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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31C879 it is the complementary color #CE3786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31C879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31C879 shade: #36C874, #47DA87, #58EC9A, #69FEAD and #7AFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31C879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31C879 shade: #31C879, #20B666, #0FA453, #009240 and #00802D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31C879 shade: #31C979, #31C950, #3AC931, #63C931 and #8CC931

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31C879 shade: #31C979, #31C9A3, #31C7C9, #319EC9 and #3174C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31C879 shade matches the following richer shades: #31C979, #1DDD78 and #08F278

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31C879 shade: #31C979, #45B57A, #59A17B, #6D8D7C and #82787D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31C879 shade: #3BC931, #31C94F, #31C978, #31C9A1 and #31C9C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31C879 shade: #218751, #29A865, #31C979, #4FD48E and #70DCA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31C879 shade: #31C879, #3164C9 and #C93B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31C879 shade: #31C879, #7831C9 and #C97831

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31C879 shade: #31C879, #3164C9, #C93182 and #C99631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31C879 shade: #31C879, #3136C9, #C93182 and #C9C431

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 40 / 22

HEX #31C879

RGB 49 200 121

HSL 148.61, 0.61%, 0.49%

LAB 71.79, -56.45, 28.7

 

Complementary color

CMYK 0 / 73 / 35 / 19

HEX #CE3786

RGB 206 55 134

HSL 328.61, 0.61%, 0.51%

LAB 48.98, 64.55, -9.3

 

CMYK 73 / 0 / 42 / 22

HEX #36C874

RGB 54 200 116

HSL 145.48, 0.57%, 0.5%

LAB 71.79, -56.67, 31.31

 

CMYK 67 / 0 / 38 / 15

HEX #47DA87

RGB 71 218 135

HSL 146.12, 0.67%, 0.57%

LAB 78.01, -57.23, 29.8

 

CMYK 63 / 0 / 35 / 7

HEX #58EC9A

RGB 88 236 154

HSL 146.76, 0.8%, 0.64%

LAB 84.17, -57.55, 28.4

 

CMYK 59 / 0 / 32 / 0

HEX #69FEAD

RGB 105 254 173

HSL 147.38, 0.99%, 0.7%

LAB 90.28, -57.69, 27.1

 

CMYK 52 / 0 / 25 / 0

HEX #7AFFC0

RGB 122 255 192

HSL 151.58, 1%, 0.74%

LAB 91.44, -50.8, 19.12

 

CMYK 76 / 0 / 40 / 22

HEX #31C879

RGB 49 200 121

HSL 148.61, 0.61%, 0.49%

LAB 71.79, -56.45, 28.7

 

CMYK 82 / 0 / 44 / 29

HEX #20B666

RGB 32 182 102

HSL 148, 0.7%, 0.42%

LAB 65.53, -55.42, 30.33

 

CMYK 91 / 0 / 49 / 36

HEX #0FA453

RGB 15 164 83

HSL 147.38, 0.83%, 0.35%

LAB 59.23, -53.86, 32.1

 

CMYK 100 / 0 / 56 / 43

HEX #009240

RGB 0 146 64

HSL 146.3, 1%, 0.29%

LAB 52.87, -51.69, 33.94

 

CMYK 100 / 0 / 65 / 50

HEX #00802D

RGB 0 128 45

HSL 141.09, 1%, 0.25%

LAB 46.48, -48.45, 35.79

 

CMYK 76 / 0 / 40 / 21

HEX #31C979

RGB 49 201 121

HSL 148.42, 0.61%, 0.49%

LAB 72.1, -56.82, 29.11

 

CMYK 76 / 0 / 60 / 21

HEX #31C950

RGB 49 201 80

HSL 132.24, 0.61%, 0.49%

LAB 71.56, -63.14, 48.49

 

CMYK 71 / 0 / 76 / 21

HEX #3AC931

RGB 58 201 49

HSL 116.45, 0.61%, 0.49%

LAB 71.48, -64.67, 60.71

 

CMYK 51 / 0 / 76 / 21

HEX #63C931

RGB 99 201 49

HSL 100.26, 0.61%, 0.49%

LAB 72.66, -55.15, 62.26

 

CMYK 30 / 0 / 76 / 21

HEX #8CC931

RGB 140 201 49

HSL 84.08, 0.61%, 0.49%

LAB 74.55, -41.55, 64.74

 

CMYK 76 / 0 / 40 / 21

HEX #31C979

RGB 49 201 121

HSL 148.42, 0.61%, 0.49%

LAB 72.1, -56.82, 29.11

 

CMYK 76 / 0 / 19 / 21

HEX #31C9A3

RGB 49 201 163

HSL 165, 0.61%, 0.49%

LAB 72.94, -47.66, 7.95

 

CMYK 76 / 1 / 0 / 21

HEX #31C7C9

RGB 49 199 201

HSL 180.79, 0.61%, 0.49%

LAB 73.36, -36.5, -12.04

 

CMYK 76 / 21 / 0 / 21

HEX #319EC9

RGB 49 158 201

HSL 196.97, 0.61%, 0.49%

LAB 61.07, -15.99, -30.78

 

CMYK 76 / 42 / 0 / 21

HEX #3174C9

RGB 49 116 201

HSL 213.55, 0.61%, 0.49%

LAB 48.71, 8.49, -50.23

 

CMYK 76 / 0 / 40 / 21

HEX #31C979

RGB 49 201 121

HSL 148.42, 0.61%, 0.49%

LAB 72.1, -56.82, 29.11

 

CMYK 87 / 0 / 46 / 13

HEX #1DDD78

RGB 29 221 120

HSL 148.44, 0.77%, 0.49%

LAB 78.07, -65.98, 37.33

 

CMYK 97 / 0 / 50 / 5

HEX #08F278

RGB 8 242 120

HSL 148.72, 0.94%, 0.49%

LAB 84.44, -73.72, 45.32

 

CMYK 76 / 0 / 40 / 21

HEX #31C979

RGB 49 201 121

HSL 148.42, 0.61%, 0.49%

LAB 72.1, -56.82, 29.11

 

CMYK 62 / 0 / 33 / 29

HEX #45B57A

RGB 69 181 122

HSL 148.39, 0.45%, 0.49%

LAB 66.3, -45.5, 20.89

 

CMYK 45 / 0 / 24 / 37

HEX #59A17B

RGB 89 161 123

HSL 148.33, 0.29%, 0.49%

LAB 60.82, -31.56, 12.88

 

CMYK 23 / 0 / 12 / 45

HEX #6D8D7C

RGB 109 141 124

HSL 148.13, 0.13%, 0.49%

LAB 55.84, -14.92, 5.4

 

CMYK 0 / 8 / 4 / 49

HEX #82787D

RGB 130 120 125

HSL 330, 0.04%, 0.49%

LAB 51.45, 4.79, -1.35

 

CMYK 71 / 0 / 76 / 21

HEX #3BC931

RGB 59 201 49

HSL 116.05, 0.61%, 0.49%

LAB 71.5, -64.49, 60.74

 

CMYK 76 / 0 / 61 / 21

HEX #31C94F

RGB 49 201 79

HSL 131.84, 0.61%, 0.49%

LAB 71.55, -63.26, 48.92

 

CMYK 76 / 0 / 40 / 21

HEX #31C978

RGB 49 201 120

HSL 148.03, 0.61%, 0.49%

LAB 72.08, -57, 29.6

 

CMYK 76 / 0 / 20 / 21

HEX #31C9A1

RGB 49 201 161

HSL 164.21, 0.61%, 0.49%

LAB 72.89, -48.15, 8.96

 

CMYK 76 / 0 / 0 / 21

HEX #31C9C9

RGB 49 201 201

HSL 180, 0.61%, 0.49%

LAB 73.96, -37.42, -11.14

 

CMYK 76 / 0 / 40 / 47

HEX #218751

RGB 33 135 81

HSL 148.24, 0.61%, 0.33%

LAB 49.79, -41.59, 21.03

 

CMYK 76 / 0 / 40 / 34

HEX #29A865

RGB 41 168 101

HSL 148.35, 0.61%, 0.41%

LAB 61.15, -49.36, 25.15

 

CMYK 76 / 0 / 40 / 21

HEX #31C979

RGB 49 201 121

HSL 148.42, 0.61%, 0.49%

LAB 72.1, -56.82, 29.11

 

CMYK 63 / 0 / 33 / 17

HEX #4FD48E

RGB 79 212 142

HSL 148.42, 0.61%, 0.57%

LAB 76.5, -52.14, 24.18

 

CMYK 49 / 0 / 25 / 14

HEX #70DCA4

RGB 112 220 164

HSL 148.89, 0.61%, 0.65%

LAB 80.35, -43.85, 18.12

 

CMYK 76 / 0 / 40 / 22

HEX #31C879

RGB 49 200 121

HSL 148.61, 0.61%, 0.49%

LAB 71.79, -56.45, 28.7

 

CMYK 76 / 50 / 0 / 21

HEX #3164C9

RGB 49 100 201

HSL 219.87, 0.61%, 0.49%

LAB 44.21, 18.64, -57.47

 

CMYK 0 / 71 / 76 / 21

HEX #C93B31

RGB 201 59 49

HSL 3.95, 0.61%, 0.49%

LAB 46.67, 55.31, 38.55

 

CMYK 76 / 0 / 40 / 22

HEX #31C879

RGB 49 200 121

HSL 148.61, 0.61%, 0.49%

LAB 71.79, -56.45, 28.7

 

CMYK 40 / 76 / 0 / 21

HEX #7831C9

RGB 120 49 201

HSL 268.03, 0.61%, 0.49%

LAB 38.56, 59.14, -66.4

 

CMYK 0 / 40 / 76 / 21

HEX #C97831

RGB 201 120 49

HSL 28.03, 0.61%, 0.49%

LAB 58.11, 26.07, 50.47

 

CMYK 76 / 0 / 40 / 22

HEX #31C879

RGB 49 200 121

HSL 148.61, 0.61%, 0.49%

LAB 71.79, -56.45, 28.7

 

CMYK 76 / 50 / 0 / 21

HEX #3164C9

RGB 49 100 201

HSL 219.87, 0.61%, 0.49%

LAB 44.21, 18.64, -57.47

 

CMYK 0 / 76 / 35 / 21

HEX #C93182

RGB 201 49 130

HSL 328.03, 0.61%, 0.49%

LAB 47.27, 64.72, -9.53

 

CMYK 0 / 25 / 76 / 21

HEX #C99631

RGB 201 150 49

HSL 39.87, 0.61%, 0.49%

LAB 65.32, 9.73, 57.56

 

CMYK 76 / 0 / 40 / 22

HEX #31C879

RGB 49 200 121

HSL 148.61, 0.61%, 0.49%

LAB 71.79, -56.45, 28.7

 

CMYK 76 / 73 / 0 / 21

HEX #3136C9

RGB 49 54 201

HSL 238.03, 0.61%, 0.49%

LAB 32.94, 47.52, -75.88

 

CMYK 0 / 76 / 35 / 21

HEX #C93182

RGB 201 49 130

HSL 328.03, 0.61%, 0.49%

LAB 47.27, 64.72, -9.53

 

CMYK 0 / 2 / 76 / 21

HEX #C9C431

RGB 201 196 49

HSL 58.03, 0.61%, 0.49%

LAB 77.35, -14.47, 68.87

 

Description

Color code: HEX #31C879 | qconv.com Color code: HEX #31C879 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 200 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 200 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 40 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 40% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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