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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #317395 it is the complementary color #CE8C6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #317395. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #317395 shade: #367390, #4785A3, #5897B6, #69A9C9 and #7ABBDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #317395. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #317395 shade: #317395, #206182, #0F4F6F, #003D5C and #002B49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #317395 shade: #317496, #315896, #313D96, #403196 and #5B3196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #317395 shade: #317496, #315896, #313D96 and #313196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #317395 shade matches the following richer shades: #317496, #2179A6, #117EB6 and #0083C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #317395 shade: #317496, #416F86, #516976, #616466 and #715F56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #317395 shade: #319682, #318F96, #317496, #315996 and #313E96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #317395 shade: #1D4458, #275C77, #317496, #3B8CB5 and #529FC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #317395 shade: #317395, #673196 and #968F31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #317395 shade: #317395, #963174 and #749631

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #317395 shade: #317395, #673196, #965331 and #609631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #317395 shade: #317395, #853196, #965331 and #429631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 23 / 0 / 42

HEX #317395

RGB 49 115 149

HSL 200.4, 0.51%, 0.39%

LAB 45.75, -9.73, -24.64

 

Complementary color

CMYK 0 / 32 / 49 / 19

HEX #CE8C6A

RGB 206 140 106

HSL 20.4, 0.51%, 0.61%

LAB 64.09, 21.27, 28.29

 

CMYK 63 / 20 / 0 / 44

HEX #367390

RGB 54 115 144

HSL 199.33, 0.45%, 0.39%

LAB 45.72, -10.49, -21.71

 

CMYK 56 / 18 / 0 / 36

HEX #4785A3

RGB 71 133 163

HSL 199.57, 0.39%, 0.46%

LAB 52.68, -11.08, -22.05

 

CMYK 52 / 17 / 0 / 29

HEX #5897B6

RGB 88 151 182

HSL 199.79, 0.39%, 0.53%

LAB 59.51, -11.51, -22.38

 

CMYK 48 / 16 / 0 / 21

HEX #69A9C9

RGB 105 169 201

HSL 200, 0.47%, 0.6%

LAB 66.21, -11.83, -22.7

 

CMYK 45 / 15 / 0 / 14

HEX #7ABBDC

RGB 122 187 220

HSL 200.2, 0.58%, 0.67%

LAB 72.79, -12.08, -23.01

 

CMYK 67 / 23 / 0 / 42

HEX #317395

RGB 49 115 149

HSL 200.4, 0.51%, 0.39%

LAB 45.75, -9.73, -24.64

 

CMYK 75 / 25 / 0 / 49

HEX #206182

RGB 32 97 130

HSL 200.2, 0.6%, 0.32%

LAB 38.67, -8.6, -24.28

 

CMYK 86 / 29 / 0 / 56

HEX #0F4F6F

RGB 15 79 111

HSL 200, 0.76%, 0.25%

LAB 31.44, -6.94, -23.85

 

CMYK 100 / 34 / 0 / 64

HEX #003D5C

RGB 0 61 92

HSL 200.22, 1%, 0.18%

LAB 24.03, -4.63, -23.35

 

CMYK 100 / 41 / 0 / 71

HEX #002B49

RGB 0 43 73

HSL 204.66, 1%, 0.14%

LAB 16.55, -0.74, -22.53

HEX #002B49

CMYK 67 / 23 / 0 / 41

HEX #317496

RGB 49 116 150

HSL 200.2, 0.51%, 0.39%

LAB 46.1, -9.96, -24.68

 

CMYK 67 / 41 / 0 / 41

HEX #315896

RGB 49 88 150

HSL 216.83, 0.51%, 0.39%

LAB 37.54, 7.29, -38.13

 

CMYK 67 / 59 / 0 / 41

HEX #313D96

RGB 49 61 150

HSL 232.87, 0.51%, 0.39%

LAB 29.89, 25.26, -50.44

 

CMYK 57 / 67 / 0 / 41

HEX #403196

RGB 64 49 150

HSL 248.91, 0.51%, 0.39%

LAB 28.08, 35.47, -53.34

 

CMYK 39 / 67 / 0 / 41

HEX #5B3196

RGB 91 49 150

HSL 264.95, 0.51%, 0.39%

LAB 30.93, 40.76, -48.58

 

CMYK 67 / 23 / 0 / 41

HEX #317496

RGB 49 116 150

HSL 200.2, 0.51%, 0.39%

LAB 46.1, -9.96, -24.68

 

CMYK 67 / 41 / 0 / 41

HEX #315896

RGB 49 88 150

HSL 216.83, 0.51%, 0.39%

LAB 37.54, 7.29, -38.13

 

CMYK 67 / 59 / 0 / 41

HEX #313D96

RGB 49 61 150

HSL 232.87, 0.51%, 0.39%

LAB 29.89, 25.26, -50.44

 

CMYK 67 / 67 / 0 / 41

HEX #313196

RGB 49 49 150

HSL 240, 0.51%, 0.39%

LAB 26.88, 33.1, -55.36

 

CMYK 67 / 23 / 0 / 41

HEX #317496

RGB 49 116 150

HSL 200.2, 0.51%, 0.39%

LAB 46.1, -9.96, -24.68

 

CMYK 80 / 27 / 0 / 35

HEX #2179A6

RGB 33 121 166

HSL 200.3, 0.67%, 0.39%

LAB 47.95, -9.4, -31.24

 

CMYK 91 / 31 / 0 / 29

HEX #117EB6

RGB 17 126 182

HSL 200.36, 0.83%, 0.39%

LAB 50, -7.63, -37.32

 

CMYK 100 / 34 / 0 / 22

HEX #0083C6

RGB 0 131 198

HSL 200.3, 1%, 0.39%

LAB 52.19, -5.14, -43.04

 

CMYK 67 / 23 / 0 / 41

HEX #317496

RGB 49 116 150

HSL 200.2, 0.51%, 0.39%

LAB 46.1, -9.96, -24.68

 

CMYK 51 / 17 / 0 / 47

HEX #416F86

RGB 65 111 134

HSL 200, 0.35%, 0.39%

LAB 44.54, -8.95, -17.53

 

CMYK 31 / 11 / 0 / 54

HEX #516976

RGB 81 105 118

HSL 201.08, 0.19%, 0.39%

LAB 43, -5.5, -10.15

 

CMYK 5 / 2 / 0 / 60

HEX #616466

RGB 97 100 102

HSL 204, 0.03%, 0.39%

LAB 42.18, -0.73, -1.54

 

CMYK 0 / 16 / 24 / 56

HEX #715F56

RGB 113 95 86

HSL 20, 0.14%, 0.39%

LAB 41.79, 5.71, 7.85

 

CMYK 67 / 0 / 13 / 41

HEX #319682

RGB 49 150 130

HSL 168.12, 0.51%, 0.39%

LAB 56.17, -33.82, 2.1

 

CMYK 67 / 5 / 0 / 41

HEX #318F96

RGB 49 143 150

HSL 184.16, 0.51%, 0.39%

LAB 54.55, -24.66, -11.77

 

CMYK 67 / 23 / 0 / 41

HEX #317496

RGB 49 116 150

HSL 200.2, 0.51%, 0.39%

LAB 46.1, -9.96, -24.68

 

CMYK 67 / 41 / 0 / 41

HEX #315996

RGB 49 89 150

HSL 216.24, 0.51%, 0.39%

LAB 37.84, 6.64, -37.66

 

CMYK 67 / 59 / 0 / 41

HEX #313E96

RGB 49 62 150

HSL 232.28, 0.51%, 0.39%

LAB 30.16, 24.59, -50.01

 

CMYK 67 / 23 / 0 / 65

HEX #1D4458

RGB 29 68 88

HSL 200.34, 0.5%, 0.23%

LAB 27.02, -6.77, -16.03

 

CMYK 67 / 23 / 0 / 53

HEX #275C77

RGB 39 92 119

HSL 200.25, 0.51%, 0.31%

LAB 36.78, -8.42, -20.47

 

CMYK 67 / 23 / 0 / 41

HEX #317496

RGB 49 116 150

HSL 200.2, 0.51%, 0.39%

LAB 46.1, -9.96, -24.68

 

CMYK 67 / 23 / 0 / 29

HEX #3B8CB5

RGB 59 140 181

HSL 200.16, 0.51%, 0.47%

LAB 55.1, -11.44, -28.71

 

CMYK 59 / 20 / 0 / 22

HEX #529FC7

RGB 82 159 199

HSL 200.51, 0.51%, 0.55%

LAB 62.27, -12, -27.73

 

CMYK 67 / 23 / 0 / 42

HEX #317395

RGB 49 115 149

HSL 200.4, 0.51%, 0.39%

LAB 45.75, -9.73, -24.64

 

CMYK 31 / 67 / 0 / 41

HEX #673196

RGB 103 49 150

HSL 272.08, 0.51%, 0.39%

LAB 32.44, 43.4, -46.07

 

CMYK 0 / 5 / 67 / 41

HEX #968F31

RGB 150 143 49

HSL 55.84, 0.51%, 0.39%

LAB 58.37, -9.18, 48.94

 

CMYK 67 / 23 / 0 / 42

HEX #317395

RGB 49 115 149

HSL 200.4, 0.51%, 0.39%

LAB 45.75, -9.73, -24.64

 

CMYK 0 / 67 / 23 / 41

HEX #963174

RGB 150 49 116

HSL 320.2, 0.51%, 0.39%

LAB 37.74, 49.13, -16.2

 

CMYK 23 / 0 / 67 / 41

HEX #749631

RGB 116 150 49

HSL 80.2, 0.51%, 0.39%

LAB 57.8, -27.47, 47.53

 

CMYK 67 / 23 / 0 / 42

HEX #317395

RGB 49 115 149

HSL 200.4, 0.51%, 0.39%

LAB 45.75, -9.73, -24.64

 

CMYK 31 / 67 / 0 / 41

HEX #673196

RGB 103 49 150

HSL 272.08, 0.51%, 0.39%

LAB 32.44, 43.4, -46.07

 

CMYK 0 / 45 / 67 / 41

HEX #965331

RGB 150 83 49

HSL 20.2, 0.51%, 0.39%

LAB 42.6, 24.78, 31.69

 

CMYK 36 / 0 / 67 / 41

HEX #609631

RGB 96 150 49

HSL 92.08, 0.51%, 0.39%

LAB 56.61, -35.25, 45.91

 

CMYK 67 / 23 / 0 / 42

HEX #317395

RGB 49 115 149

HSL 200.4, 0.51%, 0.39%

LAB 45.75, -9.73, -24.64

 

CMYK 11 / 67 / 0 / 41

HEX #853196

RGB 133 49 150

HSL 289.9, 0.51%, 0.39%

LAB 36.72, 50.43, -38.97

 

CMYK 0 / 45 / 67 / 41

HEX #965331

RGB 150 83 49

HSL 20.2, 0.51%, 0.39%

LAB 42.6, 24.78, 31.69

 

CMYK 56 / 0 / 67 / 41

HEX #429631

RGB 66 150 49

HSL 109.9, 0.51%, 0.39%

LAB 55.27, -44.99, 44.08

 

Description

Color code: HEX #317395 | qconv.com Color code: HEX #317395 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 115 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 115 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 23 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 23% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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