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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31E610 it is the complementary color #CE19EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31E610. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #31E610: #36E60B, #47F81E, #58FF31, #69FF44 and #7AFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31E610. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #31E610: #31E610, #20D400, #0FC200, #00B000 and #009E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 93 / 10

HEX #31E610

RGB 49 230 16

HSL 110.75, 0.87%, 0.48%

LAB 80.34, -76.12, 75.91

 

Complementary color

CMYK 14 / 90 / 0 / 6

HEX #CE19EF

RGB 206 25 239

HSL 290.75, 0.87%, 0.52%

LAB 51.89, 86.32, -65.9

 

CMYK 77 / 0 / 95 / 10

HEX #36E60B

RGB 54 230 11

HSL 108.22, 0.91%, 0.47%

LAB 80.41, -75.57, 76.52

 

CMYK 71 / 0 / 88 / 3

HEX #47F81E

RGB 71 248 30

HSL 108.72, 0.94%, 0.55%

LAB 86.29, -77.8, 79.04

 

CMYK 65 / 0 / 81 / 0

HEX #58FF31

RGB 88 255 49

HSL 108.64, 1%, 0.6%

LAB 88.84, -76.13, 77.39

 

CMYK 59 / 0 / 73 / 0

HEX #69FF44

RGB 105 255 68

HSL 108.13, 1%, 0.63%

LAB 89.37, -71.43, 72.54

 

CMYK 52 / 0 / 66 / 0

HEX #7AFF57

RGB 122 255 87

HSL 107.5, 1%, 0.67%

LAB 90.02, -65.83, 66.59

 

CMYK 79 / 0 / 93 / 10

HEX #31E610

RGB 49 230 16

HSL 110.75, 0.87%, 0.48%

LAB 80.34, -76.12, 75.91

 

CMYK 85 / 0 / 100 / 17

HEX #20D400

RGB 32 212 0

HSL 110.94, 1%, 0.42%

LAB 74.44, -73.19, 72.6

 

CMYK 92 / 0 / 100 / 24

HEX #0FC200

RGB 15 194 0

HSL 115.36, 1%, 0.38%

LAB 68.52, -69.48, 67.81

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 79 / 0 / 93 / 10

HEX #31E610

RGB 49 230 16

HSL 110.75, 0.87%, 0.48%

LAB 80.34, -76.12, 75.91

 

CMYK 93 / 0 / 93 / 11

HEX #0FE40F

RGB 15 228 15

HSL 120, 0.88%, 0.48%

LAB 79.4, -78.4, 75.12

 

CMYK 93 / 0 / 78 / 11

HEX #0FE433

RGB 15 228 51

HSL 130.14, 0.88%, 0.48%

LAB 79.52, -76.89, 67.73

 

CMYK 93 / 0 / 62 / 11

HEX #0FE456

RGB 15 228 86

HSL 140, 0.88%, 0.48%

LAB 79.76, -73.78, 55.13

 

CMYK 93 / 0 / 46 / 11

HEX #0FE47A

RGB 15 228 122

HSL 150.14, 0.88%, 0.48%

LAB 80.18, -68.71, 39.01

 

CMYK 79 / 0 / 93 / 10

HEX #31E610

RGB 49 230 16

HSL 110.75, 0.87%, 0.48%

LAB 80.34, -76.12, 75.91

 

CMYK 77 / 0 / 92 / 90

HEX #061A02

RGB 6 26 2

HSL 110, 0.86%, 0.05%

LAB 7.06, -11.79, 9.54

 

CMYK 79 / 0 / 94 / 70

HEX #104D05

RGB 16 77 5

HSL 110.83, 0.88%, 0.16%

LAB 27.92, -33.18, 33.31

 

CMYK 79 / 0 / 93 / 50

HEX #1B8009

RGB 27 128 9

HSL 110.92, 0.87%, 0.27%

LAB 46.57, -48.57, 48.46

 

CMYK 79 / 0 / 93 / 30

HEX #26B30C

RGB 38 179 12

HSL 110.66, 0.87%, 0.37%

LAB 63.9, -62.76, 62.68

 

CMYK 79 / 0 / 93 / 10

HEX #31E610

RGB 49 230 16

HSL 110.75, 0.87%, 0.48%

LAB 80.34, -76.12, 75.91

 

CMYK 93 / 3 / 0 / 11

HEX #0FDDE4

RGB 15 221 228

HSL 181.97, 0.88%, 0.48%

LAB 80.41, -40.7, -16.01

 

CMYK 0 / 93 / 40 / 11

HEX #E40F88

RGB 228 15 136

HSL 325.92, 0.88%, 0.48%

LAB 50.23, 78.31, -8.2

 

CMYK 79 / 0 / 93 / 10

HEX #31E610

RGB 49 230 16

HSL 110.75, 0.87%, 0.48%

LAB 80.34, -76.12, 75.91

 

CMYK 93 / 78 / 0 / 11

HEX #0F33E4

RGB 15 51 228

HSL 229.86, 0.88%, 0.48%

LAB 34.13, 56.41, -89.53

 

CMYK 0 / 93 / 78 / 11

HEX #E40F33

RGB 228 15 51

HSL 349.86, 0.88%, 0.48%

LAB 48.35, 73.19, 40.79

 

CMYK 79 / 0 / 93 / 10

HEX #31E610

RGB 49 230 16

HSL 110.75, 0.87%, 0.48%

LAB 80.34, -76.12, 75.91

 

CMYK 93 / 3 / 0 / 11

HEX #0FDDE4

RGB 15 221 228

HSL 181.97, 0.88%, 0.48%

LAB 80.41, -40.7, -16.01

 

CMYK 15 / 93 / 0 / 11

HEX #C10FE4

RGB 193 15 228

HSL 290.14, 0.88%, 0.48%

LAB 48.61, 83.82, -65.1

 

CMYK 0 / 90 / 93 / 11

HEX #E4170F

RGB 228 23 15

HSL 2.25, 0.88%, 0.48%

LAB 48.44, 71.49, 57.86

 

CMYK 79 / 0 / 93 / 10

HEX #31E610

RGB 49 230 16

HSL 110.75, 0.87%, 0.48%

LAB 80.34, -76.12, 75.91

 

CMYK 93 / 31 / 0 / 11

HEX #0F9DE4

RGB 15 157 228

HSL 200, 0.88%, 0.48%

LAB 61.5, -8.39, -45.16

 

CMYK 15 / 93 / 0 / 11

HEX #C10FE4

RGB 193 15 228

HSL 290.14, 0.88%, 0.48%

LAB 48.61, 83.82, -65.1

 

CMYK 0 / 62 / 93 / 11

HEX #E4560F

RGB 228 86 15

HSL 20, 0.88%, 0.48%

LAB 55.26, 52.61, 62.05

 

Description

Color code: HEX #31E610 | qconv.com Color code: HEX #31E610 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 230 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 230 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 93 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 93% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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