68 243

HSL 246.51, 0.88%, 0.61%

LAB 42.2, 56.93, -84.57

 

CMYK 50 / 57 / 0 / 4

HEX #7A6BF6

RGB 122 107 246

HSL 246.47, 0.89%, 0.69%

LAB 53.28, 41.49, -68.05

 

CMYK 79 / 88 / 0 / 6

HEX #321CF0

RGB 50 28 240

HSL 246.23, 0.88%, 0.53%

LAB 33.56, 70.59, -97.26

 

CMYK 0 / 88 / 27 / 5

HEX #F11EB1

RGB 241 30 177

HSL 318.2, 0.88%, 0.53%

LAB 54.87, 83.29, -25.27

 

CMYK 61 / 0 / 88 / 5

HEX #5DF11E

RGB 93 241 30

HSL 102.09, 0.88%, 0.53%

LAB 84.65, -71.41, 77.84

 

CMYK 79 / 88 / 0 / 6

HEX #321CF0

RGB 50 28 240

HSL 246.23, 0.88%, 0.53%

LAB 33.56, 70.59, -97.26

 

CMYK 0 / 79 / 88 / 5

HEX #F1331E

RGB 241 51 30

HSL 5.97, 0.88%, 0.53%

LAB 53.13, 69.39, 56.66

 

CMYK 88 / 0 / 79 / 5

HEX #1EF133

RGB 30 241 51

HSL 125.97, 0.88%, 0.53%

LAB 83.67, -79.64, 71.72

 

CMYK 79 / 88 / 0 / 6

HEX #321CF0

RGB 50 28 240

HSL 246.23, 0.88%, 0.53%

LAB 33.56, 70.59, -97.26

 

CMYK 0 / 88 / 27 / 5

HEX #F11EB1

RGB 241 30 177

HSL 318.2, 0.88%, 0.53%

LAB 54.87, 83.29, -25.27

 

CMYK 9 / 0 / 88 / 5

HEX #DCF11E

RGB 220 241 30

HSL 65.97, 0.88%, 0.53%

LAB 90.88, -28.92, 85.54

 

CMYK 88 / 0 / 61 / 5

HEX #1EF15D

RGB 30 241 93

HSL 137.91, 0.88%, 0.53%

LAB 83.95, -76.02, 56.94

 

CMYK 79 / 88 / 0 / 6

HEX #321CF0

RGB 50 28 240

HSL 246.23, 0.88%, 0.53%

LAB 33.56, 70.59, -97.26

 

CMYK 0 / 88 / 53 / 5

HEX #F11E72

RGB 241 30 114

HSL 336.11, 0.88%, 0.53%

LAB 52.78, 77.54, 9.13

 

CMYK 9 / 0 / 88 / 5

HEX #DCF11E

RGB 220 241 30

HSL 65.97, 0.88%, 0.53%

LAB 90.88, -28.92, 85.54

 

CMYK 88 / 0 / 35 / 5

HEX #1EF19C

RGB 30 241 156

HSL 155.83, 0.88%, 0.53%

LAB 84.79, -66.1, 28.05

 

Description

Color code: HEX #321CF0 | qconv.com Color code: HEX #321CF0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 28 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 28 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 88 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 88% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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