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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31CE3E it is the complementary color #CE31C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31CE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31CE3E shade: #36CE39, #47E04C, #58F25F, #69FF72 and #7AFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31CE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31CE3E shade: #31CE3E, #20BC2B, #0FAA18, #009805 and #008600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31CE3E shade: #30CF3E, #4ECF30, #79CF30, #A3CF30 and #CECF30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31CE3E shade: #30CF3E, #30CF68, #30CF93, #30CFBD and #30B5CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31CE3E shade matches the following richer shades: #30CF3E, #1CE32C and #07F81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31CE3E shade: #30CF3E, #45BA4F, #5AA560, #6E9171 and #837C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31CE3E shade: #7ACF30, #50CF30, #30CF3B, #30CF65 and #30CF8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31CE3E shade: #218C2A, #29AD34, #30CF3E, #52D65D and #73DE7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31CE3E shade: #31CE3E, #30A4CF and #CF3065

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31CE3E shade: #31CE3E, #3B30CF and #CF3B30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31CE3E shade: #31CE3E, #30A4CF, #CF30C4 and #CF5B30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31CE3E shade: #31CE3E, #3075CF, #CF30C4 and #CF8A30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 70 / 19

HEX #31CE3E

RGB 49 206 62

HSL 124.97, 0.62%, 0.5%

LAB 72.99, -66.62, 57.55

 

Complementary color

CMYK 0 / 76 / 6 / 19

HEX #CE31C1

RGB 206 49 193

HSL 304.97, 0.62%, 0.5%

LAB 50.88, 74.06, -41.26

 

CMYK 74 / 0 / 72 / 19

HEX #36CE39

RGB 54 206 57

HSL 121.18, 0.61%, 0.51%

LAB 73.04, -66.31, 59.48

 

CMYK 68 / 0 / 66 / 12

HEX #47E04C

RGB 71 224 76

HSL 121.96, 0.71%, 0.58%

LAB 79.14, -67.56, 58.77

 

CMYK 64 / 0 / 61 / 5

HEX #58F25F

RGB 88 242 95

HSL 122.73, 0.86%, 0.65%

LAB 85.2, -68.39, 57.75

 

CMYK 59 / 0 / 55 / 0

HEX #69FF72

RGB 105 255 114

HSL 123.6, 1%, 0.71%

LAB 89.74, -67.16, 54.84

 

CMYK 52 / 0 / 48 / 0

HEX #7AFF85

RGB 122 255 133

HSL 124.96, 1%, 0.74%

LAB 90.48, -60.75, 47.12

 

CMYK 76 / 0 / 70 / 19

HEX #31CE3E

RGB 49 206 62

HSL 124.97, 0.62%, 0.5%

LAB 72.99, -66.62, 57.55

 

CMYK 83 / 0 / 77 / 26

HEX #20BC2B

RGB 32 188 43

HSL 124.23, 0.71%, 0.43%

LAB 66.86, -64.73, 58

 

CMYK 91 / 0 / 86 / 33

HEX #0FAA18

RGB 15 170 24

HSL 123.48, 0.84%, 0.36%

LAB 60.71, -62.03, 57.57

 

CMYK 100 / 0 / 97 / 40

HEX #009805

RGB 0 152 5

HSL 121.97, 1%, 0.3%

LAB 54.52, -58.43, 55.73

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 77 / 0 / 70 / 19

HEX #30CF3E

RGB 48 207 62

HSL 125.28, 0.62%, 0.5%

LAB 73.29, -67.07, 57.86

 

CMYK 62 / 0 / 77 / 19

HEX #4ECF30

RGB 78 207 48

HSL 108.68, 0.62%, 0.5%

LAB 73.84, -62.73, 63.5

 

CMYK 42 / 0 / 77 / 19

HEX #79CF30

RGB 121 207 48

HSL 92.45, 0.62%, 0.5%

LAB 75.39, -50.75, 65.52

 

CMYK 21 / 0 / 77 / 19

HEX #A3CF30

RGB 163 207 48

HSL 76.6, 0.62%, 0.5%

LAB 77.65, -35.5, 68.45

 

CMYK 0 / 0 / 77 / 19

HEX #CECF30

RGB 206 207 48

HSL 60.38, 0.62%, 0.5%

LAB 80.72, -17.88, 72.38

 

CMYK 77 / 0 / 70 / 19

HEX #30CF3E

RGB 48 207 62

HSL 125.28, 0.62%, 0.5%

LAB 73.29, -67.07, 57.86

 

CMYK 77 / 0 / 50 / 19

HEX #30CF68

RGB 48 207 104

HSL 141.13, 0.62%, 0.5%

LAB 73.71, -61.98, 39.76

 

CMYK 77 / 0 / 29 / 19

HEX #30CF93

RGB 48 207 147

HSL 157.36, 0.62%, 0.5%

LAB 74.42, -53.92, 18.6

 

CMYK 77 / 0 / 9 / 19

HEX #30CFBD

RGB 48 207 189

HSL 173.21, 0.62%, 0.5%

LAB 75.41, -43.58, -2.51

 

CMYK 77 / 13 / 0 / 19

HEX #30B5CF

RGB 48 181 207

HSL 189.81, 0.62%, 0.5%

LAB 68.15, -26.1, -23.2

 

CMYK 77 / 0 / 70 / 19

HEX #30CF3E

RGB 48 207 62

HSL 125.28, 0.62%, 0.5%

LAB 73.29, -67.07, 57.86

 

CMYK 88 / 0 / 81 / 11

HEX #1CE32C

RGB 28 227 44

HSL 124.82, 0.78%, 0.5%

LAB 79.25, -76.29, 69.49

 

CMYK 97 / 0 / 89 / 3

HEX #07F81B

RGB 7 248 27

HSL 124.98, 0.95%, 0.5%

LAB 85.63, -83.66, 78.72

 

CMYK 77 / 0 / 70 / 19

HEX #30CF3E

RGB 48 207 62

HSL 125.28, 0.62%, 0.5%

LAB 73.29, -67.07, 57.86

 

CMYK 63 / 0 / 58 / 27

HEX #45BA4F

RGB 69 186 79

HSL 125.13, 0.46%, 0.5%

LAB 67.24, -54.49, 44.03

 

CMYK 45 / 0 / 42 / 35

HEX #5AA560

RGB 90 165 96

HSL 124.8, 0.29%, 0.5%

LAB 61.59, -38.14, 28.68

 

CMYK 24 / 0 / 22 / 43

HEX #6E9171

RGB 110 145 113

HSL 125.14, 0.14%, 0.5%

LAB 56.84, -18.88, 13.1

 

CMYK 0 / 5 / 1 / 49

HEX #837C82

RGB 131 124 130

HSL 308.57, 0.03%, 0.5%

LAB 52.79, 3.83, -2.31

 

CMYK 41 / 0 / 77 / 19

HEX #7ACF30

RGB 122 207 48

HSL 92.08, 0.62%, 0.5%

LAB 75.44, -50.42, 65.58

 

CMYK 61 / 0 / 77 / 19

HEX #50CF30

RGB 80 207 48

HSL 107.92, 0.62%, 0.5%

LAB 73.9, -62.27, 63.57

 

CMYK 77 / 0 / 71 / 19

HEX #30CF3B

RGB 48 207 59

HSL 124.15, 0.62%, 0.5%

LAB 73.27, -67.33, 58.95

 

CMYK 77 / 0 / 51 / 19

HEX #30CF65

RGB 48 207 101

HSL 140, 0.62%, 0.5%

LAB 73.67, -62.44, 41.17

 

CMYK 77 / 0 / 31 / 19

HEX #30CF8F

RGB 48 207 143

HSL 155.85, 0.62%, 0.5%

LAB 74.34, -54.78, 20.6

 

CMYK 76 / 0 / 70 / 45

HEX #218C2A

RGB 33 140 42

HSL 125.05, 0.62%, 0.34%

LAB 50.97, -49.36, 42.19

 

CMYK 76 / 0 / 70 / 32

HEX #29AD34

RGB 41 173 52

HSL 125, 0.62%, 0.42%

LAB 62.17, -58.16, 50.02

 

CMYK 77 / 0 / 70 / 19

HEX #30CF3E

RGB 48 207 62

HSL 125.28, 0.62%, 0.5%

LAB 73.29, -67.07, 57.86

 

CMYK 62 / 0 / 57 / 16

HEX #52D65D

RGB 82 214 93

HSL 125, 0.62%, 0.58%

LAB 76.48, -60.1, 48.52

 

CMYK 48 / 0 / 44 / 13

HEX #73DE7C

RGB 115 222 124

HSL 125.05, 0.62%, 0.66%

LAB 80.37, -50.87, 38.68

 

CMYK 76 / 0 / 70 / 19

HEX #31CE3E

RGB 49 206 62

HSL 124.97, 0.62%, 0.5%

LAB 72.99, -66.62, 57.55

 

CMYK 77 / 21 / 0 / 19

HEX #30A4CF

RGB 48 164 207

HSL 196.23, 0.62%, 0.5%

LAB 63.08, -17.31, -31

 

CMYK 0 / 77 / 51 / 19

HEX #CF3065

RGB 207 48 101

HSL 340, 0.62%, 0.5%

LAB 47.39, 63.91, 8.53

 

CMYK 76 / 0 / 70 / 19

HEX #31CE3E

RGB 49 206 62

HSL 124.97, 0.62%, 0.5%

LAB 72.99, -66.62, 57.55

 

CMYK 71 / 77 / 0 / 19

HEX #3B30CF

RGB 59 48 207

HSL 244.15, 0.62%, 0.5%

LAB 33.02, 53.52, -79.21

 

CMYK 0 / 71 / 77 / 19

HEX #CF3B30

RGB 207 59 48

HSL 4.15, 0.62%, 0.5%

LAB 47.76, 57.19, 40.61

 

CMYK 76 / 0 / 70 / 19

HEX #31CE3E

RGB 49 206 62

HSL 124.97, 0.62%, 0.5%

LAB 72.99, -66.62, 57.55

 

CMYK 77 / 21 / 0 / 19

HEX #30A4CF

RGB 48 164 207

HSL 196.23, 0.62%, 0.5%

LAB 63.08, -17.31, -31

 

CMYK 0 / 77 / 5 / 19

HEX #CF30C4

RGB 207 48 196

HSL 304.15, 0.62%, 0.5%

LAB 51.11, 75, -42.63

 

CMYK 0 / 56 / 77 / 19

HEX #CF5B30

RGB 207 91 48

HSL 16.23, 0.62%, 0.5%

LAB 52.91, 43.45, 45.96

 

CMYK 76 / 0 / 70 / 19

HEX #31CE3E

RGB 49 206 62

HSL 124.97, 0.62%, 0.5%

LAB 72.99, -66.62, 57.55

 

CMYK 77 / 43 / 0 / 19

HEX #3075CF

RGB 48 117 207

HSL 213.96, 0.62%, 0.5%

LAB 49.32, 9.99, -52.69

 

CMYK 0 / 77 / 5 / 19

HEX #CF30C4

RGB 207 48 196

HSL 304.15, 0.62%, 0.5%

LAB 51.11, 75, -42.63

 

CMYK 0 / 33 / 77 / 19

HEX #CF8A30

RGB 207 138 48

HSL 33.96, 0.62%, 0.5%

LAB 63.06, 18.82, 56.02

 

Description

Color code: HEX #31CE3E | qconv.com Color code: HEX #31CE3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 206 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 206 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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