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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31986D it is the complementary color #CE6792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31986D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31986D shade: #369868, #47AA7B, #58BC8E, #69CEA1 and #7AE0B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31986D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31986D shade: #31986D, #20865A, #0F7447, #006234 and #005021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31986D shade: #31966C, #319650, #319635, #489631 and #639631

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31986D shade: #31966C, #319687, #318A96, #316E96 and #315396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31986D shade matches the following richer shades: #31966C, #21A66E, #11B671 and #00C674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31986D shade: #31966C, #418669, #517667, #616664 and #715661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31986D shade: #319634, #31964F, #31966A, #319685 and #318C96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31986D shade: #1D583F, #277755, #31966C, #3BB582 and #52C796

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31986D shade: #31986D, #314896 and #964231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31986D shade: #31986D, #6A3196 and #966A31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31986D shade: #31986D, #314896, #96315D and #967F31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31986D shade: #31986D, #373196, #96315D and #8F9631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 28 / 40

HEX #31986D

RGB 49 152 109

HSL 154.95, 0.51%, 0.39%

LAB 56.3, -39.92, 14.21

 

Complementary color

CMYK 0 / 50 / 29 / 19

HEX #CE6792

RGB 206 103 146

HSL 334.95, 0.51%, 0.61%

LAB 56.98, 45.5, -4.51

 

CMYK 64 / 0 / 32 / 40

HEX #369868

RGB 54 152 104

HSL 150.61, 0.48%, 0.4%

LAB 56.33, -40.07, 17.07

 

CMYK 58 / 0 / 28 / 33

HEX #47AA7B

RGB 71 170 123

HSL 151.52, 0.41%, 0.47%

LAB 62.94, -40.18, 15.73

 

CMYK 53 / 0 / 24 / 26

HEX #58BC8E

RGB 88 188 142

HSL 152.4, 0.43%, 0.54%

LAB 69.47, -40.15, 14.53

 

CMYK 49 / 0 / 22 / 19

HEX #69CEA1

RGB 105 206 161

HSL 153.27, 0.51%, 0.61%

LAB 75.9, -40.02, 13.43

 

CMYK 46 / 0 / 20 / 12

HEX #7AE0B4

RGB 122 224 180

HSL 154.12, 0.62%, 0.68%

LAB 82.24, -39.85, 12.41

 

CMYK 68 / 0 / 28 / 40

HEX #31986D

RGB 49 152 109

HSL 154.95, 0.51%, 0.39%

LAB 56.3, -39.92, 14.21

 

CMYK 76 / 0 / 33 / 47

HEX #20865A

RGB 32 134 90

HSL 154.12, 0.61%, 0.33%

LAB 49.61, -39.4, 15.69

 

CMYK 87 / 0 / 39 / 55

HEX #0F7447

RGB 15 116 71

HSL 153.27, 0.77%, 0.26%

LAB 42.83, -38.38, 17.39

 

CMYK 100 / 0 / 47 / 62

HEX #006234

RGB 0 98 52

HSL 151.84, 1%, 0.19%

LAB 35.95, -36.74, 19.32

 

CMYK 100 / 0 / 59 / 69

HEX #005021

RGB 0 80 33

HSL 144.75, 1%, 0.16%

LAB 29.02, -33.58, 21.54

 

CMYK 67 / 0 / 28 / 41

HEX #31966C

RGB 49 150 108

HSL 155.05, 0.51%, 0.39%

LAB 55.63, -39.28, 13.84

 

CMYK 67 / 0 / 47 / 41

HEX #319650

RGB 49 150 80

HSL 138.42, 0.51%, 0.39%

LAB 55.12, -44.89, 28.58

 

CMYK 67 / 0 / 65 / 41

HEX #319635

RGB 49 150 53

HSL 122.38, 0.51%, 0.39%

LAB 54.79, -48.72, 41.62

 

CMYK 52 / 0 / 67 / 41

HEX #489631

RGB 72 150 49

HSL 106.34, 0.51%, 0.39%

LAB 55.49, -43.27, 44.39

 

CMYK 34 / 0 / 67 / 41

HEX #639631

RGB 99 150 49

HSL 90.3, 0.51%, 0.39%

LAB 56.77, -34.14, 46.13

 

CMYK 67 / 0 / 28 / 41

HEX #31966C

RGB 49 150 108

HSL 155.05, 0.51%, 0.39%

LAB 55.63, -39.28, 13.84

 

CMYK 67 / 0 / 10 / 41

HEX #319687

RGB 49 150 135

HSL 171.09, 0.51%, 0.39%

LAB 56.3, -32.46, -0.56

 

CMYK 67 / 8 / 0 / 41

HEX #318A96

RGB 49 138 150

HSL 187.13, 0.51%, 0.39%

LAB 52.98, -22.08, -14.14

 

CMYK 67 / 27 / 0 / 41

HEX #316E96

RGB 49 110 150

HSL 203.76, 0.51%, 0.39%

LAB 44.24, -6.44, -27.57

 

CMYK 67 / 45 / 0 / 41

HEX #315396

RGB 49 83 150

HSL 219.8, 0.51%, 0.39%

LAB 36.06, 10.56, -40.49

 

CMYK 67 / 0 / 28 / 41

HEX #31966C

RGB 49 150 108

HSL 155.05, 0.51%, 0.39%

LAB 55.63, -39.28, 13.84

 

CMYK 80 / 0 / 34 / 35

HEX #21A66E

RGB 33 166 110

HSL 154.74, 0.67%, 0.39%

LAB 60.54, -47.75, 19.42

 

CMYK 91 / 0 / 38 / 29

HEX #11B671

RGB 17 182 113

HSL 154.91, 0.83%, 0.39%

LAB 65.57, -54.49, 24.56

 

CMYK 100 / 0 / 41 / 22

HEX #00C674

RGB 0 198 116

HSL 155.15, 1%, 0.39%

LAB 70.63, -60.26, 29.68

 

CMYK 67 / 0 / 28 / 41

HEX #31966C

RGB 49 150 108

HSL 155.05, 0.51%, 0.39%

LAB 55.63, -39.28, 13.84

 

CMYK 51 / 0 / 22 / 47

HEX #418669

RGB 65 134 105

HSL 154.78, 0.35%, 0.39%

LAB 50.91, -29.13, 9.02

 

CMYK 31 / 0 / 13 / 54

HEX #517667

RGB 81 118 103

HSL 155.68, 0.19%, 0.39%

LAB 46.56, -16.61, 4.09

 

CMYK 5 / 0 / 2 / 60

HEX #616664

RGB 97 102 100

HSL 156, 0.03%, 0.39%

LAB 42.71, -2.35, 0.45

 

CMYK 0 / 24 / 14 / 56

HEX #715661

RGB 113 86 97

HSL 335.56, 0.14%, 0.39%

LAB 39.63, 13.09, -2.04

 

CMYK 67 / 0 / 65 / 41

HEX #319634

RGB 49 150 52

HSL 121.78, 0.51%, 0.39%

LAB 54.78, -48.83, 42.07

 

CMYK 67 / 0 / 47 / 41

HEX #31964F

RGB 49 150 79

HSL 137.82, 0.51%, 0.39%

LAB 55.1, -45.06, 29.09

 

CMYK 67 / 0 / 29 / 41

HEX #31966A

RGB 49 150 106

HSL 153.86, 0.51%, 0.39%

LAB 55.59, -39.74, 14.91

 

CMYK 67 / 0 / 11 / 41

HEX #319685

RGB 49 150 133

HSL 169.9, 0.51%, 0.39%

LAB 56.25, -33.01, 0.5

 

CMYK 67 / 7 / 0 / 41

HEX #318C96

RGB 49 140 150

HSL 185.94, 0.51%, 0.39%

LAB 53.61, -23.12, -13.19

 

CMYK 67 / 0 / 28 / 65

HEX #1D583F

RGB 29 88 63

HSL 154.58, 0.5%, 0.23%

LAB 33.13, -25.78, 8.98

 

CMYK 67 / 0 / 29 / 53

HEX #277755

RGB 39 119 85

HSL 154.5, 0.51%, 0.31%

LAB 44.63, -32.84, 11.75

 

CMYK 67 / 0 / 28 / 41

HEX #31966C

RGB 49 150 108

HSL 155.05, 0.51%, 0.39%

LAB 55.63, -39.28, 13.84

 

CMYK 67 / 0 / 28 / 29

HEX #3BB582

RGB 59 181 130

HSL 154.92, 0.51%, 0.47%

LAB 66.2, -45.69, 16.38

 

CMYK 59 / 0 / 25 / 22

HEX #52C796

RGB 82 199 150

HSL 154.87, 0.51%, 0.55%

LAB 72.79, -44.53, 14.84

 

CMYK 68 / 0 / 28 / 40

HEX #31986D

RGB 49 152 109

HSL 154.95, 0.51%, 0.39%

LAB 56.3, -39.92, 14.21

 

CMYK 67 / 52 / 0 / 41

HEX #314896

RGB 49 72 150

HSL 226.34, 0.51%, 0.39%

LAB 32.9, 17.88, -45.58

 

CMYK 0 / 56 / 67 / 41

HEX #964231

RGB 150 66 49

HSL 10.1, 0.51%, 0.39%

LAB 38.9, 34.03, 27.31

 

CMYK 68 / 0 / 28 / 40

HEX #31986D

RGB 49 152 109

HSL 154.95, 0.51%, 0.39%

LAB 56.3, -39.92, 14.21

 

CMYK 29 / 67 / 0 / 41

HEX #6A3196

RGB 106 49 150

HSL 273.86, 0.51%, 0.39%

LAB 32.84, 44.08, -45.41

 

CMYK 0 / 29 / 67 / 41

HEX #966A31

RGB 150 106 49

HSL 33.86, 0.51%, 0.39%

LAB 48.28, 11.59, 38.14

 

CMYK 68 / 0 / 28 / 40

HEX #31986D

RGB 49 152 109

HSL 154.95, 0.51%, 0.39%

LAB 56.3, -39.92, 14.21

 

CMYK 67 / 52 / 0 / 41

HEX #314896

RGB 49 72 150

HSL 226.34, 0.51%, 0.39%

LAB 32.9, 17.88, -45.58

 

CMYK 0 / 67 / 38 / 41

HEX #96315D

RGB 150 49 93

HSL 333.86, 0.51%, 0.39%

LAB 36.88, 46.15, -2.99

 

CMYK 0 / 15 / 67 / 41

HEX #967F31

RGB 150 127 49

HSL 46.34, 0.51%, 0.39%

LAB 53.9, -0.38, 44.26

 

CMYK 68 / 0 / 28 / 40

HEX #31986D

RGB 49 152 109

HSL 154.95, 0.51%, 0.39%

LAB 56.3, -39.92, 14.21

 

CMYK 63 / 67 / 0 / 41

HEX #373196

RGB 55 49 150

HSL 243.56, 0.51%, 0.39%

LAB 27.33, 33.99, -54.61

 

CMYK 0 / 67 / 38 / 41

HEX #96315D

RGB 150 49 93

HSL 333.86, 0.51%, 0.39%

LAB 36.88, 46.15, -2.99

 

CMYK 5 / 0 / 67 / 41

HEX #8F9631

RGB 143 150 49

HSL 64.16, 0.51%, 0.39%

LAB 59.77, -16, 50.2

 

Description

Color code: HEX #31986D | qconv.com Color code: HEX #31986D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 152 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 152 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 28 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 28% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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