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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31FB45 it is the complementary color #CE04BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31FB45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31FB45 shade: #36FB40, #47FF53, #58FF66, #69FF79 and #7AFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31FB45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31FB45 shade: #31FB45, #20E932, #0FD71F, #00C50C and #00B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31FB45 shade: #32FB46, #54FB32, #8AFB32, #C1FB32 and #F7FB32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31FB45 shade: #32FB46, #32FB7C, #32FBB2, #32FBE8 and #32D7FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31FB45 shade matches the following richer shades: #32FB46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31FB45 shade: #32FB46, #43EA54, #54D961, #65C86F and #76B77C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31FB45 shade: #8CFB32, #57FB32, #32FB43, #32FB78 and #32FBAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31FB45 shade: #04D619, #0AFA21, #32FB46, #5BFC6A and #83FC8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31FB45 shade: #31FB45, #32C2FB and #FB3272

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31FB45 shade: #31FB45, #4332FB and #FB4332

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31FB45 shade: #31FB45, #32C2FB, #FB32EA and #FB6B32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31FB45 shade: #31FB45, #3286FB, #FB32EA and #FBA732

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 73 / 2

HEX #31FB45

RGB 49 251 69

HSL 125.94, 0.96%, 0.59%

LAB 87.03, -79.57, 69.5

 

Complementary color

CMYK 0 / 98 / 10 / 19

HEX #CE04BA

RGB 206 4 186

HSL 305.94, 0.96%, 0.41%

LAB 47.95, 80.54, -41.83

 

CMYK 78 / 0 / 75 / 2

HEX #36FB40

RGB 54 251 64

HSL 123.05, 0.96%, 0.6%

LAB 87.07, -79.37, 71.2

 

CMYK 72 / 0 / 67 / 0

HEX #47FF53

RGB 71 255 83

HSL 123.91, 1%, 0.64%

LAB 88.68, -76.75, 66.29

 

CMYK 65 / 0 / 60 / 0

HEX #58FF66

RGB 88 255 102

HSL 125.03, 1%, 0.67%

LAB 89.18, -71.99, 59.31

 

CMYK 59 / 0 / 53 / 0

HEX #69FF79

RGB 105 255 121

HSL 126.4, 1%, 0.71%

LAB 89.81, -66.29, 51.77

 

CMYK 52 / 0 / 45 / 0

HEX #7AFF8C

RGB 122 255 140

HSL 128.12, 1%, 0.74%

LAB 90.57, -59.77, 43.9

 

CMYK 80 / 0 / 73 / 2

HEX #31FB45

RGB 49 251 69

HSL 125.94, 0.96%, 0.59%

LAB 87.03, -79.57, 69.5

 

CMYK 86 / 0 / 79 / 9

HEX #20E932

RGB 32 233 50

HSL 125.37, 0.82%, 0.52%

LAB 81.19, -77.32, 69.66

 

CMYK 93 / 0 / 86 / 16

HEX #0FD71F

RGB 15 215 31

HSL 124.8, 0.87%, 0.45%

LAB 75.33, -74.39, 69.03

 

CMYK 100 / 0 / 94 / 23

HEX #00C50C

RGB 0 197 12

HSL 123.65, 1%, 0.39%

LAB 69.44, -70.72, 67.17

 

CMYK 100 / 0 / 100 / 30

HEX #00B300

RGB 0 179 0

HSL 120, 1%, 0.35%

LAB 63.54, -66.08, 63.78

 

CMYK 80 / 0 / 72 / 2

HEX #32FB46

RGB 50 251 70

HSL 125.97, 0.96%, 0.59%

LAB 87.05, -79.38, 69.18

 

CMYK 67 / 0 / 80 / 2

HEX #54FB32

RGB 84 251 50

HSL 109.85, 0.96%, 0.59%

LAB 87.54, -75.6, 75.91

 

CMYK 45 / 0 / 80 / 2

HEX #8AFB32

RGB 138 251 50

HSL 93.73, 0.96%, 0.59%

LAB 89.22, -62.24, 78.07

 

CMYK 23 / 0 / 80 / 2

HEX #C1FB32

RGB 193 251 50

HSL 77.31, 0.96%, 0.59%

LAB 91.94, -43.44, 81.53

 

CMYK 2 / 0 / 80 / 2

HEX #F7FB32

RGB 247 251 50

HSL 61.19, 0.96%, 0.59%

LAB 95.58, -22.16, 86.13

 

CMYK 80 / 0 / 72 / 2

HEX #32FB46

RGB 50 251 70

HSL 125.97, 0.96%, 0.59%

LAB 87.05, -79.38, 69.18

 

CMYK 80 / 0 / 51 / 2

HEX #32FB7C

RGB 50 251 124

HSL 142.09, 0.96%, 0.59%

LAB 87.55, -73.35, 47.36

 

CMYK 80 / 0 / 29 / 2

HEX #32FBB2

RGB 50 251 178

HSL 158.21, 0.96%, 0.59%

LAB 88.39, -63.63, 21.8

 

CMYK 80 / 0 / 8 / 2

HEX #32FBE8

RGB 50 251 232

HSL 174.33, 0.96%, 0.59%

LAB 89.63, -50.64, -4.37

 

CMYK 80 / 14 / 0 / 2

HEX #32D7FB

RGB 50 215 251

HSL 190.75, 0.96%, 0.59%

LAB 79.75, -28.8, -29.22

 

CMYK 80 / 0 / 72 / 2

HEX #32FB46

RGB 50 251 70

HSL 125.97, 0.96%, 0.59%

LAB 87.05, -79.38, 69.18

 

CMYK 80 / 0 / 72 / 2

HEX #32FB46

RGB 50 251 70

HSL 125.97, 0.96%, 0.59%

LAB 87.05, -79.38, 69.18

 

CMYK 71 / 0 / 64 / 8

HEX #43EA54

RGB 67 234 84

HSL 126.11, 0.8%, 0.59%

LAB 82.21, -70.68, 58.86

 

CMYK 61 / 0 / 55 / 15

HEX #54D961

RGB 84 217 97

HSL 125.86, 0.64%, 0.59%

LAB 77.5, -60.25, 47.9

 

CMYK 50 / 0 / 45 / 22

HEX #65C86F

RGB 101 200 111

HSL 126.06, 0.47%, 0.59%

LAB 73.04, -47.6, 35.72

 

CMYK 36 / 0 / 32 / 28

HEX #76B77C

RGB 118 183 124

HSL 125.54, 0.31%, 0.59%

LAB 68.88, -32.99, 23.62

 

CMYK 44 / 0 / 80 / 2

HEX #8CFB32

RGB 140 251 50

HSL 93.13, 0.96%, 0.59%

LAB 89.3, -61.63, 78.17

 

CMYK 65 / 0 / 80 / 2

HEX #57FB32

RGB 87 251 50

HSL 108.96, 0.96%, 0.59%

LAB 87.61, -75.02, 76

 

CMYK 80 / 0 / 73 / 2

HEX #32FB43

RGB 50 251 67

HSL 125.07, 0.96%, 0.59%

LAB 87.03, -79.61, 70.17

 

CMYK 80 / 0 / 52 / 2

HEX #32FB78

RGB 50 251 120

HSL 140.9, 0.96%, 0.59%

LAB 87.5, -73.93, 49.16

 

CMYK 80 / 0 / 31 / 2

HEX #32FBAE

RGB 50 251 174

HSL 157.01, 0.96%, 0.59%

LAB 88.32, -64.47, 23.74

 

CMYK 98 / 0 / 88 / 16

HEX #04D619

RGB 4 214 25

HSL 126, 0.96%, 0.43%

LAB 74.94, -74.78, 69.87

 

CMYK 96 / 0 / 87 / 2

HEX #0AFA21

RGB 10 250 33

HSL 125.75, 0.96%, 0.51%

LAB 86.28, -83.89, 78.25

 

CMYK 80 / 0 / 72 / 2

HEX #32FB46

RGB 50 251 70

HSL 125.97, 0.96%, 0.59%

LAB 87.05, -79.38, 69.18

 

CMYK 64 / 0 / 58 / 1

HEX #5BFC6A

RGB 91 252 106

HSL 125.59, 0.96%, 0.67%

LAB 88.39, -69.96, 56.7

 

CMYK 48 / 0 / 43 / 1

HEX #83FC8F

RGB 131 252 143

HSL 125.95, 0.95%, 0.75%

LAB 90.06, -55.88, 41.86

 

CMYK 80 / 0 / 73 / 2

HEX #31FB45

RGB 49 251 69

HSL 125.94, 0.96%, 0.59%

LAB 87.03, -79.57, 69.5

 

CMYK 80 / 23 / 0 / 2

HEX #32C2FB

RGB 50 194 251

HSL 197.01, 0.96%, 0.59%

LAB 73.69, -18.2, -38.58

 

CMYK 0 / 80 / 55 / 2

HEX #FB3272

RGB 251 50 114

HSL 340.9, 0.96%, 0.59%

LAB 56.09, 75.93, 14.05

 

CMYK 80 / 0 / 73 / 2

HEX #31FB45

RGB 49 251 69

HSL 125.94, 0.96%, 0.59%

LAB 87.03, -79.57, 69.5

 

CMYK 73 / 80 / 0 / 2

HEX #4332FB

RGB 67 50 251

HSL 245.07, 0.96%, 0.59%

LAB 38.62, 66.21, -95.03

 

CMYK 0 / 73 / 80 / 2

HEX #FB4332

RGB 251 67 50

HSL 5.07, 0.96%, 0.59%

LAB 56.83, 68, 51.37

 

CMYK 80 / 0 / 73 / 2

HEX #31FB45

RGB 49 251 69

HSL 125.94, 0.96%, 0.59%

LAB 87.03, -79.57, 69.5

 

CMYK 80 / 23 / 0 / 2

HEX #32C2FB

RGB 50 194 251

HSL 197.01, 0.96%, 0.59%

LAB 73.69, -18.2, -38.58

 

CMYK 0 / 80 / 7 / 2

HEX #FB32EA

RGB 251 50 234

HSL 305.07, 0.96%, 0.59%

LAB 60.54, 88.68, -48.84

 

CMYK 0 / 57 / 80 / 2

HEX #FB6B32

RGB 251 107 50

HSL 17.01, 0.96%, 0.59%

LAB 62.72, 52.15, 56.98

 

CMYK 80 / 0 / 73 / 2

HEX #31FB45

RGB 49 251 69

HSL 125.94, 0.96%, 0.59%

LAB 87.03, -79.57, 69.5

 

CMYK 80 / 47 / 0 / 2

HEX #3286FB

RGB 50 134 251

HSL 214.93, 0.96%, 0.59%

LAB 56.78, 16.02, -65.36

 

CMYK 0 / 80 / 7 / 2

HEX #FB32EA

RGB 251 50 234

HSL 305.07, 0.96%, 0.59%

LAB 60.54, 88.68, -48.84

 

CMYK 0 / 33 / 80 / 2

HEX #FBA732

RGB 251 167 50

HSL 34.93, 0.96%, 0.59%

LAB 75.06, 22.06, 68.3

 

Description

Color code: HEX #31FB45 | qconv.com Color code: HEX #31FB45 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 251 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 251 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 73 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 73% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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