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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #318CAC it is the complementary color #CE7353. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #318CAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #318CAC shade: #368CA7, #479EBA, #58B0CD, #69C2E0 and #7AD4F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #318CAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #318CAC shade: #318CAC, #207A99, #0F6886, #005673 and #004460

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #318CAC shade: #308BAB, #306AAB, #3049AB, #3930AB and #5A30AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #318CAC shade: #308BAB, #306AAB, #3049AB and #3030AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #318CAC shade matches the following richer shades: #308BAB, #1F94BD and #0D9CCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #318CAC shade: #308BAB, #428399, #547A88, #657276 and #776964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #318CAC shade: #30AB88, #30ABA9, #308CAB, #306CAB and #304BAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #318CAC shade: #1E576B, #27718B, #308BAB, #3CA4C8 and #5DB3D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #318CAC shade: #318CAC, #6830AB and #AB9930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #318CAC shade: #318CAC, #AB308C and #8CAB30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #318CAC shade: #318CAC, #6830AB, #AB4F30 and #74AB30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #318CAC shade: #318CAC, #8C30AB, #AB4F30 and #4FAB30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 19 / 0 / 33

HEX #318CAC

RGB 49 140 172

HSL 195.61, 0.56%, 0.43%

LAB 54.44, -15.99, -24.6

 

Complementary color

CMYK 0 / 44 / 60 / 19

HEX #CE7353

RGB 206 115 83

HSL 15.61, 0.56%, 0.57%

LAB 58.04, 32.78, 33.24

 

CMYK 68 / 16 / 0 / 35

HEX #368CA7

RGB 54 140 167

HSL 194.34, 0.51%, 0.43%

LAB 54.38, -16.88, -21.82

 

CMYK 62 / 15 / 0 / 27

HEX #479EBA

RGB 71 158 186

HSL 194.61, 0.45%, 0.5%

LAB 61.08, -17.58, -22.29

 

CMYK 57 / 14 / 0 / 20

HEX #58B0CD

RGB 88 176 205

HSL 194.87, 0.54%, 0.57%

LAB 67.68, -18.1, -22.73

 

CMYK 53 / 13 / 0 / 12

HEX #69C2E0

RGB 105 194 224

HSL 195.13, 0.66%, 0.65%

LAB 74.17, -18.48, -23.15

 

CMYK 50 / 13 / 0 / 5

HEX #7AD4F3

RGB 122 212 243

HSL 195.37, 0.83%, 0.72%

LAB 80.57, -18.77, -23.54

 

CMYK 72 / 19 / 0 / 33

HEX #318CAC

RGB 49 140 172

HSL 195.61, 0.56%, 0.43%

LAB 54.44, -15.99, -24.6

 

CMYK 79 / 20 / 0 / 40

HEX #207A99

RGB 32 122 153

HSL 195.37, 0.65%, 0.36%

LAB 47.66, -14.77, -24.08

 

CMYK 89 / 22 / 0 / 47

HEX #0F6886

RGB 15 104 134

HSL 195.13, 0.8%, 0.29%

LAB 40.77, -13.08, -23.46

 

CMYK 100 / 25 / 0 / 55

HEX #005673

RGB 0 86 115

HSL 195.13, 1%, 0.23%

LAB 33.76, -10.83, -22.75

 

CMYK 100 / 29 / 0 / 62

HEX #004460

RGB 0 68 96

HSL 197.5, 1%, 0.19%

LAB 26.67, -7.47, -21.8

 

CMYK 72 / 19 / 0 / 33

HEX #308BAB

RGB 48 139 171

HSL 195.61, 0.56%, 0.43%

LAB 54.06, -15.92, -24.61

 

CMYK 72 / 38 / 0 / 33

HEX #306AAB

RGB 48 106 171

HSL 211.71, 0.56%, 0.43%

LAB 44.06, 3.45, -40.27

 

CMYK 72 / 57 / 0 / 33

HEX #3049AB

RGB 48 73 171

HSL 227.8, 0.56%, 0.43%

LAB 34.67, 24.91, -55.35

 

CMYK 67 / 72 / 0 / 33

HEX #3930AB

RGB 57 48 171

HSL 244.39, 0.56%, 0.43%

LAB 29.22, 41.87, -64.24

 

CMYK 47 / 72 / 0 / 33

HEX #5A30AB

RGB 90 48 171

HSL 260.49, 0.56%, 0.43%

LAB 32.32, 46.83, -59.04

 

CMYK 72 / 19 / 0 / 33

HEX #308BAB

RGB 48 139 171

HSL 195.61, 0.56%, 0.43%

LAB 54.06, -15.92, -24.61

 

CMYK 72 / 38 / 0 / 33

HEX #306AAB

RGB 48 106 171

HSL 211.71, 0.56%, 0.43%

LAB 44.06, 3.45, -40.27

 

CMYK 72 / 57 / 0 / 33

HEX #3049AB

RGB 48 73 171

HSL 227.8, 0.56%, 0.43%

LAB 34.67, 24.91, -55.35

 

CMYK 72 / 72 / 0 / 33

HEX #3030AB

RGB 48 48 171

HSL 240, 0.56%, 0.43%

LAB 28.6, 40.84, -65.29

 

CMYK 72 / 19 / 0 / 33

HEX #308BAB

RGB 48 139 171

HSL 195.61, 0.56%, 0.43%

LAB 54.06, -15.92, -24.61

 

CMYK 84 / 22 / 0 / 26

HEX #1F94BD

RGB 31 148 189

HSL 195.57, 0.72%, 0.43%

LAB 57.22, -16.52, -30.02

 

CMYK 94 / 25 / 0 / 19

HEX #0D9CCF

RGB 13 156 207

HSL 195.77, 0.88%, 0.43%

LAB 60.22, -15.53, -35.49

 

CMYK 72 / 19 / 0 / 33

HEX #308BAB

RGB 48 139 171

HSL 195.61, 0.56%, 0.43%

LAB 54.06, -15.92, -24.61

 

CMYK 57 / 14 / 0 / 40

HEX #428399

RGB 66 131 153

HSL 195.17, 0.4%, 0.43%

LAB 51.49, -14.16, -18.11

 

CMYK 38 / 10 / 0 / 47

HEX #547A88

RGB 84 122 136

HSL 196.15, 0.24%, 0.43%

LAB 48.98, -9.55, -11.87

 

CMYK 14 / 3 / 0 / 54

HEX #657276

RGB 101 114 118

HSL 194.12, 0.08%, 0.43%

LAB 47.12, -3.95, -3.87

 

CMYK 0 / 12 / 16 / 53

HEX #776964

RGB 119 105 100

HSL 15.79, 0.09%, 0.43%

LAB 45.56, 4.62, 4.82

 

CMYK 72 / 0 / 20 / 33

HEX #30AB88

RGB 48 171 136

HSL 162.93, 0.56%, 0.43%

LAB 62.95, -41.81, 8.47

 

CMYK 72 / 0 / 1 / 33

HEX #30ABA9

RGB 48 171 169

HSL 179.02, 0.56%, 0.43%

LAB 63.85, -32.86, -8.63

 

CMYK 72 / 18 / 0 / 33

HEX #308CAB

RGB 48 140 171

HSL 195.12, 0.56%, 0.43%

LAB 54.37, -16.47, -24.13

 

CMYK 72 / 37 / 0 / 33

HEX #306CAB

RGB 48 108 171

HSL 210.73, 0.56%, 0.43%

LAB 44.65, 2.2, -39.33

 

CMYK 72 / 56 / 0 / 33

HEX #304BAB

RGB 48 75 171

HSL 226.83, 0.56%, 0.43%

LAB 35.2, 23.59, -54.48

 

CMYK 72 / 19 / 0 / 58

HEX #1E576B

RGB 30 87 107

HSL 195.58, 0.56%, 0.27%

LAB 34.3, -11.33, -16.88

 

CMYK 72 / 19 / 0 / 45

HEX #27718B

RGB 39 113 139

HSL 195.6, 0.56%, 0.35%

LAB 44.38, -13.68, -20.83

 

CMYK 72 / 19 / 0 / 33

HEX #308BAB

RGB 48 139 171

HSL 195.61, 0.56%, 0.43%

LAB 54.06, -15.92, -24.61

 

CMYK 70 / 18 / 0 / 22

HEX #3CA4C8

RGB 60 164 200

HSL 195.43, 0.56%, 0.51%

LAB 63.08, -18.11, -27.09

 

CMYK 56 / 14 / 0 / 18

HEX #5DB3D1

RGB 93 179 209

HSL 195.52, 0.56%, 0.59%

LAB 68.87, -17.49, -23.09

 

CMYK 72 / 19 / 0 / 33

HEX #318CAC

RGB 49 140 172

HSL 195.61, 0.56%, 0.43%

LAB 54.44, -15.99, -24.6

 

CMYK 39 / 72 / 0 / 33

HEX #6830AB

RGB 104 48 171

HSL 267.32, 0.56%, 0.43%

LAB 33.98, 49.37, -56.27

 

CMYK 0 / 11 / 72 / 33

HEX #AB9930

RGB 171 153 48

HSL 51.22, 0.56%, 0.43%

LAB 63.06, -5.24, 54.71

 

CMYK 72 / 19 / 0 / 33

HEX #318CAC

RGB 49 140 172

HSL 195.61, 0.56%, 0.43%

LAB 54.44, -15.99, -24.6

 

CMYK 0 / 72 / 18 / 33

HEX #AB308C

RGB 171 48 140

HSL 315.12, 0.56%, 0.43%

LAB 42.25, 58.6, -23.74

 

CMYK 18 / 0 / 72 / 33

HEX #8CAB30

RGB 140 171 48

HSL 75.12, 0.56%, 0.43%

LAB 65.68, -27.87, 56.48

 

CMYK 72 / 19 / 0 / 33

HEX #318CAC

RGB 49 140 172

HSL 195.61, 0.56%, 0.43%

LAB 54.44, -15.99, -24.6

 

CMYK 39 / 72 / 0 / 33

HEX #6830AB

RGB 104 48 171

HSL 267.32, 0.56%, 0.43%

LAB 33.98, 49.37, -56.27

 

CMYK 0 / 54 / 72 / 33

HEX #AB4F30

RGB 171 79 48

HSL 15.12, 0.56%, 0.43%

LAB 44.89, 35.55, 35.7

 

CMYK 32 / 0 / 72 / 33

HEX #74AB30

RGB 116 171 48

HSL 86.83, 0.56%, 0.43%

LAB 64.2, -37.32, 54.51

 

CMYK 72 / 19 / 0 / 33

HEX #318CAC

RGB 49 140 172

HSL 195.61, 0.56%, 0.43%

LAB 54.44, -15.99, -24.6

 

CMYK 18 / 72 / 0 / 33

HEX #8C30AB

RGB 140 48 171

HSL 284.88, 0.56%, 0.43%

LAB 38.95, 56.64, -47.98

 

CMYK 0 / 54 / 72 / 33

HEX #AB4F30

RGB 171 79 48

HSL 15.12, 0.56%, 0.43%

LAB 44.89, 35.55, 35.7

 

CMYK 54 / 0 / 72 / 33

HEX #4FAB30

RGB 79 171 48

HSL 104.88, 0.56%, 0.43%

LAB 62.51, -49.57, 52.25

 

Description

Color code: HEX #318CAC | qconv.com Color code: HEX #318CAC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 140 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 140 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 19 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 19% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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