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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31ACEF it is the complementary color #CE5310. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31ACEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31ACEF shade: #36ACEA, #47BEFD, #58D0FF, #69E2FF and #7AF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31ACEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31ACEF shade: #31ACEF, #209ADC, #0F88C9, #0076B6 and #0064A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31ACEF shade: #2EABEF, #2E77EF, #2E43EF, #4E2EEF and #822EEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31ACEF shade: #2EABEF, #2E77EF, #2E43EF and #2E2EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31ACEF shade matches the following richer shades: #2EABEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31ACEF shade: #2EABEF, #40A6DD, #53A1CB, #659BB9 and #7796A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31ACEF shade: #2EEFCC, #2EDFEF, #2EACEF, #2E78EF and #2E45EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31ACEF shade: #0E7FBD, #1199E3, #2EABEF, #55BBF2 and #7BCAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31ACEF shade: #31ACEF, #982EEF and #EFE62E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31ACEF shade: #31ACEF, #EF2EAC and #ACEF2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31ACEF shade: #31ACEF, #982EEF, #EF722E and #85EF2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31ACEF shade: #31ACEF, #D22EEF, #EF722E and #4BEF2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 28 / 0 / 6

HEX #31ACEF

RGB 49 172 239

HSL 201.16, 0.86%, 0.56%

LAB 66.82, -10.59, -42.81

 

Complementary color

CMYK 0 / 60 / 92 / 19

HEX #CE5310

RGB 206 83 16

HSL 21.16, 0.86%, 0.44%

LAB 51.09, 46.03, 57.24

 

CMYK 77 / 26 / 0 / 8

HEX #36ACEA

RGB 54 172 234

HSL 200.67, 0.81%, 0.56%

LAB 66.7, -11.81, -40.26

 

CMYK 72 / 25 / 0 / 1

HEX #47BEFD

RGB 71 190 253

HSL 200.77, 0.98%, 0.64%

LAB 73.06, -13.16, -40.61

 

CMYK 65 / 18 / 0 / 0

HEX #58D0FF

RGB 88 208 255

HSL 196.89, 1%, 0.67%

LAB 78.7, -19.55, -32.9

 

CMYK 59 / 11 / 0 / 0

HEX #69E2FF

RGB 105 226 255

HSL 191.6, 1%, 0.71%

LAB 84.29, -25.77, -24.3

 

CMYK 52 / 4 / 0 / 0

HEX #7AF4FF

RGB 122 244 255

HSL 184.96, 1%, 0.74%

LAB 89.89, -31.27, -15.79

 

CMYK 79 / 28 / 0 / 6

HEX #31ACEF

RGB 49 172 239

HSL 201.16, 0.86%, 0.56%

LAB 66.82, -10.59, -42.81

 

CMYK 85 / 30 / 0 / 14

HEX #209ADC

RGB 32 154 220

HSL 201.06, 0.75%, 0.49%

LAB 60.41, -8.72, -42.42

 

CMYK 93 / 32 / 0 / 21

HEX #0F88C9

RGB 15 136 201

HSL 200.97, 0.86%, 0.42%

LAB 53.95, -6.39, -41.95

 

CMYK 100 / 35 / 0 / 29

HEX #0076B6

RGB 0 118 182

HSL 201.1, 1%, 0.36%

LAB 47.41, -3.59, -41.42

 

CMYK 100 / 39 / 0 / 36

HEX #0064A3

RGB 0 100 163

HSL 203.19, 1%, 0.32%

LAB 40.83, -0.06, -40.74

 

CMYK 81 / 28 / 0 / 6

HEX #2EABEF

RGB 46 171 239

HSL 201.14, 0.86%, 0.56%

LAB 66.47, -10.32, -43.36

 

CMYK 81 / 50 / 0 / 6

HEX #2E77EF

RGB 46 119 239

HSL 217.31, 0.86%, 0.56%

LAB 51.84, 20.51, -66.67

 

CMYK 81 / 72 / 0 / 6

HEX #2E43EF

RGB 46 67 239

HSL 233.47, 0.86%, 0.56%

LAB 39.29, 52.57, -87.2

 

CMYK 67 / 81 / 0 / 6

HEX #4E2EEF

RGB 78 46 239

HSL 249.95, 0.86%, 0.56%

LAB 37.49, 65.33, -90.12

 

CMYK 46 / 81 / 0 / 6

HEX #822EEF

RGB 130 46 239

HSL 266.11, 0.86%, 0.56%

LAB 42.66, 70.74, -81.41

 

CMYK 81 / 28 / 0 / 6

HEX #2EABEF

RGB 46 171 239

HSL 201.14, 0.86%, 0.56%

LAB 66.47, -10.32, -43.36

 

CMYK 81 / 50 / 0 / 6

HEX #2E77EF

RGB 46 119 239

HSL 217.31, 0.86%, 0.56%

LAB 51.84, 20.51, -66.67

 

CMYK 81 / 72 / 0 / 6

HEX #2E43EF

RGB 46 67 239

HSL 233.47, 0.86%, 0.56%

LAB 39.29, 52.57, -87.2

 

CMYK 81 / 81 / 0 / 6

HEX #2E2EEF

RGB 46 46 239

HSL 240, 0.86%, 0.56%

LAB 35.53, 63.32, -93.43

 

CMYK 81 / 28 / 0 / 6

HEX #2EABEF

RGB 46 171 239

HSL 201.14, 0.86%, 0.56%

LAB 66.47, -10.32, -43.36

 

CMYK 81 / 28 / 0 / 6

HEX #2EABEF

RGB 46 171 239

HSL 201.14, 0.86%, 0.56%

LAB 66.47, -10.32, -43.36

 

CMYK 71 / 25 / 0 / 13

HEX #40A6DD

RGB 64 166 221

HSL 201.02, 0.7%, 0.56%

LAB 64.63, -11.71, -36.32

 

CMYK 59 / 21 / 0 / 20

HEX #53A1CB

RGB 83 161 203

HSL 201, 0.54%, 0.56%

LAB 63.04, -11.65, -28.75

 

CMYK 45 / 16 / 0 / 27

HEX #659BB9

RGB 101 155 185

HSL 201.43, 0.38%, 0.56%

LAB 61.41, -9.71, -21.12

 

CMYK 29 / 10 / 0 / 35

HEX #7796A7

RGB 119 150 167

HSL 201.25, 0.21%, 0.56%

LAB 60.36, -6.7, -12.44

 

CMYK 81 / 0 / 15 / 6

HEX #2EEFCC

RGB 46 239 204

HSL 169.12, 0.86%, 0.56%

LAB 85.34, -53.29, 3.99

 

CMYK 81 / 7 / 0 / 6

HEX #2EDFEF

RGB 46 223 239

HSL 184.97, 0.86%, 0.56%

LAB 81.61, -36.63, -20.02

 

CMYK 81 / 28 / 0 / 6

HEX #2EACEF

RGB 46 172 239

HSL 200.83, 0.86%, 0.56%

LAB 66.76, -10.87, -42.9

 

CMYK 81 / 50 / 0 / 6

HEX #2E78EF

RGB 46 120 239

HSL 216.99, 0.86%, 0.56%

LAB 52.11, 19.88, -66.24

 

CMYK 81 / 71 / 0 / 6

HEX #2E45EF

RGB 46 69 239

HSL 232.85, 0.86%, 0.56%

LAB 39.7, 51.43, -86.53

 

CMYK 93 / 33 / 0 / 26

HEX #0E7FBD

RGB 14 127 189

HSL 201.26, 0.86%, 0.4%

LAB 50.62, -5.7, -40.36

 

CMYK 93 / 33 / 0 / 11

HEX #1199E3

RGB 17 153 227

HSL 201.14, 0.86%, 0.48%

LAB 60.29, -6.41, -46.51

 

CMYK 81 / 28 / 0 / 6

HEX #2EABEF

RGB 46 171 239

HSL 201.14, 0.86%, 0.56%

LAB 66.47, -10.32, -43.36

 

CMYK 65 / 23 / 0 / 5

HEX #55BBF2

RGB 85 187 242

HSL 201.02, 0.86%, 0.64%

LAB 72.15, -13.1, -36.06

 

CMYK 50 / 18 / 0 / 4

HEX #7BCAF5

RGB 123 202 245

HSL 201.15, 0.86%, 0.72%

LAB 77.9, -12.84, -28.68

 

CMYK 79 / 28 / 0 / 6

HEX #31ACEF

RGB 49 172 239

HSL 201.16, 0.86%, 0.56%

LAB 66.82, -10.59, -42.81

 

CMYK 36 / 81 / 0 / 6

HEX #982EEF

RGB 152 46 239

HSL 272.95, 0.86%, 0.56%

LAB 45.44, 73.71, -76.74

 

CMYK 0 / 4 / 81 / 6

HEX #EFE62E

RGB 239 230 46

HSL 57.2, 0.86%, 0.56%

LAB 89.46, -15.44, 81.62

 

CMYK 79 / 28 / 0 / 6

HEX #31ACEF

RGB 49 172 239

HSL 201.16, 0.86%, 0.56%

LAB 66.82, -10.59, -42.81

 

CMYK 0 / 81 / 28 / 6

HEX #EF2EAC

RGB 239 46 172

HSL 320.83, 0.86%, 0.56%

LAB 55.36, 79.25, -21.62

 

CMYK 28 / 0 / 81 / 6

HEX #ACEF2E

RGB 172 239 46

HSL 80.83, 0.86%, 0.56%

LAB 87.34, -46.23, 78

 

CMYK 79 / 28 / 0 / 6

HEX #31ACEF

RGB 49 172 239

HSL 201.16, 0.86%, 0.56%

LAB 66.82, -10.59, -42.81

 

CMYK 36 / 81 / 0 / 6

HEX #982EEF

RGB 152 46 239

HSL 272.95, 0.86%, 0.56%

LAB 45.44, 73.71, -76.74

 

CMYK 0 / 52 / 81 / 6

HEX #EF722E

RGB 239 114 46

HSL 21.14, 0.86%, 0.56%

LAB 62.15, 44.29, 57.52

 

CMYK 44 / 0 / 81 / 6

HEX #85EF2E

RGB 133 239 46

HSL 92.95, 0.86%, 0.56%

LAB 85.46, -59.44, 75.61

 

CMYK 79 / 28 / 0 / 6

HEX #31ACEF

RGB 49 172 239

HSL 201.16, 0.86%, 0.56%

LAB 66.82, -10.59, -42.81

 

CMYK 12 / 81 / 0 / 6

HEX #D22EEF

RGB 210 46 239

HSL 290.98, 0.86%, 0.56%

LAB 53.91, 82.91, -62.62

 

CMYK 0 / 52 / 81 / 6

HEX #EF722E

RGB 239 114 46

HSL 21.14, 0.86%, 0.56%

LAB 62.15, 44.29, 57.52

 

CMYK 69 / 0 / 81 / 6

HEX #4BEF2E

RGB 75 239 46

HSL 110.98, 0.86%, 0.56%

LAB 83.67, -73.75, 73.3

 

Description

Color code: HEX #31ACEF | qconv.com Color code: HEX #31ACEF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 172 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 172 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 28 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 28% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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