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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #319ABC it is the complementary color #CE6543. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #319ABC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #319ABC shade: #369AB7, #47ACCA, #58BEDD, #69D0F0 and #7AE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #319ABC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #319ABC shade: #319ABC, #2088A9, #0F7696, #006483 and #005270

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #319ABC shade: #3099BB, #3073BB, #304EBB, #3830BB and #5D30BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #319ABC shade: #3099BB, #3073BB, #304EBB and #3030BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #319ABC shade matches the following richer shades: #3099BB, #1DA2CD and #0AACE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #319ABC shade: #3099BB, #438FA8, #568595, #697C82 and #7C726F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #319ABC shade: #30BB91, #30BBB6, #309ABB, #3075BB and #3050BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #319ABC shade: #1F6379, #287E9A, #3099BB, #45ADCF and #66BCD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #319ABC shade: #319ABC, #6C30BB and #BBA330

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #319ABC shade: #319ABC, #BB309A and #9ABB30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #319ABC shade: #319ABC, #6C30BB, #BB5030 and #7FBB30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #319ABC shade: #319ABC, #9630BB, #BB5030 and #55BB30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 18 / 0 / 26

HEX #319ABC

RGB 49 154 188

HSL 194.68, 0.59%, 0.46%

LAB 59.34, -18.21, -26.15

 

Complementary color

CMYK 0 / 51 / 67 / 19

HEX #CE6543

RGB 206 101 67

HSL 14.68, 0.59%, 0.54%

LAB 54.9, 39.01, 38.21

 

CMYK 70 / 16 / 0 / 28

HEX #369AB7

RGB 54 154 183

HSL 193.49, 0.54%, 0.46%

LAB 59.26, -19.18, -23.43

 

CMYK 65 / 15 / 0 / 21

HEX #47ACCA

RGB 71 172 202

HSL 193.74, 0.55%, 0.54%

LAB 65.83, -19.99, -23.94

 

CMYK 60 / 14 / 0 / 13

HEX #58BEDD

RGB 88 190 221

HSL 193.98, 0.66%, 0.61%

LAB 72.31, -20.6, -24.41

 

CMYK 56 / 13 / 0 / 6

HEX #69D0F0

RGB 105 208 240

HSL 194.22, 0.82%, 0.68%

LAB 78.7, -21.07, -24.85

 

CMYK 52 / 11 / 0 / 0

HEX #7AE2FF

RGB 122 226 255

HSL 193.08, 1%, 0.74%

LAB 84.87, -22.53, -23.36

 

CMYK 74 / 18 / 0 / 26

HEX #319ABC

RGB 49 154 188

HSL 194.68, 0.59%, 0.46%

LAB 59.34, -18.21, -26.15

 

CMYK 81 / 20 / 0 / 34

HEX #2088A9

RGB 32 136 169

HSL 194.45, 0.68%, 0.39%

LAB 52.71, -16.89, -25.58

 

CMYK 90 / 21 / 0 / 41

HEX #0F7696

RGB 15 118 150

HSL 194.22, 0.82%, 0.32%

LAB 45.99, -15.11, -24.92

 

CMYK 100 / 24 / 0 / 49

HEX #006483

RGB 0 100 131

HSL 194.2, 1%, 0.26%

LAB 39.16, -12.83, -24.16

 

CMYK 100 / 27 / 0 / 56

HEX #005270

RGB 0 82 112

HSL 196.07, 1%, 0.22%

LAB 32.27, -9.61, -23.21

 

CMYK 74 / 18 / 0 / 27

HEX #3099BB

RGB 48 153 187

HSL 194.68, 0.59%, 0.46%

LAB 58.97, -18.13, -26.15

 

CMYK 74 / 39 / 0 / 27

HEX #3073BB

RGB 48 115 187

HSL 211.08, 0.59%, 0.46%

LAB 47.6, 3.78, -43.97

 

CMYK 74 / 58 / 0 / 27

HEX #304EBB

RGB 48 78 187

HSL 227.05, 0.59%, 0.46%

LAB 37.23, 27.58, -60.64

 

CMYK 70 / 74 / 0 / 27

HEX #3830BB

RGB 56 48 187

HSL 243.45, 0.59%, 0.46%

LAB 30.74, 46.95, -71.27

 

CMYK 50 / 74 / 0 / 27

HEX #5D30BB

RGB 93 48 187

HSL 259.42, 0.59%, 0.46%

LAB 34.04, 51.71, -65.72

 

CMYK 74 / 18 / 0 / 27

HEX #3099BB

RGB 48 153 187

HSL 194.68, 0.59%, 0.46%

LAB 58.97, -18.13, -26.15

 

CMYK 74 / 39 / 0 / 27

HEX #3073BB

RGB 48 115 187

HSL 211.08, 0.59%, 0.46%

LAB 47.6, 3.78, -43.97

 

CMYK 74 / 58 / 0 / 27

HEX #304EBB

RGB 48 78 187

HSL 227.05, 0.59%, 0.46%

LAB 37.23, 27.58, -60.64

 

CMYK 74 / 74 / 0 / 27

HEX #3030BB

RGB 48 48 187

HSL 240, 0.59%, 0.46%

LAB 30.23, 46.19, -72.13

 

CMYK 74 / 18 / 0 / 27

HEX #3099BB

RGB 48 153 187

HSL 194.68, 0.59%, 0.46%

LAB 58.97, -18.13, -26.15

 

CMYK 86 / 21 / 0 / 20

HEX #1DA2CD

RGB 29 162 205

HSL 194.66, 0.75%, 0.46%

LAB 62.09, -18.62, -31.45

 

CMYK 96 / 23 / 0 / 12

HEX #0AACE0

RGB 10 172 224

HSL 194.58, 0.91%, 0.46%

LAB 65.71, -18.2, -36.35

 

CMYK 74 / 18 / 0 / 27

HEX #3099BB

RGB 48 153 187

HSL 194.68, 0.59%, 0.46%

LAB 58.97, -18.13, -26.15

 

CMYK 60 / 15 / 0 / 34

HEX #438FA8

RGB 67 143 168

HSL 194.85, 0.43%, 0.46%

LAB 55.75, -15.87, -20.25

 

CMYK 42 / 11 / 0 / 42

HEX #568595

RGB 86 133 149

HSL 195.24, 0.27%, 0.46%

LAB 52.87, -11.58, -13.6

 

CMYK 19 / 5 / 0 / 49

HEX #697C82

RGB 105 124 130

HSL 194.4, 0.11%, 0.46%

LAB 50.72, -5.54, -5.59

 

CMYK 0 / 8 / 10 / 51

HEX #7C726F

RGB 124 114 111

HSL 13.85, 0.06%, 0.46%

LAB 48.84, 3.31, 3.05

 

CMYK 74 / 0 / 22 / 27

HEX #30BB91

RGB 48 187 145

HSL 161.87, 0.59%, 0.46%

LAB 68.18, -46.37, 10.94

 

CMYK 74 / 0 / 3 / 27

HEX #30BBB6

RGB 48 187 182

HSL 177.84, 0.59%, 0.46%

LAB 69.15, -36.57, -7.95

 

CMYK 74 / 18 / 0 / 27

HEX #309ABB

RGB 48 154 187

HSL 194.24, 0.59%, 0.46%

LAB 59.28, -18.67, -25.68

 

CMYK 74 / 37 / 0 / 27

HEX #3075BB

RGB 48 117 187

HSL 210.22, 0.59%, 0.46%

LAB 48.18, 2.55, -43.03

 

CMYK 74 / 57 / 0 / 27

HEX #3050BB

RGB 48 80 187

HSL 226.19, 0.59%, 0.46%

LAB 37.76, 26.27, -59.79

 

CMYK 74 / 18 / 0 / 53

HEX #1F6379

RGB 31 99 121

HSL 194.67, 0.59%, 0.3%

LAB 38.89, -13.19, -18.46

 

CMYK 74 / 18 / 0 / 40

HEX #287E9A

RGB 40 126 154

HSL 194.74, 0.59%, 0.38%

LAB 49.14, -15.65, -22.37

 

CMYK 74 / 18 / 0 / 27

HEX #3099BB

RGB 48 153 187

HSL 194.68, 0.59%, 0.46%

LAB 58.97, -18.13, -26.15

 

CMYK 67 / 16 / 0 / 19

HEX #45ADCF

RGB 69 173 207

HSL 194.78, 0.59%, 0.54%

LAB 66.26, -19.27, -26.06

 

CMYK 53 / 13 / 0 / 16

HEX #66BCD7

RGB 102 188 215

HSL 194.34, 0.59%, 0.62%

LAB 72.03, -18.57, -21.53

 

CMYK 74 / 18 / 0 / 26

HEX #319ABC

RGB 49 154 188

HSL 194.68, 0.59%, 0.46%

LAB 59.34, -18.21, -26.15

 

CMYK 42 / 74 / 0 / 27

HEX #6C30BB

RGB 108 48 187

HSL 265.9, 0.59%, 0.46%

LAB 35.77, 54.13, -62.82

 

CMYK 0 / 13 / 74 / 27

HEX #BBA330

RGB 187 163 48

HSL 49.64, 0.59%, 0.46%

LAB 67.26, -3.5, 59.31

 

CMYK 74 / 18 / 0 / 26

HEX #319ABC

RGB 49 154 188

HSL 194.68, 0.59%, 0.46%

LAB 59.34, -18.21, -26.15

 

CMYK 0 / 74 / 18 / 27

HEX #BB309A

RGB 187 48 154

HSL 314.24, 0.59%, 0.46%

LAB 45.65, 64.5, -26.71

 

CMYK 18 / 0 / 74 / 27

HEX #9ABB30

RGB 154 187 48

HSL 74.24, 0.59%, 0.46%

LAB 71.3, -29.8, 62.26

 

CMYK 74 / 18 / 0 / 26

HEX #319ABC

RGB 49 154 188

HSL 194.68, 0.59%, 0.46%

LAB 59.34, -18.21, -26.15

 

CMYK 42 / 74 / 0 / 27

HEX #6C30BB

RGB 108 48 187

HSL 265.9, 0.59%, 0.46%

LAB 35.77, 54.13, -62.82

 

CMYK 0 / 57 / 74 / 27

HEX #BB5030

RGB 187 80 48

HSL 13.81, 0.59%, 0.46%

LAB 47.64, 41.24, 39.45

 

CMYK 32 / 0 / 74 / 27

HEX #7FBB30

RGB 127 187 48

HSL 85.9, 0.59%, 0.46%

LAB 69.66, -40.31, 60.11

 

CMYK 74 / 18 / 0 / 26

HEX #319ABC

RGB 49 154 188

HSL 194.68, 0.59%, 0.46%

LAB 59.34, -18.21, -26.15

 

CMYK 20 / 74 / 0 / 27

HEX #9630BB

RGB 150 48 187

HSL 284.03, 0.59%, 0.46%

LAB 41.51, 61.89, -53.24

 

CMYK 0 / 57 / 74 / 27

HEX #BB5030

RGB 187 80 48

HSL 13.81, 0.59%, 0.46%

LAB 47.64, 41.24, 39.45

 

CMYK 55 / 0 / 74 / 27

HEX #55BB30

RGB 85 187 48

HSL 104.03, 0.59%, 0.46%

LAB 67.79, -53.93, 57.64

 

Description

Color code: HEX #319ABC | qconv.com Color code: HEX #319ABC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 154 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 154 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 18 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 18% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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