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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31BA21 it is the complementary color #CE45DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31BA21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31BA21 shade: #36BA1C, #47CC2F, #58DE42, #69F055 and #7AFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31BA21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31BA21 shade: #31BA21, #20A80E, #0F9600, #008400 and #007200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31BA21 shade: #31BA21, #5ABA21, #84BA21, #ADBA21 and #BA9E21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31BA21 shade: #31BA21, #21BA3A, #21BA64, #21BA8D and #21BAB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31BA21 shade matches the following richer shades: #31BA21 and #23CC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31BA21 shade: #31BA21, #3FA933, #4D9744, #5B8556 and #697368

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31BA21 shade: #85BA21, #5CBA21, #33BA21, #21BA38 and #21BA61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31BA21 shade: #1F7415, #28971B, #31BA21, #3DDA2B and #5DE04E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31BA21 shade: #31BA21, #21AEBA and #BA2170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31BA21 shade: #31BA21, #2133BA and #BA2133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31BA21 shade: #31BA21, #21AEBA, #A821BA and #BA2E21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31BA21 shade: #31BA21, #2180BA, #A821BA and #BA5C21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

Complementary color

CMYK 7 / 69 / 0 / 13

HEX #CE45DE

RGB 206 69 222

HSL 293.73, 0.7%, 0.57%

LAB 54.71, 72.28, -51.78

 

CMYK 71 / 0 / 85 / 27

HEX #36BA1C

RGB 54 186 28

HSL 110.13, 0.74%, 0.42%

LAB 66.51, -61.81, 62.03

 

CMYK 65 / 0 / 77 / 20

HEX #47CC2F

RGB 71 204 47

HSL 110.83, 0.63%, 0.49%

LAB 72.71, -63.3, 62.66

 

CMYK 60 / 0 / 70 / 13

HEX #58DE42

RGB 88 222 66

HSL 111.54, 0.7%, 0.56%

LAB 78.87, -64.29, 62.45

 

CMYK 56 / 0 / 65 / 6

HEX #69F055

RGB 105 240 85

HSL 112.26, 0.84%, 0.64%

LAB 84.99, -64.93, 61.78

 

CMYK 52 / 0 / 59 / 0

HEX #7AFF68

RGB 122 255 104

HSL 112.85, 1%, 0.7%

LAB 90.16, -64.23, 59.84

 

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

CMYK 81 / 0 / 92 / 34

HEX #20A80E

RGB 32 168 14

HSL 112.99, 0.85%, 0.36%

LAB 60.2, -60.19, 59.22

 

CMYK 90 / 0 / 100 / 41

HEX #0F9600

RGB 15 150 0

HSL 114, 1%, 0.29%

LAB 53.94, -57.02, 56.12

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

CMYK 52 / 0 / 82 / 27

HEX #5ABA21

RGB 90 186 33

HSL 97.65, 0.7%, 0.43%

LAB 67.58, -53.02, 62.13

 

CMYK 29 / 0 / 82 / 27

HEX #84BA21

RGB 132 186 33

HSL 81.18, 0.7%, 0.43%

LAB 69.56, -38.72, 64.66

 

CMYK 7 / 0 / 82 / 27

HEX #ADBA21

RGB 173 186 33

HSL 65.1, 0.7%, 0.43%

LAB 72.3, -22.01, 68.11

 

CMYK 0 / 15 / 82 / 27

HEX #BA9E21

RGB 186 158 33

HSL 49.02, 0.7%, 0.43%

LAB 65.75, -1.84, 62.91

 

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

CMYK 82 / 0 / 69 / 27

HEX #21BA3A

RGB 33 186 58

HSL 129.8, 0.7%, 0.43%

LAB 66.33, -62.76, 52

 

CMYK 82 / 0 / 46 / 27

HEX #21BA64

RGB 33 186 100

HSL 146.27, 0.7%, 0.43%

LAB 66.8, -57.09, 32.99

 

CMYK 82 / 0 / 24 / 27

HEX #21BA8D

RGB 33 186 141

HSL 162.35, 0.7%, 0.43%

LAB 67.55, -48.58, 12.2

 

CMYK 82 / 0 / 2 / 27

HEX #21BAB6

RGB 33 186 182

HSL 178.43, 0.7%, 0.43%

LAB 68.62, -37.57, -8.76

 

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

CMYK 83 / 0 / 93 / 20

HEX #23CC0F

RGB 35 204 15

HSL 113.65, 0.86%, 0.43%

LAB 71.95, -70.36, 68.98

 

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

CMYK 63 / 0 / 70 / 34

HEX #3FA933

RGB 63 169 51

HSL 113.9, 0.54%, 0.43%

LAB 61.37, -52.69, 49.73

 

CMYK 49 / 0 / 55 / 41

HEX #4D9744

RGB 77 151 68

HSL 113.49, 0.38%, 0.43%

LAB 56.22, -40.05, 36.35

 

CMYK 32 / 0 / 35 / 48

HEX #5B8556

RGB 91 133 86

HSL 113.62, 0.21%, 0.43%

LAB 51.46, -24.35, 20.85

 

CMYK 9 / 0 / 10 / 55

HEX #697368

RGB 105 115 104

HSL 114.55, 0.05%, 0.43%

LAB 47.32, -6.04, 4.8

 

CMYK 28 / 0 / 82 / 27

HEX #85BA21

RGB 133 186 33

HSL 80.78, 0.7%, 0.43%

LAB 69.62, -38.33, 64.73

 

CMYK 51 / 0 / 82 / 27

HEX #5CBA21

RGB 92 186 33

HSL 96.86, 0.7%, 0.43%

LAB 67.65, -52.43, 62.23

 

CMYK 73 / 0 / 82 / 27

HEX #33BA21

RGB 51 186 33

HSL 112.94, 0.7%, 0.43%

LAB 66.47, -62.09, 60.71

 

CMYK 82 / 0 / 70 / 27

HEX #21BA38

RGB 33 186 56

HSL 129.02, 0.7%, 0.43%

LAB 66.31, -62.95, 52.77

 

CMYK 82 / 0 / 48 / 27

HEX #21BA61

RGB 33 186 97

HSL 145.1, 0.7%, 0.43%

LAB 66.75, -57.6, 34.47

 

CMYK 73 / 0 / 82 / 55

HEX #1F7415

RGB 31 116 21

HSL 113.68, 0.69%, 0.27%

LAB 42.52, -43.18, 41.71

 

CMYK 74 / 0 / 82 / 41

HEX #28971B

RGB 40 151 27

HSL 113.71, 0.7%, 0.35%

LAB 54.72, -53.04, 51.43

 

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

CMYK 72 / 0 / 80 / 15

HEX #3DDA2B

RGB 61 218 43

HSL 113.83, 0.7%, 0.51%

LAB 76.87, -69.86, 67.7

 

CMYK 58 / 0 / 65 / 12

HEX #5DE04E

RGB 93 224 78

HSL 113.84, 0.7%, 0.59%

LAB 79.72, -62.79, 58.76

 

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

CMYK 82 / 6 / 0 / 27

HEX #21AEBA

RGB 33 174 186

HSL 184.71, 0.7%, 0.43%

LAB 65.07, -30.7, -16.29

 

CMYK 0 / 82 / 40 / 27

HEX #BA2170

RGB 186 33 112

HSL 329.02, 0.7%, 0.43%

LAB 42.3, 63.48, -6.17

 

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

CMYK 82 / 73 / 0 / 27

HEX #2133BA

RGB 33 51 186

HSL 232.94, 0.7%, 0.43%

LAB 30, 42.95, -71.94

 

CMYK 0 / 82 / 73 / 27

HEX #BA2133

RGB 186 33 51

HSL 352.94, 0.7%, 0.43%

LAB 40.84, 59.13, 30.02

 

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

CMYK 82 / 6 / 0 / 27

HEX #21AEBA

RGB 33 174 186

HSL 184.71, 0.7%, 0.43%

LAB 65.07, -30.7, -16.29

 

CMYK 10 / 82 / 0 / 27

HEX #A821BA

RGB 168 33 186

HSL 292.94, 0.7%, 0.43%

LAB 42.7, 69.7, -50.59

 

CMYK 0 / 75 / 82 / 27

HEX #BA2E21

RGB 186 46 33

HSL 5.1, 0.7%, 0.43%

LAB 42, 54.64, 41.55

 

CMYK 74 / 0 / 82 / 27

HEX #31BA21

RGB 49 186 33

HSL 113.73, 0.7%, 0.43%

LAB 66.43, -62.43, 60.66

 

CMYK 82 / 31 / 0 / 27

HEX #2180BA

RGB 33 128 186

HSL 202.75, 0.7%, 0.43%

LAB 51.04, -6.12, -37.96

 

CMYK 10 / 82 / 0 / 27

HEX #A821BA

RGB 168 33 186

HSL 292.94, 0.7%, 0.43%

LAB 42.7, 69.7, -50.59

 

CMYK 0 / 51 / 82 / 27

HEX #BA5C21

RGB 186 92 33

HSL 23.14, 0.7%, 0.43%

LAB 49.74, 34.2, 48.75

 

Description

Color code: HEX #31BA21 | qconv.com Color code: HEX #31BA21 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 186 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 186 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 82 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 82% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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