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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31A226 it is the complementary color #CE5DD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31A226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31A226 shade: #36A221, #47B434, #58C647, #69D85A and #7AEA6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31A226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31A226 shade: #31A226, #209013, #0F7E00, #006C00 and #005A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31A226 shade: #31A126, #52A126, #73A126, #94A126 and #A18C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31A226 shade: #31A126, #26A13C, #26A15D, #26A17F and #26A1A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31A226 shade matches the following richer shades: #31A126, #23B116 and #16C106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31A226 shade: #31A126, #3E9136, #4B8146, #587156 and #666166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31A226 shade: #74A126, #53A126, #32A126, #26A13A and #26A15B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31A226 shade: #1D5E16, #27801E, #31A126, #3BC32E and #52D446

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31A226 shade: #31A226, #2695A1 and #A12663

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31A226 shade: #31A226, #2632A1 and #A12632

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31A226 shade: #31A226, #2695A1, #9526A1 and #A13226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31A226 shade: #31A226, #2670A1, #9526A1 and #A15726

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 77 / 36

HEX #31A226

RGB 49 162 38

HSL 114.68, 0.62%, 0.39%

LAB 58.63, -54.31, 51.7

 

Complementary color

CMYK 5 / 57 / 0 / 15

HEX #CE5DD9

RGB 206 93 217

HSL 294.68, 0.62%, 0.61%

LAB 58, 61.55, -43.74

 

CMYK 67 / 0 / 80 / 36

HEX #36A221

RGB 54 162 33

HSL 110.23, 0.66%, 0.38%

LAB 58.73, -53.62, 53.49

 

CMYK 61 / 0 / 71 / 29

HEX #47B434

RGB 71 180 52

HSL 111.09, 0.55%, 0.45%

LAB 65.14, -54.67, 53.35

 

CMYK 56 / 0 / 64 / 22

HEX #58C647

RGB 88 198 71

HSL 111.97, 0.53%, 0.53%

LAB 71.5, -55.28, 52.61

 

CMYK 51 / 0 / 58 / 15

HEX #69D85A

RGB 105 216 90

HSL 112.86, 0.62%, 0.6%

LAB 77.79, -55.6, 51.58

 

CMYK 48 / 0 / 53 / 8

HEX #7AEA6D

RGB 122 234 109

HSL 113.76, 0.75%, 0.67%

LAB 84.01, -55.74, 50.43

 

CMYK 70 / 0 / 77 / 36

HEX #31A226

RGB 49 162 38

HSL 114.68, 0.62%, 0.39%

LAB 58.63, -54.31, 51.7

 

CMYK 78 / 0 / 87 / 44

HEX #209013

RGB 32 144 19

HSL 113.76, 0.77%, 0.32%

LAB 52.18, -52.53, 51.22

 

CMYK 88 / 0 / 100 / 51

HEX #0F7E00

RGB 15 126 0

HSL 112.86, 1%, 0.25%

LAB 45.67, -49.85, 49.51

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 70 / 0 / 76 / 37

HEX #31A126

RGB 49 161 38

HSL 114.63, 0.62%, 0.39%

LAB 58.3, -53.97, 51.38

 

CMYK 49 / 0 / 76 / 37

HEX #52A126

RGB 82 161 38

HSL 98.54, 0.62%, 0.39%

LAB 59.36, -45.5, 52.77

 

CMYK 29 / 0 / 76 / 37

HEX #73A126

RGB 115 161 38

HSL 82.44, 0.62%, 0.39%

LAB 61.02, -33.79, 54.95

 

CMYK 8 / 0 / 76 / 37

HEX #94A126

RGB 148 161 38

HSL 66.34, 0.62%, 0.39%

LAB 63.28, -20.06, 57.88

 

CMYK 0 / 13 / 76 / 37

HEX #A18C26

RGB 161 140 38

HSL 49.76, 0.62%, 0.39%

LAB 58.48, -3.16, 53.79

 

CMYK 70 / 0 / 76 / 37

HEX #31A126

RGB 49 161 38

HSL 114.63, 0.62%, 0.39%

LAB 58.3, -53.97, 51.38

 

CMYK 76 / 0 / 63 / 37

HEX #26A13C

RGB 38 161 60

HSL 130.73, 0.62%, 0.39%

LAB 58.25, -53.75, 42.28

 

CMYK 76 / 0 / 42 / 37

HEX #26A15D

RGB 38 161 93

HSL 146.83, 0.62%, 0.39%

LAB 58.69, -48.64, 26.2

 

CMYK 76 / 0 / 21 / 37

HEX #26A17F

RGB 38 161 127

HSL 163.41, 0.62%, 0.39%

LAB 59.37, -41.12, 8.38

 

CMYK 76 / 0 / 1 / 37

HEX #26A1A0

RGB 38 161 160

HSL 179.51, 0.62%, 0.39%

LAB 60.28, -31.96, -8.91

 

CMYK 70 / 0 / 76 / 37

HEX #31A126

RGB 49 161 38

HSL 114.63, 0.62%, 0.39%

LAB 58.3, -53.97, 51.38

 

CMYK 80 / 0 / 88 / 31

HEX #23B116

RGB 35 177 22

HSL 114.97, 0.78%, 0.39%

LAB 63.23, -62.23, 60.34

 

CMYK 89 / 0 / 97 / 24

HEX #16C106

RGB 22 193 6

HSL 114.87, 0.94%, 0.39%

LAB 68.26, -68.62, 66.93

 

CMYK 70 / 0 / 76 / 37

HEX #31A126

RGB 49 161 38

HSL 114.63, 0.62%, 0.39%

LAB 58.3, -53.97, 51.38

 

CMYK 57 / 0 / 63 / 43

HEX #3E9136

RGB 62 145 54

HSL 114.73, 0.46%, 0.39%

LAB 53.54, -43.59, 39.87

 

CMYK 42 / 0 / 46 / 49

HEX #4B8146

RGB 75 129 70

HSL 114.92, 0.3%, 0.39%

LAB 49.05, -30.57, 26.44

 

CMYK 22 / 0 / 24 / 56

HEX #587156

RGB 88 113 86

HSL 115.56, 0.14%, 0.39%

LAB 45.02, -14.94, 12.06

 

CMYK 0 / 5 / 0 / 60

HEX #666166

RGB 102 97 102

HSL 300, 0.03%, 0.39%

LAB 41.74, 3.01, -2.13

 

CMYK 28 / 0 / 76 / 37

HEX #74A126

RGB 116 161 38

HSL 81.95, 0.62%, 0.39%

LAB 61.08, -33.39, 55.03

 

CMYK 48 / 0 / 76 / 37

HEX #53A126

RGB 83 161 38

HSL 98.05, 0.62%, 0.39%

LAB 59.41, -45.19, 52.83

 

CMYK 69 / 0 / 76 / 37

HEX #32A126

RGB 50 161 38

HSL 114.15, 0.62%, 0.39%

LAB 58.33, -53.77, 51.41

 

CMYK 76 / 0 / 64 / 37

HEX #26A13A

RGB 38 161 58

HSL 129.76, 0.62%, 0.39%

LAB 58.23, -53.99, 43.16

 

CMYK 76 / 0 / 43 / 37

HEX #26A15B

RGB 38 161 91

HSL 145.85, 0.62%, 0.39%

LAB 58.66, -49.02, 27.22

 

CMYK 69 / 0 / 77 / 63

HEX #1D5E16

RGB 29 94 22

HSL 114.17, 0.62%, 0.23%

LAB 34.65, -35.39, 33.52

 

CMYK 70 / 0 / 77 / 50

HEX #27801E

RGB 39 128 30

HSL 114.49, 0.62%, 0.31%

LAB 46.93, -45.12, 42.87

 

CMYK 70 / 0 / 76 / 37

HEX #31A126

RGB 49 161 38

HSL 114.63, 0.62%, 0.39%

LAB 58.3, -53.97, 51.38

 

CMYK 70 / 0 / 76 / 24

HEX #3BC32E

RGB 59 195 46

HSL 114.77, 0.62%, 0.47%

LAB 69.58, -62.77, 59.84

 

CMYK 61 / 0 / 67 / 17

HEX #52D446

RGB 82 212 70

HSL 114.93, 0.62%, 0.55%

LAB 75.65, -61.85, 57.48

 

CMYK 70 / 0 / 77 / 36

HEX #31A226

RGB 49 162 38

HSL 114.68, 0.62%, 0.39%

LAB 58.63, -54.31, 51.7

 

CMYK 76 / 7 / 0 / 37

HEX #2695A1

RGB 38 149 161

HSL 185.85, 0.62%, 0.39%

LAB 56.57, -25.76, -15.07

 

CMYK 0 / 76 / 39 / 37

HEX #A12663

RGB 161 38 99

HSL 330.24, 0.62%, 0.39%

LAB 37.6, 54.2, -5.51

 

CMYK 70 / 0 / 77 / 36

HEX #31A226

RGB 49 162 38

HSL 114.68, 0.62%, 0.39%

LAB 58.63, -54.31, 51.7

 

CMYK 76 / 69 / 0 / 37

HEX #2632A1

RGB 38 50 161

HSL 234.15, 0.62%, 0.39%

LAB 27.48, 35.06, -61.11

 

CMYK 0 / 76 / 69 / 37

HEX #A12632

RGB 161 38 50

HSL 354.15, 0.62%, 0.39%

LAB 36.35, 50.22, 24.05

 

CMYK 70 / 0 / 77 / 36

HEX #31A226

RGB 49 162 38

HSL 114.68, 0.62%, 0.39%

LAB 58.63, -54.31, 51.7

 

CMYK 76 / 7 / 0 / 37

HEX #2695A1

RGB 38 149 161

HSL 185.85, 0.62%, 0.39%

LAB 56.57, -25.76, -15.07

 

CMYK 7 / 76 / 0 / 37

HEX #9526A1

RGB 149 38 161

HSL 294.15, 0.62%, 0.39%

LAB 38.46, 60.25, -42.69

 

CMYK 0 / 69 / 76 / 37

HEX #A13226

RGB 161 50 38

HSL 5.85, 0.62%, 0.39%

LAB 37.84, 45.09, 33.03

 

CMYK 70 / 0 / 77 / 36

HEX #31A226

RGB 49 162 38

HSL 114.68, 0.62%, 0.39%

LAB 58.63, -54.31, 51.7

 

CMYK 76 / 30 / 0 / 37

HEX #2670A1

RGB 38 112 161

HSL 203.9, 0.62%, 0.39%

LAB 45.04, -5.33, -32.85

 

CMYK 7 / 76 / 0 / 37

HEX #9526A1

RGB 149 38 161

HSL 294.15, 0.62%, 0.39%

LAB 38.46, 60.25, -42.69

 

CMYK 0 / 46 / 76 / 37

HEX #A15726

RGB 161 87 38

HSL 23.9, 0.62%, 0.39%

LAB 44.99, 26.66, 40.57

 

Description

Color code: HEX #31A226 | qconv.com Color code: HEX #31A226 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 162 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 162 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 77 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 77% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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