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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31E89F it is the complementary color #CE1760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31E89F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31E89F shade: #36E89A, #47FAAD, #58FFC0, #69FFD3 and #7AFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31E89F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31E89F shade: #31E89F, #20D68C, #0FC479, #00B266 and #00A053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31E89F shade: #30E89F, #30E86D, #30E83C, #57E830 and #88E830

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31E89F shade: #30E89F, #30E8D0, #30CEE8, #309DE8 and #306BE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31E89F shade matches the following richer shades: #30E89F and #1EFBA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31E89F shade: #30E89F, #43D59B, #56C397, #68B094 and #7B9E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31E89F shade: #30E83D, #30E86E, #30E89F, #30E8D0 and #30D0E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31E89F shade: #14B273, #18D78B, #30E89F, #56ECB0 and #7BF0C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31E89F shade: #31E89F, #3055E8 and #E85530

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31E89F shade: #31E89F, #9F30E8 and #E89F30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31E89F shade: #31E89F, #3055E8, #E8307A and #E8C330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31E89F shade: #31E89F, #4330E8, #E8307A and #D6E830

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 31 / 9

HEX #31E89F

RGB 49 232 159

HSL 156.07, 0.8%, 0.55%

LAB 82.31, -60.71, 23.18

 

Complementary color

CMYK 0 / 89 / 53 / 19

HEX #CE1760

RGB 206 23 96

HSL 336.07, 0.8%, 0.45%

LAB 45.05, 69.03, 8.29

 

CMYK 77 / 0 / 34 / 9

HEX #36E89A

RGB 54 232 154

HSL 153.71, 0.79%, 0.56%

LAB 82.29, -61.19, 25.74

 

CMYK 72 / 0 / 31 / 2

HEX #47FAAD

RGB 71 250 173

HSL 154.19, 0.95%, 0.63%

LAB 88.32, -61.9, 24.3

 

CMYK 65 / 0 / 25 / 0

HEX #58FFC0

RGB 88 255 192

HSL 157.37, 1%, 0.67%

LAB 90.51, -57.34, 17.67

 

CMYK 59 / 0 / 17 / 0

HEX #69FFD3

RGB 105 255 211

HSL 162.4, 1%, 0.71%

LAB 91.34, -50.23, 9.14

 

CMYK 52 / 0 / 10 / 0

HEX #7AFFE6

RGB 122 255 230

HSL 168.72, 1%, 0.74%

LAB 92.3, -42.53, 0.77

 

CMYK 79 / 0 / 31 / 9

HEX #31E89F

RGB 49 232 159

HSL 156.07, 0.8%, 0.55%

LAB 82.31, -60.71, 23.18

 

CMYK 85 / 0 / 35 / 16

HEX #20D68C

RGB 32 214 140

HSL 155.6, 0.74%, 0.48%

LAB 76.25, -59.57, 24.75

 

CMYK 92 / 0 / 38 / 23

HEX #0FC479

RGB 15 196 121

HSL 155.14, 0.86%, 0.41%

LAB 70.15, -58.01, 26.45

 

CMYK 100 / 0 / 43 / 30

HEX #00B266

RGB 0 178 102

HSL 154.38, 1%, 0.35%

LAB 64, -56.01, 28.29

 

CMYK 100 / 0 / 48 / 37

HEX #00A053

RGB 0 160 83

HSL 151.13, 1%, 0.31%

LAB 57.81, -53.28, 30.29

 

CMYK 79 / 0 / 31 / 9

HEX #30E89F

RGB 48 232 159

HSL 156.2, 0.8%, 0.55%

LAB 82.3, -60.81, 23.16

 

CMYK 79 / 0 / 53 / 9

HEX #30E86D

RGB 48 232 109

HSL 139.89, 0.8%, 0.55%

LAB 81.54, -69.58, 47

 

CMYK 79 / 0 / 74 / 9

HEX #30E83C

RGB 48 232 60

HSL 123.91, 0.8%, 0.55%

LAB 81.11, -74.8, 66.55

 

CMYK 63 / 0 / 79 / 9

HEX #57E830

RGB 87 232 48

HSL 107.28, 0.8%, 0.55%

LAB 81.81, -69.05, 71.15

 

CMYK 41 / 0 / 79 / 9

HEX #88E830

RGB 136 232 48

HSL 91.3, 0.8%, 0.55%

LAB 83.53, -55.73, 73.36

 

CMYK 79 / 0 / 31 / 9

HEX #30E89F

RGB 48 232 159

HSL 156.2, 0.8%, 0.55%

LAB 82.3, -60.81, 23.16

 

CMYK 79 / 0 / 10 / 9

HEX #30E8D0

RGB 48 232 208

HSL 172.17, 0.8%, 0.55%

LAB 83.39, -49.19, -0.95

 

CMYK 79 / 11 / 0 / 9

HEX #30CEE8

RGB 48 206 232

HSL 188.48, 0.8%, 0.55%

LAB 76.43, -30.55, -24.14

 

CMYK 79 / 32 / 0 / 9

HEX #309DE8

RGB 48 157 232

HSL 204.46, 0.8%, 0.55%

LAB 62.14, -4.75, -46.33

 

CMYK 79 / 54 / 0 / 9

HEX #306BE8

RGB 48 107 232

HSL 220.76, 0.8%, 0.55%

LAB 48.22, 25.65, -68.62

 

CMYK 79 / 0 / 31 / 9

HEX #30E89F

RGB 48 232 159

HSL 156.2, 0.8%, 0.55%

LAB 82.3, -60.81, 23.16

 

CMYK 88 / 0 / 35 / 2

HEX #1EFBA3

RGB 30 251 163

HSL 156.11, 0.97%, 0.55%

LAB 87.93, -68.21, 28.75

 

CMYK 79 / 0 / 31 / 9

HEX #30E89F

RGB 48 232 159

HSL 156.2, 0.8%, 0.55%

LAB 82.3, -60.81, 23.16

 

CMYK 69 / 0 / 27 / 16

HEX #43D59B

RGB 67 213 155

HSL 156.16, 0.63%, 0.55%

LAB 76.77, -51.94, 17.67

 

CMYK 56 / 0 / 23 / 24

HEX #56C397

RGB 86 195 151

HSL 155.78, 0.48%, 0.55%

LAB 71.72, -41.73, 12.82

 

CMYK 41 / 0 / 16 / 31

HEX #68B094

RGB 104 176 148

HSL 156.67, 0.31%, 0.55%

LAB 66.62, -29.15, 7.31

 

CMYK 22 / 0 / 9 / 38

HEX #7B9E90

RGB 123 158 144

HSL 156, 0.15%, 0.55%

LAB 62.24, -15.04, 3.36

 

CMYK 79 / 0 / 74 / 9

HEX #30E83D

RGB 48 232 61

HSL 124.24, 0.8%, 0.55%

LAB 81.11, -74.73, 66.23

 

CMYK 79 / 0 / 53 / 9

HEX #30E86E

RGB 48 232 110

HSL 140.22, 0.8%, 0.55%

LAB 81.55, -69.43, 46.55

 

CMYK 79 / 0 / 31 / 9

HEX #30E89F

RGB 48 232 159

HSL 156.2, 0.8%, 0.55%

LAB 82.3, -60.81, 23.16

 

CMYK 79 / 0 / 10 / 9

HEX #30E8D0

RGB 48 232 208

HSL 172.17, 0.8%, 0.55%

LAB 83.39, -49.19, -0.95

 

CMYK 79 / 10 / 0 / 9

HEX #30D0E8

RGB 48 208 232

HSL 187.83, 0.8%, 0.55%

LAB 77.02, -31.51, -23.25

 

CMYK 89 / 0 / 35 / 30

HEX #14B273

RGB 20 178 115

HSL 156.08, 0.8%, 0.39%

LAB 64.34, -52.41, 21.85

 

CMYK 89 / 0 / 35 / 16

HEX #18D78B

RGB 24 215 139

HSL 156.13, 0.8%, 0.47%

LAB 76.47, -60.68, 25.56

 

CMYK 79 / 0 / 31 / 9

HEX #30E89F

RGB 48 232 159

HSL 156.2, 0.8%, 0.55%

LAB 82.3, -60.81, 23.16

 

CMYK 64 / 0 / 25 / 7

HEX #56ECB0

RGB 86 236 176

HSL 156, 0.8%, 0.63%

LAB 84.54, -53.51, 17.57

 

CMYK 49 / 0 / 20 / 6

HEX #7BF0C1

RGB 123 240 193

HSL 155.9, 0.8%, 0.71%

LAB 87.18, -43.96, 12.62

 

CMYK 79 / 0 / 31 / 9

HEX #31E89F

RGB 49 232 159

HSL 156.07, 0.8%, 0.55%

LAB 82.31, -60.71, 23.18

 

CMYK 79 / 63 / 0 / 9

HEX #3055E8

RGB 48 85 232

HSL 227.93, 0.8%, 0.55%

LAB 42.69, 39.55, -77.64

 

CMYK 0 / 63 / 79 / 9

HEX #E85530

RGB 232 85 48

HSL 12.07, 0.8%, 0.55%

LAB 55.95, 55.14, 50.35

 

CMYK 79 / 0 / 31 / 9

HEX #31E89F

RGB 49 232 159

HSL 156.07, 0.8%, 0.55%

LAB 82.31, -60.71, 23.18

 

CMYK 31 / 79 / 0 / 9

HEX #9F30E8

RGB 159 48 232

HSL 276.2, 0.8%, 0.55%

LAB 46.06, 72.64, -71.75

 

CMYK 0 / 31 / 79 / 9

HEX #E89F30

RGB 232 159 48

HSL 36.2, 0.8%, 0.55%

LAB 70.98, 18.23, 64.5

 

CMYK 79 / 0 / 31 / 9

HEX #31E89F

RGB 49 232 159

HSL 156.07, 0.8%, 0.55%

LAB 82.31, -60.71, 23.18

 

CMYK 79 / 63 / 0 / 9

HEX #3055E8

RGB 48 85 232

HSL 227.93, 0.8%, 0.55%

LAB 42.69, 39.55, -77.64

 

CMYK 0 / 79 / 47 / 9

HEX #E8307A

RGB 232 48 122

HSL 335.87, 0.8%, 0.55%

LAB 52.59, 72.2, 3.8

 

CMYK 0 / 16 / 79 / 9

HEX #E8C330

RGB 232 195 48

HSL 47.93, 0.8%, 0.55%

LAB 79.84, -0.72, 72.46

 

CMYK 79 / 0 / 31 / 9

HEX #31E89F

RGB 49 232 159

HSL 156.07, 0.8%, 0.55%

LAB 82.31, -60.71, 23.18

 

CMYK 71 / 79 / 0 / 9

HEX #4330E8

RGB 67 48 232

HSL 246.2, 0.8%, 0.55%

LAB 36.24, 61.63, -88.24

 

CMYK 0 / 79 / 47 / 9

HEX #E8307A

RGB 232 48 122

HSL 335.87, 0.8%, 0.55%

LAB 52.59, 72.2, 3.8

 

CMYK 8 / 0 / 79 / 9

HEX #D6E830

RGB 214 232 48

HSL 65.87, 0.8%, 0.55%

LAB 88.08, -26.66, 79.16

 

Description

Color code: HEX #31E89F | qconv.com Color code: HEX #31E89F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 232 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 232 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 31 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 31% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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