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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31733A it is the complementary color #CE8CC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31733A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31733A shade: #367335, #478548, #58975B, #69A96E and #7ABB81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31733A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31733A shade: #31733A, #206127, #0F4F14, #003D01 and #002B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31733A shade: #31723A, #3A7231, #4B7231, #5D7231 and #6E7231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31733A shade: #31723A, #31724B, #31725D, #31726F and #316472

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31733A shade matches the following richer shades: #31723A, #247F30, #178D27 and #099A1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31733A shade: #31723A, #3E6543, #4B584D, #594B57 and #663D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31733A shade: #4B7231, #3A7231, #31723A, #31724B and #31725C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31733A shade: #18381D, #25552B, #31723A, #3D8F48 and #4AAC57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31733A shade: #31733A, #315C72 and #723142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31733A shade: #31733A, #3A3172 and #723A31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31733A shade: #31733A, #315C72, #72316A and #724731

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31733A shade: #31733A, #314972, #72316A and #725A31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 50 / 55

HEX #31733A

RGB 49 115 58

HSL 128.18, 0.4%, 0.32%

LAB 43.09, -34.13, 25.25

 

Complementary color

CMYK 0 / 32 / 4 / 19

HEX #CE8CC5

RGB 206 140 197

HSL 308.18, 0.4%, 0.68%

LAB 66.45, 34.05, -19.4

 

CMYK 53 / 0 / 54 / 55

HEX #367335

RGB 54 115 53

HSL 119.03, 0.37%, 0.33%

LAB 43.22, -33.46, 28.17

 

CMYK 47 / 0 / 46 / 48

HEX #478548

RGB 71 133 72

HSL 120.97, 0.3%, 0.4%

LAB 50.2, -33.41, 26.76

 

CMYK 42 / 0 / 40 / 41

HEX #58975B

RGB 88 151 91

HSL 122.86, 0.26%, 0.47%

LAB 57.04, -33.23, 25.42

 

CMYK 38 / 0 / 35 / 34

HEX #69A96E

RGB 105 169 110

HSL 124.69, 0.27%, 0.54%

LAB 63.76, -32.99, 24.16

 

CMYK 35 / 0 / 31 / 27

HEX #7ABB81

RGB 122 187 129

HSL 126.46, 0.32%, 0.61%

LAB 70.36, -32.72, 22.99

 

CMYK 57 / 0 / 50 / 55

HEX #31733A

RGB 49 115 58

HSL 128.18, 0.4%, 0.32%

LAB 43.09, -34.13, 25.25

 

CMYK 67 / 0 / 60 / 62

HEX #206127

RGB 32 97 39

HSL 126.46, 0.5%, 0.25%

LAB 35.99, -33.84, 26.77

 

CMYK 81 / 0 / 75 / 69

HEX #0F4F14

RGB 15 79 20

HSL 124.69, 0.68%, 0.18%

LAB 28.76, -32.84, 28.12

 

CMYK 100 / 0 / 98 / 76

HEX #003D01

RGB 0 61 1

HSL 120.98, 1%, 0.12%

LAB 21.36, -30.92, 28.45

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 57 / 0 / 49 / 55

HEX #31723A

RGB 49 114 58

HSL 128.31, 0.4%, 0.32%

LAB 42.75, -33.69, 24.83

 

CMYK 49 / 0 / 57 / 55

HEX #3A7231

RGB 58 114 49

HSL 111.69, 0.4%, 0.32%

LAB 43, -32.32, 30.07

 

CMYK 34 / 0 / 57 / 55

HEX #4B7231

RGB 75 114 49

HSL 96, 0.4%, 0.32%

LAB 43.88, -26.26, 31.32

 

CMYK 18 / 0 / 57 / 55

HEX #5D7231

RGB 93 114 49

HSL 79.38, 0.4%, 0.32%

LAB 45.06, -18.89, 33.01

 

CMYK 4 / 0 / 57 / 55

HEX #6E7231

RGB 110 114 49

HSL 63.69, 0.4%, 0.32%

LAB 46.41, -11.37, 34.92

 

CMYK 57 / 0 / 49 / 55

HEX #31723A

RGB 49 114 58

HSL 128.31, 0.4%, 0.32%

LAB 42.75, -33.69, 24.83

 

CMYK 57 / 0 / 34 / 55

HEX #31724B

RGB 49 114 75

HSL 144, 0.4%, 0.32%

LAB 43.06, -30.49, 15.51

 

CMYK 57 / 0 / 18 / 55

HEX #31725D

RGB 49 114 93

HSL 160.62, 0.4%, 0.32%

LAB 43.47, -26.29, 5.42

 

CMYK 57 / 0 / 3 / 55

HEX #31726F

RGB 49 114 111

HSL 177.23, 0.4%, 0.32%

LAB 44, -21.36, -4.62

 

CMYK 57 / 12 / 0 / 55

HEX #316472

RGB 49 100 114

HSL 192.92, 0.4%, 0.32%

LAB 39.55, -12.72, -13.11

 

CMYK 57 / 0 / 49 / 55

HEX #31723A

RGB 49 114 58

HSL 128.31, 0.4%, 0.32%

LAB 42.75, -33.69, 24.83

 

CMYK 72 / 0 / 62 / 50

HEX #247F30

RGB 36 127 48

HSL 127.91, 0.56%, 0.32%

LAB 46.67, -43.49, 34.69

 

CMYK 84 / 0 / 72 / 45

HEX #178D27

RGB 23 141 39

HSL 128.14, 0.72%, 0.32%

LAB 51.13, -51.39, 43.55

 

CMYK 94 / 0 / 81 / 40

HEX #099A1D

RGB 9 154 29

HSL 128.28, 0.89%, 0.32%

LAB 55.34, -57.42, 51.26

 

CMYK 57 / 0 / 49 / 55

HEX #31723A

RGB 49 114 58

HSL 128.31, 0.4%, 0.32%

LAB 42.75, -33.69, 24.83

 

CMYK 39 / 0 / 34 / 60

HEX #3E6543

RGB 62 101 67

HSL 127.69, 0.24%, 0.32%

LAB 39.13, -21.73, 15.02

 

CMYK 15 / 0 / 13 / 65

HEX #4B584D

RGB 75 88 77

HSL 129.23, 0.08%, 0.32%

LAB 36.01, -7.52, 4.68

 

CMYK 0 / 16 / 2 / 65

HEX #594B57

RGB 89 75 87

HSL 308.57, 0.09%, 0.32%

LAB 33.66, 8.29, -4.89

 

CMYK 0 / 40 / 6 / 60

HEX #663D60

RGB 102 61 96

HSL 308.78, 0.25%, 0.32%

LAB 31.82, 23.94, -13.25

 

CMYK 34 / 0 / 57 / 55

HEX #4B7231

RGB 75 114 49

HSL 96, 0.4%, 0.32%

LAB 43.88, -26.26, 31.32

 

CMYK 49 / 0 / 57 / 55

HEX #3A7231

RGB 58 114 49

HSL 111.69, 0.4%, 0.32%

LAB 43, -32.32, 30.07

 

CMYK 57 / 0 / 49 / 55

HEX #31723A

RGB 49 114 58

HSL 128.31, 0.4%, 0.32%

LAB 42.75, -33.69, 24.83

 

CMYK 57 / 0 / 34 / 55

HEX #31724B

RGB 49 114 75

HSL 144, 0.4%, 0.32%

LAB 43.06, -30.49, 15.51

 

CMYK 57 / 0 / 19 / 55

HEX #31725C

RGB 49 114 92

HSL 159.69, 0.4%, 0.32%

LAB 43.45, -26.54, 5.98

 

CMYK 57 / 0 / 48 / 78

HEX #18381D

RGB 24 56 29

HSL 129.38, 0.4%, 0.16%

LAB 20.48, -18.93, 13.34

 

CMYK 56 / 0 / 49 / 67

HEX #25552B

RGB 37 85 43

HSL 127.5, 0.39%, 0.24%

LAB 31.95, -26.52, 19.61

 

CMYK 57 / 0 / 49 / 55

HEX #31723A

RGB 49 114 58

HSL 128.31, 0.4%, 0.32%

LAB 42.75, -33.69, 24.83

 

CMYK 57 / 0 / 50 / 44

HEX #3D8F48

RGB 61 143 72

HSL 128.05, 0.4%, 0.4%

LAB 53.06, -40.63, 30.3

 

CMYK 57 / 0 / 49 / 33

HEX #4AAC57

RGB 74 172 87

HSL 127.96, 0.4%, 0.48%

LAB 63.05, -46.87, 35.09

 

CMYK 57 / 0 / 50 / 55

HEX #31733A

RGB 49 115 58

HSL 128.18, 0.4%, 0.32%

LAB 43.09, -34.13, 25.25

 

CMYK 57 / 19 / 0 / 55

HEX #315C72

RGB 49 92 114

HSL 200.31, 0.4%, 0.32%

LAB 36.97, -8.01, -17.06

 

CMYK 0 / 57 / 42 / 55

HEX #723142

RGB 114 49 66

HSL 344.31, 0.4%, 0.32%

LAB 29.83, 30.53, 3.47

 

CMYK 57 / 0 / 50 / 55

HEX #31733A

RGB 49 115 58

HSL 128.18, 0.4%, 0.32%

LAB 43.09, -34.13, 25.25

 

CMYK 49 / 57 / 0 / 55

HEX #3A3172

RGB 58 49 114

HSL 248.31, 0.4%, 0.32%

LAB 24.67, 22.44, -36.37

 

CMYK 0 / 49 / 57 / 55

HEX #723A31

RGB 114 58 49

HSL 8.31, 0.4%, 0.32%

LAB 31.41, 23.62, 16.67

 

CMYK 57 / 0 / 50 / 55

HEX #31733A

RGB 49 115 58

HSL 128.18, 0.4%, 0.32%

LAB 43.09, -34.13, 25.25

 

CMYK 57 / 19 / 0 / 55

HEX #315C72

RGB 49 92 114

HSL 200.31, 0.4%, 0.32%

LAB 36.97, -8.01, -17.06

 

CMYK 0 / 57 / 7 / 55

HEX #72316A

RGB 114 49 106

HSL 307.38, 0.4%, 0.32%

LAB 31.38, 36.74, -20.18

 

CMYK 0 / 38 / 57 / 55

HEX #724731

RGB 114 71 49

HSL 20.31, 0.4%, 0.32%

LAB 34.61, 15.88, 20.8

 

CMYK 57 / 0 / 50 / 55

HEX #31733A

RGB 49 115 58

HSL 128.18, 0.4%, 0.32%

LAB 43.09, -34.13, 25.25

 

CMYK 57 / 36 / 0 / 55

HEX #314972

RGB 49 73 114

HSL 217.85, 0.4%, 0.32%

LAB 30.96, 4.01, -26.41

 

CMYK 0 / 57 / 7 / 55

HEX #72316A

RGB 114 49 106

HSL 307.38, 0.4%, 0.32%

LAB 31.38, 36.74, -20.18

 

CMYK 0 / 21 / 57 / 55

HEX #725A31

RGB 114 90 49

HSL 37.85, 0.4%, 0.32%

LAB 39.77, 4.39, 27.19

 

Description

Color code: HEX #31733A | qconv.com Color code: HEX #31733A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 115 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 115 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 50 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 50% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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