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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #315987 it is the complementary color #CEA678. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #315987. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #315987 shade: #365982, #476B95, #587DA8, #698FBB and #7AA1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #315987. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #315987 shade: #315987, #204774, #0F3561, #00234E and #00113B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #315987 shade: #315987, #314287, #373187, #4E3187 and #663187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #315987 shade: #315987, #314287 and #313187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #315987 shade matches the following richer shades: #315987, #225896, #1357A5 and #0456B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #315987 shade: #315987, #405A78, #4E5B69, #5D5C5A and #6C5D4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #315987 shade: #318787, #317087, #315987, #314287 and #363187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #315987 shade: #1B314A, #264569, #315987, #3C6DA5 and #4C81BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #315987 shade: #315987, #703187 and #7B8731

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #315987 shade: #315987, #873159 and #598731

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #315987 shade: #315987, #703187, #875F31 and #488731

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #315987 shade: #315987, #873184, #875F31 and #318734

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

Complementary color

CMYK 0 / 19 / 42 / 19

HEX #CEA678

RGB 206 166 120

HSL 32.09, 0.47%, 0.64%

LAB 70.7, 8.58, 29.36

 

CMYK 58 / 32 / 0 / 49

HEX #365982

RGB 54 89 130

HSL 212.37, 0.41%, 0.36%

LAB 37.01, 0.46, -26.82

 

CMYK 52 / 28 / 0 / 42

HEX #476B95

RGB 71 107 149

HSL 212.31, 0.35%, 0.43%

LAB 44.27, -0.32, -26.86

 

CMYK 48 / 26 / 0 / 34

HEX #587DA8

RGB 88 125 168

HSL 212.25, 0.31%, 0.5%

LAB 51.35, -0.91, -26.95

 

CMYK 44 / 24 / 0 / 27

HEX #698FBB

RGB 105 143 187

HSL 212.2, 0.38%, 0.57%

LAB 58.26, -1.37, -27.06

 

CMYK 41 / 22 / 0 / 19

HEX #7AA1CE

RGB 122 161 206

HSL 212.14, 0.46%, 0.64%

LAB 65.03, -1.75, -27.21

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 72 / 39 / 0 / 55

HEX #204774

RGB 32 71 116

HSL 212.14, 0.57%, 0.29%

LAB 29.6, 2.55, -29.87

 

CMYK 85 / 45 / 0 / 62

HEX #0F3561

RGB 15 53 97

HSL 212.2, 0.73%, 0.22%

LAB 21.98, 4.62, -29.85

 

CMYK 100 / 55 / 0 / 69

HEX #00234E

RGB 0 35 78

HSL 213.08, 1%, 0.15%

LAB 14.13, 7.62, -29.83

 

CMYK 100 / 71 / 0 / 77

HEX #00113B

RGB 0 17 59

HSL 222.71, 1%, 0.12%

LAB 6.47, 12.32, -28.96

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 64 / 51 / 0 / 47

HEX #314287

RGB 49 66 135

HSL 228.14, 0.47%, 0.36%

LAB 30.15, 16.36, -40.8

 

CMYK 59 / 64 / 0 / 47

HEX #373187

RGB 55 49 135

HSL 244.19, 0.47%, 0.36%

LAB 26.03, 28.87, -47.44

 

CMYK 42 / 64 / 0 / 47

HEX #4E3187

RGB 78 49 135

HSL 260.23, 0.47%, 0.36%

LAB 28.29, 33.68, -43.68

 

CMYK 24 / 64 / 0 / 47

HEX #663187

RGB 102 49 135

HSL 276.98, 0.47%, 0.36%

LAB 31.28, 39.51, -38.71

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 64 / 51 / 0 / 47

HEX #314287

RGB 49 66 135

HSL 228.14, 0.47%, 0.36%

LAB 30.15, 16.36, -40.8

 

CMYK 64 / 64 / 0 / 47

HEX #313187

RGB 49 49 135

HSL 240, 0.47%, 0.36%

LAB 25.56, 27.8, -48.24

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 77 / 41 / 0 / 41

HEX #225896

RGB 34 88 150

HSL 212.07, 0.63%, 0.36%

LAB 36.97, 4.97, -39.08

 

CMYK 88 / 47 / 0 / 35

HEX #1357A5

RGB 19 87 165

HSL 212.05, 0.79%, 0.36%

LAB 37.25, 10.16, -47.65

 

CMYK 98 / 52 / 0 / 29

HEX #0456B4

RGB 4 86 180

HSL 212.05, 0.96%, 0.36%

LAB 37.8, 16.23, -55.65

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 47 / 25 / 0 / 53

HEX #405A78

RGB 64 90 120

HSL 212.14, 0.3%, 0.36%

LAB 37.41, -0.95, -20.02

 

CMYK 26 / 13 / 0 / 59

HEX #4E5B69

RGB 78 91 105

HSL 211.11, 0.15%, 0.36%

LAB 38.06, -1.53, -9.67

 

CMYK 0 / 1 / 3 / 64

HEX #5D5C5A

RGB 93 92 90

HSL 40, 0.02%, 0.36%

LAB 39.1, -0.01, 1.28

 

CMYK 0 / 14 / 30 / 58

HEX #6C5D4C

RGB 108 93 76

HSL 31.88, 0.17%, 0.36%

LAB 40.47, 3.18, 12.01

 

CMYK 64 / 0 / 0 / 47

HEX #318787

RGB 49 135 135

HSL 180, 0.47%, 0.36%

LAB 51.53, -25.13, -7.61

 

CMYK 64 / 17 / 0 / 47

HEX #317087

RGB 49 112 135

HSL 196.05, 0.47%, 0.36%

LAB 44.22, -12.74, -18.67

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 64 / 51 / 0 / 47

HEX #314287

RGB 49 66 135

HSL 228.14, 0.47%, 0.36%

LAB 30.15, 16.36, -40.8

 

CMYK 60 / 64 / 0 / 47

HEX #363187

RGB 54 49 135

HSL 243.49, 0.47%, 0.36%

LAB 25.95, 28.68, -47.58

 

CMYK 64 / 34 / 0 / 71

HEX #1B314A

RGB 27 49 74

HSL 211.91, 0.47%, 0.2%

LAB 19.74, 0.13, -18.11

 

CMYK 64 / 34 / 0 / 59

HEX #264569

RGB 38 69 105

HSL 212.24, 0.47%, 0.28%

LAB 28.61, 0.84, -24.44

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 64 / 34 / 0 / 35

HEX #3C6DA5

RGB 60 109 165

HSL 212, 0.47%, 0.44%

LAB 45.1, 1.46, -35.06

 

CMYK 60 / 32 / 0 / 25

HEX #4C81BE

RGB 76 129 190

HSL 212.11, 0.47%, 0.52%

LAB 52.9, 1.03, -37.24

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 17 / 64 / 0 / 47

HEX #703187

RGB 112 49 135

HSL 283.95, 0.47%, 0.36%

LAB 32.68, 42.07, -36.39

 

CMYK 9 / 0 / 64 / 47

HEX #7B8731

RGB 123 135 49

HSL 68.37, 0.47%, 0.36%

LAB 53.77, -16.91, 43.4

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 0 / 64 / 34 / 47

HEX #873159

RGB 135 49 89

HSL 332.09, 0.47%, 0.36%

LAB 34.13, 40.85, -4.79

 

CMYK 34 / 0 / 64 / 47

HEX #598731

RGB 89 135 49

HSL 92.09, 0.47%, 0.36%

LAB 51.47, -30.97, 40.21

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 17 / 64 / 0 / 47

HEX #703187

RGB 112 49 135

HSL 283.95, 0.47%, 0.36%

LAB 32.68, 42.07, -36.39

 

CMYK 0 / 30 / 64 / 47

HEX #875F31

RGB 135 95 49

HSL 32.09, 0.47%, 0.36%

LAB 43.59, 11.15, 32.33

 

CMYK 47 / 0 / 64 / 47

HEX #488731

RGB 72 135 49

HSL 103.95, 0.47%, 0.36%

LAB 50.6, -37.01, 39.01

 

CMYK 64 / 34 / 0 / 47

HEX #315987

RGB 49 89 135

HSL 212.09, 0.47%, 0.36%

LAB 37.02, 1.15, -29.87

 

CMYK 0 / 64 / 2 / 47

HEX #873184

RGB 135 49 132

HSL 302.09, 0.47%, 0.36%

LAB 36.01, 47.54, -29.03

 

CMYK 0 / 30 / 64 / 47

HEX #875F31

RGB 135 95 49

HSL 32.09, 0.47%, 0.36%

LAB 43.59, 11.15, 32.33

 

CMYK 64 / 0 / 61 / 47

HEX #318734

RGB 49 135 52

HSL 122.09, 0.47%, 0.36%

LAB 49.77, -43.21, 36.41

 

Description

Color code: HEX #315987 | qconv.com Color code: HEX #315987 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 89 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 89 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 34 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 34% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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