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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #319C7F it is the complementary color #CE6380. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #319C7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #319C7F shade: #369C7A, #47AE8D, #58C0A0, #69D2B3 and #7AE4C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #319C7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #319C7F shade: #319C7F, #208A6C, #0F7859, #006646 and #005433

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #319C7F shade: #319B7E, #319B62, #319B45, #399B31 and #569B31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #319C7F shade: #319B7E, #319B9B, #317F9B, #31629B and #31459B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #319C7F shade matches the following richer shades: #319B7E, #20AC86 and #10BC8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #319C7F shade: #319B7E, #418B77, #527A6F, #626A68 and #735960

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #319C7F shade: #319B44, #319B61, #319B7D, #319B99 and #31819B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #319C7F shade: #1D5C4B, #277C65, #319B7E, #3BBA98 and #55C9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #319C7F shade: #319C7F, #313A9B and #9B5331

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #319C7F shade: #319C7F, #7D319B and #9B7D31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #319C7F shade: #319C7F, #313A9B, #9B314F and #9B9231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #319C7F shade: #319C7F, #48319B, #9B314F and #849B31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 19 / 39

HEX #319C7F

RGB 49 156 127

HSL 163.74, 0.52%, 0.4%

LAB 58, -37.34, 6.45

 

Complementary color

CMYK 0 / 52 / 38 / 19

HEX #CE6380

RGB 206 99 128

HSL 343.74, 0.52%, 0.6%

LAB 55.69, 45.27, 4.15

 

CMYK 65 / 0 / 22 / 39

HEX #369C7A

RGB 54 156 122

HSL 160, 0.49%, 0.41%

LAB 58.01, -37.7, 9.3

 

CMYK 59 / 0 / 19 / 32

HEX #47AE8D

RGB 71 174 141

HSL 160.78, 0.42%, 0.48%

LAB 64.59, -37.88, 8.11

 

CMYK 54 / 0 / 17 / 25

HEX #58C0A0

RGB 88 192 160

HSL 161.54, 0.45%, 0.55%

LAB 71.09, -37.92, 7.05

 

CMYK 50 / 0 / 15 / 18

HEX #69D2B3

RGB 105 210 179

HSL 162.29, 0.54%, 0.62%

LAB 77.49, -37.86, 6.07

 

CMYK 46 / 0 / 13 / 11

HEX #7AE4C6

RGB 122 228 198

HSL 163.02, 0.66%, 0.69%

LAB 83.81, -37.76, 5.17

 

CMYK 69 / 0 / 19 / 39

HEX #319C7F

RGB 49 156 127

HSL 163.74, 0.52%, 0.4%

LAB 58, -37.34, 6.45

 

CMYK 77 / 0 / 22 / 46

HEX #208A6C

RGB 32 138 108

HSL 163.02, 0.62%, 0.33%

LAB 51.34, -36.75, 7.76

 

CMYK 88 / 0 / 26 / 53

HEX #0F7859

RGB 15 120 89

HSL 162.29, 0.78%, 0.26%

LAB 44.6, -35.72, 9.28

 

CMYK 100 / 0 / 31 / 60

HEX #006646

RGB 0 102 70

HSL 161.18, 1%, 0.2%

LAB 37.74, -34.16, 11.02

 

CMYK 100 / 0 / 39 / 67

HEX #005433

RGB 0 84 51

HSL 156.43, 1%, 0.16%

LAB 30.83, -31.37, 13.15

 

CMYK 68 / 0 / 19 / 39

HEX #319B7E

RGB 49 155 126

HSL 163.58, 0.52%, 0.4%

LAB 57.66, -37.14, 6.52

 

CMYK 68 / 0 / 37 / 39

HEX #319B62

RGB 49 155 98

HSL 147.74, 0.52%, 0.4%

LAB 57.05, -43.53, 21.36

 

CMYK 68 / 0 / 55 / 39

HEX #319B45

RGB 49 155 69

HSL 131.32, 0.52%, 0.4%

LAB 56.61, -48.53, 36.1

 

CMYK 63 / 0 / 68 / 39

HEX #399B31

RGB 57 155 49

HSL 115.47, 0.52%, 0.4%

LAB 56.62, -49.19, 45.45

 

CMYK 45 / 0 / 68 / 39

HEX #569B31

RGB 86 155 49

HSL 99.06, 0.52%, 0.4%

LAB 57.7, -40.93, 46.92

 

CMYK 68 / 0 / 19 / 39

HEX #319B7E

RGB 49 155 126

HSL 163.58, 0.52%, 0.4%

LAB 57.66, -37.14, 6.52

 

CMYK 68 / 0 / 0 / 39

HEX #319B9B

RGB 49 155 155

HSL 180, 0.52%, 0.4%

LAB 58.47, -29.14, -8.76

 

CMYK 68 / 18 / 0 / 39

HEX #317F9B

RGB 49 127 155

HSL 195.85, 0.52%, 0.4%

LAB 49.74, -14.52, -22.01

 

CMYK 68 / 37 / 0 / 39

HEX #31629B

RGB 49 98 155

HSL 212.26, 0.52%, 0.4%

LAB 40.82, 2.73, -35.92

 

CMYK 68 / 55 / 0 / 39

HEX #31459B

RGB 49 69 155

HSL 228.68, 0.52%, 0.4%

LAB 32.43, 21.76, -49.37

 

CMYK 68 / 0 / 19 / 39

HEX #319B7E

RGB 49 155 126

HSL 163.58, 0.52%, 0.4%

LAB 57.66, -37.14, 6.52

 

CMYK 81 / 0 / 22 / 33

HEX #20AC86

RGB 32 172 134

HSL 163.71, 0.69%, 0.4%

LAB 62.96, -44.67, 9.55

 

CMYK 91 / 0 / 25 / 26

HEX #10BC8D

RGB 16 188 141

HSL 163.6, 0.84%, 0.4%

LAB 68.02, -50.56, 12.84

 

CMYK 68 / 0 / 19 / 39

HEX #319B7E

RGB 49 155 126

HSL 163.58, 0.52%, 0.4%

LAB 57.66, -37.14, 6.52

 

CMYK 53 / 0 / 14 / 45

HEX #418B77

RGB 65 139 119

HSL 163.78, 0.36%, 0.4%

LAB 52.86, -28.18, 3.7

 

CMYK 33 / 0 / 9 / 52

HEX #527A6F

RGB 82 122 111

HSL 163.5, 0.2%, 0.4%

LAB 48.08, -16.59, 1.56

 

CMYK 8 / 0 / 2 / 58

HEX #626A68

RGB 98 106 104

HSL 165, 0.04%, 0.4%

LAB 44.1, -3.48, 0.06

 

CMYK 0 / 23 / 17 / 55

HEX #735960

RGB 115 89 96

HSL 343.85, 0.13%, 0.4%

LAB 40.63, 11.89, 0.07

 

CMYK 68 / 0 / 56 / 39

HEX #319B44

RGB 49 155 68

HSL 130.75, 0.52%, 0.4%

LAB 56.6, -48.67, 36.59

 

CMYK 68 / 0 / 37 / 39

HEX #319B61

RGB 49 155 97

HSL 147.17, 0.52%, 0.4%

LAB 57.04, -43.73, 21.88

 

CMYK 68 / 0 / 19 / 39

HEX #319B7D

RGB 49 155 125

HSL 163.02, 0.52%, 0.4%

LAB 57.63, -37.39, 7.05

 

CMYK 68 / 0 / 1 / 39

HEX #319B99

RGB 49 155 153

HSL 178.87, 0.52%, 0.4%

LAB 58.41, -29.73, -7.72

 

CMYK 68 / 17 / 0 / 39

HEX #31819B

RGB 49 129 155

HSL 194.72, 0.52%, 0.4%

LAB 50.36, -15.62, -21.05

 

CMYK 68 / 0 / 18 / 64

HEX #1D5C4B

RGB 29 92 75

HSL 163.81, 0.52%, 0.24%

LAB 34.85, -24.58, 3.95

 

CMYK 69 / 0 / 19 / 51

HEX #277C65

RGB 39 124 101

HSL 163.76, 0.52%, 0.32%

LAB 46.69, -31.13, 5.23

 

CMYK 68 / 0 / 19 / 39

HEX #319B7E

RGB 49 155 126

HSL 163.58, 0.52%, 0.4%

LAB 57.66, -37.14, 6.52

 

CMYK 68 / 0 / 18 / 27

HEX #3BBA98

RGB 59 186 152

HSL 163.94, 0.52%, 0.48%

LAB 68.25, -42.67, 7.25

 

CMYK 58 / 0 / 15 / 21

HEX #55C9AA

RGB 85 201 170

HSL 163.97, 0.52%, 0.56%

LAB 73.94, -40.23, 5.71

 

CMYK 69 / 0 / 19 / 39

HEX #319C7F

RGB 49 156 127

HSL 163.74, 0.52%, 0.4%

LAB 58, -37.34, 6.45

 

CMYK 68 / 63 / 0 / 39

HEX #313A9B

RGB 49 58 155

HSL 234.91, 0.52%, 0.4%

LAB 29.53, 29.06, -54.09

 

CMYK 0 / 46 / 68 / 39

HEX #9B5331

RGB 155 83 49

HSL 19.25, 0.52%, 0.4%

LAB 43.33, 26.91, 32.71

 

CMYK 69 / 0 / 19 / 39

HEX #319C7F

RGB 49 156 127

HSL 163.74, 0.52%, 0.4%

LAB 58, -37.34, 6.45

 

CMYK 19 / 68 / 0 / 39

HEX #7D319B

RGB 125 49 155

HSL 283.02, 0.52%, 0.4%

LAB 35.84, 49.58, -43.48

 

CMYK 0 / 19 / 68 / 39

HEX #9B7D31

RGB 155 125 49

HSL 43.02, 0.52%, 0.4%

LAB 53.88, 3.02, 44.38

 

CMYK 69 / 0 / 19 / 39

HEX #319C7F

RGB 49 156 127

HSL 163.74, 0.52%, 0.4%

LAB 58, -37.34, 6.45

 

CMYK 68 / 63 / 0 / 39

HEX #313A9B

RGB 49 58 155

HSL 234.91, 0.52%, 0.4%

LAB 29.53, 29.06, -54.09

 

CMYK 0 / 68 / 49 / 39

HEX #9B314F

RGB 155 49 79

HSL 343.02, 0.52%, 0.4%

LAB 37.35, 46.26, 6.74

 

CMYK 0 / 6 / 68 / 39

HEX #9B9231

RGB 155 146 49

HSL 54.91, 0.52%, 0.4%

LAB 59.66, -8.56, 50.41

 

CMYK 69 / 0 / 19 / 39

HEX #319C7F

RGB 49 156 127

HSL 163.74, 0.52%, 0.4%

LAB 58, -37.34, 6.45

 

CMYK 54 / 68 / 0 / 39

HEX #48319B

RGB 72 49 155

HSL 253.02, 0.52%, 0.4%

LAB 29.26, 38.46, -54.44

 

CMYK 0 / 68 / 49 / 39

HEX #9B314F

RGB 155 49 79

HSL 343.02, 0.52%, 0.4%

LAB 37.35, 46.26, 6.74

 

CMYK 15 / 0 / 68 / 39

HEX #849B31

RGB 132 155 49

HSL 73.02, 0.52%, 0.4%

LAB 60.4, -23.29, 50.58

 

Description

Color code: HEX #319C7F | qconv.com Color code: HEX #319C7F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 156 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 156 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 19 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 19% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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