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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31C49E it is the complementary color #CE3B61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31C49E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31C49E shade: #36C499, #47D6AC, #58E8BF, #69FAD2 and #7AFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31C49E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31C49E shade: #31C49E, #20B28B, #0FA078, #008E65 and #007C52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31C49E shade: #31C49E, #31C476, #31C44F, #3BC431 and #62C431

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31C49E shade: #31C49E, #31C2C4, #319BC4, #3173C4 and #314BC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31C49E shade matches the following richer shades: #31C49E, #1DD8A7 and #09EBB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31C49E shade: #31C49E, #45B094, #599C8B, #6C8881 and #807578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31C49E shade: #31C44E, #31C476, #31C49D, #31C4C4 and #319DC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31C49E shade: #208269, #29A383, #31C49E, #4CD2AF and #6DDABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31C49E shade: #31C49E, #313BC4 and #C46231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31C49E shade: #31C49E, #9D31C4 and #C49D31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31C49E shade: #31C49E, #313BC4, #C43158 and #C4BA31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31C49E shade: #31C49E, #5331C4, #C43158 and #A2C431

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

Complementary color

CMYK 0 / 71 / 53 / 19

HEX #CE3B61

RGB 206 59 97

HSL 344.49, 0.6%, 0.52%

LAB 48.4, 59.69, 12.37

 

CMYK 72 / 0 / 22 / 23

HEX #36C499

RGB 54 196 153

HSL 161.83, 0.57%, 0.49%

LAB 71.26, -47.38, 10.97

 

CMYK 67 / 0 / 20 / 16

HEX #47D6AC

RGB 71 214 172

HSL 162.38, 0.64%, 0.56%

LAB 77.53, -47.88, 9.73

 

CMYK 62 / 0 / 18 / 9

HEX #58E8BF

RGB 88 232 191

HSL 162.92, 0.76%, 0.63%

LAB 83.73, -48.18, 8.6

 

CMYK 58 / 0 / 16 / 2

HEX #69FAD2

RGB 105 250 210

HSL 163.45, 0.94%, 0.7%

LAB 89.87, -48.34, 7.55

 

CMYK 52 / 0 / 10 / 0

HEX #7AFFE5

RGB 122 255 229

HSL 168.27, 1%, 0.74%

LAB 92.27, -42.76, 1.25

 

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

CMYK 82 / 0 / 22 / 30

HEX #20B28B

RGB 32 178 139

HSL 163.97, 0.7%, 0.41%

LAB 64.97, -45.9, 9.65

 

CMYK 91 / 0 / 25 / 37

HEX #0FA078

RGB 15 160 120

HSL 163.45, 0.83%, 0.34%

LAB 58.6, -44.58, 11.17

 

CMYK 100 / 0 / 29 / 44

HEX #008E65

RGB 0 142 101

HSL 162.68, 1%, 0.28%

LAB 52.16, -42.8, 12.88

 

CMYK 100 / 0 / 34 / 51

HEX #007C52

RGB 0 124 82

HSL 159.68, 1%, 0.24%

LAB 45.67, -40.21, 14.83

 

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

CMYK 75 / 0 / 40 / 23

HEX #31C476

RGB 49 196 118

HSL 148.16, 0.6%, 0.48%

LAB 70.48, -55.54, 28.53

 

CMYK 75 / 0 / 60 / 23

HEX #31C44F

RGB 49 196 79

HSL 132.24, 0.6%, 0.48%

LAB 69.96, -61.61, 47.1

 

CMYK 70 / 0 / 75 / 23

HEX #3BC431

RGB 59 196 49

HSL 115.92, 0.6%, 0.48%

LAB 69.92, -62.88, 59.17

 

CMYK 50 / 0 / 75 / 23

HEX #62C431

RGB 98 196 49

HSL 100, 0.6%, 0.48%

LAB 71.08, -53.56, 60.7

 

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

CMYK 75 / 1 / 0 / 23

HEX #31C2C4

RGB 49 194 196

HSL 180.82, 0.6%, 0.48%

LAB 71.71, -35.64, -11.8

 

CMYK 75 / 21 / 0 / 23

HEX #319BC4

RGB 49 155 196

HSL 196.73, 0.6%, 0.48%

LAB 59.96, -16.06, -29.69

 

CMYK 75 / 41 / 0 / 23

HEX #3173C4

RGB 49 115 196

HSL 213.06, 0.6%, 0.48%

LAB 48.13, 7.26, -48.29

 

CMYK 75 / 62 / 0 / 23

HEX #314BC4

RGB 49 75 196

HSL 229.39, 0.6%, 0.48%

LAB 37.24, 32.95, -65.89

 

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

CMYK 87 / 0 / 23 / 15

HEX #1DD8A7

RGB 29 216 167

HSL 164.28, 0.76%, 0.48%

LAB 77.38, -54.52, 12.09

 

CMYK 96 / 0 / 25 / 8

HEX #09EBB1

RGB 9 235 177

HSL 164.6, 0.93%, 0.48%

LAB 83.26, -60.28, 15.11

 

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

CMYK 61 / 0 / 16 / 31

HEX #45B094

RGB 69 176 148

HSL 164.3, 0.44%, 0.48%

LAB 65.32, -37.49, 5.27

 

CMYK 43 / 0 / 11 / 39

HEX #599C8B

RGB 89 156 139

HSL 164.78, 0.27%, 0.48%

LAB 59.68, -25.52, 2.25

 

CMYK 21 / 0 / 5 / 47

HEX #6C8881

RGB 108 136 129

HSL 165, 0.11%, 0.48%

LAB 54.43, -11.47, 0.47

 

CMYK 0 / 9 / 6 / 50

HEX #807578

RGB 128 117 120

HSL 343.64, 0.04%, 0.48%

LAB 50.3, 4.81, -0.12

 

CMYK 75 / 0 / 60 / 23

HEX #31C44E

RGB 49 196 78

HSL 131.84, 0.6%, 0.48%

LAB 69.95, -61.73, 47.54

 

CMYK 75 / 0 / 40 / 23

HEX #31C476

RGB 49 196 118

HSL 148.16, 0.6%, 0.48%

LAB 70.48, -55.54, 28.53

 

CMYK 75 / 0 / 20 / 23

HEX #31C49D

RGB 49 196 157

HSL 164.08, 0.6%, 0.48%

LAB 71.26, -47.06, 8.79

 

CMYK 75 / 0 / 0 / 23

HEX #31C4C4

RGB 49 196 196

HSL 180, 0.6%, 0.48%

LAB 72.31, -36.57, -10.9

 

CMYK 75 / 20 / 0 / 23

HEX #319DC4

RGB 49 157 196

HSL 195.92, 0.6%, 0.48%

LAB 60.56, -17.14, -28.76

 

CMYK 75 / 0 / 19 / 49

HEX #208269

RGB 32 130 105

HSL 164.69, 0.6%, 0.32%

LAB 48.63, -33.96, 5.63

 

CMYK 75 / 0 / 20 / 36

HEX #29A383

RGB 41 163 131

HSL 164.26, 0.6%, 0.4%

LAB 60.16, -40.58, 7.26

 

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

CMYK 64 / 0 / 17 / 18

HEX #4CD2AF

RGB 76 210 175

HSL 164.33, 0.6%, 0.56%

LAB 76.51, -44.64, 6.69

 

CMYK 50 / 0 / 13 / 15

HEX #6DDABE

RGB 109 218 190

HSL 164.59, 0.6%, 0.64%

LAB 80.24, -38.06, 4.19

 

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

CMYK 75 / 70 / 0 / 23

HEX #313BC4

RGB 49 59 196

HSL 235.92, 0.6%, 0.48%

LAB 33.49, 42.92, -72.04

 

CMYK 0 / 50 / 75 / 23

HEX #C46231

RGB 196 98 49

HSL 20, 0.6%, 0.48%

LAB 52.61, 35.71, 44.63

 

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

CMYK 20 / 75 / 0 / 23

HEX #9D31C4

RGB 157 49 196

HSL 284.08, 0.6%, 0.48%

LAB 43.29, 64.67, -55.59

 

CMYK 0 / 20 / 75 / 23

HEX #C49D31

RGB 196 157 49

HSL 44.08, 0.6%, 0.48%

LAB 66.57, 3.74, 58.59

 

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

CMYK 75 / 70 / 0 / 23

HEX #313BC4

RGB 49 59 196

HSL 235.92, 0.6%, 0.48%

LAB 33.49, 42.92, -72.04

 

CMYK 0 / 75 / 55 / 23

HEX #C43158

RGB 196 49 88

HSL 344.08, 0.6%, 0.48%

LAB 45.13, 59.5, 13.09

 

CMYK 0 / 5 / 75 / 23

HEX #C4BA31

RGB 196 186 49

HSL 55.92, 0.6%, 0.48%

LAB 74.24, -11.54, 65.84

 

CMYK 75 / 0 / 19 / 23

HEX #31C49E

RGB 49 196 158

HSL 164.49, 0.6%, 0.48%

LAB 71.28, -46.82, 8.29

 

CMYK 58 / 75 / 0 / 23

HEX #5331C4

RGB 83 49 196

HSL 253.88, 0.6%, 0.48%

LAB 34.03, 52.32, -71.07

 

CMYK 0 / 75 / 55 / 23

HEX #C43158

RGB 196 49 88

HSL 344.08, 0.6%, 0.48%

LAB 45.13, 59.5, 13.09

 

CMYK 17 / 0 / 75 / 23

HEX #A2C431

RGB 162 196 49

HSL 73.88, 0.6%, 0.48%

LAB 74.43, -30.76, 65.1

 

Description

Color code: HEX #31C49E | qconv.com Color code: HEX #31C49E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 196 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 196 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 19 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 19% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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