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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #317D31 it is the complementary color #CE82CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #317D31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #317D31 shade: #367D2C, #478F3F, #58A152, #69B365 and #7AC578

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #317D31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #317D31 shade: #317D31, #206B1E, #0F590B, #004700 and #003500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #317D31 shade: #317D31, #457D31, #5A7D31, #6E7D31 and #7D7731

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #317D31 shade: #317D31, #317D45, #317D5A, #317D6E and #31777D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #317D31 shade matches the following richer shades: #317D31, #238B23, #149914 and #06A706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #317D31 shade: #317D31, #3F6F3F, #4D614D, #5B535B and #694569

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #317D31 shade: #597D31, #457D31, #317D31, #317D45 and #317D59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #317D31 shade: #194119, #255F25, #317D31, #3C9B3C and #48B848

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #317D31 shade: #317D31, #316E7D and #7D314F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #317D31 shade: #317D31, #31317D and #7D3131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #317D31 shade: #317D31, #316E7D, #7D317D and #7D4031

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #317D31 shade: #317D31, #31577D, #7D317D and #7D5731

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

Complementary color

CMYK 0 / 37 / 0 / 19

HEX #CE82CE

RGB 206 130 206

HSL 300, 0.44%, 0.66%

LAB 64.6, 41.07, -27.27

 

CMYK 57 / 0 / 65 / 51

HEX #367D2C

RGB 54 125 44

HSL 112.59, 0.48%, 0.33%

LAB 46.49, -38.87, 36.55

 

CMYK 50 / 0 / 56 / 44

HEX #478F3F

RGB 71 143 63

HSL 114, 0.39%, 0.4%

LAB 53.32, -39.11, 35.34

 

CMYK 45 / 0 / 49 / 37

HEX #58A152

RGB 88 161 82

HSL 115.44, 0.33%, 0.48%

LAB 60.05, -39.1, 34.02

 

CMYK 41 / 0 / 44 / 30

HEX #69B365

RGB 105 179 101

HSL 116.92, 0.34%, 0.55%

LAB 66.66, -38.97, 32.72

 

CMYK 38 / 0 / 39 / 23

HEX #7AC578

RGB 122 197 120

HSL 118.44, 0.4%, 0.62%

LAB 73.17, -38.78, 31.47

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 70 / 0 / 72 / 58

HEX #206B1E

RGB 32 107 30

HSL 118.44, 0.56%, 0.27%

LAB 39.44, -38.91, 35.08

 

CMYK 83 / 0 / 88 / 65

HEX #0F590B

RGB 15 89 11

HSL 116.92, 0.78%, 0.2%

LAB 32.41, -37.27, 35.34

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 45 / 0 / 61 / 51

HEX #457D31

RGB 69 125 49

HSL 104.21, 0.44%, 0.34%

LAB 47.18, -33.61, 35.09

 

CMYK 28 / 0 / 61 / 51

HEX #5A7D31

RGB 90 125 49

HSL 87.63, 0.44%, 0.34%

LAB 48.34, -25.76, 36.72

 

CMYK 12 / 0 / 61 / 51

HEX #6E7D31

RGB 110 125 49

HSL 71.84, 0.44%, 0.34%

LAB 49.74, -17.33, 38.69

 

CMYK 0 / 5 / 61 / 51

HEX #7D7731

RGB 125 119 49

HSL 55.26, 0.44%, 0.34%

LAB 49.22, -7.32, 38.46

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 61 / 0 / 45 / 51

HEX #317D45

RGB 49 125 69

HSL 135.79, 0.44%, 0.34%

LAB 46.64, -36.57, 23.68

 

CMYK 61 / 0 / 28 / 51

HEX #317D5A

RGB 49 125 90

HSL 152.37, 0.44%, 0.34%

LAB 47.05, -32.27, 12.23

 

CMYK 61 / 0 / 12 / 51

HEX #317D6E

RGB 49 125 110

HSL 168.16, 0.44%, 0.34%

LAB 47.55, -27.25, 1.2

 

CMYK 61 / 5 / 0 / 51

HEX #31777D

RGB 49 119 125

HSL 184.74, 0.44%, 0.34%

LAB 46.08, -19.82, -9.88

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 75 / 0 / 75 / 45

HEX #238B23

RGB 35 139 35

HSL 120, 0.6%, 0.34%

LAB 50.62, -49.33, 44.67

 

CMYK 87 / 0 / 87 / 40

HEX #149914

RGB 20 153 20

HSL 120, 0.77%, 0.34%

LAB 55.05, -56.79, 53.48

 

CMYK 96 / 0 / 96 / 35

HEX #06A706

RGB 6 167 6

HSL 120, 0.93%, 0.34%

LAB 59.61, -62.3, 59.79

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 43 / 0 / 43 / 56

HEX #3F6F3F

RGB 63 111 63

HSL 120, 0.28%, 0.34%

LAB 42.44, -27.14, 21.73

 

CMYK 21 / 0 / 21 / 62

HEX #4D614D

RGB 77 97 77

HSL 120, 0.11%, 0.34%

LAB 39.01, -11.98, 8.96

 

CMYK 0 / 9 / 0 / 64

HEX #5B535B

RGB 91 83 91

HSL 300, 0.05%, 0.34%

LAB 36.3, 4.93, -3.47

 

CMYK 0 / 34 / 0 / 59

HEX #694569

RGB 105 69 105

HSL 300, 0.21%, 0.34%

LAB 34.56, 22.02, -14.75

 

CMYK 29 / 0 / 61 / 51

HEX #597D31

RGB 89 125 49

HSL 88.42, 0.44%, 0.34%

LAB 48.28, -26.17, 36.64

 

CMYK 45 / 0 / 61 / 51

HEX #457D31

RGB 69 125 49

HSL 104.21, 0.44%, 0.34%

LAB 47.18, -33.61, 35.09

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 61 / 0 / 45 / 51

HEX #317D45

RGB 49 125 69

HSL 135.79, 0.44%, 0.34%

LAB 46.64, -36.57, 23.68

 

CMYK 61 / 0 / 29 / 51

HEX #317D59

RGB 49 125 89

HSL 151.58, 0.44%, 0.34%

LAB 47.03, -32.5, 12.78

 

CMYK 62 / 0 / 62 / 75

HEX #194119

RGB 25 65 25

HSL 120, 0.44%, 0.18%

LAB 23.86, -23.78, 20.02

 

CMYK 61 / 0 / 61 / 63

HEX #255F25

RGB 37 95 37

HSL 120, 0.44%, 0.26%

LAB 35.42, -31.97, 27.21

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 61 / 0 / 61 / 39

HEX #3C9B3C

RGB 60 155 60

HSL 120, 0.44%, 0.42%

LAB 56.81, -47.29, 40.77

 

CMYK 61 / 0 / 61 / 28

HEX #48B848

RGB 72 184 72

HSL 120, 0.44%, 0.5%

LAB 66.62, -53.92, 46.56

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 61 / 12 / 0 / 51

HEX #316E7D

RGB 49 110 125

HSL 191.84, 0.44%, 0.34%

LAB 43.19, -14.88, -14.25

 

CMYK 0 / 61 / 37 / 51

HEX #7D314F

RGB 125 49 79

HSL 336.32, 0.44%, 0.34%

LAB 32.08, 36.17, -1.54

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 61 / 61 / 0 / 51

HEX #31317D

RGB 49 49 125

HSL 240, 0.44%, 0.34%

LAB 24.73, 24.24, -43.3

 

CMYK 0 / 61 / 61 / 51

HEX #7D3131

RGB 125 49 49

HSL 0, 0.44%, 0.34%

LAB 31.3, 33.04, 16.88

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 61 / 12 / 0 / 51

HEX #316E7D

RGB 49 110 125

HSL 191.84, 0.44%, 0.34%

LAB 43.19, -14.88, -14.25

 

CMYK 0 / 61 / 0 / 51

HEX #7D317D

RGB 125 49 125

HSL 300, 0.44%, 0.34%

LAB 34.06, 43.53, -27.86

 

CMYK 0 / 49 / 61 / 51

HEX #7D4031

RGB 125 64 49

HSL 11.84, 0.44%, 0.34%

LAB 34.5, 24.86, 20.99

 

CMYK 61 / 0 / 61 / 51

HEX #317D31

RGB 49 125 49

HSL 120, 0.44%, 0.34%

LAB 46.37, -39.63, 33.94

 

CMYK 61 / 30 / 0 / 51

HEX #31577D

RGB 49 87 125

HSL 210, 0.44%, 0.34%

LAB 35.89, -1.15, -25.52

 

CMYK 0 / 61 / 0 / 51

HEX #7D317D

RGB 125 49 125

HSL 300, 0.44%, 0.34%

LAB 34.06, 43.53, -27.86

 

CMYK 0 / 30 / 61 / 51

HEX #7D5731

RGB 125 87 49

HSL 30, 0.44%, 0.34%

LAB 40.24, 11.3, 28.07

 

Description

Color code: HEX #317D31 | qconv.com Color code: HEX #317D31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 125 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 125 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 61 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 61% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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