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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3199FD3F it is the complementary color #CE66023F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3199FD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3199FD3F shade: #3699F83F, #47ABFF3F, #58BDFF3F, #69CFFF3F and #7AE1FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3199FD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3199FD3F shade: #3199FD3F, #2087EA3F, #0F75D73F, #0063C43F and #0051B13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3199FD3F shade: #3098FD, #3061FD, #3630FD, #6D30FD and #A530FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3199FD3F shade: #3098FD, #3061FD and #3030FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3199FD3F shade matches the following richer shades: #3098FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3199FD3F shade: #3098FD, #4198EC, #5298DB, #6397CA and #7497B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3199FD3F shade: #30FDF3, #30D1FD, #309AFD, #3063FD and #3330FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3199FD3F shade: #026FD8, #0784FC, #3098FD, #59ADFD and #82C1FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3199FD3F shade: #3199FD, #BC30FD and #ECFD30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3199FD3F shade: #3199FD, #FD309A and #9AFD30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3199FD3F shade: #3199FD, #BC30FD, #FD9330 and #71FD30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3199FD3F shade: #3199FD, #F930FD, #FD9330 and #33FD30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 10 / 0 / 0

HEX #3199FD3F

RGBA 49 153 253 0.25

HSLA 209.41, 0.98%, 0.59%, 0.25

LABA 62.11, 5.23, -57.92, 0.25

 

Complementary color

CMYK 0 / 13 / 25 / 5

HEX #CE66023F

RGBA 206 102 2 0.25

HSLA 29.41, 0.98%, 0.41%, 0.25

LABA 54.69, 36.56, 62.61, 0.25

 

CMYK 20 / 10 / 0 / 1

HEX #3699F83F

RGBA 54 153 248 0.25

HSLA 209.38, 0.93%, 0.59%, 0.25

LABA 61.95, 3.9, -55.42, 0.25

 

CMYK 18 / 8 / 0 / 0

HEX #47ABFF3F

RGBA 71 171 255 0.25

HSLA 207.39, 1%, 0.64%, 0.25

LABA 67.79, -2.05, -49.96, 0.25

 

CMYK 16 / 6 / 0 / 0

HEX #58BDFF3F

RGBA 88 189 255 0.25

HSLA 203.71, 1%, 0.67%, 0.25

LABA 73.34, -9.56, -41.21, 0.25

 

CMYK 15 / 5 / 0 / 0

HEX #69CFFF3F

RGBA 105 207 255 0.25

HSLA 199.2, 1%, 0.71%, 0.25

LABA 78.95, -16.19, -32.46, 0.25

 

CMYK 13 / 3 / 0 / 0

HEX #7AE1FF3F

RGBA 122 225 255 0.25

HSLA 193.53, 1%, 0.74%, 0.25

LABA 84.59, -22.03, -23.78, 0.25

 

CMYK 20 / 10 / 0 / 0

HEX #3199FD3F

RGBA 49 153 253 0.25

HSLA 209.41, 0.98%, 0.59%, 0.25

LABA 62.11, 5.23, -57.92, 0.25

 

CMYK 22 / 11 / 0 / 2

HEX #2087EA3F

RGBA 32 135 234 0.25

HSLA 209.41, 0.83%, 0.52%, 0.25

LABA 55.66, 7.64, -57.76, 0.25

 

CMYK 23 / 11 / 0 / 4

HEX #0F75D73F

RGBA 15 117 215 0.25

HSLA 209.4, 0.87%, 0.45%, 0.25

LABA 49.17, 10.55, -57.52, 0.25

 

CMYK 25 / 12 / 0 / 6

HEX #0063C43F

RGBA 0 99 196 0.25

HSLA 209.69, 1%, 0.38%, 0.25

LABA 42.63, 14.01, -57.19, 0.25

 

CMYK 25 / 14 / 0 / 8

HEX #0051B13F

RGBA 0 81 177 0.25

HSLA 212.54, 1%, 0.35%, 0.25

LABA 36.1, 18.2, -56.65, 0.25

 

CMYK 81 / 40 / 0 / 1

HEX #3098FD

RGB 48 152 253

HSL 209.56, 0.98%, 0.59%

LAB 61.81, 5.73, -58.4

 

CMYK 81 / 62 / 0 / 1

HEX #3061FD

RGB 48 97 253

HSL 225.66, 0.98%, 0.59%

LAB 47.33, 39.62, -81.82

 

CMYK 79 / 81 / 0 / 1

HEX #3630FD

RGB 54 48 253

HSL 241.76, 0.98%, 0.59%

LAB 37.82, 66.91, -97.49

 

CMYK 57 / 81 / 0 / 1

HEX #6D30FD

RGB 109 48 253

HSL 257.85, 0.98%, 0.59%

LAB 41.93, 71.04, -90.56

 

CMYK 35 / 81 / 0 / 1

HEX #A530FD

RGB 165 48 253

HSL 274.24, 0.98%, 0.59%

LAB 48.52, 77.9, -79.5

 

CMYK 81 / 40 / 0 / 1

HEX #3098FD

RGB 48 152 253

HSL 209.56, 0.98%, 0.59%

LAB 61.81, 5.73, -58.4

 

CMYK 81 / 62 / 0 / 1

HEX #3061FD

RGB 48 97 253

HSL 225.66, 0.98%, 0.59%

LAB 47.33, 39.62, -81.82

 

CMYK 81 / 81 / 0 / 1

HEX #3030FD

RGB 48 48 253

HSL 240, 0.98%, 0.59%

LAB 37.54, 66.63, -97.97

 

CMYK 81 / 40 / 0 / 1

HEX #3098FD

RGB 48 152 253

HSL 209.56, 0.98%, 0.59%

LAB 61.81, 5.73, -58.4

 

CMYK 81 / 40 / 0 / 1

HEX #3098FD

RGB 48 152 253

HSL 209.56, 0.98%, 0.59%

LAB 61.81, 5.73, -58.4

 

CMYK 72 / 36 / 0 / 7

HEX #4198EC

RGB 65 152 236

HSL 209.47, 0.82%, 0.59%

LAB 61.34, 1.49, -49.77

 

CMYK 63 / 31 / 0 / 14

HEX #5298DB

RGB 82 152 219

HSL 209.34, 0.66%, 0.59%

LAB 61.1, -1.66, -40.69

 

CMYK 51 / 25 / 0 / 21

HEX #6397CA

RGB 99 151 202

HSL 209.71, 0.49%, 0.59%

LAB 60.83, -2.98, -31.57

 

CMYK 37 / 18 / 0 / 27

HEX #7497B9

RGB 116 151 185

HSL 209.57, 0.33%, 0.59%

LAB 61.09, -3.49, -21.53

 

CMYK 81 / 0 / 4 / 1

HEX #30FDF3

RGB 48 253 243

HSL 177.07, 0.98%, 0.59%

LAB 90.48, -48.67, -8.82

 

CMYK 81 / 17 / 0 / 1

HEX #30D1FD

RGB 48 209 253

HSL 192.88, 0.98%, 0.59%

LAB 78.06, -25.37, -32.89

 

CMYK 81 / 39 / 0 / 1

HEX #309AFD

RGB 48 154 253

HSL 208.98, 0.98%, 0.59%

LAB 62.37, 4.55, -57.51

 

CMYK 81 / 61 / 0 / 1

HEX #3063FD

RGB 48 99 253

HSL 225.07, 0.98%, 0.59%

LAB 47.81, 38.38, -81.03

 

CMYK 80 / 81 / 0 / 1

HEX #3330FD

RGB 51 48 253

HSL 240.88, 0.98%, 0.59%

LAB 37.68, 66.77, -97.74

 

CMYK 99 / 49 / 0 / 15

HEX #026FD8

RGB 2 111 216

HSL 209.44, 0.98%, 0.43%

LAB 47.42, 14.34, -60.91

 

CMYK 97 / 48 / 0 / 1

HEX #0784FC

RGB 7 132 252

HSL 209.39, 0.98%, 0.51%

LAB 55.66, 15.32, -67.75

 

CMYK 81 / 40 / 0 / 1

HEX #3098FD

RGB 48 152 253

HSL 209.56, 0.98%, 0.59%

LAB 61.81, 5.73, -58.4

 

CMYK 65 / 32 / 0 / 1

HEX #59ADFD

RGB 89 173 253

HSL 209.27, 0.98%, 0.67%

LAB 68.83, -1.23, -47.2

 

CMYK 49 / 24 / 0 / 0

HEX #82C1FE

RGB 130 193 254

HSL 209.52, 0.98%, 0.75%

LAB 76.09, -3.93, -36.26

 

CMYK 81 / 40 / 0 / 1

HEX #3199FD

RGB 49 153 253

HSL 209.41, 0.98%, 0.59%

LAB 62.11, 5.23, -57.92

 

CMYK 26 / 81 / 0 / 1

HEX #BC30FD

RGB 188 48 253

HSL 280.98, 0.98%, 0.59%

LAB 51.72, 81.31, -74.14

 

CMYK 7 / 0 / 81 / 1

HEX #ECFD30

RGB 236 253 48

HSL 64.98, 0.98%, 0.59%

LAB 95.29, -27.61, 86.03

 

CMYK 81 / 40 / 0 / 1

HEX #3199FD

RGB 49 153 253

HSL 209.41, 0.98%, 0.59%

LAB 62.11, 5.23, -57.92

 

CMYK 0 / 81 / 39 / 1

HEX #FD309A

RGB 253 48 154

HSL 328.98, 0.98%, 0.59%

LAB 57.4, 80.14, -7.75

 

CMYK 39 / 0 / 81 / 1

HEX #9AFD30

RGB 154 253 48

HSL 88.98, 0.98%, 0.59%

LAB 90.48, -58.07, 79.96

 

CMYK 81 / 40 / 0 / 1

HEX #3199FD

RGB 49 153 253

HSL 209.41, 0.98%, 0.59%

LAB 62.11, 5.23, -57.92

 

CMYK 26 / 81 / 0 / 1

HEX #BC30FD

RGB 188 48 253

HSL 280.98, 0.98%, 0.59%

LAB 51.72, 81.31, -74.14

 

CMYK 0 / 42 / 81 / 1

HEX #FD9330

RGB 253 147 48

HSL 28.98, 0.98%, 0.59%

LAB 70.85, 33.22, 65.33

 

CMYK 55 / 0 / 81 / 1

HEX #71FD30

RGB 113 253 48

HSL 100.98, 0.98%, 0.59%

LAB 88.91, -69.95, 77.96

 

CMYK 81 / 40 / 0 / 1

HEX #3199FD

RGB 49 153 253

HSL 209.41, 0.98%, 0.59%

LAB 62.11, 5.23, -57.92

 

CMYK 2 / 81 / 0 / 1

HEX #F930FD

RGB 249 48 253

HSL 298.83, 0.98%, 0.59%

LAB 61.09, 91.48, -58.57

 

CMYK 0 / 42 / 81 / 1

HEX #FD9330

RGB 253 147 48

HSL 28.98, 0.98%, 0.59%

LAB 70.85, 33.22, 65.33

 

CMYK 80 / 0 / 81 / 1

HEX #33FD30

RGB 51 253 48

HSL 119.12, 0.98%, 0.59%

LAB 87.57, -81.25, 76.24

 

Description

Color code: HEX #3199FD3F | qconv.com Color code: HEX #3199FD3F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 153 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 153 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 10 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 10% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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