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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31F6D4 it is the complementary color #CE092B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31F6D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31F6D4 shade: #36F6CF, #47FFE2, #58FFF5, #69FFFF and #7AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31F6D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31F6D4 shade: #31F6D4, #20E4C1, #0FD2AE, #00C09B and #00AE88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31F6D4 shade: #31F6D4, #31F69F, #31F66A, #31F635 and #63F631

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31F6D4 shade: #31F6D4, #31E3F6, #31AEF6, #3179F6 and #3144F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31F6D4 shade matches the following richer shades: #31F6D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31F6D4 shade: #31F6D4, #43E5C9, #54D4BE, #65C2B2 and #77B1A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31F6D4 shade: #31F669, #31F69E, #31F6D2, #31E6F6 and #31B1F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31F6D4 shade: #09CDAB, #0AF4CC, #31F6D4, #59F8DD and #81FAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31F6D4 shade: #31F6D4, #3531F6 and #F68331

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31F6D4 shade: #31F6D4, #D231F6 and #F6D231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31F6D4 shade: #31F6D4, #3531F6, #F63155 and #F3F631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31F6D4 shade: #31F6D4, #7031F6, #F63155 and #B8F631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

Complementary color

CMYK 0 / 96 / 79 / 19

HEX #CE092B

RGB 206 9 43

HSL 349.64, 0.92%, 0.42%

LAB 43.49, 68.08, 38.87

 

CMYK 78 / 0 / 16 / 4

HEX #36F6CF

RGB 54 246 207

HSL 167.81, 0.91%, 0.59%

LAB 87.58, -54.66, 5.68

 

CMYK 72 / 0 / 11 / 0

HEX #47FFE2

RGB 71 255 226

HSL 170.54, 1%, 0.64%

LAB 90.94, -51.78, 0.71

 

CMYK 65 / 0 / 4 / 0

HEX #58FFF5

RGB 88 255 245

HSL 176.41, 1%, 0.67%

LAB 91.77, -44.69, -7.88

 

CMYK 59 / 0 / 0 / 0

HEX #69FFFF

RGB 105 255 255

HSL 180, 1%, 0.71%

LAB 92.46, -39.46, -11.99

 

CMYK 52 / 0 / 0 / 0

HEX #7AFFFF

RGB 122 255 255

HSL 180, 1%, 0.74%

LAB 92.96, -36.41, -11.19

 

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

CMYK 86 / 0 / 15 / 11

HEX #20E4C1

RGB 32 228 193

HSL 169.29, 0.78%, 0.51%

LAB 81.64, -52.65, 4.42

 

CMYK 93 / 0 / 17 / 18

HEX #0FD2AE

RGB 15 210 174

HSL 168.92, 0.87%, 0.44%

LAB 75.61, -51.12, 5.81

 

CMYK 100 / 0 / 19 / 25

HEX #00C09B

RGB 0 192 155

HSL 168.44, 1%, 0.38%

LAB 69.52, -49.25, 7.33

 

CMYK 100 / 0 / 22 / 32

HEX #00AE88

RGB 0 174 136

HSL 166.9, 1%, 0.34%

LAB 63.38, -46.87, 9.01

 

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

CMYK 80 / 0 / 35 / 4

HEX #31F69F

RGB 49 246 159

HSL 153.5, 0.92%, 0.58%

LAB 86.54, -65.78, 28.93

 

CMYK 80 / 0 / 57 / 4

HEX #31F66A

RGB 49 246 106

HSL 137.36, 0.92%, 0.58%

LAB 85.81, -74.33, 53.48

 

CMYK 80 / 0 / 78 / 4

HEX #31F635

RGB 49 246 53

HSL 121.22, 0.92%, 0.58%

LAB 85.41, -79.21, 72.89

 

CMYK 60 / 0 / 80 / 4

HEX #63F631

RGB 99 246 49

HSL 104.77, 0.92%, 0.58%

LAB 86.4, -70.92, 75.25

 

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

CMYK 80 / 8 / 0 / 4

HEX #31E3F6

RGB 49 227 246

HSL 185.79, 0.92%, 0.58%

LAB 83.04, -36.15, -21.55

 

CMYK 80 / 29 / 0 / 4

HEX #31AEF6

RGB 49 174 246

HSL 201.93, 0.92%, 0.58%

LAB 67.71, -9.26, -45.23

 

CMYK 80 / 51 / 0 / 4

HEX #3179F6

RGB 49 121 246

HSL 218.07, 0.92%, 0.58%

LAB 52.93, 22.13, -68.81

 

CMYK 80 / 72 / 0 / 4

HEX #3144F6

RGB 49 68 246

HSL 234.21, 0.92%, 0.58%

LAB 40.31, 54.51, -89.45

 

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

CMYK 71 / 0 / 12 / 10

HEX #43E5C9

RGB 67 229 201

HSL 169.63, 0.76%, 0.58%

LAB 82.62, -47.67, 1.66

 

CMYK 60 / 0 / 10 / 17

HEX #54D4BE

RGB 84 212 190

HSL 169.69, 0.6%, 0.58%

LAB 77.69, -40.43, 0.38

 

CMYK 48 / 0 / 8 / 24

HEX #65C2B2

RGB 101 194 178

HSL 169.68, 0.43%, 0.58%

LAB 72.6, -31.58, -0.5

 

CMYK 33 / 0 / 6 / 31

HEX #77B1A7

RGB 119 177 167

HSL 169.66, 0.27%, 0.58%

LAB 68.14, -21.07, -0.9

 

CMYK 80 / 0 / 57 / 4

HEX #31F669

RGB 49 246 105

HSL 137.06, 0.92%, 0.58%

LAB 85.8, -74.45, 53.91

 

CMYK 80 / 0 / 36 / 4

HEX #31F69E

RGB 49 246 158

HSL 153.2, 0.92%, 0.58%

LAB 86.52, -65.98, 29.41

 

CMYK 80 / 0 / 15 / 4

HEX #31F6D2

RGB 49 246 210

HSL 169.04, 0.92%, 0.58%

LAB 87.59, -54.36, 4.12

 

CMYK 80 / 7 / 0 / 4

HEX #31E6F6

RGB 49 230 246

HSL 184.87, 0.92%, 0.58%

LAB 83.91, -37.54, -20.24

 

CMYK 80 / 28 / 0 / 4

HEX #31B1F6

RGB 49 177 246

HSL 201.02, 0.92%, 0.58%

LAB 68.57, -10.91, -43.88

 

CMYK 96 / 0 / 17 / 20

HEX #09CDAB

RGB 9 205 171

HSL 169.59, 0.92%, 0.42%

LAB 73.97, -50.07, 5.06

 

CMYK 96 / 0 / 16 / 4

HEX #0AF4CC

RGB 10 244 204

HSL 169.74, 0.92%, 0.5%

LAB 86.57, -57.15, 5.73

 

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

CMYK 64 / 0 / 11 / 3

HEX #59F8DD

RGB 89 248 221

HSL 169.81, 0.92%, 0.66%

LAB 89.15, -47.62, 0.74

 

CMYK 48 / 0 / 8 / 2

HEX #81FAE5

RGB 129 250 229

HSL 169.59, 0.92%, 0.74%

LAB 91.1, -39.04, -0.44

 

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

CMYK 78 / 80 / 0 / 4

HEX #3531F6

RGB 53 49 246

HSL 241.22, 0.92%, 0.58%

LAB 37.13, 64.38, -94.72

 

CMYK 0 / 47 / 80 / 4

HEX #F68331

RGB 246 131 49

HSL 24.97, 0.92%, 0.58%

LAB 66.56, 38.63, 60.71

 

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

CMYK 15 / 80 / 0 / 4

HEX #D231F6

RGB 210 49 246

HSL 289.04, 0.92%, 0.58%

LAB 54.61, 83.35, -65.41

 

CMYK 0 / 15 / 80 / 4

HEX #F6D231

RGB 246 210 49

HSL 49.04, 0.92%, 0.58%

LAB 84.95, -2.41, 77.16

 

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

CMYK 78 / 80 / 0 / 4

HEX #3531F6

RGB 53 49 246

HSL 241.22, 0.92%, 0.58%

LAB 37.13, 64.38, -94.72

 

CMYK 0 / 80 / 65 / 4

HEX #F63155

RGB 246 49 85

HSL 349.04, 0.92%, 0.58%

LAB 54.5, 73.14, 29.02

 

CMYK 1 / 0 / 80 / 4

HEX #F3F631

RGB 243 246 49

HSL 60.91, 0.92%, 0.58%

LAB 93.96, -21.44, 84.86

 

CMYK 80 / 0 / 14 / 4

HEX #31F6D4

RGB 49 246 212

HSL 169.64, 0.92%, 0.58%

LAB 87.64, -53.86, 3.15

 

CMYK 54 / 80 / 0 / 4

HEX #7031F6

RGB 112 49 246

HSL 259.19, 0.92%, 0.58%

LAB 41.68, 69.21, -87.04

 

CMYK 0 / 80 / 65 / 4

HEX #F63155

RGB 246 49 85

HSL 349.04, 0.92%, 0.58%

LAB 54.5, 73.14, 29.02

 

CMYK 25 / 0 / 80 / 4

HEX #B8F631

RGB 184 246 49

HSL 78.88, 0.92%, 0.58%

LAB 90.01, -44.68, 79.87

 

Description

Color code: HEX #31F6D4 | qconv.com Color code: HEX #31F6D4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 246 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 246 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 14 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 14% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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