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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31C3AE it is the complementary color #CE3C51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31C3AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31C3AE shade: #36C3A9, #47D5BC, #58E7CF, #69F9E2 and #7AFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31C3AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31C3AE shade: #31C3AE, #20B19B, #0F9F88, #008D75 and #007B62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31C3AE shade: #31C4AF, #31C487, #31C45F, #31C438 and #52C431

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31C3AE shade: #31C4AF, #31B1C4, #318AC4, #3162C4 and #313BC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31C3AE shade matches the following richer shades: #31C4AF, #1DD8BD and #09EBCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31C3AE shade: #31C4AF, #45B0A1, #599C92, #6C8884 and #807576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31C3AE shade: #31C45F, #31C487, #31C4AE, #31B3C4 and #318CC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31C3AE shade: #208274, #29A391, #31C4AF, #4CD2BF and #6DDACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31C3AE shade: #31C3AE, #3831C4 and #C47331

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31C3AE shade: #31C3AE, #AE31C4 and #C4AE31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31C3AE shade: #31C3AE, #3831C4, #C43147 and #BCC431

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31C3AE shade: #31C3AE, #6431C4, #C43147 and #90C431

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 11 / 24

HEX #31C3AE

RGB 49 195 174

HSL 171.37, 0.6%, 0.48%

LAB 71.38, -42.27, -0.28

 

Complementary color

CMYK 0 / 71 / 61 / 19

HEX #CE3C51

RGB 206 60 81

HSL 351.37, 0.6%, 0.52%

LAB 48.19, 58.18, 21.82

 

CMYK 72 / 0 / 13 / 24

HEX #36C3A9

RGB 54 195 169

HSL 168.94, 0.57%, 0.49%

LAB 71.34, -42.98, 2.4

 

CMYK 67 / 0 / 12 / 16

HEX #47D5BC

RGB 71 213 188

HSL 169.44, 0.63%, 0.56%

LAB 77.61, -43.53, 1.3

 

CMYK 62 / 0 / 10 / 9

HEX #58E7CF

RGB 88 231 207

HSL 169.93, 0.75%, 0.63%

LAB 83.83, -43.9, 0.31

 

CMYK 58 / 0 / 9 / 2

HEX #69F9E2

RGB 105 249 226

HSL 170.42, 0.92%, 0.69%

LAB 89.97, -44.13, -0.61

 

CMYK 52 / 0 / 4 / 0

HEX #7AFFF5

RGB 122 255 245

HSL 175.49, 1%, 0.74%

LAB 92.69, -38.92, -6.42

 

CMYK 75 / 0 / 11 / 24

HEX #31C3AE

RGB 49 195 174

HSL 171.37, 0.6%, 0.48%

LAB 71.38, -42.27, -0.28

 

CMYK 82 / 0 / 12 / 31

HEX #20B19B

RGB 32 177 155

HSL 170.9, 0.69%, 0.41%

LAB 65.06, -41.3, 0.91

 

CMYK 91 / 0 / 14 / 38

HEX #0F9F88

RGB 15 159 136

HSL 170.42, 0.83%, 0.34%

LAB 58.67, -39.94, 2.26

 

CMYK 100 / 0 / 17 / 45

HEX #008D75

RGB 0 141 117

HSL 169.79, 1%, 0.28%

LAB 52.21, -38.16, 3.76

 

CMYK 100 / 0 / 20 / 52

HEX #007B62

RGB 0 123 98

HSL 167.8, 1%, 0.24%

LAB 45.7, -35.65, 5.5

 

CMYK 75 / 0 / 11 / 23

HEX #31C4AF

RGB 49 196 175

HSL 171.43, 0.6%, 0.48%

LAB 71.71, -42.44, -0.34

 

CMYK 75 / 0 / 31 / 23

HEX #31C487

RGB 49 196 135

HSL 155.1, 0.6%, 0.48%

LAB 70.79, -52.12, 19.98

 

CMYK 75 / 0 / 52 / 23

HEX #31C45F

RGB 49 196 95

HSL 138.78, 0.6%, 0.48%

LAB 70.15, -59.42, 39.76

 

CMYK 75 / 0 / 71 / 23

HEX #31C438

RGB 49 196 56

HSL 122.86, 0.6%, 0.48%

LAB 69.77, -63.99, 56.46

 

CMYK 58 / 0 / 75 / 23

HEX #52C431

RGB 82 196 49

HSL 106.53, 0.6%, 0.48%

LAB 70.52, -57.9, 59.97

 

CMYK 75 / 0 / 11 / 23

HEX #31C4AF

RGB 49 196 175

HSL 171.43, 0.6%, 0.48%

LAB 71.71, -42.44, -0.34

 

CMYK 75 / 10 / 0 / 23

HEX #31B1C4

RGB 49 177 196

HSL 187.76, 0.6%, 0.48%

LAB 66.58, -27.47, -19.53

 

CMYK 75 / 30 / 0 / 23

HEX #318AC4

RGB 49 138 196

HSL 203.67, 0.6%, 0.48%

LAB 54.88, -6.56, -37.61

 

CMYK 75 / 50 / 0 / 23

HEX #3162C4

RGB 49 98 196

HSL 220, 0.6%, 0.48%

LAB 43.32, 18.05, -56.02

 

CMYK 75 / 70 / 0 / 23

HEX #313BC4

RGB 49 59 196

HSL 235.92, 0.6%, 0.48%

LAB 33.49, 42.92, -72.04

 

CMYK 75 / 0 / 11 / 23

HEX #31C4AF

RGB 49 196 175

HSL 171.43, 0.6%, 0.48%

LAB 71.71, -42.44, -0.34

 

CMYK 87 / 0 / 13 / 15

HEX #1DD8BD

RGB 29 216 189

HSL 171.34, 0.76%, 0.48%

LAB 77.9, -48.96, 1.11

 

CMYK 96 / 0 / 14 / 8

HEX #09EBCB

RGB 9 235 203

HSL 171.5, 0.93%, 0.48%

LAB 83.85, -53.85, 2.33

 

CMYK 75 / 0 / 11 / 23

HEX #31C4AF

RGB 49 196 175

HSL 171.43, 0.6%, 0.48%

LAB 71.71, -42.44, -0.34

 

CMYK 61 / 0 / 9 / 31

HEX #45B0A1

RGB 69 176 161

HSL 171.59, 0.44%, 0.48%

LAB 65.66, -34.16, -1.44

 

CMYK 43 / 0 / 6 / 39

HEX #599C92

RGB 89 156 146

HSL 171.04, 0.27%, 0.48%

LAB 59.87, -23.8, -1.44

 

CMYK 21 / 0 / 3 / 47

HEX #6C8884

RGB 108 136 132

HSL 171.43, 0.11%, 0.48%

LAB 54.51, -10.8, -1.15

 

CMYK 0 / 9 / 8 / 50

HEX #807576

RGB 128 117 118

HSL 354.55, 0.04%, 0.48%

LAB 50.24, 4.43, 0.98

 

CMYK 75 / 0 / 52 / 23

HEX #31C45F

RGB 49 196 95

HSL 138.78, 0.6%, 0.48%

LAB 70.15, -59.42, 39.76

 

CMYK 75 / 0 / 31 / 23

HEX #31C487

RGB 49 196 135

HSL 155.1, 0.6%, 0.48%

LAB 70.79, -52.12, 19.98

 

CMYK 75 / 0 / 11 / 23

HEX #31C4AE

RGB 49 196 174

HSL 171.02, 0.6%, 0.48%

LAB 71.68, -42.71, 0.17

 

CMYK 75 / 9 / 0 / 23

HEX #31B3C4

RGB 49 179 196

HSL 186.94, 0.6%, 0.48%

LAB 67.19, -28.46, -18.61

 

CMYK 75 / 29 / 0 / 23

HEX #318CC4

RGB 49 140 196

HSL 202.86, 0.6%, 0.48%

LAB 55.48, -7.71, -36.67

 

CMYK 75 / 0 / 11 / 49

HEX #208274

RGB 32 130 116

HSL 171.43, 0.6%, 0.32%

LAB 48.93, -30.91, -0.39

 

CMYK 75 / 0 / 11 / 36

HEX #29A391

RGB 41 163 145

HSL 171.15, 0.6%, 0.4%

LAB 60.52, -36.87, -0.09

 

CMYK 75 / 0 / 11 / 23

HEX #31C4AF

RGB 49 196 175

HSL 171.43, 0.6%, 0.48%

LAB 71.71, -42.44, -0.34

 

CMYK 64 / 0 / 9 / 18

HEX #4CD2BF

RGB 76 210 191

HSL 171.49, 0.6%, 0.56%

LAB 76.92, -40.65, -1.31

 

CMYK 50 / 0 / 7 / 15

HEX #6DDACB

RGB 109 218 203

HSL 171.74, 0.6%, 0.64%

LAB 80.57, -34.96, -2.25

 

CMYK 75 / 0 / 11 / 24

HEX #31C3AE

RGB 49 195 174

HSL 171.37, 0.6%, 0.48%

LAB 71.38, -42.27, -0.28

 

CMYK 71 / 75 / 0 / 23

HEX #3831C4

RGB 56 49 196

HSL 242.86, 0.6%, 0.48%

LAB 31.86, 49.28, -74.72

 

CMYK 0 / 41 / 75 / 23

HEX #C47331

RGB 196 115 49

HSL 26.94, 0.6%, 0.48%

LAB 56.31, 26.67, 48.44

 

CMYK 75 / 0 / 11 / 24

HEX #31C3AE

RGB 49 195 174

HSL 171.37, 0.6%, 0.48%

LAB 71.38, -42.27, -0.28

 

CMYK 11 / 75 / 0 / 23

HEX #AE31C4

RGB 174 49 196

HSL 291.02, 0.6%, 0.48%

LAB 45.88, 68, -51.28

 

CMYK 0 / 11 / 75 / 23

HEX #C4AE31

RGB 196 174 49

HSL 51.02, 0.6%, 0.48%

LAB 71.03, -5.32, 62.83

 

CMYK 75 / 0 / 11 / 24

HEX #31C3AE

RGB 49 195 174

HSL 171.37, 0.6%, 0.48%

LAB 71.38, -42.27, -0.28

 

CMYK 71 / 75 / 0 / 23

HEX #3831C4

RGB 56 49 196

HSL 242.86, 0.6%, 0.48%

LAB 31.86, 49.28, -74.72

 

CMYK 0 / 75 / 64 / 23

HEX #C43147

RGB 196 49 71

HSL 351.02, 0.6%, 0.48%

LAB 44.78, 58.36, 23.11

 

CMYK 4 / 0 / 75 / 23

HEX #BCC431

RGB 188 196 49

HSL 63.27, 0.6%, 0.48%

LAB 76.31, -19.99, 67.53

 

CMYK 75 / 0 / 11 / 24

HEX #31C3AE

RGB 49 195 174

HSL 171.37, 0.6%, 0.48%

LAB 71.38, -42.27, -0.28

 

CMYK 49 / 75 / 0 / 23

HEX #6431C4

RGB 100 49 196

HSL 260.82, 0.6%, 0.48%

LAB 35.77, 54.73, -68.14

 

CMYK 0 / 75 / 64 / 23

HEX #C43147

RGB 196 49 71

HSL 351.02, 0.6%, 0.48%

LAB 44.78, 58.36, 23.11

 

CMYK 27 / 0 / 75 / 23

HEX #90C431

RGB 144 196 49

HSL 81.22, 0.6%, 0.48%

LAB 73.31, -37.84, 63.63

 

Description

Color code: HEX #31C3AE | qconv.com Color code: HEX #31C3AE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 195 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 195 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 11 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 11% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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