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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31C14E it is the complementary color #CE3EB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31C14E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31C14E shade: #36C149, #47D35C, #58E56F, #69F782 and #7AFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31C14E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31C14E shade: #31C14E, #20AF3B, #0F9D28, #008B15 and #007902

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31C14E shade: #30C04D, #3AC030, #61C030, #87C030 and #AEC030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31C14E shade: #30C04D, #30C074, #30C09A, #30BEC0 and #3097C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31C14E shade matches the following richer shades: #30C04D, #1DD341 and #09E736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31C14E shade: #30C04D, #43AC58, #579964, #6A8670 and #7E727B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31C14E shade: #60C030, #3AC030, #30C04D, #30C073 and #30C099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31C14E shade: #1F7E32, #289F40, #30C04D, #48D163 and #69D97F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31C14E shade: #31C14E, #3086C0 and #C0304D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31C14E shade: #31C14E, #4D30C0 and #C04D30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31C14E shade: #31C14E, #3086C0, #C030A3 and #C06930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31C14E shade: #31C14E, #305BC0, #C030A3 and #C09530

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 60 / 24

HEX #31C14E

RGB 49 193 78

HSL 132.08, 0.6%, 0.47%

LAB 69, -60.73, 46.44

 

Complementary color

CMYK 0 / 70 / 14 / 19

HEX #CE3EB1

RGB 206 62 177

HSL 312.08, 0.6%, 0.53%

LAB 51.54, 67.63, -30.91

 

CMYK 72 / 0 / 62 / 24

HEX #36C149

RGB 54 193 73

HSL 128.2, 0.56%, 0.48%

LAB 69.04, -60.53, 48.75

 

CMYK 66 / 0 / 56 / 17

HEX #47D35C

RGB 71 211 92

HSL 129, 0.61%, 0.55%

LAB 75.26, -61.39, 47.47

 

CMYK 62 / 0 / 52 / 10

HEX #58E56F

RGB 88 229 111

HSL 129.79, 0.73%, 0.62%

LAB 81.43, -61.89, 46.12

 

CMYK 57 / 0 / 47 / 3

HEX #69F782

RGB 105 247 130

HSL 130.56, 0.9%, 0.69%

LAB 87.55, -62.16, 44.77

 

CMYK 52 / 0 / 42 / 0

HEX #7AFF95

RGB 122 255 149

HSL 132.18, 1%, 0.74%

LAB 90.7, -58.43, 39.71

 

CMYK 75 / 0 / 60 / 24

HEX #31C14E

RGB 49 193 78

HSL 132.08, 0.6%, 0.47%

LAB 69, -60.73, 46.44

 

CMYK 82 / 0 / 66 / 31

HEX #20AF3B

RGB 32 175 59

HSL 131.33, 0.69%, 0.41%

LAB 62.75, -59.29, 47.71

 

CMYK 90 / 0 / 75 / 38

HEX #0F9D28

RGB 15 157 40

HSL 130.56, 0.83%, 0.34%

LAB 56.46, -57.11, 48.62

 

CMYK 100 / 0 / 85 / 45

HEX #008B15

RGB 0 139 21

HSL 129.06, 1%, 0.27%

LAB 50.12, -54.04, 48.7

 

CMYK 100 / 0 / 98 / 53

HEX #007902

RGB 0 121 2

HSL 120.99, 1%, 0.24%

LAB 43.77, -49.57, 47.47

 

CMYK 75 / 0 / 60 / 25

HEX #30C04D

RGB 48 192 77

HSL 132.08, 0.6%, 0.47%

LAB 68.65, -60.66, 46.48

 

CMYK 70 / 0 / 75 / 25

HEX #3AC030

RGB 58 192 48

HSL 115.83, 0.6%, 0.47%

LAB 68.62, -61.84, 58.21

 

CMYK 49 / 0 / 75 / 25

HEX #61C030

RGB 97 192 48

HSL 99.58, 0.6%, 0.47%

LAB 69.79, -52.39, 59.76

 

CMYK 30 / 0 / 75 / 25

HEX #87C030

RGB 135 192 48

HSL 83.75, 0.6%, 0.47%

LAB 71.6, -39.53, 62.14

 

CMYK 9 / 0 / 75 / 25

HEX #AEC030

RGB 174 192 48

HSL 67.5, 0.6%, 0.47%

LAB 74.13, -23.95, 65.44

 

CMYK 75 / 0 / 60 / 25

HEX #30C04D

RGB 48 192 77

HSL 132.08, 0.6%, 0.47%

LAB 68.65, -60.66, 46.48

 

CMYK 75 / 0 / 40 / 25

HEX #30C074

RGB 48 192 116

HSL 148.33, 0.6%, 0.47%

LAB 69.18, -54.56, 27.85

 

CMYK 75 / 0 / 20 / 25

HEX #30C09A

RGB 48 192 154

HSL 164.17, 0.6%, 0.47%

LAB 69.94, -46.26, 8.53

 

CMYK 75 / 1 / 0 / 25

HEX #30BEC0

RGB 48 190 192

HSL 180.83, 0.6%, 0.47%

LAB 70.36, -35.06, -11.63

 

CMYK 75 / 21 / 0 / 25

HEX #3097C0

RGB 48 151 192

HSL 197.08, 0.6%, 0.47%

LAB 58.57, -15.37, -29.59

 

CMYK 75 / 0 / 60 / 25

HEX #30C04D

RGB 48 192 77

HSL 132.08, 0.6%, 0.47%

LAB 68.65, -60.66, 46.48

 

CMYK 86 / 0 / 69 / 17

HEX #1DD341

RGB 29 211 65

HSL 131.87, 0.76%, 0.47%

LAB 74.34, -70.08, 57.75

 

CMYK 96 / 0 / 77 / 9

HEX #09E736

RGB 9 231 54

HSL 132.16, 0.93%, 0.47%

LAB 80.45, -77.75, 67.71

 

CMYK 75 / 0 / 60 / 25

HEX #30C04D

RGB 48 192 77

HSL 132.08, 0.6%, 0.47%

LAB 68.65, -60.66, 46.48

 

CMYK 61 / 0 / 49 / 33

HEX #43AC58

RGB 67 172 88

HSL 132, 0.44%, 0.47%

LAB 62.85, -48.38, 34.28

 

CMYK 43 / 0 / 35 / 40

HEX #579964

RGB 87 153 100

HSL 131.82, 0.28%, 0.47%

LAB 57.78, -32.9, 21.46

 

CMYK 21 / 0 / 16 / 47

HEX #6A8670

RGB 106 134 112

HSL 132.86, 0.12%, 0.47%

LAB 53.26, -14.66, 8.6

 

CMYK 0 / 10 / 2 / 51

HEX #7E727B

RGB 126 114 123

HSL 315, 0.05%, 0.47%

LAB 49.37, 6.39, -3.27

 

CMYK 50 / 0 / 75 / 25

HEX #60C030

RGB 96 192 48

HSL 100, 0.6%, 0.47%

LAB 69.75, -52.69, 59.71

 

CMYK 70 / 0 / 75 / 25

HEX #3AC030

RGB 58 192 48

HSL 115.83, 0.6%, 0.47%

LAB 68.62, -61.84, 58.21

 

CMYK 75 / 0 / 60 / 25

HEX #30C04D

RGB 48 192 77

HSL 132.08, 0.6%, 0.47%

LAB 68.65, -60.66, 46.48

 

CMYK 75 / 0 / 40 / 25

HEX #30C073

RGB 48 192 115

HSL 147.92, 0.6%, 0.47%

LAB 69.16, -54.75, 28.35

 

CMYK 75 / 0 / 20 / 25

HEX #30C099

RGB 48 192 153

HSL 163.75, 0.6%, 0.47%

LAB 69.91, -46.5, 9.04

 

CMYK 75 / 0 / 60 / 51

HEX #1F7E32

RGB 31 126 50

HSL 132, 0.61%, 0.31%

LAB 46.24, -43.77, 33.17

 

CMYK 75 / 0 / 60 / 38

HEX #289F40

RGB 40 159 64

HSL 132.1, 0.6%, 0.39%

LAB 57.67, -52.25, 39.75

 

CMYK 75 / 0 / 60 / 25

HEX #30C04D

RGB 48 192 77

HSL 132.08, 0.6%, 0.47%

LAB 68.65, -60.66, 46.48

 

CMYK 66 / 0 / 53 / 18

HEX #48D163

RGB 72 209 99

HSL 131.82, 0.6%, 0.55%

LAB 74.75, -59.56, 43.57

 

CMYK 52 / 0 / 41 / 15

HEX #69D97F

RGB 105 217 127

HSL 131.79, 0.6%, 0.63%

LAB 78.56, -51.01, 34.77

 

CMYK 75 / 0 / 60 / 24

HEX #31C14E

RGB 49 193 78

HSL 132.08, 0.6%, 0.47%

LAB 69, -60.73, 46.44

 

CMYK 75 / 30 / 0 / 25

HEX #3086C0

RGB 48 134 192

HSL 204.17, 0.6%, 0.47%

LAB 53.48, -5.79, -37.54

 

CMYK 0 / 75 / 60 / 25

HEX #C0304D

RGB 192 48 77

HSL 347.92, 0.6%, 0.47%

LAB 44.03, 57.89, 18.27

 

CMYK 75 / 0 / 60 / 24

HEX #31C14E

RGB 49 193 78

HSL 132.08, 0.6%, 0.47%

LAB 69, -60.73, 46.44

 

CMYK 60 / 75 / 0 / 25

HEX #4D30C0

RGB 77 48 192

HSL 252.08, 0.6%, 0.47%

LAB 32.91, 50.89, -70.58

 

CMYK 0 / 60 / 75 / 25

HEX #C04D30

RGB 192 77 48

HSL 12.08, 0.6%, 0.47%

LAB 47.91, 44.55, 39.98

 

CMYK 75 / 0 / 60 / 24

HEX #31C14E

RGB 49 193 78

HSL 132.08, 0.6%, 0.47%

LAB 69, -60.73, 46.44

 

CMYK 75 / 30 / 0 / 25

HEX #3086C0

RGB 48 134 192

HSL 204.17, 0.6%, 0.47%

LAB 53.48, -5.79, -37.54

 

CMYK 0 / 75 / 15 / 25

HEX #C030A3

RGB 192 48 163

HSL 312.08, 0.6%, 0.47%

LAB 46.93, 66.93, -30.03

 

CMYK 0 / 45 / 75 / 25

HEX #C06930

RGB 192 105 48

HSL 23.75, 0.6%, 0.47%

LAB 53.52, 30.35, 45.88

 

CMYK 75 / 0 / 60 / 24

HEX #31C14E

RGB 49 193 78

HSL 132.08, 0.6%, 0.47%

LAB 69, -60.73, 46.44

 

CMYK 75 / 53 / 0 / 25

HEX #305BC0

RGB 48 91 192

HSL 222.08, 0.6%, 0.47%

LAB 41.08, 20.96, -57.31

 

CMYK 0 / 75 / 15 / 25

HEX #C030A3

RGB 192 48 163

HSL 312.08, 0.6%, 0.47%

LAB 46.93, 66.93, -30.03

 

CMYK 0 / 22 / 75 / 25

HEX #C09530

RGB 192 149 48

HSL 42.08, 0.6%, 0.47%

LAB 64.09, 6.27, 56.44

 

Description

Color code: HEX #31C14E | qconv.com Color code: HEX #31C14E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 193 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 193 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 60 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 60% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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