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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31E845 it is the complementary color #CE17BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31E845. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31E845 shade: #36E840, #47FA53, #58FF66, #69FF79 and #7AFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31E845. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31E845 shade: #31E845, #20D632, #0FC41F, #00B20C and #00A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31E845 shade: #30E845, #4EE830, #7FE830, #B1E830 and #E2E830

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31E845 shade: #30E845, #30E876, #30E8A8, #30E8D9 and #30C6E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31E845 shade matches the following richer shades: #30E845 and #1EFB36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31E845 shade: #30E845, #43D553, #56C362, #68B070 and #7B9E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31E845 shade: #80E830, #4FE830, #30E843, #30E874 and #30E8A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31E845 shade: #14B225, #18D72D, #30E845, #56EC66 and #7BF088

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31E845 shade: #31E845, #30B1E8 and #E83068

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31E845 shade: #31E845, #4330E8 and #E84330

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31E845 shade: #31E845, #30B1E8, #E830D6 and #E86830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31E845 shade: #31E845, #307AE8, #E830D6 and #E89F30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 70 / 9

HEX #31E845

RGB 49 232 69

HSL 126.56, 0.8%, 0.55%

LAB 81.18, -73.97, 63.49

 

Complementary color

CMYK 0 / 89 / 10 / 19

HEX #CE17BA

RGB 206 23 186

HSL 306.56, 0.8%, 0.45%

LAB 48.61, 78.6, -40.78

 

CMYK 77 / 0 / 72 / 9

HEX #36E840

RGB 54 232 64

HSL 123.37, 0.79%, 0.56%

LAB 81.22, -73.75, 65.34

 

CMYK 72 / 0 / 67 / 2

HEX #47FA53

RGB 71 250 83

HSL 124.02, 0.95%, 0.63%

LAB 87.16, -75.2, 64.67

 

CMYK 65 / 0 / 60 / 0

HEX #58FF66

RGB 88 255 102

HSL 125.03, 1%, 0.67%

LAB 89.18, -71.99, 59.31

 

CMYK 59 / 0 / 53 / 0

HEX #69FF79

RGB 105 255 121

HSL 126.4, 1%, 0.71%

LAB 89.81, -66.29, 51.77

 

CMYK 52 / 0 / 45 / 0

HEX #7AFF8C

RGB 122 255 140

HSL 128.12, 1%, 0.74%

LAB 90.57, -59.77, 43.9

 

CMYK 79 / 0 / 70 / 9

HEX #31E845

RGB 49 232 69

HSL 126.56, 0.8%, 0.55%

LAB 81.18, -73.97, 63.49

 

CMYK 85 / 0 / 77 / 16

HEX #20D632

RGB 32 214 50

HSL 125.93, 0.74%, 0.48%

LAB 75.22, -71.91, 63.92

 

CMYK 92 / 0 / 84 / 23

HEX #0FC41F

RGB 15 196 31

HSL 125.3, 0.86%, 0.41%

LAB 69.24, -69.11, 63.58

 

CMYK 100 / 0 / 93 / 30

HEX #00B20C

RGB 0 178 12

HSL 124.04, 1%, 0.35%

LAB 63.23, -65.52, 61.98

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 79 / 0 / 70 / 9

HEX #30E845

RGB 48 232 69

HSL 126.85, 0.8%, 0.55%

LAB 81.17, -74.09, 63.48

 

CMYK 66 / 0 / 79 / 9

HEX #4EE830

RGB 78 232 48

HSL 110.22, 0.8%, 0.55%

LAB 81.59, -70.9, 70.86

 

CMYK 45 / 0 / 79 / 9

HEX #7FE830

RGB 127 232 48

HSL 94.24, 0.8%, 0.55%

LAB 83.15, -58.55, 72.87

 

CMYK 24 / 0 / 79 / 9

HEX #B1E830

RGB 177 232 48

HSL 77.93, 0.8%, 0.55%

LAB 85.64, -41.27, 76.07

 

CMYK 3 / 0 / 79 / 9

HEX #E2E830

RGB 226 232 48

HSL 61.96, 0.8%, 0.55%

LAB 88.97, -21.74, 80.28

 

CMYK 79 / 0 / 70 / 9

HEX #30E845

RGB 48 232 69

HSL 126.85, 0.8%, 0.55%

LAB 81.17, -74.09, 63.48

 

CMYK 79 / 0 / 49 / 9

HEX #30E876

RGB 48 232 118

HSL 142.83, 0.8%, 0.55%

LAB 81.65, -68.25, 42.87

 

CMYK 79 / 0 / 28 / 9

HEX #30E8A8

RGB 48 232 168

HSL 159.13, 0.8%, 0.55%

LAB 82.47, -58.88, 18.74

 

CMYK 79 / 0 / 6 / 9

HEX #30E8D9

RGB 48 232 217

HSL 175.11, 0.8%, 0.55%

LAB 83.63, -46.78, -5.35

 

CMYK 79 / 15 / 0 / 9

HEX #30C6E8

RGB 48 198 232

HSL 191.09, 0.8%, 0.55%

LAB 74.09, -26.62, -27.73

 

CMYK 79 / 0 / 70 / 9

HEX #30E845

RGB 48 232 69

HSL 126.85, 0.8%, 0.55%

LAB 81.17, -74.09, 63.48

 

CMYK 88 / 0 / 78 / 2

HEX #1EFB36

RGB 30 251 54

HSL 126.52, 0.97%, 0.55%

LAB 86.77, -82.22, 73.82

 

CMYK 79 / 0 / 70 / 9

HEX #30E845

RGB 48 232 69

HSL 126.85, 0.8%, 0.55%

LAB 81.17, -74.09, 63.48

 

CMYK 69 / 0 / 61 / 16

HEX #43D553

RGB 67 213 83

HSL 126.58, 0.63%, 0.55%

LAB 75.7, -63.89, 52

 

CMYK 56 / 0 / 50 / 24

HEX #56C362

RGB 86 195 98

HSL 126.61, 0.48%, 0.55%

LAB 70.8, -51.39, 39.29

 

CMYK 41 / 0 / 36 / 31

HEX #68B070

RGB 104 176 112

HSL 126.67, 0.31%, 0.55%

LAB 65.88, -36.19, 25.9

 

CMYK 22 / 0 / 20 / 38

HEX #7B9E7F

RGB 123 158 127

HSL 126.86, 0.15%, 0.55%

LAB 61.82, -18.43, 12.32

 

CMYK 45 / 0 / 79 / 9

HEX #80E830

RGB 128 232 48

HSL 93.91, 0.8%, 0.55%

LAB 83.19, -58.25, 72.92

 

CMYK 66 / 0 / 79 / 9

HEX #4FE830

RGB 79 232 48

HSL 109.89, 0.8%, 0.55%

LAB 81.61, -70.7, 70.89

 

CMYK 79 / 0 / 71 / 9

HEX #30E843

RGB 48 232 67

HSL 126.2, 0.8%, 0.55%

LAB 81.15, -74.26, 64.19

 

CMYK 79 / 0 / 50 / 9

HEX #30E874

RGB 48 232 116

HSL 142.17, 0.8%, 0.55%

LAB 81.62, -68.55, 43.8

 

CMYK 79 / 0 / 29 / 9

HEX #30E8A5

RGB 48 232 165

HSL 158.15, 0.8%, 0.55%

LAB 82.41, -59.54, 20.21

 

CMYK 89 / 0 / 79 / 30

HEX #14B225

RGB 20 178 37

HSL 126.46, 0.8%, 0.39%

LAB 63.44, -63.27, 56.55

 

CMYK 89 / 0 / 79 / 16

HEX #18D72D

RGB 24 215 45

HSL 126.6, 0.8%, 0.47%

LAB 75.44, -73.14, 65.62

 

CMYK 79 / 0 / 70 / 9

HEX #30E845

RGB 48 232 69

HSL 126.85, 0.8%, 0.55%

LAB 81.17, -74.09, 63.48

 

CMYK 64 / 0 / 57 / 7

HEX #56EC66

RGB 86 236 102

HSL 126.4, 0.8%, 0.63%

LAB 83.4, -65.93, 52.61

 

CMYK 49 / 0 / 43 / 6

HEX #7BF088

RGB 123 240 136

HSL 126.67, 0.8%, 0.71%

LAB 86.16, -54.23, 40.23

 

CMYK 79 / 0 / 70 / 9

HEX #31E845

RGB 49 232 69

HSL 126.56, 0.8%, 0.55%

LAB 81.18, -73.97, 63.49

 

CMYK 79 / 24 / 0 / 9

HEX #30B1E8

RGB 48 177 232

HSL 197.93, 0.8%, 0.55%

LAB 67.95, -15.8, -37.23

 

CMYK 0 / 79 / 55 / 9

HEX #E83068

RGB 232 48 104

HSL 341.74, 0.8%, 0.55%

LAB 52.14, 70.83, 14.03

 

CMYK 79 / 0 / 70 / 9

HEX #31E845

RGB 49 232 69

HSL 126.56, 0.8%, 0.55%

LAB 81.18, -73.97, 63.49

 

CMYK 71 / 79 / 0 / 9

HEX #4330E8

RGB 67 48 232

HSL 246.2, 0.8%, 0.55%

LAB 36.24, 61.63, -88.24

 

CMYK 0 / 71 / 79 / 9

HEX #E84330

RGB 232 67 48

HSL 6.2, 0.8%, 0.55%

LAB 53.37, 62.16, 47.81

 

CMYK 79 / 0 / 70 / 9

HEX #31E845

RGB 49 232 69

HSL 126.56, 0.8%, 0.55%

LAB 81.18, -73.97, 63.49

 

CMYK 79 / 24 / 0 / 9

HEX #30B1E8

RGB 48 177 232

HSL 197.93, 0.8%, 0.55%

LAB 67.95, -15.8, -37.23

 

CMYK 0 / 79 / 8 / 9

HEX #E830D6

RGB 232 48 214

HSL 305.87, 0.8%, 0.55%

LAB 56.21, 82.64, -44.61

 

CMYK 0 / 55 / 79 / 9

HEX #E86830

RGB 232 104 48

HSL 18.26, 0.8%, 0.55%

LAB 59.22, 46.55, 53.52

 

CMYK 79 / 0 / 70 / 9

HEX #31E845

RGB 49 232 69

HSL 126.56, 0.8%, 0.55%

LAB 81.18, -73.97, 63.49

 

CMYK 79 / 47 / 0 / 9

HEX #307AE8

RGB 48 122 232

HSL 215.87, 0.8%, 0.55%

LAB 52.26, 16.21, -62.09

 

CMYK 0 / 79 / 8 / 9

HEX #E830D6

RGB 232 48 214

HSL 305.87, 0.8%, 0.55%

LAB 56.21, 82.64, -44.61

 

CMYK 0 / 31 / 79 / 9

HEX #E89F30

RGB 232 159 48

HSL 36.2, 0.8%, 0.55%

LAB 70.98, 18.23, 64.5

 

Description

Color code: HEX #31E845 | qconv.com Color code: HEX #31E845 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 232 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 232 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 70 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 70% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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