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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31DCB3 it is the complementary color #CE234C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31DCB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31DCB3 shade: #36DCAE, #47EEC1, #58FFD4, #69FFE7 and #7AFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31DCB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31DCB3 shade: #31DCB3, #20CAA0, #0FB88D, #00A67A and #009467

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31DCB3 shade: #32DCB3, #32DC86, #32DC58, #3ADC32 and #68DC32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31DCB3 shade: #32DCB3, #32D7DC, #32A9DC, #327BDC and #324DDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31DCB3 shade matches the following richer shades: #32DCB3 and #1FF0BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31DCB3 shade: #32DCB3, #45C9A9, #59B59F, #6CA295 and #808F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31DCB3 shade: #32DC57, #32DC84, #32DCB2, #32D9DC and #32ACDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31DCB3 shade: #1BA181, #21C49D, #32DCB3, #55E2C0 and #79E8CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31DCB3 shade: #31DCB3, #323BDC and #DC6E32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31DCB3 shade: #31DCB3, #B232DC and #DCB232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31DCB3 shade: #31DCB3, #323BDC, #DC325D and #DCD432

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31DCB3 shade: #31DCB3, #5D32DC, #DC325D and #B2DC32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 19 / 14

HEX #31DCB3

RGB 49 220 179

HSL 165.61, 0.71%, 0.53%

LAB 79.1, -51.52, 8.19

 

Complementary color

CMYK 0 / 83 / 63 / 19

HEX #CE234C

RGB 206 35 76

HSL 345.61, 0.71%, 0.47%

LAB 45.42, 65.38, 21.23

 

CMYK 75 / 0 / 21 / 14

HEX #36DCAE

RGB 54 220 174

HSL 163.37, 0.7%, 0.54%

LAB 79.06, -52.18, 10.8

 

CMYK 70 / 0 / 19 / 7

HEX #47EEC1

RGB 71 238 193

HSL 163.83, 0.83%, 0.61%

LAB 85.17, -52.84, 9.55

 

CMYK 65 / 0 / 17 / 0

HEX #58FFD4

RGB 88 255 212

HSL 164.55, 1%, 0.67%

LAB 90.94, -52.87, 7.99

 

CMYK 59 / 0 / 9 / 0

HEX #69FFE7

RGB 105 255 231

HSL 170.4, 1%, 0.71%

LAB 91.82, -45.53, -0.51

 

CMYK 52 / 0 / 2 / 0

HEX #7AFFFA

RGB 122 255 250

HSL 177.74, 1%, 0.74%

LAB 92.82, -37.67, -8.81

 

CMYK 78 / 0 / 19 / 14

HEX #31DCB3

RGB 49 220 179

HSL 165.61, 0.71%, 0.53%

LAB 79.1, -51.52, 8.19

 

CMYK 84 / 0 / 21 / 21

HEX #20CAA0

RGB 32 202 160

HSL 165.18, 0.73%, 0.46%

LAB 72.95, -50.46, 9.55

 

CMYK 92 / 0 / 23 / 28

HEX #0FB88D

RGB 15 184 141

HSL 164.73, 0.85%, 0.39%

LAB 66.75, -49.02, 11.05

 

CMYK 100 / 0 / 27 / 35

HEX #00A67A

RGB 0 166 122

HSL 164.1, 1%, 0.33%

LAB 60.5, -47.19, 12.7

 

CMYK 100 / 0 / 30 / 42

HEX #009467

RGB 0 148 103

HSL 161.76, 1%, 0.29%

LAB 54.2, -44.7, 14.57

 

CMYK 77 / 0 / 19 / 14

HEX #32DCB3

RGB 50 220 179

HSL 165.53, 0.71%, 0.53%

LAB 79.11, -51.42, 8.22

 

CMYK 77 / 0 / 39 / 14

HEX #32DC86

RGB 50 220 134

HSL 149.65, 0.71%, 0.53%

LAB 78.22, -61.16, 30.52

 

CMYK 77 / 0 / 60 / 14

HEX #32DC58

RGB 50 220 88

HSL 133.41, 0.71%, 0.53%

LAB 77.62, -68.21, 51.92

 

CMYK 74 / 0 / 77 / 14

HEX #3ADC32

RGB 58 220 50

HSL 117.18, 0.71%, 0.53%

LAB 77.47, -70.53, 66.22

 

CMYK 53 / 0 / 77 / 14

HEX #68DC32

RGB 104 220 50

HSL 100.94, 0.71%, 0.53%

LAB 78.67, -60.67, 67.79

 

CMYK 77 / 0 / 19 / 14

HEX #32DCB3

RGB 50 220 179

HSL 165.53, 0.71%, 0.53%

LAB 79.11, -51.42, 8.22

 

CMYK 77 / 2 / 0 / 14

HEX #32D7DC

RGB 50 215 220

HSL 181.76, 0.71%, 0.53%

LAB 78.72, -38.22, -14.25

 

CMYK 77 / 23 / 0 / 14

HEX #32A9DC

RGB 50 169 220

HSL 198, 0.71%, 0.53%

LAB 65.14, -15.38, -35.01

 

CMYK 77 / 44 / 0 / 14

HEX #327BDC

RGB 50 123 220

HSL 214.24, 0.71%, 0.53%

LAB 51.85, 11.33, -56

 

CMYK 77 / 65 / 0 / 14

HEX #324DDC

RGB 50 77 220

HSL 230.47, 0.71%, 0.53%

LAB 39.84, 40.41, -75.49

 

CMYK 77 / 0 / 19 / 14

HEX #32DCB3

RGB 50 220 179

HSL 165.53, 0.71%, 0.53%

LAB 79.11, -51.42, 8.22

 

CMYK 87 / 0 / 21 / 6

HEX #1FF0BE

RGB 31 240 190

HSL 165.65, 0.87%, 0.53%

LAB 85.16, -58.2, 11.04

 

CMYK 77 / 0 / 19 / 14

HEX #32DCB3

RGB 50 220 179

HSL 165.53, 0.71%, 0.53%

LAB 79.11, -51.42, 8.22

 

CMYK 66 / 0 / 16 / 21

HEX #45C9A9

RGB 69 201 169

HSL 165.45, 0.55%, 0.53%

LAB 73.48, -43.38, 5.54

 

CMYK 51 / 0 / 12 / 29

HEX #59B59F

RGB 89 181 159

HSL 165.65, 0.38%, 0.53%

LAB 67.78, -32.84, 2.83

 

CMYK 33 / 0 / 8 / 36

HEX #6CA295

RGB 108 162 149

HSL 165.56, 0.23%, 0.53%

LAB 62.68, -20.78, 1.08

 

CMYK 10 / 0 / 3 / 44

HEX #808F8B

RGB 128 143 139

HSL 164, 0.06%, 0.53%

LAB 58.13, -6.22, 0.28

 

CMYK 77 / 0 / 60 / 14

HEX #32DC57

RGB 50 220 87

HSL 133.06, 0.71%, 0.53%

LAB 77.61, -68.33, 52.34

 

CMYK 77 / 0 / 40 / 14

HEX #32DC84

RGB 50 220 132

HSL 148.94, 0.71%, 0.53%

LAB 78.19, -61.53, 31.5

 

CMYK 77 / 0 / 19 / 14

HEX #32DCB2

RGB 50 220 178

HSL 165.18, 0.71%, 0.53%

LAB 79.09, -51.66, 8.71

 

CMYK 77 / 1 / 0 / 14

HEX #32D9DC

RGB 50 217 220

HSL 181.06, 0.71%, 0.53%

LAB 79.31, -39.13, -13.36

 

CMYK 77 / 22 / 0 / 14

HEX #32ACDC

RGB 50 172 220

HSL 196.94, 0.71%, 0.53%

LAB 66.02, -16.98, -33.64

 

CMYK 83 / 0 / 20 / 37

HEX #1BA181

RGB 27 161 129

HSL 165.67, 0.71%, 0.37%

LAB 59.26, -41.8, 7.07

 

CMYK 83 / 0 / 20 / 23

HEX #21C49D

RGB 33 196 157

HSL 165.64, 0.71%, 0.45%

LAB 71.03, -48.7, 8.44

 

CMYK 77 / 0 / 19 / 14

HEX #32DCB3

RGB 50 220 179

HSL 165.53, 0.71%, 0.53%

LAB 79.11, -51.42, 8.22

 

CMYK 62 / 0 / 15 / 11

HEX #55E2C0

RGB 85 226 192

HSL 165.53, 0.71%, 0.61%

LAB 81.91, -45.9, 5.44

 

CMYK 48 / 0 / 12 / 9

HEX #79E8CD

RGB 121 232 205

HSL 165.41, 0.71%, 0.69%

LAB 85.09, -38.23, 3.33

 

CMYK 78 / 0 / 19 / 14

HEX #31DCB3

RGB 49 220 179

HSL 165.61, 0.71%, 0.53%

LAB 79.1, -51.52, 8.19

 

CMYK 77 / 73 / 0 / 14

HEX #323BDC

RGB 50 59 220

HSL 236.82, 0.71%, 0.53%

LAB 35.93, 51.06, -81.92

 

CMYK 0 / 50 / 77 / 14

HEX #DC6E32

RGB 220 110 50

HSL 21.18, 0.71%, 0.53%

LAB 58.6, 39.09, 51.38

 

CMYK 78 / 0 / 19 / 14

HEX #31DCB3

RGB 49 220 179

HSL 165.61, 0.71%, 0.53%

LAB 79.1, -51.52, 8.19

 

CMYK 19 / 77 / 0 / 14

HEX #B232DC

RGB 178 50 220

HSL 285.18, 0.71%, 0.53%

LAB 48.15, 72.83, -61.4

 

CMYK 0 / 19 / 77 / 14

HEX #DCB232

RGB 220 178 50

HSL 45.18, 0.71%, 0.53%

LAB 74.37, 3.06, 66.43

 

CMYK 78 / 0 / 19 / 14

HEX #31DCB3

RGB 49 220 179

HSL 165.61, 0.71%, 0.53%

LAB 79.1, -51.52, 8.19

 

CMYK 77 / 73 / 0 / 14

HEX #323BDC

RGB 50 59 220

HSL 236.82, 0.71%, 0.53%

LAB 35.93, 51.06, -81.92

 

CMYK 0 / 77 / 58 / 14

HEX #DC325D

RGB 220 50 93

HSL 344.82, 0.71%, 0.53%

LAB 49.84, 66.3, 17.19

 

CMYK 0 / 4 / 77 / 14

HEX #DCD432

RGB 220 212 50

HSL 57.18, 0.71%, 0.53%

LAB 83.2, -14.39, 74.45

 

CMYK 78 / 0 / 19 / 14

HEX #31DCB3

RGB 49 220 179

HSL 165.61, 0.71%, 0.53%

LAB 79.1, -51.52, 8.19

 

CMYK 58 / 77 / 0 / 14

HEX #5D32DC

RGB 93 50 220

HSL 255.18, 0.71%, 0.53%

LAB 37.44, 59.82, -79.34

 

CMYK 0 / 77 / 58 / 14

HEX #DC325D

RGB 220 50 93

HSL 344.82, 0.71%, 0.53%

LAB 49.84, 66.3, 17.19

 

CMYK 19 / 0 / 77 / 14

HEX #B2DC32

RGB 178 220 50

HSL 74.82, 0.71%, 0.53%

LAB 82.32, -35.44, 72.51

 

Description

Color code: HEX #31DCB3 | qconv.com Color code: HEX #31DCB3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 220 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 220 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 19 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 19% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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