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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31E774 it is the complementary color #CE188B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31E774. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31E774 shade: #36E76F, #47F982, #58FF95, #69FFA8 and #7AFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31E774. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31E774 shade: #31E774, #20D561, #0FC34E, #00B13B and #009F28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31E774 shade: #32E774, #32E743, #51E732, #82E732 and #B2E732

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31E774 shade: #32E774, #32E7A5, #32E7D6, #32C7E7 and #3296E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31E774 shade matches the following richer shades: #32E774 and #1FF96F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31E774 shade: #32E774, #44D479, #57C27E, #69AF83 and #7C9D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31E774 shade: #50E732, #32E744, #32E774, #32E7A4 and #32E7D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31E774 shade: #15B14E, #19D65F, #32E774, #57EB8D and #7BF0A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31E774 shade: #31E774, #3280E7 and #E73238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31E774 shade: #31E774, #7432E7 and #E77432

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31E774 shade: #31E774, #3280E7, #E732A4 and #E79832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31E774 shade: #31E774, #324AE7, #E732A4 and #E7CF32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 50 / 9

HEX #31E774

RGB 49 231 116

HSL 142.09, 0.79%, 0.55%

LAB 81.33, -68.11, 43.43

 

Complementary color

CMYK 0 / 88 / 33 / 19

HEX #CE188B

RGB 206 24 139

HSL 322.09, 0.79%, 0.45%

LAB 46.5, 72.7, -16.07

 

CMYK 77 / 0 / 52 / 9

HEX #36E76F

RGB 54 231 111

HSL 139.32, 0.79%, 0.56%

LAB 81.34, -68.26, 45.84

 

CMYK 71 / 0 / 48 / 2

HEX #47F982

RGB 71 249 130

HSL 139.89, 0.94%, 0.63%

LAB 87.34, -69.17, 44.33

 

CMYK 65 / 0 / 42 / 0

HEX #58FF95

RGB 88 255 149

HSL 141.92, 1%, 0.67%

LAB 89.75, -65.52, 38.29

 

CMYK 59 / 0 / 34 / 0

HEX #69FFA8

RGB 105 255 168

HSL 145.2, 1%, 0.71%

LAB 90.48, -59.01, 29.9

 

CMYK 52 / 0 / 27 / 0

HEX #7AFFBB

RGB 122 255 187

HSL 149.32, 1%, 0.74%

LAB 91.35, -51.78, 21.54

 

CMYK 79 / 0 / 50 / 9

HEX #31E774

RGB 49 231 116

HSL 142.09, 0.79%, 0.55%

LAB 81.33, -68.11, 43.43

 

CMYK 85 / 0 / 54 / 16

HEX #20D561

RGB 32 213 97

HSL 141.55, 0.74%, 0.48%

LAB 75.3, -66.7, 45.03

 

CMYK 92 / 0 / 60 / 24

HEX #0FC34E

RGB 15 195 78

HSL 141, 0.86%, 0.41%

LAB 69.24, -64.73, 46.61

 

CMYK 100 / 0 / 67 / 31

HEX #00B13B

RGB 0 177 59

HSL 140, 1%, 0.35%

LAB 63.14, -62.15, 48.07

 

CMYK 100 / 0 / 75 / 38

HEX #009F28

RGB 0 159 40

HSL 135.09, 1%, 0.31%

LAB 57.03, -58.61, 49.17

 

CMYK 78 / 0 / 50 / 9

HEX #32E774

RGB 50 231 116

HSL 141.88, 0.79%, 0.55%

LAB 81.34, -68, 43.45

 

CMYK 78 / 0 / 71 / 9

HEX #32E743

RGB 50 231 67

HSL 125.64, 0.79%, 0.55%

LAB 80.87, -73.72, 63.9

 

CMYK 65 / 0 / 78 / 9

HEX #51E732

RGB 81 231 50

HSL 109.72, 0.79%, 0.55%

LAB 81.36, -69.87, 70.11

 

CMYK 44 / 0 / 78 / 9

HEX #82E732

RGB 130 231 50

HSL 93.48, 0.79%, 0.55%

LAB 82.98, -57.15, 72.21

 

CMYK 23 / 0 / 78 / 9

HEX #B2E732

RGB 178 231 50

HSL 77.57, 0.79%, 0.55%

LAB 85.43, -40.37, 75.35

 

CMYK 78 / 0 / 50 / 9

HEX #32E774

RGB 50 231 116

HSL 141.88, 0.79%, 0.55%

LAB 81.34, -68, 43.45

 

CMYK 78 / 0 / 29 / 9

HEX #32E7A5

RGB 50 231 165

HSL 158.12, 0.79%, 0.55%

LAB 82.13, -58.96, 19.84

 

CMYK 78 / 0 / 7 / 9

HEX #32E7D6

RGB 50 231 214

HSL 174.36, 0.79%, 0.55%

LAB 83.28, -46.99, -4.28

 

CMYK 78 / 14 / 0 / 9

HEX #32C7E7

RGB 50 199 231

HSL 190.61, 0.79%, 0.55%

LAB 74.38, -27.25, -26.75

 

CMYK 78 / 35 / 0 / 9

HEX #3296E7

RGB 50 150 231

HSL 206.85, 0.79%, 0.55%

LAB 60.12, -0.88, -48.96

 

CMYK 78 / 0 / 50 / 9

HEX #32E774

RGB 50 231 116

HSL 141.88, 0.79%, 0.55%

LAB 81.34, -68, 43.45

 

CMYK 88 / 0 / 55 / 2

HEX #1FF96F

RGB 31 249 111

HSL 142.02, 0.95%, 0.55%

LAB 86.6, -76.13, 52.14

 

CMYK 78 / 0 / 50 / 9

HEX #32E774

RGB 50 231 116

HSL 141.88, 0.79%, 0.55%

LAB 81.34, -68, 43.45

 

CMYK 68 / 0 / 43 / 17

HEX #44D479

RGB 68 212 121

HSL 142.08, 0.63%, 0.55%

LAB 75.88, -57.98, 34.13

 

CMYK 55 / 0 / 35 / 24

HEX #57C27E

RGB 87 194 126

HSL 141.87, 0.47%, 0.55%

LAB 70.95, -46.15, 25.13

 

CMYK 40 / 0 / 25 / 31

HEX #69AF83

RGB 105 175 131

HSL 142.29, 0.3%, 0.55%

LAB 65.98, -31.94, 15.77

 

CMYK 21 / 0 / 13 / 38

HEX #7C9D88

RGB 124 157 136

HSL 141.82, 0.14%, 0.55%

LAB 61.81, -15.81, 7.25

 

CMYK 65 / 0 / 78 / 9

HEX #50E732

RGB 80 231 50

HSL 110.06, 0.79%, 0.55%

LAB 81.34, -70.07, 70.08

 

CMYK 78 / 0 / 71 / 9

HEX #32E744

RGB 50 231 68

HSL 125.97, 0.79%, 0.55%

LAB 80.88, -73.64, 63.55

 

CMYK 78 / 0 / 50 / 9

HEX #32E774

RGB 50 231 116

HSL 141.88, 0.79%, 0.55%

LAB 81.34, -68, 43.45

 

CMYK 78 / 0 / 29 / 9

HEX #32E7A4

RGB 50 231 164

HSL 157.79, 0.79%, 0.55%

LAB 82.11, -59.17, 20.33

 

CMYK 78 / 0 / 8 / 9

HEX #32E7D5

RGB 50 231 213

HSL 174.03, 0.79%, 0.55%

LAB 83.25, -47.26, -3.79

 

CMYK 88 / 0 / 56 / 31

HEX #15B14E

RGB 21 177 78

HSL 141.92, 0.79%, 0.39%

LAB 63.47, -58.6, 39.82

 

CMYK 88 / 0 / 56 / 16

HEX #19D65F

RGB 25 214 95

HSL 142.22, 0.79%, 0.47%

LAB 75.53, -67.83, 46.22

 

CMYK 78 / 0 / 50 / 9

HEX #32E774

RGB 50 231 116

HSL 141.88, 0.79%, 0.55%

LAB 81.34, -68, 43.45

 

CMYK 63 / 0 / 40 / 8

HEX #57EB8D

RGB 87 235 141

HSL 141.89, 0.79%, 0.63%

LAB 83.63, -59.68, 34.26

 

CMYK 49 / 0 / 31 / 6

HEX #7BF0A6

RGB 123 240 166

HSL 142.05, 0.8%, 0.71%

LAB 86.64, -49.27, 25.81

 

CMYK 79 / 0 / 50 / 9

HEX #31E774

RGB 49 231 116

HSL 142.09, 0.79%, 0.55%

LAB 81.33, -68.11, 43.43

 

CMYK 78 / 45 / 0 / 9

HEX #3280E7

RGB 50 128 231

HSL 214.14, 0.79%, 0.55%

LAB 53.91, 12.32, -58.88

 

CMYK 0 / 78 / 76 / 9

HEX #E73238

RGB 231 50 56

HSL 358.01, 0.79%, 0.55%

LAB 51.33, 67.51, 41.35

 

CMYK 79 / 0 / 50 / 9

HEX #31E774

RGB 49 231 116

HSL 142.09, 0.79%, 0.55%

LAB 81.33, -68.11, 43.43

 

CMYK 50 / 78 / 0 / 9

HEX #7432E7

RGB 116 50 231

HSL 261.88, 0.79%, 0.55%

LAB 40.84, 65.53, -79.94

 

CMYK 0 / 50 / 78 / 9

HEX #E77432

RGB 231 116 50

HSL 21.88, 0.79%, 0.55%

LAB 61.4, 40.36, 54.67

 

CMYK 79 / 0 / 50 / 9

HEX #31E774

RGB 49 231 116

HSL 142.09, 0.79%, 0.55%

LAB 81.33, -68.11, 43.43

 

CMYK 78 / 45 / 0 / 9

HEX #3280E7

RGB 50 128 231

HSL 214.14, 0.79%, 0.55%

LAB 53.91, 12.32, -58.88

 

CMYK 0 / 78 / 29 / 9

HEX #E732A4

RGB 231 50 164

HSL 322.21, 0.79%, 0.55%

LAB 53.97, 75.55, -19.18

 

CMYK 0 / 34 / 78 / 9

HEX #E79832

RGB 231 152 50

HSL 33.81, 0.79%, 0.55%

LAB 69.24, 21.6, 62.1

 

CMYK 79 / 0 / 50 / 9

HEX #31E774

RGB 49 231 116

HSL 142.09, 0.79%, 0.55%

LAB 81.33, -68.11, 43.43

 

CMYK 78 / 68 / 0 / 9

HEX #324AE7

RGB 50 74 231

HSL 232.04, 0.79%, 0.55%

LAB 40.16, 46.08, -81.24

 

CMYK 0 / 78 / 29 / 9

HEX #E732A4

RGB 231 50 164

HSL 322.21, 0.79%, 0.55%

LAB 53.97, 75.55, -19.18

 

CMYK 0 / 10 / 78 / 9

HEX #E7CF32

RGB 231 207 50

HSL 52.04, 0.79%, 0.55%

LAB 82.83, -7.22, 74.48

 

Description

Color code: HEX #31E774 | qconv.com Color code: HEX #31E774 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 231 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 231 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 50 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 50% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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