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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3182AC it is the complementary color #CE7D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3182AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3182AC shade: #3682A7, #4794BA, #58A6CD, #69B8E0 and #7ACAF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3182AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3182AC shade: #3182AC, #207099, #0F5E86, #004C73 and #003A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3182AC shade: #3081AB, #3060AB, #303FAB, #4330AB and #6430AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3182AC shade: #3081AB, #3060AB, #303FAB and #3030AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3182AC shade matches the following richer shades: #3081AB, #1F87BD and #0D8CCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3182AC shade: #3081AB, #427B99, #547688, #657076 and #776B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3182AC shade: #30AB92, #30A3AB, #3082AB, #3061AB and #3041AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3182AC shade: #1E516B, #27698B, #3081AB, #3C98C8 and #5DA9D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3182AC shade: #3182AC, #7230AB and #ABA330

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3182AC shade: #3182AC, #AB3082 and #82AB30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3182AC shade: #3182AC, #7230AB, #AB5930 and #6AAB30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3182AC shade: #3182AC, #9730AB, #AB5930 and #45AB30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 24 / 0 / 33

HEX #3182AC

RGB 49 130 172

HSL 200.49, 0.56%, 0.43%

LAB 51.38, -10.4, -29.34

 

Complementary color

CMYK 0 / 39 / 60 / 19

HEX #CE7D53

RGB 206 125 83

HSL 20.49, 0.56%, 0.57%

LAB 60.26, 27.44, 35.98

 

CMYK 68 / 22 / 0 / 35

HEX #3682A7

RGB 54 130 167

HSL 199.65, 0.51%, 0.43%

LAB 51.31, -11.34, -26.54

 

CMYK 62 / 20 / 0 / 27

HEX #4794BA

RGB 71 148 186

HSL 199.83, 0.45%, 0.5%

LAB 58.1, -12.16, -26.88

 

CMYK 57 / 19 / 0 / 20

HEX #58A6CD

RGB 88 166 205

HSL 200, 0.54%, 0.57%

LAB 64.77, -12.77, -27.19

 

CMYK 53 / 18 / 0 / 12

HEX #69B8E0

RGB 105 184 224

HSL 200.17, 0.66%, 0.65%

LAB 71.33, -13.25, -27.49

 

CMYK 50 / 17 / 0 / 5

HEX #7ACAF3

RGB 122 202 243

HSL 200.33, 0.83%, 0.72%

LAB 77.79, -13.62, -27.79

 

CMYK 72 / 24 / 0 / 33

HEX #3182AC

RGB 49 130 172

HSL 200.49, 0.56%, 0.43%

LAB 51.38, -10.4, -29.34

 

CMYK 79 / 27 / 0 / 40

HEX #207099

RGB 32 112 153

HSL 200.33, 0.65%, 0.36%

LAB 44.51, -9.02, -28.97

 

CMYK 89 / 30 / 0 / 47

HEX #0F5E86

RGB 15 94 134

HSL 200.17, 0.8%, 0.29%

LAB 37.53, -7.12, -28.52

 

CMYK 100 / 34 / 0 / 55

HEX #004C73

RGB 0 76 115

HSL 200.35, 1%, 0.23%

LAB 30.42, -4.6, -28

 

CMYK 100 / 40 / 0 / 62

HEX #003A60

RGB 0 58 96

HSL 203.75, 1%, 0.19%

LAB 23.24, -0.84, -27.22

 

CMYK 72 / 25 / 0 / 33

HEX #3081AB

RGB 48 129 171

HSL 200.49, 0.56%, 0.43%

LAB 51, -10.32, -29.35

 

CMYK 72 / 44 / 0 / 33

HEX #3060AB

RGB 48 96 171

HSL 216.59, 0.56%, 0.43%

LAB 41.11, 9.8, -44.96

 

CMYK 72 / 63 / 0 / 33

HEX #303FAB

RGB 48 63 171

HSL 232.68, 0.56%, 0.43%

LAB 32.09, 31.47, -59.56

 

CMYK 61 / 72 / 0 / 33

HEX #4330AB

RGB 67 48 171

HSL 249.27, 0.56%, 0.43%

LAB 30.03, 43.2, -62.88

 

CMYK 42 / 72 / 0 / 33

HEX #6430AB

RGB 100 48 171

HSL 265.37, 0.56%, 0.43%

LAB 33.49, 48.62, -57.09

 

CMYK 72 / 25 / 0 / 33

HEX #3081AB

RGB 48 129 171

HSL 200.49, 0.56%, 0.43%

LAB 51, -10.32, -29.35

 

CMYK 72 / 44 / 0 / 33

HEX #3060AB

RGB 48 96 171

HSL 216.59, 0.56%, 0.43%

LAB 41.11, 9.8, -44.96

 

CMYK 72 / 63 / 0 / 33

HEX #303FAB

RGB 48 63 171

HSL 232.68, 0.56%, 0.43%

LAB 32.09, 31.47, -59.56

 

CMYK 72 / 72 / 0 / 33

HEX #3030AB

RGB 48 48 171

HSL 240, 0.56%, 0.43%

LAB 28.6, 40.84, -65.29

 

CMYK 72 / 25 / 0 / 33

HEX #3081AB

RGB 48 129 171

HSL 200.49, 0.56%, 0.43%

LAB 51, -10.32, -29.35

 

CMYK 84 / 29 / 0 / 26

HEX #1F87BD

RGB 31 135 189

HSL 200.51, 0.72%, 0.43%

LAB 53.27, -9.26, -36.18

 

CMYK 94 / 32 / 0 / 19

HEX #0D8CCF

RGB 13 140 207

HSL 200.72, 0.88%, 0.43%

LAB 55.43, -6.54, -43.01

 

CMYK 72 / 25 / 0 / 33

HEX #3081AB

RGB 48 129 171

HSL 200.49, 0.56%, 0.43%

LAB 51, -10.32, -29.35

 

CMYK 57 / 20 / 0 / 40

HEX #427B99

RGB 66 123 153

HSL 200.69, 0.4%, 0.43%

LAB 49.04, -9.65, -21.86

 

CMYK 38 / 13 / 0 / 47

HEX #547688

RGB 84 118 136

HSL 200.77, 0.24%, 0.43%

LAB 47.78, -7.25, -13.69

 

CMYK 14 / 5 / 0 / 54

HEX #657076

RGB 101 112 118

HSL 201.18, 0.08%, 0.43%

LAB 46.53, -2.78, -4.74

 

CMYK 0 / 10 / 16 / 53

HEX #776B64

RGB 119 107 100

HSL 22.11, 0.09%, 0.43%

LAB 46.12, 3.43, 5.63

 

CMYK 72 / 0 / 15 / 33

HEX #30AB92

RGB 48 171 146

HSL 167.8, 0.56%, 0.43%

LAB 63.2, -39.26, 3.26

 

CMYK 72 / 5 / 0 / 33

HEX #30A3AB

RGB 48 163 171

HSL 183.9, 0.56%, 0.43%

LAB 61.45, -28.4, -13.35

 

CMYK 72 / 24 / 0 / 33

HEX #3082AB

RGB 48 130 171

HSL 200, 0.56%, 0.43%

LAB 51.31, -10.89, -28.88

 

CMYK 72 / 43 / 0 / 33

HEX #3061AB

RGB 48 97 171

HSL 216.1, 0.56%, 0.43%

LAB 41.4, 9.16, -44.5

 

CMYK 72 / 62 / 0 / 33

HEX #3041AB

RGB 48 65 171

HSL 231.71, 0.56%, 0.43%

LAB 32.59, 30.17, -58.74

 

CMYK 72 / 24 / 0 / 58

HEX #1E516B

RGB 30 81 107

HSL 200.26, 0.56%, 0.27%

LAB 32.31, -7.69, -19.96

 

CMYK 72 / 24 / 0 / 45

HEX #27698B

RGB 39 105 139

HSL 200.4, 0.56%, 0.35%

LAB 41.84, -9.04, -24.77

 

CMYK 72 / 25 / 0 / 33

HEX #3081AB

RGB 48 129 171

HSL 200.49, 0.56%, 0.43%

LAB 51, -10.32, -29.35

 

CMYK 70 / 24 / 0 / 22

HEX #3C98C8

RGB 60 152 200

HSL 200.57, 0.56%, 0.51%

LAB 59.51, -11.6, -32.61

 

CMYK 56 / 19 / 0 / 18

HEX #5DA9D1

RGB 93 169 209

HSL 200.69, 0.56%, 0.59%

LAB 65.99, -12.16, -27.51

 

CMYK 72 / 24 / 0 / 33

HEX #3182AC

RGB 49 130 172

HSL 200.49, 0.56%, 0.43%

LAB 51.38, -10.4, -29.34

 

CMYK 33 / 72 / 0 / 33

HEX #7230AB

RGB 114 48 171

HSL 272.2, 0.56%, 0.43%

LAB 35.27, 51.3, -54.11

 

CMYK 0 / 5 / 72 / 33

HEX #ABA330

RGB 171 163 48

HSL 56.1, 0.56%, 0.43%

LAB 65.8, -10.55, 57.4

 

CMYK 72 / 24 / 0 / 33

HEX #3182AC

RGB 49 130 172

HSL 200.49, 0.56%, 0.43%

LAB 51.38, -10.4, -29.34

 

CMYK 0 / 72 / 24 / 33

HEX #AB3082

RGB 171 48 130

HSL 320, 0.56%, 0.43%

LAB 41.82, 57.22, -18.3

 

CMYK 24 / 0 / 72 / 33

HEX #82AB30

RGB 130 171 48

HSL 80, 0.56%, 0.43%

LAB 65.03, -31.92, 55.61

 

CMYK 72 / 24 / 0 / 33

HEX #3182AC

RGB 49 130 172

HSL 200.49, 0.56%, 0.43%

LAB 51.38, -10.4, -29.34

 

CMYK 33 / 72 / 0 / 33

HEX #7230AB

RGB 114 48 171

HSL 272.2, 0.56%, 0.43%

LAB 35.27, 51.3, -54.11

 

CMYK 0 / 48 / 72 / 33

HEX #AB5930

RGB 171 89 48

HSL 20, 0.56%, 0.43%

LAB 47, 30.26, 38.03

 

CMYK 38 / 0 / 72 / 33

HEX #6AAB30

RGB 106 171 48

HSL 91.71, 0.56%, 0.43%

LAB 63.67, -40.96, 53.81

 

CMYK 72 / 24 / 0 / 33

HEX #3182AC

RGB 49 130 172

HSL 200.49, 0.56%, 0.43%

LAB 51.38, -10.4, -29.34

 

CMYK 12 / 72 / 0 / 33

HEX #9730AB

RGB 151 48 171

HSL 290.24, 0.56%, 0.43%

LAB 40.63, 59, -45.2

 

CMYK 0 / 48 / 72 / 33

HEX #AB5930

RGB 171 89 48

HSL 20, 0.56%, 0.43%

LAB 47, 30.26, 38.03

 

CMYK 60 / 0 / 72 / 33

HEX #45AB30

RGB 69 171 48

HSL 109.76, 0.56%, 0.43%

LAB 62.17, -52.23, 51.79

 

Description

Color code: HEX #3182AC | qconv.com Color code: HEX #3182AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 130 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 130 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 24 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 24% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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