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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31A082 it is the complementary color #CE5F7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31A082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31A082 shade: #36A07D, #47B290, #58C4A3, #69D6B6 and #7AE8C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31A082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31A082 shade: #31A082, #208E6F, #0F7C5C, #006A49 and #005836

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31A082 shade: #31A082, #31A064, #31A046, #3AA031 and #58A031

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31A082 shade: #31A082, #31A0A0, #3182A0, #3164A0 and #3146A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31A082 shade matches the following richer shades: #31A082, #20B18A and #0FC292

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31A082 shade: #31A082, #428F7A, #537E72, #646D6B and #755C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31A082 shade: #31A045, #31A063, #31A081, #31A09E and #3184A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31A082 shade: #1E614F, #278068, #31A082, #3BC09C and #58CCAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31A082 shade: #31A082, #313AA0 and #A05431

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31A082 shade: #31A082, #8131A0 and #A08131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31A082 shade: #31A082, #313AA0, #A03151 and #A09731

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31A082 shade: #31A082, #4931A0, #A03151 and #88A031

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

Complementary color

CMYK 0 / 54 / 39 / 19

HEX #CE5F7D

RGB 206 95 125

HSL 343.78, 0.53%, 0.59%

LAB 54.85, 46.9, 4.71

 

CMYK 66 / 0 / 22 / 37

HEX #36A07D

RGB 54 160 125

HSL 160.19, 0.5%, 0.42%

LAB 59.35, -38.75, 9.51

 

CMYK 60 / 0 / 19 / 30

HEX #47B290

RGB 71 178 144

HSL 160.93, 0.43%, 0.49%

LAB 65.9, -38.96, 8.32

 

CMYK 55 / 0 / 17 / 23

HEX #58C4A3

RGB 88 196 163

HSL 161.67, 0.48%, 0.56%

LAB 72.36, -39.02, 7.24

 

CMYK 51 / 0 / 15 / 16

HEX #69D6B6

RGB 105 214 182

HSL 162.39, 0.57%, 0.63%

LAB 78.74, -38.99, 6.26

 

CMYK 47 / 0 / 13 / 9

HEX #7AE8C9

RGB 122 232 201

HSL 163.09, 0.71%, 0.69%

LAB 85.03, -38.9, 5.35

 

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

CMYK 77 / 0 / 22 / 44

HEX #208E6F

RGB 32 142 111

HSL 163.09, 0.63%, 0.34%

LAB 52.73, -37.73, 8.01

 

CMYK 88 / 0 / 26 / 51

HEX #0F7C5C

RGB 15 124 92

HSL 162.39, 0.78%, 0.27%

LAB 46.03, -36.66, 9.52

 

CMYK 100 / 0 / 31 / 58

HEX #006A49

RGB 0 106 73

HSL 161.32, 1%, 0.21%

LAB 39.22, -35.08, 11.27

 

CMYK 100 / 0 / 39 / 65

HEX #005836

RGB 0 88 54

HSL 156.82, 1%, 0.17%

LAB 32.36, -32.3, 13.37

 

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

CMYK 69 / 0 / 38 / 37

HEX #31A064

RGB 49 160 100

HSL 147.57, 0.53%, 0.41%

LAB 58.71, -45.16, 22.48

 

CMYK 69 / 0 / 56 / 37

HEX #31A046

RGB 49 160 70

HSL 131.35, 0.53%, 0.41%

LAB 58.26, -50.23, 37.59

 

CMYK 64 / 0 / 69 / 37

HEX #3AA031

RGB 58 160 49

HSL 115.14, 0.53%, 0.41%

LAB 58.29, -50.78, 47.24

 

CMYK 45 / 0 / 69 / 37

HEX #58A031

RGB 88 160 49

HSL 98.92, 0.53%, 0.41%

LAB 59.38, -42.37, 48.72

 

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

CMYK 69 / 0 / 0 / 37

HEX #31A0A0

RGB 49 160 160

HSL 180, 0.53%, 0.41%

LAB 60.19, -30.1, -9.03

 

CMYK 69 / 19 / 0 / 37

HEX #3182A0

RGB 49 130 160

HSL 196.22, 0.53%, 0.41%

LAB 50.87, -14.51, -23.17

 

CMYK 69 / 38 / 0 / 37

HEX #3164A0

RGB 49 100 160

HSL 212.43, 0.53%, 0.41%

LAB 41.7, 3.31, -37.51

 

CMYK 69 / 56 / 0 / 37

HEX #3146A0

RGB 49 70 160

HSL 228.65, 0.53%, 0.41%

LAB 33.07, 22.95, -51.35

 

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

CMYK 82 / 0 / 22 / 31

HEX #20B18A

RGB 32 177 138

HSL 163.86, 0.69%, 0.41%

LAB 64.63, -45.74, 9.72

 

CMYK 92 / 0 / 25 / 24

HEX #0FC292

RGB 15 194 146

HSL 163.91, 0.86%, 0.41%

LAB 70.01, -51.75, 12.92

 

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

CMYK 54 / 0 / 15 / 44

HEX #428F7A

RGB 66 143 122

HSL 163.64, 0.37%, 0.41%

LAB 54.25, -29.14, 3.97

 

CMYK 34 / 0 / 10 / 51

HEX #537E72

RGB 83 126 114

HSL 163.26, 0.21%, 0.41%

LAB 49.47, -17.71, 1.81

 

CMYK 8 / 0 / 2 / 57

HEX #646D6B

RGB 100 109 107

HSL 166.67, 0.04%, 0.41%

LAB 45.23, -3.84, -0.06

 

CMYK 0 / 21 / 15 / 54

HEX #755C63

RGB 117 92 99

HSL 343.2, 0.12%, 0.41%

LAB 41.75, 11.42, -0.11

 

CMYK 69 / 0 / 57 / 37

HEX #31A045

RGB 49 160 69

HSL 130.81, 0.53%, 0.41%

LAB 58.25, -50.37, 38.06

 

CMYK 69 / 0 / 38 / 37

HEX #31A063

RGB 49 160 99

HSL 147.03, 0.53%, 0.41%

LAB 58.69, -45.35, 23

 

CMYK 69 / 0 / 19 / 37

HEX #31A081

RGB 49 160 129

HSL 163.24, 0.53%, 0.41%

LAB 59.32, -38.61, 7.21

 

CMYK 69 / 0 / 1 / 37

HEX #31A09E

RGB 49 160 158

HSL 178.92, 0.53%, 0.41%

LAB 60.13, -30.69, -8

 

CMYK 69 / 18 / 0 / 37

HEX #3184A0

RGB 49 132 160

HSL 195.14, 0.53%, 0.41%

LAB 51.49, -15.61, -22.22

 

CMYK 69 / 0 / 19 / 62

HEX #1E614F

RGB 30 97 79

HSL 163.88, 0.53%, 0.25%

LAB 36.72, -25.76, 4.17

 

CMYK 70 / 0 / 19 / 50

HEX #278068

RGB 39 128 104

HSL 163.82, 0.53%, 0.33%

LAB 48.09, -32.21, 5.48

 

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

CMYK 69 / 0 / 19 / 25

HEX #3BC09C

RGB 59 192 156

HSL 163.76, 0.53%, 0.49%

LAB 70.2, -44.26, 7.84

 

CMYK 57 / 0 / 16 / 20

HEX #58CCAC

RGB 88 204 172

HSL 163.45, 0.53%, 0.57%

LAB 74.98, -40.49, 6.14

 

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

CMYK 69 / 64 / 0 / 37

HEX #313AA0

RGB 49 58 160

HSL 235.14, 0.53%, 0.41%

LAB 29.95, 30.87, -56.42

 

CMYK 0 / 48 / 69 / 37

HEX #A05431

RGB 160 84 49

HSL 18.92, 0.53%, 0.41%

LAB 44.28, 28.46, 34.01

 

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

CMYK 19 / 69 / 0 / 37

HEX #8131A0

RGB 129 49 160

HSL 283.24, 0.53%, 0.41%

LAB 36.75, 51.55, -45.01

 

CMYK 0 / 19 / 69 / 37

HEX #A08131

RGB 160 129 49

HSL 43.24, 0.53%, 0.41%

LAB 55.48, 3.04, 46.23

 

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

CMYK 69 / 64 / 0 / 37

HEX #313AA0

RGB 49 58 160

HSL 235.14, 0.53%, 0.41%

LAB 29.95, 30.87, -56.42

 

CMYK 0 / 69 / 49 / 37

HEX #A03151

RGB 160 49 81

HSL 342.7, 0.53%, 0.41%

LAB 38.31, 48.05, 6.96

 

CMYK 0 / 6 / 69 / 37

HEX #A09731

RGB 160 151 49

HSL 55.14, 0.53%, 0.41%

LAB 61.51, -9.01, 52.43

 

CMYK 69 / 0 / 19 / 37

HEX #31A082

RGB 49 160 130

HSL 163.78, 0.53%, 0.41%

LAB 59.35, -38.36, 6.68

 

CMYK 54 / 69 / 0 / 37

HEX #4931A0

RGB 73 49 160

HSL 252.97, 0.53%, 0.41%

LAB 29.79, 40.16, -56.61

 

CMYK 0 / 69 / 49 / 37

HEX #A03151

RGB 160 49 81

HSL 342.7, 0.53%, 0.41%

LAB 38.31, 48.05, 6.96

 

CMYK 15 / 0 / 69 / 37

HEX #88A031

RGB 136 160 49

HSL 72.97, 0.53%, 0.41%

LAB 62.17, -24.09, 52.48

 

Description

Color code: HEX #31A082 | qconv.com Color code: HEX #31A082 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 160 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 160 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 19 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 19% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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