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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31A09B it is the complementary color #CE5F64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31A09B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31A09B shade: #36A096, #47B2A9, #58C4BC, #69D6CF and #7AE8E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31A09B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31A09B shade: #31A09B, #208E88, #0F7C75, #006A62 and #00584F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31A09B shade: #31A09B, #31A07D, #31A05F, #31A041 and #3FA031

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31A09B shade: #31A09B, #3187A0, #3169A0, #314BA0 and #3131A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31A09B shade matches the following richer shades: #31A09B, #20B1AA and #0FC2BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31A09B shade: #31A09B, #428F8C, #537E7C, #646D6D and #755C5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31A09B shade: #31A05F, #31A07D, #31A09A, #3188A0 and #316AA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31A09B shade: #1E615E, #27807C, #31A09B, #3BC0BA and #58CCC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31A09B shade: #31A09B, #4231A0 and #A06E31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31A09B shade: #31A09B, #9A31A0 and #A09A31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31A09B shade: #31A09B, #4231A0, #A03137 and #8FA031

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31A09B shade: #31A09B, #6331A0, #A03137 and #6EA031

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

Complementary color

CMYK 0 / 54 / 51 / 19

HEX #CE5F64

RGB 206 95 100

HSL 357.3, 0.53%, 0.59%

LAB 54.27, 44.4, 18.62

 

CMYK 66 / 0 / 6 / 37

HEX #36A096

RGB 54 160 150

HSL 174.34, 0.5%, 0.42%

LAB 60, -32.22, -3.64

 

CMYK 60 / 0 / 5 / 30

HEX #47B2A9

RGB 71 178 169

HSL 174.95, 0.43%, 0.49%

LAB 66.55, -32.6, -4.56

 

CMYK 55 / 0 / 4 / 23

HEX #58C4BC

RGB 88 196 188

HSL 175.56, 0.48%, 0.56%

LAB 73.01, -32.82, -5.39

 

CMYK 51 / 0 / 3 / 16

HEX #69D6CF

RGB 105 214 207

HSL 176.15, 0.57%, 0.63%

LAB 79.39, -32.94, -6.16

 

CMYK 47 / 0 / 3 / 9

HEX #7AE8E2

RGB 122 232 226

HSL 176.73, 0.71%, 0.69%

LAB 85.68, -33, -6.87

 

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

CMYK 77 / 0 / 4 / 44

HEX #208E88

RGB 32 142 136

HSL 176.73, 0.63%, 0.34%

LAB 53.42, -30.75, -5.43

 

CMYK 88 / 0 / 6 / 51

HEX #0F7C75

RGB 15 124 117

HSL 176.15, 0.78%, 0.27%

LAB 46.71, -29.52, -4.26

 

CMYK 100 / 0 / 8 / 58

HEX #006A62

RGB 0 106 98

HSL 175.47, 1%, 0.21%

LAB 39.9, -27.84, -2.93

 

CMYK 100 / 0 / 10 / 65

HEX #00584F

RGB 0 88 79

HSL 173.86, 1%, 0.17%

LAB 33.01, -25.17, -1.29

 

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

CMYK 69 / 0 / 22 / 37

HEX #31A07D

RGB 49 160 125

HSL 161.08, 0.53%, 0.41%

LAB 59.23, -39.6, 9.32

 

CMYK 69 / 0 / 41 / 37

HEX #31A05F

RGB 49 160 95

HSL 144.86, 0.53%, 0.41%

LAB 58.62, -46.13, 25.07

 

CMYK 69 / 0 / 59 / 37

HEX #31A041

RGB 49 160 65

HSL 128.65, 0.53%, 0.41%

LAB 58.2, -50.9, 39.94

 

CMYK 61 / 0 / 69 / 37

HEX #3FA031

RGB 63 160 49

HSL 112.43, 0.53%, 0.41%

LAB 58.43, -49.59, 47.44

 

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

CMYK 69 / 16 / 0 / 37

HEX #3187A0

RGB 49 135 160

HSL 193.51, 0.53%, 0.41%

LAB 52.42, -17.26, -20.79

 

CMYK 69 / 34 / 0 / 37

HEX #3169A0

RGB 49 105 160

HSL 209.73, 0.53%, 0.41%

LAB 43.2, 0.19, -35.13

 

CMYK 69 / 53 / 0 / 37

HEX #314BA0

RGB 49 75 160

HSL 225.95, 0.53%, 0.41%

LAB 34.44, 19.62, -49.13

 

CMYK 69 / 69 / 0 / 37

HEX #3131A0

RGB 49 49 160

HSL 240, 0.53%, 0.41%

LAB 27.81, 36.58, -59.93

 

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

CMYK 82 / 0 / 4 / 31

HEX #20B1AA

RGB 32 177 170

HSL 177.1, 0.69%, 0.41%

LAB 65.48, -37.05, -6.8

 

CMYK 92 / 0 / 4 / 24

HEX #0FC2BA

RGB 15 194 186

HSL 177.32, 0.86%, 0.41%

LAB 71.03, -41.05, -7.39

 

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

CMYK 54 / 0 / 2 / 44

HEX #428F8C

RGB 66 143 140

HSL 177.66, 0.37%, 0.41%

LAB 54.76, -24.37, -5.65

 

CMYK 34 / 0 / 2 / 51

HEX #537E7C

RGB 83 126 124

HSL 177.21, 0.21%, 0.41%

LAB 49.76, -15.25, -3.65

 

CMYK 8 / 0 / 0 / 57

HEX #646D6D

RGB 100 109 109

HSL 180, 0.04%, 0.41%

LAB 45.29, -3.41, -1.18

 

CMYK 0 / 21 / 21 / 54

HEX #755C5D

RGB 117 92 93

HSL 357.6, 0.12%, 0.41%

LAB 41.57, 10.37, 3.31

 

CMYK 69 / 0 / 41 / 37

HEX #31A05F

RGB 49 160 95

HSL 144.86, 0.53%, 0.41%

LAB 58.62, -46.13, 25.07

 

CMYK 69 / 0 / 22 / 37

HEX #31A07D

RGB 49 160 125

HSL 161.08, 0.53%, 0.41%

LAB 59.23, -39.6, 9.32

 

CMYK 69 / 0 / 4 / 37

HEX #31A09A

RGB 49 160 154

HSL 176.76, 0.53%, 0.41%

LAB 60, -31.85, -5.92

 

CMYK 69 / 15 / 0 / 37

HEX #3188A0

RGB 49 136 160

HSL 192.97, 0.53%, 0.41%

LAB 52.73, -17.8, -20.32

 

CMYK 69 / 34 / 0 / 37

HEX #316AA0

RGB 49 106 160

HSL 209.19, 0.53%, 0.41%

LAB 43.51, -0.43, -34.66

 

CMYK 69 / 0 / 3 / 62

HEX #1E615E

RGB 30 97 94

HSL 177.31, 0.53%, 0.25%

LAB 37.18, -21.33, -4.44

 

CMYK 70 / 0 / 3 / 50

HEX #27807C

RGB 39 128 124

HSL 177.3, 0.53%, 0.33%

LAB 48.67, -26.56, -5.45

 

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

CMYK 69 / 0 / 3 / 25

HEX #3BC0BA

RGB 59 192 186

HSL 177.29, 0.53%, 0.49%

LAB 70.99, -36.37, -7.38

 

CMYK 57 / 0 / 3 / 20

HEX #58CCC6

RGB 88 204 198

HSL 176.9, 0.53%, 0.57%

LAB 75.66, -33.96, -6.89

 

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

CMYK 59 / 69 / 0 / 37

HEX #4231A0

RGB 66 49 160

HSL 249.19, 0.53%, 0.41%

LAB 29.14, 39.01, -57.7

 

CMYK 0 / 31 / 69 / 37

HEX #A06E31

RGB 160 110 49

HSL 32.97, 0.53%, 0.41%

LAB 50.51, 13.8, 40.93

 

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

CMYK 4 / 69 / 0 / 37

HEX #9A31A0

RGB 154 49 160

HSL 296.76, 0.53%, 0.41%

LAB 40.58, 57.28, -38.67

 

CMYK 0 / 4 / 69 / 37

HEX #A09A31

RGB 160 154 49

HSL 56.76, 0.53%, 0.41%

LAB 62.34, -10.61, 53.28

 

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

CMYK 59 / 69 / 0 / 37

HEX #4231A0

RGB 66 49 160

HSL 249.19, 0.53%, 0.41%

LAB 29.14, 39.01, -57.7

 

CMYK 0 / 69 / 66 / 37

HEX #A03137

RGB 160 49 55

HSL 356.76, 0.53%, 0.41%

LAB 37.75, 46.05, 22.63

 

CMYK 11 / 0 / 69 / 37

HEX #8FA031

RGB 143 160 49

HSL 69.19, 0.53%, 0.41%

LAB 62.68, -21.13, 53.16

 

CMYK 69 / 0 / 3 / 37

HEX #31A09B

RGB 49 160 155

HSL 177.3, 0.53%, 0.41%

LAB 60.03, -31.56, -6.44

 

CMYK 38 / 69 / 0 / 37

HEX #6331A0

RGB 99 49 160

HSL 267.03, 0.53%, 0.41%

LAB 32.67, 45.07, -51.79

 

CMYK 0 / 69 / 66 / 37

HEX #A03137

RGB 160 49 55

HSL 356.76, 0.53%, 0.41%

LAB 37.75, 46.05, 22.63

 

CMYK 31 / 0 / 69 / 37

HEX #6EA031

RGB 110 160 49

HSL 87.03, 0.53%, 0.41%

LAB 60.5, -34.55, 50.23

 

Description

Color code: HEX #31A09B | qconv.com Color code: HEX #31A09B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 160 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 160 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 3 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 3% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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