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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #319D6F it is the complementary color #CE6290. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #319D6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #319D6F shade: #369D6A, #47AF7D, #58C190, #69D3A3 and #7AE5B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #319D6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #319D6F shade: #319D6F, #208B5C, #0F7949, #006736 and #005523

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #319D6F shade: #319B6E, #319B51, #319B35, #4A9B31 and #669B31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #319D6F shade: #319B6E, #319B8A, #318F9B, #31729B and #31569B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #319D6F shade matches the following richer shades: #319B6E, #20AC70 and #10BC73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #319D6F shade: #319B6E, #418B6B, #527A69, #626A67 and #735964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #319D6F shade: #319B34, #319B51, #319B6D, #319B89 and #31909B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #319D6F shade: #1D5C41, #277C58, #319B6E, #3BBA84 and #55C998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #319D6F shade: #319D6F, #314A9B and #9B4331

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #319D6F shade: #319D6F, #6D319B and #9B6D31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #319D6F shade: #319D6F, #314A9B, #9B315F and #9B8231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #319D6F shade: #319D6F, #38319B, #9B315F and #949B31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 29 / 38

HEX #319D6F

RGB 49 157 111

HSL 154.44, 0.52%, 0.4%

LAB 57.96, -41.59, 15.38

 

Complementary color

CMYK 0 / 52 / 30 / 19

HEX #CE6290

RGB 206 98 144

HSL 334.44, 0.52%, 0.6%

LAB 55.96, 47.72, -4.84

 

CMYK 66 / 0 / 32 / 38

HEX #369D6A

RGB 54 157 106

HSL 150.29, 0.49%, 0.41%

LAB 57.98, -41.77, 18.21

 

CMYK 59 / 0 / 29 / 31

HEX #47AF7D

RGB 71 175 125

HSL 151.15, 0.42%, 0.48%

LAB 64.55, -41.92, 16.86

 

CMYK 54 / 0 / 25 / 24

HEX #58C190

RGB 88 193 144

HSL 152, 0.46%, 0.55%

LAB 71.03, -41.92, 15.63

 

CMYK 50 / 0 / 23 / 17

HEX #69D3A3

RGB 105 211 163

HSL 152.83, 0.55%, 0.62%

LAB 77.42, -41.82, 14.51

 

CMYK 47 / 0 / 21 / 10

HEX #7AE5B6

RGB 122 229 182

HSL 153.64, 0.67%, 0.69%

LAB 83.73, -41.67, 13.47

 

CMYK 69 / 0 / 29 / 38

HEX #319D6F

RGB 49 157 111

HSL 154.44, 0.52%, 0.4%

LAB 57.96, -41.59, 15.38

 

CMYK 77 / 0 / 34 / 45

HEX #208B5C

RGB 32 139 92

HSL 153.64, 0.63%, 0.34%

LAB 51.32, -41.02, 16.89

 

CMYK 88 / 0 / 40 / 53

HEX #0F7949

RGB 15 121 73

HSL 152.83, 0.78%, 0.27%

LAB 44.6, -39.94, 18.6

 

CMYK 100 / 0 / 48 / 60

HEX #006736

RGB 0 103 54

HSL 151.46, 1%, 0.2%

LAB 37.78, -38.24, 20.53

 

CMYK 100 / 0 / 59 / 67

HEX #005523

RGB 0 85 35

HSL 144.71, 1%, 0.17%

LAB 30.92, -35.08, 22.72

 

CMYK 68 / 0 / 29 / 39

HEX #319B6E

RGB 49 155 110

HSL 154.53, 0.52%, 0.4%

LAB 57.29, -40.97, 15.02

 

CMYK 68 / 0 / 48 / 39

HEX #319B51

RGB 49 155 81

HSL 138.11, 0.52%, 0.4%

LAB 56.77, -46.67, 30.15

 

CMYK 68 / 0 / 66 / 39

HEX #319B35

RGB 49 155 53

HSL 122.26, 0.52%, 0.4%

LAB 56.44, -50.52, 43.46

 

CMYK 52 / 0 / 68 / 39

HEX #4A9B31

RGB 74 155 49

HSL 105.85, 0.52%, 0.4%

LAB 57.19, -44.69, 46.23

 

CMYK 34 / 0 / 68 / 39

HEX #669B31

RGB 102 155 49

HSL 90, 0.52%, 0.4%

LAB 58.5, -35.29, 48.01

 

CMYK 68 / 0 / 29 / 39

HEX #319B6E

RGB 49 155 110

HSL 154.53, 0.52%, 0.4%

LAB 57.29, -40.97, 15.02

 

CMYK 68 / 0 / 11 / 39

HEX #319B8A

RGB 49 155 138

HSL 170.38, 0.52%, 0.4%

LAB 57.97, -33.98, 0.17

 

CMYK 68 / 8 / 0 / 39

HEX #318F9B

RGB 49 143 155

HSL 186.79, 0.52%, 0.4%

LAB 54.73, -23.11, -14.39

 

CMYK 68 / 26 / 0 / 39

HEX #31729B

RGB 49 114 155

HSL 203.21, 0.52%, 0.4%

LAB 45.71, -7.05, -28.25

 

CMYK 68 / 45 / 0 / 39

HEX #31569B

RGB 49 86 155

HSL 219.06, 0.52%, 0.4%

LAB 37.25, 10.46, -41.6

 

CMYK 68 / 0 / 29 / 39

HEX #319B6E

RGB 49 155 110

HSL 154.53, 0.52%, 0.4%

LAB 57.29, -40.97, 15.02

 

CMYK 81 / 0 / 35 / 33

HEX #20AC70

RGB 32 172 112

HSL 154.29, 0.69%, 0.4%

LAB 62.49, -49.75, 20.99

 

CMYK 91 / 0 / 39 / 26

HEX #10BC73

RGB 16 188 115

HSL 154.53, 0.84%, 0.4%

LAB 67.51, -56.3, 26.1

 

CMYK 68 / 0 / 29 / 39

HEX #319B6E

RGB 49 155 110

HSL 154.53, 0.52%, 0.4%

LAB 57.29, -40.97, 15.02

 

CMYK 53 / 0 / 23 / 45

HEX #418B6B

RGB 65 139 107

HSL 154.05, 0.36%, 0.4%

LAB 52.56, -31.06, 10.2

 

CMYK 33 / 0 / 14 / 52

HEX #527A69

RGB 82 122 105

HSL 154.5, 0.2%, 0.4%

LAB 47.92, -17.98, 4.87

 

CMYK 8 / 0 / 3 / 58

HEX #626A67

RGB 98 106 103

HSL 157.5, 0.04%, 0.4%

LAB 44.07, -3.7, 0.62

 

CMYK 0 / 23 / 13 / 55

HEX #735964

RGB 115 89 100

HSL 334.62, 0.13%, 0.4%

LAB 40.75, 12.62, -2.21

 

CMYK 68 / 0 / 66 / 39

HEX #319B34

RGB 49 155 52

HSL 121.7, 0.52%, 0.4%

LAB 56.43, -50.63, 43.89

 

CMYK 68 / 0 / 48 / 39

HEX #319B51

RGB 49 155 81

HSL 138.11, 0.52%, 0.4%

LAB 56.77, -46.67, 30.15

 

CMYK 68 / 0 / 30 / 39

HEX #319B6D

RGB 49 155 109

HSL 153.96, 0.52%, 0.4%

LAB 57.27, -41.2, 15.55

 

CMYK 68 / 0 / 12 / 39

HEX #319B89

RGB 49 155 137

HSL 169.81, 0.52%, 0.4%

LAB 57.94, -34.26, 0.69

 

CMYK 68 / 7 / 0 / 39

HEX #31909B

RGB 49 144 155

HSL 186.23, 0.52%, 0.4%

LAB 55.04, -23.62, -13.92

 

CMYK 68 / 0 / 29 / 64

HEX #1D5C41

RGB 29 92 65

HSL 154.29, 0.52%, 0.24%

LAB 34.59, -27.2, 9.78

 

CMYK 69 / 0 / 29 / 51

HEX #277C58

RGB 39 124 88

HSL 154.59, 0.52%, 0.32%

LAB 46.38, -34.38, 12.42

 

CMYK 68 / 0 / 29 / 39

HEX #319B6E

RGB 49 155 110

HSL 154.53, 0.52%, 0.4%

LAB 57.29, -40.97, 15.02

 

CMYK 68 / 0 / 29 / 27

HEX #3BBA84

RGB 59 186 132

HSL 154.49, 0.52%, 0.48%

LAB 67.81, -47.3, 17.51

 

CMYK 58 / 0 / 24 / 21

HEX #55C998

RGB 85 201 152

HSL 154.66, 0.52%, 0.56%

LAB 73.53, -44.33, 14.81

 

CMYK 69 / 0 / 29 / 38

HEX #319D6F

RGB 49 157 111

HSL 154.44, 0.52%, 0.4%

LAB 57.96, -41.59, 15.38

 

CMYK 68 / 52 / 0 / 39

HEX #314A9B

RGB 49 74 155

HSL 225.85, 0.52%, 0.4%

LAB 33.81, 18.41, -47.14

 

CMYK 0 / 57 / 68 / 39

HEX #9B4331

RGB 155 67 49

HSL 10.19, 0.52%, 0.4%

LAB 39.92, 35.48, 28.73

 

CMYK 69 / 0 / 29 / 38

HEX #319D6F

RGB 49 157 111

HSL 154.44, 0.52%, 0.4%

LAB 57.96, -41.59, 15.38

 

CMYK 30 / 68 / 0 / 39

HEX #6D319B

RGB 109 49 155

HSL 273.96, 0.52%, 0.4%

LAB 33.59, 45.96, -47.21

 

CMYK 0 / 30 / 68 / 39

HEX #9B6D31

RGB 155 109 49

HSL 33.96, 0.52%, 0.4%

LAB 49.65, 12.12, 39.82

 

CMYK 69 / 0 / 29 / 38

HEX #319D6F

RGB 49 157 111

HSL 154.44, 0.52%, 0.4%

LAB 57.96, -41.59, 15.38

 

CMYK 68 / 52 / 0 / 39

HEX #314A9B

RGB 49 74 155

HSL 225.85, 0.52%, 0.4%

LAB 33.81, 18.41, -47.14

 

CMYK 0 / 68 / 39 / 39

HEX #9B315F

RGB 155 49 95

HSL 333.96, 0.52%, 0.4%

LAB 37.83, 47.93, -2.75

 

CMYK 0 / 16 / 68 / 39

HEX #9B8231

RGB 155 130 49

HSL 45.85, 0.52%, 0.4%

LAB 55.23, 0.21, 45.82

 

CMYK 69 / 0 / 29 / 38

HEX #319D6F

RGB 49 157 111

HSL 154.44, 0.52%, 0.4%

LAB 57.96, -41.59, 15.38

 

CMYK 64 / 68 / 0 / 39

HEX #38319B

RGB 56 49 155

HSL 243.96, 0.52%, 0.4%

LAB 27.86, 35.83, -56.8

 

CMYK 0 / 68 / 39 / 39

HEX #9B315F

RGB 155 49 95

HSL 333.96, 0.52%, 0.4%

LAB 37.83, 47.93, -2.75

 

CMYK 5 / 0 / 68 / 39

HEX #949B31

RGB 148 155 49

HSL 63.96, 0.52%, 0.4%

LAB 61.62, -16.41, 52.22

 

Description

Color code: HEX #319D6F | qconv.com Color code: HEX #319D6F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 157 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 157 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 29 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 29% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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