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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31D2FB it is the complementary color #CE2D04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31D2FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #31D2FB: #36D2F6, #47E4FF, #58F6FF, #69FFFF and #7AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31D2FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #31D2FB: #31D2FB, #20C0E8, #0FAED5, #009CC2 and #008AAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 16 / 0 / 2

HEX #31D2FB

RGB 49 210 251

HSL 192.18, 0.96%, 0.59%

LAB 78.29, -26.43, -31.47

 

Complementary color

CMYK 0 / 78 / 98 / 19

HEX #CE2D04

RGB 206 45 4

HSL 12.18, 0.96%, 0.41%

LAB 45.64, 60.58, 57.1

 

CMYK 78 / 15 / 0 / 4

HEX #36D2F6

RGB 54 210 246

HSL 191.25, 0.91%, 0.59%

LAB 78.19, -27.57, -28.95

 

CMYK 72 / 11 / 0 / 0

HEX #47E4FF

RGB 71 228 255

HSL 188.8, 1%, 0.64%

LAB 83.99, -31.74, -24.83

 

CMYK 65 / 4 / 0 / 0

HEX #58F6FF

RGB 88 246 255

HSL 183.23, 1%, 0.67%

LAB 89.49, -37.96, -16.48

 

CMYK 59 / 0 / 0 / 0

HEX #69FFFF

RGB 105 255 255

HSL 180, 1%, 0.71%

LAB 92.46, -39.46, -11.99

 

CMYK 52 / 0 / 0 / 0

HEX #7AFFFF

RGB 122 255 255

HSL 180, 1%, 0.74%

LAB 92.96, -36.41, -11.19

 

CMYK 80 / 16 / 0 / 2

HEX #31D2FB

RGB 49 210 251

HSL 192.18, 0.96%, 0.59%

LAB 78.29, -26.43, -31.47

 

CMYK 86 / 17 / 0 / 9

HEX #20C0E8

RGB 32 192 232

HSL 192, 0.81%, 0.52%

LAB 72.12, -24.84, -30.78

 

CMYK 93 / 18 / 0 / 16

HEX #0FAED5

RGB 15 174 213

HSL 191.82, 0.87%, 0.45%

LAB 65.89, -22.89, -30.02

 

CMYK 100 / 20 / 0 / 24

HEX #009CC2

RGB 0 156 194

HSL 191.75, 1%, 0.38%

LAB 59.59, -20.58, -29.18

 

CMYK 100 / 21 / 0 / 31

HEX #008AAF

RGB 0 138 175

HSL 192.69, 1%, 0.34%

LAB 53.25, -17.72, -28.22

 

CMYK 80 / 16 / 0 / 2

HEX #31D2FB

RGB 49 210 251

HSL 192.18, 0.96%, 0.59%

LAB 78.29, -26.43, -31.47

 

CMYK 80 / 29 / 0 / 2

HEX #32B1FA

RGB 50 177 250

HSL 201.9, 0.95%, 0.59%

LAB 68.77, -9.43, -45.74

 

CMYK 80 / 43 / 0 / 2

HEX #328FFA

RGB 50 143 250

HSL 212.1, 0.95%, 0.59%

LAB 59.18, 10.18, -60.95

 

CMYK 80 / 56 / 0 / 2

HEX #326EFA

RGB 50 110 250

HSL 222, 0.95%, 0.59%

LAB 50.37, 30.58, -75.18

 

CMYK 80 / 70 / 0 / 2

HEX #324CFA

RGB 50 76 250

HSL 232.2, 0.95%, 0.59%

LAB 42.38, 51.36, -88.27

 

CMYK 80 / 16 / 0 / 2

HEX #31D2FB

RGB 49 210 251

HSL 192.18, 0.96%, 0.59%

LAB 78.29, -26.43, -31.47

 

CMYK 81 / 17 / 0 / 82

HEX #09272F

RGB 9 39 47

HSL 192.63, 0.68%, 0.11%

LAB 13.91, -7.8, -8.49

 

CMYK 81 / 16 / 0 / 62

HEX #135262

RGB 19 82 98

HSL 192.15, 0.68%, 0.23%

LAB 31.93, -13.32, -14.89

 

CMYK 81 / 16 / 0 / 42

HEX #1D7D95

RGB 29 125 149

HSL 192, 0.67%, 0.35%

LAB 48.38, -18.16, -20.62

 

CMYK 81 / 17 / 0 / 22

HEX #27A7C8

RGB 39 167 200

HSL 192.3, 0.67%, 0.47%

LAB 63.54, -22.14, -26.41

 

CMYK 80 / 16 / 0 / 2

HEX #31D2FB

RGB 49 210 251

HSL 192.18, 0.96%, 0.59%

LAB 78.29, -26.43, -31.47

 

CMYK 48 / 80 / 0 / 2

HEX #8232FA

RGB 130 50 250

HSL 264, 0.95%, 0.59%

LAB 44.13, 71.92, -85.18

 

CMYK 0 / 16 / 80 / 2

HEX #FAD232

RGB 250 210 50

HSL 48, 0.95%, 0.59%

LAB 85.33, -0.69, 77.34

 

CMYK 80 / 16 / 0 / 2

HEX #31D2FB

RGB 49 210 251

HSL 192.18, 0.96%, 0.59%

LAB 78.29, -26.43, -31.47

 

CMYK 0 / 80 / 16 / 2

HEX #FA32D2

RGB 250 50 210

HSL 312, 0.95%, 0.59%

LAB 59.21, 85.26, -37.4

 

CMYK 16 / 0 / 80 / 2

HEX #D2FA32

RGB 210 250 50

HSL 72, 0.95%, 0.59%

LAB 92.71, -36.48, 82.62

 

CMYK 80 / 16 / 0 / 2

HEX #31D2FB

RGB 49 210 251

HSL 192.18, 0.96%, 0.59%

LAB 78.29, -26.43, -31.47

 

CMYK 48 / 80 / 0 / 2

HEX #8232FA

RGB 130 50 250

HSL 264, 0.95%, 0.59%

LAB 44.13, 71.92, -85.18

 

CMYK 0 / 64 / 80 / 2

HEX #FA5A32

RGB 250 90 50

HSL 12, 0.95%, 0.59%

LAB 59.77, 59.19, 54.13

 

CMYK 32 / 0 / 80 / 2

HEX #AAFA32

RGB 170 250 50

HSL 84, 0.95%, 0.59%

LAB 90.39, -51.38, 79.67

 

CMYK 80 / 16 / 0 / 2

HEX #31D2FB

RGB 49 210 251

HSL 192.18, 0.96%, 0.59%

LAB 78.29, -26.43, -31.47

 

CMYK 24 / 80 / 0 / 2

HEX #BE32FA

RGB 190 50 250

HSL 282, 0.95%, 0.59%

LAB 51.98, 80.5, -72.03

 

CMYK 0 / 64 / 80 / 2

HEX #FA5A32

RGB 250 90 50

HSL 12, 0.95%, 0.59%

LAB 59.77, 59.19, 54.13

 

CMYK 56 / 0 / 80 / 2

HEX #6EFA32

RGB 110 250 50

HSL 102, 0.95%, 0.59%

LAB 87.93, -69.59, 76.52

 

Description

Color code: HEX #31D2FB | qconv.com Color code: HEX #31D2FB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 210 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 210 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 16 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 16% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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